I’m back at it with my favorite superhero Daredevil. This omnibus collects the entirety of lawyer-turned-comic-book-writer Charles Soule’s tenure as the lead writer, returning Matthew Murdock not just to New York but to the dark grittiness that Mark Waid had mostly abandoned in his fan favorite tenure writing Daredevil. I loved the Waid run so Soule had a lot to live up to for his own run.
Things start in media res and rather abruptly at that, with no explanation as to why everyone now has forgotten that Matt Murdock is Daredevil, a critical piece of DD’s mythos since Brian Michael Bendis’ iconic run. After 15+ issues Soule does give an explanation as to why it happened, how it drove away Kirsten Macduffie (the only one of Matt’s love interests besides Karen or Elektra I care about), etc. Soule does this via the Purple Man’s children which I’m fine with as they’re from the Waid run. This leads to a great issue in this arc where Purple Man is inside Matt’s head and his subconscious/different iterations of DD over the years interact with Matt and Purple Man in order to find a way to defeat him. This then leads to the solution to Matt’s identity being known/have him break things off with Kirsten. It’s a sloppy solution IMO to revert the status quo. In general I’d say that’s my problem with Soule’s run (at least in the 1st half), he creates some interesting story beats, like Elektra seemingly having a daughter, only to resolve the plot thread either almost immediately or with solutions built around some weird logic.
It takes until the omnibus’ 4th volume, wherein one of my new favorite DD villains Muse is introduced, for things in the omnibus to pick up. There isn’t anything too original about Muse as the serial killer artist character archetype has been done before but Soule does a good job at making him a creepy foe. Besides Muse, the later half of the run is when things get better. There’s an extended battle between The Hand and the New York street heroes that’s very superhero action-y but it's entertaining. I rather preferred the arc about Matt’s attempts to make superheroes with secret identities legally eligible to provide testimony in court without giving up their anonymity.
The best part of Soule’s run though would have to be the Mayor Fisk storyline. A New York City businessman with known criminal acts to his name running for office and winning despite the odds isn’t exactly a subtle allegory but it's a superhero comic. Mayor Kingpin is a frightening concept that Soule runs with, as well as throwing a curveball in how it impacts Matt, namely Matt getting selected by Fisk to be his deputy Mayor. It’s an interesting dilemma for Matt/DD and Soule does run with the deputy mayor angle for a while. And then it ends, and the run ends with a weird storyline about Matt’s fictional twin Mike becoming real. At that point it felt like Soule was trying to get back into Waid’s lighthearted content. And then it all ends with an extended dying dream Matt has before, just kidding, he pulls through. At that point my interest in Soule’s run had ended.
A few other moments/ideas about Soule’s Daredevil work I want to address:
- Besides Muse, Soule’s biggest contribution to DD’s ensemble is “Blindspot”, a protege that’s the Robin/Nightwing/Red Hood to Daredevil’s Batman, only with an invisibility suit and serving as a commentary on the immigrant experience. I know some people don’t like Blindspot, yet I’m truly ambivalent about the character. At worst, I do think his story had traces of orientalism/Yellow Peril (although Daredevil’s mythos has always had traces of both since Frank Miller created The Hand).
- The new(?) villains sans Muse are kind of stupid (10 Fingers has 10 fingers and needs a special gun for that, The Clip are guys with guns/gun Code Names, etc). The Vigil is kind of interesting I suppose but he’s part of the dying dream so I don’t know yet if he comes back.
- Matt verbally and literally spars with the US Supreme Court at one point (living every politically-aware American’s dream I guess)
- Besides the main Daredevil series, Soule worked on 2 DD related miniseries, one with him coming to blows with The Punisher over a prisoner and the other about tracking down a resurrected Wolverine. The Wolverine one wasn’t the best (not even included in this volume but I read it anyway) but it was interesting seeing Matt form a little eclectic team to find Logan. The Punisher one on the other hand? I’m sorry but it is one of the most generic Daredevil vs Punisher stories out there, it really did nothing to break new ground on their dynamic.
- Soule uses a lot of artists throughout the run. I’d say my favorite was Phil Noto, liked the realistic appearances and the water color style he used
So yeah, Charles Soule doesn’t reach the same heights as Brian Michael Bendis or Mark Waid did with their tenures on Daredevil. It is a shame because Soule brings a lot of good things to the character and the mythos, even if he doesn’t stick the landing with most. Ultimately Soule’s time on Daredevil wasn’t horrible, and was entertaining, it was just fine. That said, I do love the final words Soule leaves Daredevil fans with about The Man Without Fear:
“I cannot see the Light. So I will be the Light. I am Daredevil.”