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The Palace of Rogues #3
I'm Only Wicked With You
USA Today bestselling author Julie Anne Long continues her Palace of Rogues series with a brand-new romance about an ambitious American and a headstrong British heiress.
He's the battle-hardened son of a bastard, raised in the wilds of New York. She's the sheltered, blue-blooded darling of the London broadsheets, destined to marry a duke. Their worlds could only collide in a boardinghouse by the London docks...and when they do, the sparks would ignite all of England.
Nothing can stop Hugh Cassidy's drive to build an American empire...unless it's his new nemesis, the arrogant, beautiful, too-clever-by-half Lady Lillias Vaughn. The fascination is mutual. The temptation is merciless. And the inevitable indiscretion? Soul-searing—and the ruination of them both. Hugh's proposal salvages Lillias' honor but kills their dreams for their futures...until they arrive at a plan that could honorably set them free.
But unraveling their entanglement inadvertently uncovers enthralling truths: about Lillias' wounded, tender heart and fierce spirit. About Hugh's stunning gentleness, depth, and courage. Soon, Hugh knows that as surely as he'd fight a thousand battles to win her...the best way to love Lillias means breaking his own heart.
He's the battle-hardened son of a bastard, raised in the wilds of New York. She's the sheltered, blue-blooded darling of the London broadsheets, destined to marry a duke. Their worlds could only collide in a boardinghouse by the London docks...and when they do, the sparks would ignite all of England.
Nothing can stop Hugh Cassidy's drive to build an American empire...unless it's his new nemesis, the arrogant, beautiful, too-clever-by-half Lady Lillias Vaughn. The fascination is mutual. The temptation is merciless. And the inevitable indiscretion? Soul-searing—and the ruination of them both. Hugh's proposal salvages Lillias' honor but kills their dreams for their futures...until they arrive at a plan that could honorably set them free.
But unraveling their entanglement inadvertently uncovers enthralling truths: about Lillias' wounded, tender heart and fierce spirit. About Hugh's stunning gentleness, depth, and courage. Soon, Hugh knows that as surely as he'd fight a thousand battles to win her...the best way to love Lillias means breaking his own heart.
384 pages, Kindle Edition
First published August 24, 2021
271 people are currently reading
3284 people want to read
About the author
Julie Anne Long
37 books2,985 followersWell, where should I start? I've lived in San Francisco for more than a decade, usually with at least one cat. I won the school spelling bee when I was in 7th grade; the word that clinched it was 'ukulele.' I originally set out to be a rock star when I grew up (I had a Bono fixation, but who didn't?), and I have the guitars and the questionable wardrobe stuffed in the back of my closet to prove it.
But writing was always my first love.
I was editor of my elementary school paper (believe it or not, Mrs. Little's fifth grade class at Glenmoor Elementary did have one); my high school paper (along with my best high school bud, Cindy Jorgenson); and my college paper, where our long-suffering typesetter finally forced me to learn how to typeset because my articles were usually late (and thus I probably have him to thank for all the desktop publishing jobs that ensued over the years).
Won a couple of random awards along the way: the Bank of America English Award in High School (which basically just amounted to a fancy plaque saying that I was really, really good at English); and an award for best Sports Feature article in a College Newspaper (and anyone who knows me well understands how deeply ironic that is). I began my academic career as a Journalism major; I switched to Creative Writing, which was a more comfortable fit for my freewheeling imagination and overdeveloped sense of whimsy. I dreamed of being a novelist.
But most of us, I think, tend to take for granted the things that come easily to us. I loved writing and all indications were that I was pretty good at it, but I, thank you very much, wanted to be a rock star. Which turned out to be ever-so-slightly harder to do than writing. A lot more equipment was involved, that's for sure. Heavy things, with knobs. It also involved late nights, fetid, graffiti-sprayed practice rooms, gorgeous flakey boys, bizarre gigs, in-fighting—what's not to love?
But my dream of being a published writer never faded. When the charm (ahem) of playing to four people in a tiny club at midnight on a Wednesday finally wore thin, however, I realized I could incorporate all the best things about being in a band — namely, drama, passion, and men with unruly hair — into novels, while at the same time indulging my love of history and research.
