4/5. Releases 12/27/2022.
Gird your fucking loins, because this is a Highlander Highlander novel.
Kallum MacNeill (otherwise known as Dubh Mahoun/the Black Devil) is a badass. There is no finer way to put this is. He kicks ass, he takes names, and he is frankly so intimidating that everyone else is essentially looking the other way as he frees enslaved people across Scotland. He is connected, he is powerful, and he knows what he's about.
So when he sees Ailsa Connery at Stirling Castle, clearly in need of his help, he does the natural thing and kidnaps her. The issue here is that Ailsa, while definitely in trouble, did not necessarily want to be kidnapped, and has a much more complex background than Kallum initially assumed. And she is in fact heading in the opposite direction from him. But he can't let!!! A lass!!! Travel alone!!! OBVIOUSLY!!! So what was a good kidnapping turns into a roadtrip between two people who get on each other's nerves, while also wanting very desperately to get her under him (or vice versa, depending on the moment).
First off, disclaimer--I'm white, and I can't speak to the effectiveness of the rep in this book. This is my first Lisa Rayne book, and I don't plan on it being my last. To say that this gives a totally different perspective on Highland romances would be an understatement. It's all old world, it's all Scottish, and it's also Black. Both leads are Black (as a note, Ailsa does have a white father) and this isn't something that's just peppered into the story to be a little garnish or to make the world seem more diverse. Kallum and Ailsa's Blackness is key to their characters, their backstories, and their motivations. It's certainly not all they talk about or the only reason why they relate to each other, but it's obviously something that they can connect over, in, again, old world Scotland, in a way that they can't with most people.
At the same time, there are things that I won't give away that up-end what I think some will expect of this book. Kallum and Ailsa are not stereotypes. They are not here to just suffer. This book does not skirt over the racism they face at all, but it also gives them agency and power and revels in it.
So this book is doing the work on that level... while also giving you kind of old school Scottish adventure romance. There is much lass-ing. There is a lot of brawn. There is much och, much aye, and there is a lot of like, "oh we are traveling together, must get very close to one another now". There is a moment I mentioned earlier on the blog where Ailsa hits this man's dick so hard that he literally can't pee right for a while, and yet when he sees her eyeing said dick later is STILL GETTING IT UP. Now that's a hero. That's what I want out of an och aye book.
Things I Liked:
--Very romantic in a way that I feel like we don't see as much of anymore? Not just romantic in terms of kissing and tension, but also like... the romance of adventure. The romance of being under threat and finding love and humor and fun while up against pretty steep odds.
--If you're into the kind of dynamic where a big man is convincing himself he's the boss while actually she's the boss, you will enjoy this. At points, I was mildly reminded of Key and Peele's "MEEGAN (you forgot your jacket tho!!!)" sketches, and I won't even lie to y'all... That shit is an archetype, and it's one I enjoy so much, and I do love to see it.
--There is a scene... under a waterfall... And it felt so like, 90s romantic historical movie, so like, First Knight (which I... also mentioned recently on the blog, the most play First Knight has been getting in forever probably), and so sensual. And I just appreciated that Lisa Rayne went "this is happening in a fucking waterfall" because why the fuck not.
Things I Wasn't As Sure About:
--This is really a minor thing, but the language can get a bit euphemistic at times, and as much as I'm not calling that inaccurate (I genuinely don't know for this era)... At points I could've used a little more explicit language. But that's honestly personal preference, and the euphemisms did make it feel more old school, which I appreciate.
--It does take a little while to get the pace up, at least for me as a reader. So do hang in there! Once this one gets going, it gets GOING.
Trigger warnings for enslavement, human trafficking, racism, and discussions of all the above, as well as threat of sexual assault. I'm not going to call this one heavy for me to read, but of course your mileage may vary, and I advise taking that into account before you read. To me, this book balanced the adventure and romance with the serious subject matter very well, but it's not going to work that way for everyone--and again, I can hardly be the judge there.
One thing I do advise, though--read the author's notes at the end. Lisa Rayne has done her research, and the insights there are great.
If you're looking for Scotland and a great 90s vibe, I think you could find your match here. And truly, seriously--more of this, less "give me points for casting a person of color in this period piece while centering the white characters anyway" content.
Thanks to Netgalley and Entangled for providing me with a free copy of this book in exchange for an honest review!