SEASONAL WORK is a collection of short stories written by Laura Lippman.
At one time, Laura Lippman was one of my favourite writers. But her last few books have been disappointing, not because her writing skills have deteriorated, but because she no longer seems to care about pleasing her audience. In any book of short stories, there are always a few that will not resonate with a reader, but in SEASONAL WORK, I found more than a few that disappointed me.
Here is my summary on this collection:
Seasonal Work: A story told by a 14-year-old girl whose stepfather runs an annual Christmas con that supports him, her, and her three young half-siblings for the rest of the year. Tess Monaghan makes a brief appearance but this isn’t a Monaghan story. This one has a nice kicker in the final few sentences. When Lippman is good, she is deadly.
The Book Thing: A Tess Monaghan story that I’ve read in another anthology. Nothing special, certainly not special enough to appear in two anthologies.
The Everyday Housewife: A story about Judith Monaghan, Tess’s mother, soon after she married and before she had Tess. Ostensibly, it is about a Russian defector and his wife, the Monaghan’s neighbours, and Judith’s observations concerning them as well as others living in the neighbourhood. A murder takes place but it is not as important overall as the depiction of a housewife’s life in the early fifties. An atmosphere piece. Wouldn’t resonate with the majority of readers, although I enjoyed it, given that I was a teenager then and it brought back memories of how the majority of women lived at that time (and why I ran away from it).
Cougar: Fairly good, about a mother who is afraid of her own drug-dealing son.
Snowflake Time: A good one. Lippman’s protagonist, John Doyle, is a traditional male with conventional values who (of course) must get his comeuppance — in a most unusual way. Strangely enough, I emphasized (a bit) with Doyle, felt his discomfort at being misunderstood in terms of today’s cultural values. Also, a bit of a satire on authors who outline but don’t write their own books. An excellent ending line.
Tricks: C- rating. About hoodwinking a con man. I didn’t care for either of the characters.
Ice: Another C-. A ghost story that appears written to amuse a young girl.
The Last of Sheila Locke-Holmes: Rating F — a complete failure. Lippman is trying to channel her own life into a story and it doesn’t work. (If you read her memoir “My Life as a Villainess”, which I have, your would see the connection between the author’s life and this story.)
Five Fires: B rating. A stream of consciousness narrative. The narrator is a teenager living in a small town who is obviously unhinged. Closer in tone to Lippman’s earlier short stories, although this doesn’t rank among her very best.
Waco 1982: Again fairly good. It mixes Lippman’s real past (she worked as a journalist for years in Texas) with her imagination and creates a story about a strangler who gets away with murder because a wife doesn’t want to expose her husband’s indiscretion. Most of Lippman’s stories combine events that really happened with imagined consequences.
Slow Burner: A-. What appears to be a boring story of a wife eavesdropping on her husband’s secret text messages to another woman, flips into a surprise ending. Can’t say anything more without spoiling the plot.
Just One More: C-. Too long and boring, and although there is a twist at the end, I had guessed much of what was actually taking place before this twist took place.
I think “Seasonal Work”, “Snowflake Time”, and “Slow Burner” are good short stories. I also personally liked “The Everyday Housewife” because it evoked so well the world I ran away from. Was worth borrowing from the library for those four stories.