So I wrote The Runaway Duke, sent it to a literary agent (see the story here), who sold it to Warner Books a few months after that...which made 2003 one of the most extraordinary, head-spinning years I've ever had.
Why romance? Well, like most people, I read across many genres, but I've been an avid romance reader since I got in trouble for sneaking a Rosemary Rogers novel out of my mom's nightstand drawer (I think it was Sweet Savage Love). Rosemary Rogers, Kathleen Woodiwiss, Laurie McBain...I cut my romance teeth on those ladies. And in general, I take a visceral sort of pleasure in creating a hero and a heroine, putting them through their emotional paces, and watching their relationship develop on the page. And of course, there's much to be said for the happy ending. :)
And why Regency Historicals? Well, for starters, I think we can blame Jane Austen. Her inimitable wit, compassion and vision brought the Regency vividly to life for generations of readers. If Jane Austen had written romances about Incas, for instance, I think, we'd have racks and racks of Inca romances in bookstores all over the country, and Warner Forever would be the Inca Romance line.
But I'm a history FREAK, in general. I read more history, to be perfectly honest, than fiction (when I have time to read!) these days. When we were little, my sister and I used to play "Littl
But writing was always my first love.
I was editor of my elementary school paper (believe it or not, Mrs. Little's fifth grade class at Glenmoor Elementary did have one); my high school paper (along with my best high school bud, Cindy Jorgenson); and my college paper, where our long-suffering typesetter finally forced me to learn how to typeset because my articles were usually late (and thus I probably have him to thank for all the desktop publishing jobs that ensued over the years).
Won a couple of random awards along the way: the Bank of America English Award in High School (which basically just amounted to a fancy plaque saying that I was really, really good at English); and an award for best Sports Feature article in a College Newspaper (and anyone who knows me well understands how deeply ironic that is). I began my academic career as a Journalism major; I switched to Creative Writing, which was a more comfortable fit for my freewheeling imagination and overdeveloped sense of whimsy. I dreamed of being a novelist.
But most of us, I think, tend to take for granted the things that come easily to us. I loved writing and all indications were that I was pretty good at it, but I, thank you very much, wanted to be a rock star. Which turned out to be ever-so-slightly harder to do than writing. A lot more equipment was involved, that's for sure. Heavy things, with knobs. It also involved late nights, fetid, graffiti-sprayed practice rooms, gorgeous flakey boys, bizarre gigs, in-fighting—what's not to love?
But my dream of being a published writer never faded. When the charm (ahem) of playing to four people in a tiny club at midnight on a Wednesday finally wore thin, however, I realized I could incorporate all the best things about being in a band — namely, drama, passion, and men with unruly hair — into novels, while at the same time indulging my love of history and research.
So I wrote The Runaway Duke, sent it to a literary agent (see the story here), who sold it to Warner Books a few months after that...which made 2003 one of the most extraordinary, head-spinning years I've ever had.
Why romance? Well, like most people, I read across many genres, but I've been an avid romance reader since I got in trouble for sneaking a Rosemary Rogers novel out of my mom's nightstand drawer (I think it was Sweet Savage Love). Rosemary Rogers, Kathleen Woodiwiss, Laurie McBain...I cut my romance teeth on those ladies. And in general, I take a visceral sort of pleasure in creating a hero and a heroine, putting them through their emotional paces, and watching their relationship develop on the page. And of course, there's much to be said for the happy ending. :)
And why Regency Historicals? Well, for starters, I think we can blame Jane Austen. Her inimitable wit, compassion and vision brought the Regency vividly to life for generations of readers. If Jane Austen had written romances about Incas, for instance, I think, we'd have racks and racks of Inca romances in bookstores all over the country, and Warner Forever would be the Inca Romance line.
But I'm a history FREAK, in general. I read more history, to be perfectly honest, than fiction (when I have time to read!) these days. When we were little, my sister and I used to play "Littl
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Displaying 1 - 30 of 436 reviews
June 23, 2024
I either love JAL or the book is just ok.........this falls into the just ok category. I struggled with this one picking up and putting down to go and read another book repeatedly. The something is bothering me (likely unrequited love) and I must do crazy stuff, act out and sigh a lot is not a plot. I skimmed a lot of the book. I never felt the main couple fall in love. The actions of the heroine near the end were bewildering. Many of my goodread friends loved this book and others were like me and it was just ok. I give it a 2.5* and round up.
