WHAT I EXPECTED:
A factual, thought-provoking novella showcasing the experience of a female animator working in a male-dominated industry and the struggles accompanying that, a strong, relatable protagonist and maybe a small but sweet romance on the side.
WHAT I GOT INSTEAD:
A shallow, predictable YA book with too much romantic focus and full of clichés; traumatised bad boy, instalove, enemies-to-lovers - but it's not actually because he was in love with her from the start, an arrogant, incredibly dense and unlikeable main character and a weird agenda where every guy except for the 'woke' love interest is a nasty and sexist jerk for no other reason than the narrative demanding it for conflict.
You know, I'm sick of reading angst-fuelled teen romances disguised as contemporaries.
*SPOILER ALERT*
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The character and childhood of the love interest, Bear, is exactly that of Christopher Robin, son of A. A. Milne, and the price he had to pay for his father's success. Similarly, the story of Bear's mother is taken straight from the making of the original Star Wars film, and Marcia Lucas' role in the cutting room of her then-husband's production.
Look, it's okay to take inspiration from real life stories and people, but at least credit them at the end of your book instead of crossing your fingers and hoping your audience won't be familiar with their biographies.
Since I had heard of the aforementioned stories I predicted the entire family drama straight away which was disappointing since it was written as a mysterious subplot. Worse, the Beckett family are written as black-and-white caricatures of these people with only Pig, Feminist & Woke as their respective personalities.
Now, for the actual story, I only gave an extra star because:
- I liked that Hayley was Jewish, obviously I can't speak for the quality of the representation (feel free to correct me) but it was a fresh perspective, even if wasn't the main focus of the story.
- Girls actually working together and not hating each other. Can we please normalise non-toxic female friendships in YA?
- Some conversations between Hayley and Bryan Beckett were actually interesting.
And that's it.
Hayley is INSUFFERABLE. She is so arrogant and sure of her talent. She won't stop judging others' work, because her pitch is the best and everyone else's ideas are boring and worthless. She's Hollywood's ideal of a Strong Female Lead™ .
Let me tell you, Hayley's pitch is basically every single Pixar movie but more generic and predictable. It's the plot of Big Hero Six where Baymax is a Golem and set in the Wild West instead of a futuristic setting. I was not surprised when she didn't win and honestly the other guy's idea of a twisted Jack and the Beanstalk tale sounded a lot more intriguing to me but Hayley is condescending and judgmental to him and his project even before he reveals his true colors.
The way she treats the other girls when she gets rejected is despicable. While I can understand her frustration over the discrimination, why does she take it out on the only other people who can relate? Why is she so special?
And no, she doesn't learn a lesson. The other intern girls forgive her, find out about her pitch and are like 'omg this is amazing' and over a ridiculously tiny amount of time they animate a masterpiece. She's still extremely condescending towards the other projects.
At the end, they play their short film onstage and of course, Hayley is praised for being so talented and bla bla.
HA. So you can treat people like trash and still rise above them because you think you're better than them at something? What kind of message is that?
The sexism felt cartoonish and overdone. Most misogyny in the workplace is subtle and slips under the radar, which is what makes it so awful as it's often hard to get concrete evidence of it happening.
There's a conversation between the six girls about the sexism they had observed when talking to boys their age about movies. While I agree with the ideas they tried to get across, their points about the subject were incredibly weak. Some of the movie heroines they brought up in their arguments were, frankly, just poorly written characters disliked by male and female fans alike. Toxic fanboys hating them solely for their gender are a minority.
Secondly, I'm not sure if the author is familiar with Gen Z males because outside of a small but vocal and stupid Andrew-Tate-worshipping crowd most are generally decent people who don't treat women like second-class human beings. I can understand the older executives showing lingering biases from awful times gone by. But here it's not just them; nearly every intern boy in this book showed hostility to the women characters for just being women. It didn't make sense at all.
Other issues like underpay and overwork (both renown problems in the animation industry) aren't touched on at all.
Now, oh my goodness, the bloody romance. It was one of the worst cases of instalove I've ever seen. It was also extremely toxic, as Hayley goes to find Bear when in a state of extreme emotional agitation, tells him 'you like me' - kisses him and knocks him onto the floor - wait now they're making out - no, I'm not kidding.
So it's ok to just assault someone out of the blue because his dad told you he's crushing on you?
That does NOT give you permission to do something like that without consent. Especially in a book where sexual harassment plays such a major theme in the narrative. It's awful and hypocritical.
What a horrible way to start a relationship. Anger should NOT be exerted this way. 🚩🚩🚩
Hayley and Bear have zero chemistry. Their relationship is entirely sexual, which I definitely don't enjoy reading about even when non-explicit.
So yeah, this book just wasn't for me. I may have been a bit harsh with my rating since the author did use to work in Disney and Pixar's studios so she knows a lot more than me, but I just couldn't get into this. Had it focused more on what it was advertising and less on the 'marketable' stuff, I probably would've enjoyed it more.
2 cold and disappointed stars.