Ein spannendes, brandneues Abenteuer – die Brücke von der ersten zur zweiten Staffel der Fernsehserie Star Trek: Picard!
Nach den explosiven Ereignissen in der ersten Staffel von Star Trek: Picard ist Raffi Musiker hin- und hergerissen zwischen der Rückkehr in ihr altes Leben als Geheimdienstoffizierin der Sternenflotte und einer etwas harmloseren Tätigkeit – vielleicht als Lehrerin an der Akademie. Die Entscheidung wird ihr jedoch abgenommen, als sie eine Nachricht von einem alten Kontakt – einem romulanischen Spion – erhält, der sie um sofortige Hilfe bittet. Mit der Hilfe von Cristobal Rios und Dr. Agnes Jurati und der Unterstützung von Jean-Luc Picard beschließt Raffi, diese kritische Mission zu übernehmen – und findet schnell heraus, dass die Sünden der Vergangenheit nie begraben bleiben. Die Suche nach der Wahrheit wird kompliziert und tödlich sein …
Nach dem Erfolgstitel Die letzte und einzige Hoffnung ein weiterer Band, der die Handlung der TV-Serie komplettiert.
Una McCormack is a British writer and the author of several Star Trek novels and stories.
Ms. McCormack is a New York Times bestselling author. She has written four Doctor Who novels: The King's Dragon and The Way through the Woods (featuring the Eleventh Doctor, Amy, and Rory); Royal Blood (featuring the Twelfth Doctor and Clara), and Molten Heart (featuring the Thirteenth Doctor, Yaz, Ryan and Graham). She is also the author of numerous audio dramas for Big Finish Productions.
Well, after much anticipation and a very good start I ended up a little disappointed with this story in the end. I didn't want to not like this as much as I didn't, but I did.
On the plus side this story does give Raffi some good background and we catch up with a character we haven't seen for a while. It also sets up Raffi, Rios and Elnor for the next stories too. On the minus side the guest character gets a poor story and Picard's character gets a beating.
"Have you considered that as you make your decision about what to do next, you would do better thinking less about setting your past straight and more about the shape you would like your future to take."
Picard still has a few great lines and there is also a redeeming statement by Raffi near the end where she says something like "Even for all your blind spots, you're still full of wisdom."
This story kind of continues the theme of Picard lazy-helping, or perhaps having the best intentions but applying non-ideal or even inappropriate actions. The best example I'm thinking of from this story is Picard trying to encourage both Raffi and Elnor to attend the academy where Picard will be vice chancellor. Of course, this will enable him to be there for them, to support them, but does not consider whether the academy is the best or even most desirable place for Raffi and/or Elnor.
Another thing clearly continued in this story is Raffi's suspicious difficulty with trust. When she spends time with Picard at the beginning of the story she accused him three times of having alterior motives.
Also, I'm not sure if it was a slip up or an intended irony, but when Raffi arrived at Chateau Picard, Picard says to her something like: "Oh, nice of you to think to come and visit me" which is a bit rich considering that Raffi had felt completely abandoned by him after he dropped out of Starfleet. Anywayyy.
Also, I thought it was a bit rough to offer wine to a recovering alcoholic. Anywayyy.
Well, I liked the ladies ganging up on Picard in essence, but I thought it came off as a bit harsher in tone than necessary.
I'm one of the fans who was totally cool with Raffi's nickname for Picard, but it may have been overused in this story. Fair enough when Raffi is talking to him or thinking about him, then "JL" is appropriate, but the narrative voice and other characters should have more naturally been referring to him by his name, I'd say.
This review is a bad place to bring it up. But I often wonder how Picard's family own a vineyard (and the Siskos have their family restaurant) in a moneyless society. Not because I want to pick it apart, just because I'd be interested in how that works, if it has been established.
I recently started a new gig and my reading has been way off, my note taking has copped the biggest blow, so I was a little apprehensive getting into this book right now because I didn't want to be distracted and miss the point, BUT, I guess it's a case of loving what we love or just coming "home" to a familiar book series. I instantly was drawn into this story and by about half hour into the listen I'd already penned five paragraphs of notes. This is why I'll always come back to Star Trek.
So anyway, the intro stuff is fine. No thrill. A bit heavy on the Picard-scalding. And it leads to Raffi looking for a cover-reason to head to Cardassia Prime (now that I'm reading back through this, I think it was another Cardassian colony planet, Ordeve, but maybe she had to get to Prime first). She visits a bunch of "friends" who apparently despise Picard, at least they clearly despise Raffi's relationship with him, and then asks them for anything they can think of for a reason for her to go there. And this scene was dumb to me. They just get angry at her for being Picard's bitch and storm out.