August 29, 2021
3.5 stars
I received this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
But when Lady Lillias Vaughn had emerged into view from the dusty twilight of an unfinished part of the Annex at The Grand Palace on the Thames, he’d been struck dumb.
Picking right up where readers of the The Palace of the Rogues series left off in Angel in a Devil's Arms, this third installment gives us the continuation of all that tension between two guests at The Grand Palace on the Thames inn. Lady Lillias is the daughter of an Earl staying at the inn with her family while her home is being searched for a snake her older brother brought home after winning in a poker game and a hole in the wall from her father who shot at said snake is being repaired. She's been the toast of the season but oddly seems cold and aloof and dreading a ball coming up in two weeks. Hugh Cassidy is an American who can't even trace his lineage beyond his grandfather and seems to being holding his true reason for being in England close to his vest. He finds Lillias smoking and tattles to her father, which has her punishment being grounded to the inn. There the more time Lillias and Hugh spend with each other the brighter the tension burns between them and speaking glances start to say a lot.
Never had a silent conversation been louder than the one he was conducting with Lady Lillias Vaughn.
This is the third book in the series and after the first two, I was hoping we could move outside of the inn's walls, that doesn't happen here. The first half is solidly at the inn and the first 30% is fairly slow moving and we spend ample time with, albeit, old favorites like the heroines from the first two books and a handful of scenes with their counterparts, the ever contributing to the swear jar Mr. Delacourte, and sweet Dot. All characters that bring charm to the story but I found myself straining to break the leash to the inn and venture into new territory. Around 40% is when there is significant movement on the beginning's slow bringing together of Lillias and Hugh. I much appreciated how Long kept the historical feel in their tension; shielded conversations that are pointed and looks that burn in crowded parlors. This added to the tension and gave that sense of building snapping restraint to the two, which is the feeling I'm looking for when reading a historical.
He met her eyes. It was warning, an apology . . . and, after a fashion . . . a promise.
Fifty percent is where I thought the story picked up more and we get our forced into engagement because of caught in flagrante delicto. At this point, the reader does feel the attraction between the two and while I wouldn't say the depth is incredible, these two don't know each other enough yet, it definitely feels hot to the touch; their chemistry isn't in question but it falls more on the lust side. Long has an incredible ability to deliver lines between characters that make you feel and this couple stood out from the world because they did snap and pop. But, I fear that at times they stood out so much was because the world wasn't as much there this time, the over-trodden ground of The Grand Palace on the Thames with it's many conversations in the beginning really had me chomping at the bit to be free. I found myself daydreaming about how cool it would have been to have the story moved to Hugh's home in America, the Hudson Valley.
It was difficult to align the complicated things he felt with the proper words. So he said the truest thing he could, slowly and softly. “I should hate for any harm to ever come to you.”
Even though our couple is engaged at 50%, they still think they might be in love with other people into the second half of the story. Hugh is in England to find the daughter of his mentor and who he thinks he is going to marry and Lillias is devastated that her childhood friend might not love her the way she loves him. A plan gets developed by Hugh to help Lillias' friend realize his love for her and there is some nice emotional cracking by Hugh but Lillias spends too much time in her head with this. I wanted Lillias to stand-up and choose Hugh to take that control but their final coming together ended up feeling more flat because Lillias didn't make the move I wanted from her.
Together they turned that kiss into something furious and desperate, a clash fueled by futility and the forbidden.
As always, Long gave me lines and emotions that hit hard, and a surprising one that hit me almost the hardest was Lillias' father saying this after Hugh is forced to offer for Lillias: “You could do much worse than young Mr. Cassidy. I rather wish he was my own son.”. It hit hard because Hugh doesn't have much family, lost his mother younger and his father and brother died in the war, and this English Earl saw the good man he was, made my eyes water a bit for Hugh. Other secondary characters like Lillias' sister and brother added some filler to the story and the standbys at the inn probably took up too much time in the beginning. Like I said, I think a different setting, especially if the Hudson Valley had been utilized could have really brought a sense of freshness and adventure to this story. The epilogue was longer and had a wrap-up feel enough that I do wonder if we are finally going to leave the main setting of the Grand Palace on the Thames, we also get a glance at Lillias and Hugh's happily ever after in America. As it was, the beginning was pretty slow but Lillias and Hugh's burning tension saved the second half for me. Their story was one of the difference between living a fine life and full life and I hope someday we can visit their children in the Hudson.
