Priscilla is missing, kidnapped by goblins during the events of Death's Choir. Bernice sets out to find her, but unwittingly finds herself in the midst of a magical civil war that only she can stop. But first, she'll make it much, much worse.
Fair Folk's problem is that it's working against itself from the get-go - it's mostly about Emmy's legacy, but by having that be the main focus, it throws Bernice and the other characters into shadow, and like Death's Choir before it, the plot seems to drag them along in its wake rather than them having any agency up until the last issue. Emmy was the centre of Harrow County's world for good reason, but by having her be the centre that everything gravitates around and yet not actually a presence in the story itself, it all feels aimless.
There are some improvements however - Bernice roping Georgia into her adventure helps the two of them grow together, and the revisiting of the characters of the haints that we didn't see in the first mini-series helps fill in the gaps around where they've been and why they're acting the way they are. For better or worse, Harrow County has moved on, and we get to see the fallout of that to help make the world feel cohesive again.
Emily Squall's artwork is pretty good, but it's definitely the weakest of the four or so artists that have worked on Harrow County thus far. Her monsters are great, and you can tell she enjoys drawing them from the sketchbook section in the back, but all of her human characters look oddly stunted, like they've been squashed from the top down. It's not distracting enough to take you out of the story, but it did make me raise an eyebrow every few pages.
In some ways an improvement on the previous mini-series, but in others the complete opposite, Fair Folk keeps the Harrow County narrative going, but it does beg the question as to why.