The "red alert" going off in Raffi's mind when she offers to head to Ordeve made me think she was about to make the same mistake that Picard made with the Romulans over on Elnor's refuge-world.
Apart from feeling like the Picard-isn't-perfect message came across a bit heavy-handed, I also didn't like the boomerang trajectory that the narrative took, going backwards in time before returning to the starting point.
At one point Raffi (who, don't forget, is supposed to be a sort of systems hacking wizard,) has to ask what a geophysical survey is, perhaps the jump back in time went so far that we meet a poorly educated young Raffi, but this is only one example of what I thought was some lazy writing.
I like that Raffi and to some extent Rios are put into situations where they must defend the value of Starfleet and the Federation even though they have some level of personal conflict with the idea.
The narration is good, although I have enjoyed some of January LaVoy's other readings more than this one. Actually it started a little rough but either it improved or I became comfortable with it over time. It just didn't seem to have the same energy as some of her other work.
I do think Una McCormack is shaping up to be my favorite Star Trek author.
I enjoyed this look at Raffi's past and how she ends up where we find her at the beginning of season 2 of Picard. I particularly like the way the novel worked with different timelines and POVs, while mostly maintaining focus on Raffi. The twist at the end was somewhat predictable after a certain point, but I didn't really mind that.
Star Trek Picard: Second Self is the newest Star Trek novel in the Picard line of novels published by Gallery Books. It was written by Una Mccormack and was released in September of 2022.
The first thing I’ll say about this book is that it is a long time coming. We have not had a Star Trek novel in almost 10 months, since Deep Space Nine: Revenant came out last year. As such, there has been such a drought of Trek publishing that fans have been itching for a new release. This book was scheduled for release in May, but due to paper shortages kept getting pushed back to September. As such, this book has an important role in the history of Star Trek publishing.
While Picard is on the cover of the book, he actually has very little page time in the book. This really is Raffi’s book, along with Elnor and another character. As such, I think that Raffi actually makes a compelling primary character. She really has been the glue throughout the Picard novels thus far (Ironic that she is the glue, and not Picard, since the series is named after him).
This book tackles many difficult themes that Una McCormack is famous for. Her previous books all deal with War or Post-War societies, and she examines the ideas of redemption for war crimes and justice for war crimes. Those themes are what made The Crimson Shadow an amazing book, and her other thematic explorations are what made The Last Best Hope one of the best Standalone Star Trek novels. Those two books alone made me an Una McCormack fan. Unfortunately, this book tries to tackle these deeper themes, but fails due to the confusing plot and the character continuity issues.
The biggest issue I have with this book is it’s character continuity issue. This book follows Raffi’s search to find (Spoiler redacted). This individual, who will be well known to many a Star Trek watcher and reader, takes an incredible prominence in the book, despite being left out of the marketing and treated like a mystery in the first third of the book. It is for that reason that I am trying my best to avoid spoiling the identity of this character.
However, this is one of the few times where my “continuity” self cannot let go of my brain. This Spoiler Character has some major roles in the “Post-Nemesis” line of Star Trek novels and I cannot help but like their appearance in that line rather than here. Ironically, Una McCormack was the primary writer of that character in those books, so its funny to have her succeed so strongly in those books but fail so miserably here.
My other primary issue with the book is the plotline. This story is set up in 5 parts. Parts 1 and 5 are in the present (2399). Parts 2 and 4 are a flashback to just after the Dominion War in 2375-2376. Part 3 is a flashback to a flashback to 2340, during the Occupation. It makes sense within the structure of the book, but having half of the book as flashbacks and less then half in the present makes it very frustrating. Had McCormack had more time in the present, these flashbacks would have worked better. I think this is why John Jackson Miller’s “Prey” trilogy worked so well, as the flashbacks in those books was less than a third of each book, whereas here it makes up the bulk of the story.
In addition to the flashback issues, we are largely following the flashbacks of this “spoiler character”, and since that character is prominent in other Trek literature, it is frustrating to see their story twisted in these flashbacks and to be made even more melancholy. What made the Post-Nemesis line so great was its sense of hope and its sense of redemption. Both are present here, but they are drowned out by this sense of dread, depression, and tragedy. This book has little to no humor, and it hurts it significantly.
If there are some good moments in this book, it comes from Elnor and Raffi’s relationship. They have a good dynamic throughout, and I would like to see a book where Elnor serves as the sidekick/comic-relief/”Watson” to another Picard character (A Rios/Elnor novel would be spectacular!). I also enjoyed Picard’s moments in the book, and his interaction with Laris (although, he should have had a much bigger role).