I received this book for free in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
But when Lady Lillias Vaughn had emerged into view from the dusty twilight of an unfinished part of the Annex at The Grand Palace on the Thames, he’d been struck dumb.
Picking right up where readers of the The Palace of the Rogues series left off in Angel in a Devil's Arms, this third installment gives us the continuation of all that tension between two guests at The Grand Palace on the Thames inn. Lady Lillias is the daughter of an Earl staying at the inn with her family while her home is being searched for a snake her older brother brought home after winning in a poker game and a hole in the wall from her father who shot at said snake is being repaired. She's been the toast of the season but oddly seems cold and aloof and dreading a ball coming up in two weeks. Hugh Cassidy is an American who can't even trace his lineage beyond his grandfather and seems to being holding his true reason for being in England close to his vest. He finds Lillias smoking and tattles to her father, which has her punishment being grounded to the inn. There the more time Lillias and Hugh spend with each other the brighter the tension burns between them and speaking glances start to say a lot.
Never had a silent conversation been louder than the one he was conducting with Lady Lillias Vaughn.
This is the third book in the series and after the first two, I was hoping we could move outside of the inn's walls, that doesn't happen here. The first half is solidly at the inn and the first 30% is fairly slow moving and we spend ample time with, albeit, old favorites like the heroines from the first two books and a handful of scenes with their counterparts, the ever contributing to the swear jar Mr. Delacourte, and sweet Dot. All characters that bring charm to the story but I found myself straining to break the leash to the inn and venture into new territory. Around 40% is when there is significant movement on the beginning's slow bringing together of Lillias and Hugh. I much appreciated how Long kept the historical feel in their tension; shielded conversations that are pointed and looks that burn in crowded parlors. This added to the tension and gave that sense of building snapping restraint to the two, which is the feeling I'm looking for when reading a historical.
He met her eyes. It was warning, an apology . . . and, after a fashion . . . a promise.
Fifty percent is where I thought the story picked up more and we get our forced into engagement because of caught in flagrante delicto. At this point, the reader does feel the attraction between the two and while I wouldn't say the depth is incredible, these two don't know each other enough yet, it definitely feels hot to the touch; their chemistry isn't in question but it falls more on the lust side. Long has an incredible ability to deliver lines between characters that make you feel and this couple stood out from the world because they did snap and pop. But, I fear that at times they stood out so much was because the world wasn't as much there this time, the over-trodden ground of The Grand Palace on the Thames with it's many conversations in the beginning really had me chomping at the bit to be free. I found myself daydreaming about how cool it would have been to have the story moved to Hugh's home in America, the Hudson Valley.
It was difficult to align the complicated things he felt with the proper words. So he said the truest thing he could, slowly and softly. “I should hate for any harm to ever come to you.”
Even though our couple is engaged at 50%, they still think they might be in love with other people into the second half of the story. Hugh is in England to find the daughter of his mentor and who he thinks he is going to marry and Lillias is devastated that her childhood friend might not love her the way she loves him. A plan gets developed by Hugh to help Lillias' friend realize his love for her and there is some nice emotional cracking by Hugh but Lillias spends too much time in her head with this. I wanted Lillias to stand-up and choose Hugh to take that control but their final coming together ended up feeling more flat because Lillias didn't make the move I wanted from her.
Together they turned that kiss into something furious and desperate, a clash fueled by futility and the forbidden.
