What do you think?
Rate this book
Singers of Nevya #1
Sing the Light
Serving the people on the ice planet of Nevya, where summer comes once every five years, Sira, the newest Cantrix healer, is charged with proving herself to the unconventional House of Bariken and overcoming its dark customs. Original.
291 pages, Mass Market Paperback
First published November 1, 1995
259 people want to read
About the author
Louise Marley
35 books129 followersLouise Marley, a former concert and opera singer, has published nineteen novels. As Louise Marley, she writes fantasy and science fiction, including THE TERRORISTS OF IRUSTAN and THE CHILD GODDESS. Writing as Cate Campbell, she published the historical trilogy BENEDICT HALL.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 11 of 11 reviews
December 15, 2011
Plot:
Excellent. I loved the whole setting of the ice planet where summer comes around once every five years. The Singers are vital to this society because they create the only pockets of light and warmth on the planet. Marley’s descriptions of the quiru (the warmth and light bubbles) were beautiful, and I could easily imagine the Singers as they played their filla (flutes) or filhata (harps), light and warmth radiating from them and sweeping into the farthest corners of the House. Our heroine is Sira, the youngest and most gifted of the Singers at Conservatory. She earns her rank and is assigned to House Bariken to be their junior Cantrix, but is not prepared for the cultural shift between the rest of Nevya and Conservatory. The world-building here was truly great, and I have already started book 2 of the omnibus.
Characterization:
Good. Sira has never been in danger or been actively threatened while inside Conservatory, and the events of the novel really stretch her and change her as a character. As in many novels, she starts out naive, warmhearted, and innocent, and as the plot advances and she experiences the world, that innocence fades or is lost altogether. You get a glimpse at Sira’s thoughts fairly often, but those thoughts aren’t necessarily deep. Theo, who really isn’t present or important until the last third or so of the novel, doesn’t change much at all. He is jovial and kind, and as an itinerant Singer not trained at Conservatory, his worldview is much broader than Sira’s. Marley allows the reader a glimpse into a few more characters’ minds, like Maestra Lu and Isbel, but they are secondary and serve only to provide information about Sira. This isn’t to say they are flat characters, but they serve only as background to Sira and her role in the story. If the novel had been longer, there would have been room for deeper character development, but for the length, I thought Marley did a fine job.
Writing:
Great! I really enjoyed Marley’s writing style. Everything about her writing reminds the reader that outside the (relative) safety of the quiru, a deadly ice planet lies in wait. The way she describes the music is indicative of her experience as an opera and concert singer, and I like to imagine that she had some excellent songs in her head while she was describing the Singers’ tunes.
3.5 stars for an excellent book!
Excellent. I loved the whole setting of the ice planet where summer comes around once every five years. The Singers are vital to this society because they create the only pockets of light and warmth on the planet. Marley’s descriptions of the quiru (the warmth and light bubbles) were beautiful, and I could easily imagine the Singers as they played their filla (flutes) or filhata (harps), light and warmth radiating from them and sweeping into the farthest corners of the House. Our heroine is Sira, the youngest and most gifted of the Singers at Conservatory. She earns her rank and is assigned to House Bariken to be their junior Cantrix, but is not prepared for the cultural shift between the rest of Nevya and Conservatory. The world-building here was truly great, and I have already started book 2 of the omnibus.
Characterization:
Good. Sira has never been in danger or been actively threatened while inside Conservatory, and the events of the novel really stretch her and change her as a character. As in many novels, she starts out naive, warmhearted, and innocent, and as the plot advances and she experiences the world, that innocence fades or is lost altogether. You get a glimpse at Sira’s thoughts fairly often, but those thoughts aren’t necessarily deep. Theo, who really isn’t present or important until the last third or so of the novel, doesn’t change much at all. He is jovial and kind, and as an itinerant Singer not trained at Conservatory, his worldview is much broader than Sira’s. Marley allows the reader a glimpse into a few more characters’ minds, like Maestra Lu and Isbel, but they are secondary and serve only to provide information about Sira. This isn’t to say they are flat characters, but they serve only as background to Sira and her role in the story. If the novel had been longer, there would have been room for deeper character development, but for the length, I thought Marley did a fine job.
Writing:
Great! I really enjoyed Marley’s writing style. Everything about her writing reminds the reader that outside the (relative) safety of the quiru, a deadly ice planet lies in wait. The way she describes the music is indicative of her experience as an opera and concert singer, and I like to imagine that she had some excellent songs in her head while she was describing the Singers’ tunes.
3.5 stars for an excellent book!
October 17, 2009
On the planet of Nevya, summer happens only once every five years and those who can provide light and warmth are called Cantrixes. They work in houses to help. Sira is a new cantrix assigned to the House of Bariken. The customs of the house of Bariken are not what she really expects and she has to try to adapt. Though not everything can be adapted to.
It's interesting but not quite me, the author shows promise and I'd look for more by her.