This book also serves as a good bridge book for Picard seasons 1 and 2. Since I have only seen season 1, this book came just at the right time. I might just watch season 2 now that I have all of the necessary set up.
Overall, I’m actually pretty let down by this book. First of all, its a depressing book. That worked really well for The Last Best Hope, and actually served as a way to establish the tone of this line, but it was a detriment here. Also, this is the first book in months, and there is an expectation that it should have knocked it out of the park and led the way for a new era of Trek publishing. Instead, the new era begins on a whimper. I give Picard: Second Self a 3 out of 5. It was ok, but ultimately failed to keep up with it’s Picard-novel predecessors.
In the wake of the events that led to the discovery of Dr Altan Soong and his planet of synthetic beings, Lt Cmdr Raffaela Musiker's commission is reactivated and she is encouraged by Admiral Picard to return to a world she first visited years before, in the wake of the Dominion War. Her cover story is that she is to make contact with a Romulan ally, but she is also tasked with extracting a Cardassian envoy who has been a thorn in the Federation's side for decades: Elim Garak.
Well written and in keeping with not just 'Star Trek: Picard', but the wider 'Star Trek' universe, McCormack reveals a lot of Raffi's back story, but also sets up a fascinating science fiction story with far reaching implications.
I read this in nearly one single gulp: a powerful story of Raffi in the chaos of the post-Dominion War era, and a follow up to a very special DS9 character. This is easily the best "Picard" novel to date, perhaps the best novel ever to deal with the aftermath of the Dominion War, and it's all connected to the current Trek series in many stylish & surprising ways. This is a thing of beauty, but be warned: the intensity is quite relentless.
I was gripped from the first chapter. Despite Picard having gone down some directions onscreen that I find curious, the opening to this novel portrayed Jean-Luc to perfection as an elder statesman pulling strings and having his way with a society where he’s already done so much. This is hugely contrasted with the final act of the work, where Una touches on “The history that Jean-Luc Picard had lived through”, and it begins with the Romulan Supernova, of all things. I know that, technically, that is where this chapter of his life begins now, but it seems rather tawdry to dismiss the first 75 years of his life as having no historical significance.
Apart from that, the book had solid footing all the way through. The protagonist – who I will not name due to his identity being only implied early on - is of course one of my very favourite characters whom I had not heard mention of for several decades in the trekverse. I loved every minute he was in view, enjoyed – or imagined – the callback to the White Star of Night, and will want to read more closely the scenes with the old Vedek if, other than penetrating eyes, there are more subtle clues I might have missed on the first go around.
I’ve had a rocky time with pic novels: The Last Best Hope did Romulans well, and here too, Sokara is vivid. The Dark Veil was my favourite – it had the feel of an episode about it, it was set on a starship, it returned us to what we thought of as old Trek at times. Rogue Elements was harder, because I’d not warmed up to Rios, and now here we are, with second Self pressing my buttons in a good way (and it’s only now I’ve typed that title that I realise there is more than one meaning behind it. Very clever). Given the previews of Pic Season 3 going around, I can only imagine the enjoyment authors will have with stories set around it. Tldr? A worthwhile couple of hours with my kindle, thanks very much!
didnt care for it. seems unlike the show and def seems unlike the legacy shows. i cant call out the author as shes awesome but the charectors dont seem like they would do what she has them doing. especially one of the leads. cant articulate it. maybe this is all wound up nicely with a bow in the second half of the book . if so its taking too long.
If you ever star this book over start at the second half. i really dont like the way they are treating a certain charector.
STAR TREK: PICARD is something of a broken base for me. It's one of my all-time favorite time periods in the Star Trek chronology for the world-building set up in Season One: the Romulan supernova, the Synthetic Ban, the destruction of Mars, and the lawlessness of the former Neutral Zone. However, the simple fact is that Season Two had no interest in any of this and thus I must turn to secondary canon in order to get my fill. So far, I've very much enjoyed all of the books in the setting but just wish for more. MOAR.
The premise of this book is Raffi Musiker getting some much needed spotlight. I admit that I've already listened to PICARD: NO MAN'S LAND and enjoyed that exploration of her character as well as Seven's relationship with her. It was too short but I very much enjoyed it, so this already started with a heavy hurdle to overcome. Another heavy hurdle is the fact that this is a bridge novel between Season 1 and Season 2 when so many changes were betwene the finale versus the season opener. So how does Una McCormick handle this? Well, she doesn't focus on a lot of the issues but does tackle one or two very well. Raffi has been offered a position back in Starfleet Intelligence due to the fact, well, she proved that THE DESTRUCTION OF MARS was a Romulan plot and that the head of Starfleet Intelligence was a double agent.