As always, Long gave me lines and emotions that hit hard, and a surprising one that hit me almost the hardest was Lillias' father saying this after Hugh is forced to offer for Lillias: “You could do much worse than young Mr. Cassidy. I rather wish he was my own son.”. It hit hard because Hugh doesn't have much family, lost his mother younger and his father and brother died in the war, and this English Earl saw the good man he was, made my eyes water a bit for Hugh. Other secondary characters like Lillias' sister and brother added some filler to the story and the standbys at the inn probably took up too much time in the beginning. Like I said, I think a different setting, especially if the Hudson Valley had been utilized could have really brought a sense of freshness and adventure to this story. The epilogue was longer and had a wrap-up feel enough that I do wonder if we are finally going to leave the main setting of the Grand Palace on the Thames, we also get a glance at Lillias and Hugh's happily ever after in America. As it was, the beginning was pretty slow but Lillias and Hugh's burning tension saved the second half for me. Their story was one of the difference between living a fine life and full life and I hope someday we can visit their children in the Hudson.
August 25, 2021
This book is out now so I have removed the spoiler tag. Hopefully you like it as much as I did!
You tend to use words like bludgeons, Mr. Cassidy.
This is an accusation thrown to the hero by the heroine, but as a long-time fan of Long's work, it's one I would -- at times, at least -- hurl at the author. I would only mean good things by hurling those words, but they do describe how she can make us readers feel. Sometimes those feels come at us and the result feels like we were bludgeoned. Maybe that's a bit dramatic, but I can say that I haven't been too keen to pick up my next ebook because I am still getting over this one. I loved it simply put.
The hero, Hugh, is a self-made American. He's got that raw manly sex appeal one might expect. Lillias, the heroine, is a beautiful, popular debutante, but she's having a bit of a rebellious streak that is somewhat inexplicable to her parents. Her aristocratic family has temporarily relocated to the "Grand Palace on the Thames" - the setting for this series - because they have a snake problem in their townhome.
Fate was such a bastard. A rush of fury at feeling like its plaything. It had fitted him with an iron-clad sense of honor and presented him with the cruelest of temptations.
...
“You aren’t really winning either, are you, Mr. Cassidy, if you’re helpless to stop playing the game?”
Hugh and Lillias challenge each other and subversively dare the other to take the next step, which are all things Long does particularly well and themes I enjoy. Since they are both staying at the Grand Palace, there is forced proximity at play. The dialogue is riveting and the veiled discussions around Greek mythology are deliciously symbolic.
“It’s just . . . I so very much wanted to feel something that wasn’t . . . what I was already feeling. Which was a bit empty, and lost, and miserable. And all I do when I’m with you . . . Hugh . . . all I do is feel things with my body that are so loud that everything else is muted.”
The attraction was potent and the resolutions satisfying. Since this is the third in the series, the Grand Palace has become a cozy setting with returning compelling characters. I thought this the best in the series. The series has hit its stride, and the romance in this one was really rewarding. I'm looking forward to what comes next.
Thank you to Edelweiss and the publisher for a chance to read and review this book. Views are my own.
You tend to use words like bludgeons, Mr. Cassidy.
This is an accusation thrown to the hero by the heroine, but as a long-time fan of Long's work, it's one I would -- at times, at least -- hurl at the author. I would only mean good things by hurling those words, but they do describe how she can make us readers feel. Sometimes those feels come at us and the result feels like we were bludgeoned. Maybe that's a bit dramatic, but I can say that I haven't been too keen to pick up my next ebook because I am still getting over this one. I loved it simply put.
The hero, Hugh, is a self-made American. He's got that raw manly sex appeal one might expect. Lillias, the heroine, is a beautiful, popular debutante, but she's having a bit of a rebellious streak that is somewhat inexplicable to her parents. Her aristocratic family has temporarily relocated to the "Grand Palace on the Thames" - the setting for this series - because they have a snake problem in their townhome.
Fate was such a bastard. A rush of fury at feeling like its plaything. It had fitted him with an iron-clad sense of honor and presented him with the cruelest of temptations.
...
“You aren’t really winning either, are you, Mr. Cassidy, if you’re helpless to stop playing the game?”
Hugh and Lillias challenge each other and subversively dare the other to take the next step, which are all things Long does particularly well and themes I enjoy. Since they are both staying at the Grand Palace, there is forced proximity at play. The dialogue is riveting and the veiled discussions around Greek mythology are deliciously symbolic.
“It’s just . . . I so very much wanted to feel something that wasn’t . . . what I was already feeling. Which was a bit empty, and lost, and miserable. And all I do when I’m with you . . . Hugh . . . all I do is feel things with my body that are so loud that everything else is muted.”
