I have provided an honest review of this book – “Small Miracles” by author Olivia Atwater – below for purposes of the Self-Published Fantasy Blog-Off (SPFBO) Number 8 competition, in which this book is one of ten finalists. Before We Go Blog (where I am one of the judges) is assigned the book, along with the other 9 judging blogs, to help determine which one of 10 books will emerge as the SPFBO 8 Champion.
In 1990, two iconic fantasy authors, Neil Gaiman and Terry Pratchett, collaborated to write the famed novel “Good Omens” (full title: “Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch”.
This is NOT a review of that book. Yet unavoidably, there will be comparisons between “Small Miracles” by Atwater, and that seminal work by Gaiman and Pratchett.
And that’s a good thing.
Atwater pokes great fun at the celestial realm of angels and demons in her marvellous work, and with such features in “Small Miracles”, one will definitely be reminded of “Good Omens”. Additionally, Atwater has also noted, in the acknowledgement section at the back of the book, that she has drawn inspiration from “Good Omens” in her work.
Although there is no impending, world-ending disaster lurking in “Small Miracles” – this is considerably lighter fare. But its lightness doesn’t mean it’s not a worthwhile, intriguing book.
The plot of the novel appears simple and fun, at first glance. Described as eminently unremarkable and plain-looking, Gadriel, the chocolate-loving, gambling-addicted main character, is the Fallen Angel of Petty Temptations. But he/she has “fallen” more over policy violations than any real horrific sin.
His/Her purview is minor transgressions. He’s/she’s not really evil despite the fallen angel status, but rather mischievous, and his/her agenda is not really sinister. What Gadriel does is prod humans to succumb to minor temptations, and thus achieve overall increased happiness and satisfaction with their lot in life.
While companionably meeting up over a coffee, Gadriel becomes indebted to his/her non-fallen angelic bookie and sibling, Barachiel, after losing a friendly wager. Barachiel is the Angel of Good Fortune.
But Gadriel has an out. In what appears to be a simple task for the formidable powers of an angel, if Gadriel can successfully tempt a mortal without sin, named Holly Harker, to stray, his/her debt will be erased.
Says Barachiel of Holly,
“She has one of the lowest cumulative sin metrics I’ve ever seen. Truly she must be even more miserable than a Greek Cynic…. I want you to tempt her… just enough to make sure she’s enjoying her life?”
Gadriel is confident, even a bit cocky, about his/her chances of success in terms of seducing Holly to give into temptation.
Yet, true to her advanced sin metrics, Holly proves remarkably incorruptible, despite Gadriel’s initial efforts to inveigle Holly to live a little, and treat herself to some of the better things life has to offer. So Gadriel is forced to up his/her game, and use small miracles to achieve his/her ends.
I fell head over heels for Gadriel, Holly, and the characters in this book. Since for me, every great book begins with great characters and great characterization by the author, I was, pardon the shameless pun, in Heaven here.
The endearing, smart, yet somewhat naive and slightly fumbling and flawed Gadriel was a wonderful main character. Once she finds out she’s out of her depth in provoking Holly to acquiesce to sin, she resorts to something different, but Holly’s intractability also leads to Gadriel and Holly forming a great relationship, as they get to know one another better.
This allows us some of the novel’s best, most light-hearted amusing, and yet tender and poignant moments, as these two characters interact.
Holly is absolutely lovely, yet complicated, and her childhood traumas have influenced her adult life, and hold the sad key to why she is so staunch in her virtue.
Holly’s gruff niece Ella was also a fabulous character, and her teenage life at school provided more exceptional opportunities for character development for all three: Gadriel, Holly, and Ella. Both Holly and Ella are dealing with emotional and psychological pain, and the bond between the three becomes one of catharsis and healing, in unintended ways for all of them.
And while this is indeed a less heavy book than “Good Omens” (featuring such portentous figures as the Anitchrist and the four “bikers” of the Apocalypse) the ominous character Wormwood – an inexperienced devil whose mandate is to tempt humans to hell – from C.S. Lewis’s “Screwtape Letters”, appears in “Small Miracles”, to provide an antagonist, if there is one, for the book.
Whimsy and satire is employed in highly effective fashion by Atwater to convey some fairly stark and challenging themes in the book. Love, loss, grief, death, forgiveness, redemption, family. Atwater shows a very deft hand in handling these issues.
And, I absolutely adore the theme of gods or demi-gods or beings such as angels, interfering with the lives of mortals, and producing unplanned-for results. The overriding sense here is one of hope and optimism, and despite Gadriel meddling to try and tempt Holly to sin, you know everything is going to work out for the best, in the end.
The worldbuilding is definitely Pratchett-esque. Set for the most part in modern-day London, England, with the backdrop of the heavens looming, one of the most interesting features of the novel’s world, and a clever plot device, is how sin is accounted for and tallied up. With each good deed, a mortal gets a little in the black on the ledgers, while each infraction earns a little in the red.
There are numerous witty footnotes spread throughout the book, again like Pratchett, that amusingly prompt the reader to keep their own personal tally of the sin lost or virtue gained on the balance books. I loved this feature of the worldbuilding, and laughed out loud at some of the footnotes.
Kudos to how Atwater approaches gender fluidity in the novel! As per many interpretations of Angels from a Christian perspective, which denotes them as not being assigned a gender in the way humans can comprehend. Atwater notes in her work, casually,
“Angels… chose a gender for the day, in rather the same way that you or I might choose a shirt or trousers…
Really liked how this was done!
Atwater is a seasoned, accomplished writer of many books, and it shows in her prose. Polished, graceful, and ultimately, highly readable, there are ZERO stumbling blocks to devouring this book. Save stopping to read the footnotes, which for me, I didn’t find distracting, but rather, enriching, though I can see how some might not feel the same.
The verdict?
Atwater takes slice of life, regular folk’s existence that has more depth than at first realized, combined with playfully misbehaving angels doing petty pranks that turn out to have bigger consequences, compelling themes handled light and very adroitly, brilliant characters, wonderful prose, satire, and that cozy feel that is so popular right now, to spin an absolute delight of a novel.
Were Pratchett alive, I dare to hope he’d agree with my rating, if he read the book, which according to Atwater, is somewhat of a homage to his “Good Omens”.
Paul’s Individual SPFBO Score: 9.0 out of possible 10.
Overall cumulative score from Before We Go Blog: 8.0 out of possible 10.