I'm going to come back to this but NO KIDDING she should be allowed back into Starfleet Intelligence. However, she's not sure she wants the job and Elnor is feeling aimless because he succeeded in the doomed cause he was supposed to not succeed on (if I understand my Romulan truth nun religion). Maybe he'll join Starfleet, maybe he'll do something else. Raffi instead recruits him on a mission to hunt a Cardassian war criminal that is suspiciously unnamed for half of the novel. I admit I guessed the identity of the "war criminal" fairly early and am glad for their appearance in the story, though they did kind of steal the story from Raffi. I really enjoyed the focus on a smaller Bajoran/Cardassian/Romulan/Cardassian world, though. It kind of neatly tied together the various fallen empires and their interrelationships with one another. I also liked the ending, which I was surprised the Star Trek editors allowed Una McCormick to do since it writes such an important character out.
On the positives, I definitely like this depiction of Raffi and its interesting to see her in her younger idealistic days before she had her spirit broken by the Romulan Crisis. We get to see her confused and angry about so many people getting hooked on Space OpiumTM to cope with the horrors of the Dominion War while another character confronts her later about her own addiction. Personally, I don't think Raffi ever did anything harder than Space WeedTM and I don't think we have to worry about her doing that. I'm pretty sure that's considered a harmless treat in the 24th century. I'm with Seth MacFarlane there and I rarely am. I also loved Elnor's use in the story and he got some much needed character development.
If I had a problem with the story, it's that I really kind of feel like Raffi's situation is unchanged for what should be dramatic revelations. Starfleet Intelligence acts like she made them look foolish and my response is, "Yes, that's what being fools generally results in." She made the biggest intelligence coup of all time and exposed the worst security breach in Starfleet since TNG's "Conspiracy." They should be falling over themselves to apologize because they antagonized and belittled their comrade for years before the truth was exposed. The fact they don't is believable in the 21st century but marks them as complete scumbags by the 24th century. Hell, it marks them as such in this century too.
I also feel regretful we don't get to see her have a conversation with her son, Gabriel, who at the very least should at least acknowlege that his mother wasn't a crazy anti-Romulan bigot. No, I don't think it would repair their relationship because he was upset with her for the fact she was saving refugees instead of spending time with him (which, honestly, is not a good look either). However, I really would have liked them to have had another conversation on-page because I think that would have been good. Really, these are some particularly scummy and selfish 24th century types as they're way more concerned about their own feelings than the fate of millions.
One final bit of commentary is the book does something similar to James Luceno's TARKIN novel in that it does actually bring the broad strokes of a now-defunct canon back into, well, semi-canon. I saw a lot of nods to the DS9 relaunch material and while we don't mention specifics, I think it was all good to see. I hope the authors will continue to throw in such nods whenever possible. I love Una McCormick's writing in general and while I didn't care for this as much as THE LAST BEST HOPE, I still felt it was a great Raffi novel AND the guest character novel. A fitting send off for them even if it's also sort of an ironic hell for him (I can think of no job he's less suited for than the one he ends up spending his twilight years stuck with).
I am glad I avoided spoilers for this novel, and in turn I don't want to share any. Suffice it to say that Second Self not only fits beautifully with present -- and past -- Star Trek storytelling, but it also continues Una McCormack's meaningful interrogation of history and justice, war and reconciliation, and guilt and redemption, themes that appears in so many of her works. Highly recommended.
This original story was quite dramatic and appealing. It was enjoyable to read and the storyline was so interesting to follow. The use of flashbacks was quite prominent in this book. It featured Elim Garak from Star Trek: Deep Space Nine. It gave a good overview of the character of the main protagonist, Raffi. It was a good book to read.
This was a fun read. I didn’t read the flap cover or any other summaries of the story, just dived in cold. I’m glad I did. It caught me totally by surprise and it was a delight.
As is usual with books written by this author, I wanted to enjoy this book a great deal more than I did. I won't give away any spoilers, but I will say that the book could have been a great deal shorter if all the parts that didn't really bring much to the story were removed. There were definitely quite a few parts where it felt like the story went off on unnecessary tangents. I also felt like the ending was unsatisfactory. It was anticlimactic, and I'm not sure that I really feel like some of (many of) the things presented in the book were tied up.
I wanted to love this one, because I love the show and the characters, but I just didn't.
