Blending the mystical and technological without either losing their distinction or creating an arbitrary division, Madsen creates a world part way between urban high-fantasy and cyberpunk thriller.
When elves revealed themselves to the world, they kept the existence of magic a secret. Living among humans, they seem to enjoy the same pursuits, use the same technologies, and face the same tedious challenges. Alyssa D’Yaragen is just trying to make a living: by day, she sells ancient trinkets to retropunks; by night she works as a runner, stealing items and information to order. But, unlike many elves, she hasn’t integrated; instead of the specialist technology and implants other runners use, she wields subtle sorceries. However, when a routine job falls apart and mystical assassins start targeting her in public, she must abandon her attempt at a quiet life, or see it destroyed and her friends with it.
A world where cybernetics and mega-corps exist alongside elves and magic cannot but evoke thoughts of the setting forShadowrun. And Madsen’s world does include the classic opposition of magic and technology. However, the differences are significant: while elves live alongside humans, they are a separate species from another realm rather than evolved from humans and much of their true society and ability is displayed only in that realm; and the opposition of magic is due not to any inherent metaphysical rule but to magical energy interfering with delicate technology.
This combination of the majority of elves who live among humans being those who cling less to tradition and only elves who use magic being unable to use cutting-edge technology creates a more plausible interaction of fantasy and cyberpunk than those worlds where there’s an arbitrary line between the magical and mundane.
The ability of elves to have the latest implants also makes the ongoing concealment of magic and other realms seem less unfeasible. The same ‘magic or technology’ trope that Madsen tweaks also inclines people in-world away from the otherwise most likely assumption that creatures of fantasy tales are magical. And the capabilities of current technology means any sightings of magic are likely to be seen as merely bleeding-edge prototypes or covert proprietary equipment.
Ironically, this skilled integration of fantasy and cyberpunk in human society leaves the elven realm and society feeling more stereotypical by comparison: while Madsen puts her own spin on it, the magical hippy trope common to straight fantasy is prominent. However, with a protagonist who’s chosen to not live there, this lack of complexity suits the narration so is only likely to disappoint readers who love to know a world in depth.
The narrative similarly skilfully interweaves technological and mystical plots, along with pleasingly nuanced social challenges stemming from Alyssa’s choice to live as a shopkeeper and thief.
Alyssa herself is an engaging protagonist. Her personality is modern rather than traditional, making her decision to live in the human realm entirely plausible. But, possessed of powerful magic, she is denied the casual access to modern technology and the opportunities it brings that even most elves enjoy. While this does not justify her working as a thief-for-hire, the soft exclusion it creates does excuse her using less than legal means to survive. Her life outside the demands of her job is also both sympathetic and complex: she has friends and acquaintances that she trust to different amounts, and struggles with the appearance of possible lovers old and new.
The supporting cast are similarly detailed: most people are casually decent but also self-interested, and has both prejudices and drives that are important enough to weaken—if not always overcome—them. This complexity of character makes them an ideal combination of (sometimes loving) obstacles, suspects, and allies for a plot based around unseen technological and magical threats.
The different culture of the elves makes Alyssa and other characters more open to choosing partners on personality rather than rigid sex lines, creating a greater sense of diversity.
Overall, I enjoyed this novel greatly. I recommend it to all readers of cyberpunk or urban fantasy who don’t object to a slight overlap.
I received a free copy from the publisher with a request for a fair review.