It's interesting but not quite me, the author shows promise and I'd look for more by her.
January 27, 2025
This fantasy novel started out strong, slogged a bit in the middle, and had a quiet ending. I really liked the magic system here- it was entirely focused around music and singing. Nevya is a world that is in perpetual winter, except for a few weeks every five years. Singing is needed to generate warmth, calm, sleep, and healing. Singers are born with the gift, and brought to the Conservatory to train until they are ready to serve one of the many houses of Nevya.
The story focuses on Sira, a Cantrix (singer) who has just come of age to be sent to a house. She is naive, arrogant, and gullible, having spent almost her entire life in the Conservatory. Sira quickly learns how awful the world can be, but also how kind some individuals can be, and she grows as a person and as a Cantrix.
The story is short enough to dive into the world and enjoy it without overstaying its welcome. I love the concept of magic being used and focused through music, and in a different, interesting location that clearly is not Earth. Sira is believable, if not likeable, as a character, and I appreciated her journey through the stages of grief, betrayal, and trauma, and to come out the other side as a stronger person.
I did not like the fact that celibacy is required in the life of a cantor/cantrix. I really can't stand it when virginity is used as a power or commodity. If anything, that action should bring depth, experience, and emotion to the music and make it better, not detract from it. It just feels to me that the author has a belief or an agenda to push here, especially since the only people who have broken that vow in this story are evil people or die horribly. Save your soapbox for elsewhere, Ms. Marley.
Overall, the novel and the world were interesting and I'd consider reading the next at some point.
The story focuses on Sira, a Cantrix (singer) who has just come of age to be sent to a house. She is naive, arrogant, and gullible, having spent almost her entire life in the Conservatory. Sira quickly learns how awful the world can be, but also how kind some individuals can be, and she grows as a person and as a Cantrix.
The story is short enough to dive into the world and enjoy it without overstaying its welcome. I love the concept of magic being used and focused through music, and in a different, interesting location that clearly is not Earth. Sira is believable, if not likeable, as a character, and I appreciated her journey through the stages of grief, betrayal, and trauma, and to come out the other side as a stronger person.
I did not like the fact that celibacy is required in the life of a cantor/cantrix. I really can't stand it when virginity is used as a power or commodity. If anything, that action should bring depth, experience, and emotion to the music and make it better, not detract from it. It just feels to me that the author has a belief or an agenda to push here, especially since the only people who have broken that vow in this story are evil people or die horribly. Save your soapbox for elsewhere, Ms. Marley.
Overall, the novel and the world were interesting and I'd consider reading the next at some point.
May 16, 2018
Set on a forgotten barely habitable colony world, which only survives due to various people having psi powers to create heat. It has a caste system that includes honor and lack of agency; the main character gains her strength not by surviving rape, but from causing murder/psychic trauma (in self defense); there's a love story where the pair at most touch hands.
I found the mutations of names annoying (ie Mkeal for Michael). The world has one short summer every five years, I'm not sold on how the biome adapted.
Came as a digital trilogy; I've got a hard copy of #1 somewhere, but I couldn't find it.
Overall liked by my book club.
I found the mutations of names annoying (ie Mkeal for Michael). The world has one short summer every five years, I'm not sold on how the biome adapted.
Came as a digital trilogy; I've got a hard copy of #1 somewhere, but I couldn't find it.
Overall liked by my book club.
This entire review has been hidden because of spoilers.
December 30, 2018
I really loved this book! The characters were amazing and the setting was so unique! Just the type of old fashioned reading I wanted. I eagerly await to read the second book in the series.
April 8, 2015
A very pretty, enjoyable fantasy read (although there are definitely possible hints of scifi as well). The plot was rather meandering and there wasn't really an overall world plot (as I am very interested in this unique setting and world I am hoping that changes in the next two books) but plenty of time was spent with the characters and the book primarily focused on their own personal growth and journeys. This aspect of Sing the Light, along with the setting and interesting magic (or maybe not magic) were my favorite things about it. Very good, but only if one enjoys a nice quiet story now and then amidst the usual sweeping, grandiose scope of fantasy/scifi books.
April 21, 2011
Very pleasurable reading for me. Yes, the world-building could be more detailed and has some big holes but I love the concept of music being a source of warmth/light/power (and music being the main love interest), the issues of religious fanaticism brought up, and the challenges of how to manage the human resource of "the gift".
December 21, 2020
After all these years and many re-reads, it’s still one of my favorites. It has all my hallmarks of a long cherished read: a unique and rich world that is effortlessly introduced and pleasant to revisit, three-dimensional characters that you see grow and come to care deeply for, and a dynamic plot that ebbs with quiet moments and flows with exciting adventures.
August 9, 2010
I really enjoyed this series. Well written story in a fascinating world. Great fantasy find.
December 10, 2017
I wanted a cold book to read for the holiday season and the ice planet Nevya delivered!
Displaying 1 - 11 of 11 reviews