I enjoyed this book but not as much as the first one. Might be because I was expecting a similar storytelling structure and was out of my comfort zone with the way this story unfolded.
I’ll also mention that, on a personal level, some of the more… supernatural elements didn’t quite work, but they fit in beautifully with the vibe and sentiment of DS9.
Very surprised by the major character arc we see for one of the main characters from one of the TV shows. I didn’t expect to see this person in this series. But here he is, and what a story is woven around him.
I kinda wish we’d got to see more of happy Raffi. It’s such a rarity, and I felt such a positive vibe reading Raffi being so at peace and delighted. That disappeared fast.
We needed more Elnor. His earnest outlook is so refreshing. I wanted to see him and Raffi bond more.
What really worked in this book, and it’s really tragic that it feels so prescient yet of the times, were the plots about occupations and displacements. The bureaucracy and cruelty of people stealing, looting land, and shunting out the people, is just horrible and yet so real. And the fact that the cycles never break. Everyone does the same thing to one another because that’s what power does. It was very well written and incisive.
All in all, love the characters and the stories, but not so much the supernatural elements.
Could’ve used more Raffi, which sounds like a joke but really isn’t lol. Second Self mostly succeeds in being an entertaining and gripping novel/bridge between Star Trek Picard Seasons 1 and 2 and Una Mccormack clearly has extensive knowledge on the Star Trek universe and Raffi herself(I especially loved how nuanced her take on Raffi was; there was a lot of empathy and care wrt her relationship with addiction, her selfhood and even her early relationship with Seven; I also loved reading about how she begrudgingly took Elnor under her wing and the growth of their almost familial relationship)but also, therein lies the issue. The book strayed quite a bit from Raffi and the familiar cast of Picard and while the introduction of new faces and places was intriguing and helped flesh out the characters and overall world of this particular trek, some of the additions were unnecessary and slightly weighed down the novel.
Instead of a somewhat muddled journey to find [redacted], I would have liked to see an adventure that included Rios and Elnor in more substantial roles than they got in this book, as they are actual lasting fixtures in Raffi’s life and not [redacted]. In a way, it was like Raffi was the Trojan horse while [redacted] was the sneaky true star of the book. I didn’t really warm up to that idea or the character at all, when I realized what was going on.
But there’s still a fantastic adventure to be found and the novel provides a significant amount of insight intro Raffi, as it excellently gives context to her frame of mind going into season two. So, other than the surprise guest and my minor issues with the timeline jumping, I very much enjoyed the book and will eagerly read more of Raffi’s adventures written by this(and any why lie)author.
5 stars for Raffi because of course, but 3.9 for the actual book.
I’m blown away. This was such a gripping read. It’s a Star Trek book, so I knew I’d love the characters but this was an incredibly political story. Reading about a fictional war and genocide when we’re living during real wars and attempted genocides was challenging. I had to keep taking breaks because the story and the plight of the peoples were harrowing.
Bajorans, Cardassians, Romulans, it doesn’t matter who does what, when a people are in danger, they will fight. I love how this book calls out Starfleet’s hypocrisy—it’s like the US, all holier than thou until they’re actually asked to do the work.
I love that this book is a Raffi story. She’s such a compelling character and this book dives into what makes her the flawed hero she is. Also, absolutely adore Elnor. He’s a sweet munchkin and I hate what happens to him after this book.
I was really surprised by the DS9 references. What a joy to read those! And hell yes, leaning into Garak’s queerness. DS9 is amazing and it doesn’t get enough love, but this book does it justice.
What an incredible, challenging and fascinating read this was. I don’t know how the other Picard books will live up to this.
I was lucky enough to get an advanced copy of this from Forbidden Planet. I LOVED it!!! Seriously it's right up there with the Never Ending Sacrifice. Una really has outdone herself. Told in different time periods the story is slowly unveiled going deeper and deeper. And at the heart of it are broken people finding a way forward. Some sections I spent constantly grinning and some in tears. Highly recommended for not just Picard fans but also required reading for DS9 fans. Because without giving too much away (This is Una after all) Raffi's mission is to find Garak. I'm going to have to read this one again very soon! Because it's one of those that once you know the ending you want to go back and read again with that perspective in mind.
Re-read again because I needed something comforting.
A thoughtful and unexpected look at several Trek characters
I don't want to spoil the big reveals in this book, so I will try to keep this short and sweet. Readers will unlock some secrets of Raffi Mussiker's past, and also a surprise from DS9, and it all leads up to the beginning of season 2 of Picard. Overall, though it drags in certain places, the author deftly weaves a mystery box with a narrative that leads to a deeper understanding of some pivotal characters in Trek, and I think she's a great choice for these tie-in novels, because I think she has a great respect for the source material, but she still adds enough to her books to give them actual weight and consequence, far more than I'm used to getting from stories like this.