The attraction was potent and the resolutions satisfying. Since this is the third in the series, the Grand Palace has become a cozy setting with returning compelling characters. I thought this the best in the series. The series has hit its stride, and the romance in this one was really rewarding. I'm looking forward to what comes next.
Thank you to Edelweiss and the publisher for a chance to read and review this book. Views are my own.
June 8, 2024
This is one of the easiest five-star ratings I’ve ever given.
Brilliantly written. The characters are complex. The emotions are complex. The pacing is spot-on. Chapters three and four take place in a drawing room and I’ve never been so entertained. BY TWO CHAPTERS IN A DRAWING ROOM, FOR PITY’S SAKE.
Delacorte deserves an academy award for best supporting actor. Please, oh please, let him find his HEA and God help her when he does.
I’ve got quibbles, but they’re mostly aimed at two characters who came so close, too close, to walking away from a cosmic love just because it didn’t fit into their preconceived plans of what their futures should look like. If a reader is fussing AT the characters instead of ABOUT the characters, however, the author has done her job.
Julie Anne Long is at the top of her game in this novel, placing her among the marquee names in this genre, which means her work damn well deserves proof reading and publishing heads should roll for the amount of printing errors allowed in this book. Perfection marred by publishing errors is a crime.
Brilliantly written. The characters are complex. The emotions are complex. The pacing is spot-on. Chapters three and four take place in a drawing room and I’ve never been so entertained. BY TWO CHAPTERS IN A DRAWING ROOM, FOR PITY’S SAKE.
Delacorte deserves an academy award for best supporting actor. Please, oh please, let him find his HEA and God help her when he does.
I’ve got quibbles, but they’re mostly aimed at two characters who came so close, too close, to walking away from a cosmic love just because it didn’t fit into their preconceived plans of what their futures should look like. If a reader is fussing AT the characters instead of ABOUT the characters, however, the author has done her job.
Julie Anne Long is at the top of her game in this novel, placing her among the marquee names in this genre, which means her work damn well deserves proof reading and publishing heads should roll for the amount of printing errors allowed in this book. Perfection marred by publishing errors is a crime.
August 25, 2021
I've given this a C+ at AAR.
I reviewed this one jointly with my fellow All About Romance reviewer Evelyn North; she liked it a lot more than I did and gave it an A, whereas I couldn't go higher than a C+. I didn't care much for the heroine, and while I did like the hero, there's nothing worse tnan a romance in which you feel one half of the central couple doesn't "deserve" the other, which was where I ended up on this one.
You can read our review HERE
I reviewed this one jointly with my fellow All About Romance reviewer Evelyn North; she liked it a lot more than I did and gave it an A, whereas I couldn't go higher than a C+. I didn't care much for the heroine, and while I did like the hero, there's nothing worse tnan a romance in which you feel one half of the central couple doesn't "deserve" the other, which was where I ended up on this one.
You can read our review HERE
September 6, 2021
2.5 stars, rounded up because of some funny banter in the first half of the book. But overall, for me this book was a disappointment. There was very little plot - not much at all happened, really. It was more than half way through the book till the MCs actually kissed, or till there was an actual change of scene from the Grand Palace on the Thames. By this stage I was getting pretty sick of the Grand Palace and its quirky inhabitants. The rules which once seemed mildly amusing were starting to feel pretty silly, and I was rapidly losing interest in the romance as well.
By the time things finally moved on, for me it was a bit too late to save this book. Perhaps if readers had been introduced to Giles somewhat earlier, rather than maintaining Lillias’ mysterious fear/grief till a good 2/3 through the book, as a reader I might have felt more involved, and cared a bit more.
From this point, there were some plot points that didn’t really make sense to me, or convince. Some of Lillias’ confusing behaviours left me asking why. Why would you do that? I have to admit, I started to skim. By the time I reached the ending, I didn’t care that much about any of them, and the epilogue left me unmoved.
Usually I like Ms Long’s writing. She still has a way with words and a lovely, smooth writing style. The characters had potential, too. I wanted to like this book. But for me, it was the plot arc that sadly let this book down. Bummer. Now I’m not sure whether or not I’ll read Bk 4 when it comes out. Maybe I’ll wait for some reviews before buying.
