"Not Dark Yet" is the twenty-seventh installment in Peter Robinson's long-running Alan Banks series. Now a Detective Superintendent in North Yorkshire, Banks was once a heavy smoker, drinker, and ladies' man. He still enjoys alcohol within limits, but has since quit smoking and, at the moment, has no romantic entanglements. The heroine is a beautiful and mysterious woman named Zelda, who spent her formative years in an orphanage in Moldova. After she left the facility at the age of seventeen, she was abducted and physically abused. This horrendous experience left Zelda traumatized, but instead of internalizing her rage, she resolved to punish those who cruelly mistreated her.
The complicated plot involves the rape of a young girl at a wild party and five weeks later, the murder of two men—one the host of the party and the other his employee. Further acts of mayhem ensue. DS Banks, DI Annie Cabbot, and DC Gerry Masterson chase down leads, interrogate witnesses, and come to believe that their case may have roots in the past. The most unsettling aspect of this novel is the pleasure that the villains take in torturing and demeaning women. Zelda stands out for her desire to define herself not as a victim, but as an avenger. Although she deserves kudos for courage and daring, not all of her exploits ring true. Complicating matters is the unconventional relationship between Zelda and Ray, Annie Cabbot's father. Ray, an accomplished artist in his seventies, adores Zelda, who cares for him deeply, as well.
In "Not Dark Yet," Banks and company attempt to bring down arrogant and immoral thugs who are engaged in drug dealing, human trafficking, arson, and kidnapping. The plucky Zelda is the most intriguing character, followed by Charlotte Westlake, an events planner who knows far more than she is willing to reveal. Impatient readers may find the author's passages describing scenery, meals, and musical selections to be unnecessarily long and tedious. In addition, although Alan, Annie, and Gerry perform their jobs capably, Robinson touches on their personal lives only in passing. Alas, this unremarkable police procedural lacks the depth, subtlety, and superior writing that made some of the earlier Banks tales so compelling.