I had a hard time following the plot. And somehow it made Garak less fun. The character was always somewhat good-hearted presenting, even though he probably was NOT good-hearted. Here he was mostly an arse. Without any humour, without the smirk that seemed to always be there. Hell, it even made him seem like on DS9 during the show he was a jerk in hindsight.
While it was nice to see Raffi and Elnor grow closer, and I enjoyed the local Romulan on the planet, the portrayal of Garak overshadowed the rest.
This entire review has been hidden because of spoilers.
As a long time fan of Star Trek, I wanted to read this book to better understand the characters that are part of this universe. Focused primarily on Raffi and to some degree Elnor, this was an well written story about their adventure to Ordeve and involved both the Cardassians and Romulans. Una McCormack has written serveral Star Trek novels and strives to remain true to the Star Trek universe. This was a very interesting story with a surprising ending.
“Star Trek: Picard: Second Self" by Una McCormack is a captivating addition to the Star Trek universe, delving deep into the mind and soul of the Raffi Musiker. With its rich character development, intricate plot, and exploration of moral dilemmas, this book offers a compelling and thought-provoking journey for both long-time Trekkies and newcomers to the series.
Set in the aftermath of the events in the Star Trek: Picard season one, the story follows former Star Fleet intelligence Officer Raffi Musiker as she grapples with the consequences of her actions and the weight of her past as she goes on a mission to arrest a war criminal. McCormack expertly captures the essence of Musiker’s character, portraying her intelligence, compassion, and unwavering commitment to justice. Readers will be enthralled as they witness Musiker’s internal struggles and witness the evolution of her character.
The novel seamlessly weaves together multiple storylines, introducing new allies, adversaries, and ethical challenges. McCormack's prose is eloquent and immersive, effortlessly transporting readers into the familiar world of Star Trek universe. The pacing is brisk, with a perfect balance of action, introspection, and political intrigue, keeping readers engaged from beginning to end.
One of the standout aspects of "Star Trek: Picard: Second Self" is its exploration of complex moral dilemmas. McCormack skillfully raises thought-provoking questions about the nature of identity, loyalty, and the lengths one should go to protect what they hold dear. Through the various characters and their experiences, the book challenges readers to reassess their own beliefs and confront the shades of gray that exist in the pursuit of justice.
The supporting cast in the novel is excellently portrayed, with each character given their moment to shine. From familiar faces like iconic Admiral Jean-Luc Picard and Elnor to new additions like a Romulan Tal Shiar agent Sokara or young Vulcan Starfleet Officer Avarak McCormack breathes life into these individuals, making their struggles and triumphs resonate with readers. The interactions between the characters are authentic and nuanced, adding depth and emotional resonance to the narrative.
"Star Trek: Picard: Second Self" is not just a standalone adventure but also a reflection on the broader themes and values that define the Star Trek universe. McCormack pays homage to the series' core principles of exploration, diplomacy, and the pursuit of knowledge, while also addressing contemporary issues such as the ethics of artificial intelligence and the consequences of unchecked power.
For fans of the Star Trek: Picard series, this book offers a deeper understanding of the events and characters that have captured our hearts. However, even those who are new to the series can appreciate the compelling storytelling and the exploration of universal themes that make "Star Trek: Picard: Second Self" a standout novel in its own right.
In conclusion, "Star Trek: Picard: Second Self" by Una McCormack is a must-read for any Star Trek enthusiast or lover of thought-provoking science fiction. With its masterful character development, intricate plot, and exploration of moral dilemmas, this book greatly expands on the character of Raffi Musiker while forging its own path. McCormack's skillful storytelling and deep understanding of the Star Trek universe make "Second Self" a worthy addition to any bookshelf.
We learned a lot about Lt. Commander Raffi Mussiker in this one, and that's definitely a good thing.
After the events of Season 1 of the TV show, Raffi has a decision to make. Reinstated Admiral Picard has taken a high ranking post at Starfleet Academy, and wants Raffi to come on as an instructor. She also has the opportunity to return to her former post at the Office Of Romulan Affairs, and is genuinely torn between the two. As she ponders her choices, Admiral Picard asks for her help in a delicate situation.
As a lieutenant, Raffi was posted to Overe, a world contested by the Romulans and the Cardassians. The Cardassians were ceded control of Overe in the wake of the Dominion War, and accepted Romulan refugees when their star went nova. Now they won't take more emigres, and Starfleet has been asked to help them come to an agreement. Raffi is an obvious choice to go, but Admiral Picard has a mission beneath the mission: locate a Cardassian war criminal last seen on Overe and bring him in before the Bajorans find him first and execute him.
Raffi agrees to go, and to take Elnor along at Admiral Picard's request. Elnor is deciding whether or not to enroll at Starfleet Academy, and Picard feels that the mission will be good for him. Whether or not it's good for Raffi remains to be seen, because she had a bad time of it while posted there.
I enjoyed seeing Raffi in her prime- first plum assignment, dating her future husband and doing her best to keep the Romulans and Cardassians on Overe from killing one another in the aftermath of the Dominion War. In the present, she's back to a place where she saw death up close, where she first got into substance abuse and where she blamed (and still blames) herself for the death of a fellow officer.
I shouldn't have been surprised to know that the war criminal she was tasked with finding was Elim Garak, who led a massacre on that world while posted there by the Obsidian Order. It was interesting to see Garak's role in this timeline. In the post-Nemesis novels, Garak was the Cardassian ambassador to the Federation and later became castellan (against his desire to stay in the shadows). Here he also served as an ambassador and then melted back into the shadows. Now Bajorans and Starfleet both want to bring him in, and he has no desire to let them.
He went to ground in an area of the planet where everyone was forbidden to go and where nobody wanted to go regardless- the area was considered haunted. In reality it was an Obsidian Order facility after they took it over from Bajoran settlers and converted their temple there into their headquarters. With the Order gone, Garak was able to keep people out with his personal codes controlling force fields and such, and to maintain the mystery surrounding the area.
I enjoyed seeing younger Garak carry out his planet's agenda in the waning days of the Dominion War, and older, wiser Garak reflecting on what he did then and how he wants to proceed now. Raffi is charged with bringing him in, but that causes her to face her painful past on Overe.
Excellent read- hard to put down and quite informative
This entire review has been hidden because of spoilers.
First off, Una McCormack is an awesome storyteller. She creates compelling situations, but more importantly she knows how to narrate with intent and interest. I've thoroughly enjoyed every book I've read from her. She's a refreshing new approach to telling Trek trade-paperback tales, which are my literary weakness.
It's no secret that Trek novels tend to be plot-focused. That's the nature of the beast and the comforting appeal of their predictability. We go on an episodic adventure with familiar characters, making the whole thing easy to digest, thus providing a quick escape.
But with the debut of the Picard series, we now have a television program built around characterization and nostalgia more than plot or action. Creating a Trek novel for the Picard universe is a peculiar challenge.
With this book, McCormack almost completely succeeds. She weaves familiar characters in with a worthy situation to create a rewarding story. The climactic scene is the Achilles heel of this book, with too many pivotal events happening at once. It feels very much like a deus ex machina situation that leaves the reader disoriented for a bit. The author could have spent twice as long on the climactic scene, and readers would feel less like they missed something.
At the same time, this book's greatest weakness leads directly into its greatest strength. I'm a huge fan of stories that lean in on their denouement—I want a storyteller to stay with me and help me process the implications of a story or, especially, a climax. (This desire is why I despise Voyager episodes—everything I crave happened during the final commercial break.) McCormack shines with the end of this book. She takes time and care to pull together the loose threads from all along the path of this narrative. Her efforts make for an incredibly satisfying ending. This book is well worth reading, and McCormack deliberately provided a sense of fullness and satisfaction in its telling.
Two minor comments to add: 1) McCormack's sense of humor is a delight. At one point, the book's special surprise guest star verbally duels with an inconsequential bit character. That bit character offers a jab to the guest star that's only a cutting retort if you remember this one detail from one specific episode of DS9. Golf claps for the guest star's reply, which is actually a self-congratulatory line written by the author complimenting herself: “Oh, you have done your research!" I see you, McCormack. I laughed, and I see what you did there. 2) The narrator of the audiobook does a phenomenal job, particularly with the voice of Elnor, which was uncanny. But that special surprise guest star I mentioned above? She totally missed the mark. I honestly wonder whether she ever heard that character speak. It's a tough voice and cadence to mimic, but it's quintessential, so getting it wrong detracted significantly from what could have been. Really, though, aside from that one big miss, the narrator does excellent work.
Not the book I thought it would be (from my review on Amazon)
It's so hard to write a review for this book without any spoilers! First, the book is thoughtfully crafted and well-written with seemingly disparate events from different times coming together seamlessly in the end to bring someone to justice in an innovative way. Second, it wasn't the book I was expecting. I absolutely loved the characters of Raffi and Elnor in the Star Trek: Picard tv series, so I was rather disappointed when another character, whom I wasn't expecting to be in the book AT ALL, played a very large role in the book. In season two of Picard, we saw that Raffi and Elnor had a very close relationship which had not been present at the end of season one. So *something* happened between seasons to bring them together. I was hoping this book would be the book to tell that story. It does have one or two very touching, although far too short, scenes between Raffi and Elnor, but this can't possibly be the book that explains all the growth that took place between those two characters between seasons. This brings me back to what I said earlier about this not being the book I expected. Generally, I expect the characters who are pictured on the cover to be the main characters in the book. Sadly, that was not the case with this book, especially with the character of Elnor. I hope Simon and Schuster is considering publishing more books related to the tv series and will include Elnor in at least one of them. The ragtag crew that Picard put together in season one had some amazing potential that I would love to see explored further! A Rios, Raffi, Elnor book could be incredible fun, as could a Raffi, Seven, Elnor book. But this isn't the place to talk about the books I'd like to see. It's a place to review "Second Self". Ultimately, I wanted to love it more than I did. Maybe after a second reading I'll love it more and change my review. I don't want my less than stellar review to discourage anyone from buying it. Please, buy it, read it, and leave your own reviews! I may be the only one who thinks it wasn't the book that was advertised. That said, it was still well worth reading!
OMG, I fucking love this novel!! It's amazing how Una McCormack, with every work she makes, never ceases to demonstrate what a great writer she is.
Sorry, I needed to say that haha. This is a novel between Picard season 1 and 2, centered on Raffi Musiker, recently reinstated to Starfleet, and with the possibility of returning to her old job in Romulan Affairs. Her first task: go back to Ordeve, former Bajoran colony, now cardassian, to find a dangerous criminal, which will open some wounds and traumas from her past, including her service in the Dominion War.
Damn, this was simply spectacular!! I love how Una writes every character, giving different nuances and depth to even the most insignificant one and lore. This, that can be a simple adventure in the surface, it's really a story of redemption and forgiveness, one that brings us closer to the ghost of the past and how, although it cannot be rewritten, that does not mean that we cannot break the hate cycle, to forgive ourselves and I love how (SPOILER) this involves a beloved character from DS9, a simple Taylor, who really gets a wonderful and satisfactory conclusion.
The book gives a plausible answer to Raffi's addiction, expanding the end of the war and not only using already known elements from other series, but actually creating an interesting plot with them, avoiding appealing to the easy fanservice (cof, season 3, cof). Also, that fact that it's set between seasons makes the story benefit from knowing where the characters came from and where they are going, delivering a conclusion that really makes up for what the series couldn't give us: character development for Raffi.
Also, the Bajoran Intelligence Service, the Koma Tath, dedicated to hunting down former Occupation criminals and bringing them to justice, is a cool concept and I would love to see a novel dedicated to that. The novel is full of references to previous works from her and it's so nice to see them.
Overall, this is really one of the best Star Trek novels I have ever read.
This new book for StarTrek Picard follows the themes of Picard series; which are the refugee situation, reconciliation between the species and finding oneself. So I liked that its themes and spirits are connected to the series. The book is also well-versed in Trek history and events especially about Barjorans and Cardassians.
And its choice of narrative, going from the present to the past and back to the present was such an unique and fitting way of storytelling. It felt like solving puzzles, and while at times there were confusing moments but the realization I got when all the pieces put together at the end of the book was so satisfying!!
This book really helps us to understand Raffi. The show has only 10 episodes in a season so there are many rooms that we can speculate and these books help us with that! How her value and integrity never changed from the first years of the starfleet and we get to see glimpse of the kind of experience that made Raffi who she is now. There was constant mention of how promises are prisons and the breaking of a promise can be a poison. I thought it explained Raffi's pain after the Romuluan evacutation mission quite well. But it also shows how awesome Raffi is. She has connection to all the important people across the galaxy!! Imagine how far and wide the story could go with her in action!!
The book fills in some gaps between S1 and S2. Like what happened to Zhaban and how Raffi and Elnor came to be in Academy. And I loved seeing Raffi with Elnor and Rios! I miss my motely crew so much. And her interaction with Laris was surprising but something I didn't know I needed until this book!! They were so great!! Finally it's confirmed Seven and Raffi were meant to be together!! The one of the reasons I was so excited about this book was the possibility of Seven's appearance. While she wasn't in much directly but she was mentioned in such a profound way and it made my Saffi heart very happy!