By the time things finally moved on, for me it was a bit too late to save this book. Perhaps if readers had been introduced to Giles somewhat earlier, rather than maintaining Lillias’ mysterious fear/grief till a good 2/3 through the book, as a reader I might have felt more involved, and cared a bit more.
From this point, there were some plot points that didn’t really make sense to me, or convince. Some of Lillias’ confusing behaviours left me asking why. Why would you do that? I have to admit, I started to skim. By the time I reached the ending, I didn’t care that much about any of them, and the epilogue left me unmoved.
Usually I like Ms Long’s writing. She still has a way with words and a lovely, smooth writing style. The characters had potential, too. I wanted to like this book. But for me, it was the plot arc that sadly let this book down. Bummer. Now I’m not sure whether or not I’ll read Bk 4 when it comes out. Maybe I’ll wait for some reviews before buying.
May 13, 2024
Last try:
Soooo, I finished it. And I didn’t even skip much. Read it whole way through. It’s between a 2 and a 3, but since it ended on a high note, I’ll give it a 3.
Here’s why I don’t like it:
* The MCs aren’t the most engaging, esp. Lilias. Spoiled, rich, privileged Diamond of the First Water, darling of the ton. She’s selfish. She wallows in woe-is-me how annoying all these men pant after her and propose to her every week and send her hot house flowers. They don’t SEE her! Boohoo.
What if some of those men are really enchanted or want to get to know her better. What if they knew of her disdain of them?
I wish she fell in love with not only an American commoner but also someone who wasn’t so gorgeous. I just don’t see a lot of depth in her. She’s not a bad person per se, but not a heroine I root for.
* I didn’t like Hugh all that much in the beginning, but over time he grew on me. I didn’t get the chemistry between the MCs apart from flaying each other with dry words and lust.
* I REALLY didn’t like the fact that through almost the entire book (until 75%!@) they were actually pining for other people. She was “in love” with Giles, a childhood friend, and he was looking at potentially marrying Amelia, who ran off on a jaunt.
And yet, they seemed perfectly happy to fool around with each other. Did that not show them they weren’t in love with the other people at all? And if they were and could separate their hearts from their bodies, then I really can’t stand either of them.
The writing is good as always. Hence the rounding to 3 stars. But I didn’t really get the LOVE between the MCs. It was just chemistry between 2 inordinately attractive ppl.
First 2 tries:
I give up. After 6 months I couldn't get past 14%....
August 30, 2021
TITLE: I'M ONLY WICKED WITH YOU
AUTHOR: Julie Anne Long
SERIES: The Palace of the Rogues #3
RELEASE DATE: August 24, 2021
GENRE: Historical Romance
THEMES & TROPES: Enemies to Lovers
RATING: 4 STARS
CLIFFHANGER: No
So I'm gonna start with an admission: I'm not a big fan of the main characters of a story being in love with other people at the time they meet. It's so damn hard for an author to make me believe that all of a sudden they completely forget about the other love interest. But if somebody could make it work it would be Julie Anne Long.
The first 30% were a slower pace than I'm used to from this author but once I got past that I really started to connect first with the characters. Lillias's antagonism at the beginning felt a little childish but then I thought back to a time when I was that young and, honestly, I was probably just the same kind of brat. Hugh was dreamy, his thoughts about the headstrong young woman were so incredibly tender and affectionate and that started to shine through.
“Lillias . . .” She’d never heard her name said in such a way. It had facets; it fairly shimmered with shades of emotion. Wit and exasperation and tenderness and frustration.
Hugh and Lillias had a strong sexual attraction right from the start but they also were both carrying a torch for other people. I loved how it became more and more obvious that they held serious affection and liking for one another. That it would only a matter of time until they'd fall head over heels. So this part definitely worked for me. I felt that Lillias and Hugh understood one another from the base up.
"Nothing is like us."
I saw someone comparing this book to What I Did For a Duke and I concur. It does have that feel because like Hugh and Lillias Alexander and Genevieve start out as antagonists but it still doesn't feel as if JAL just repackaged the trope. No, it's a completely different story.
Julie Anne Long's writing is so breathtakingly and achingly beautiful. She truly is one of a kind. I also love the smart dialogues, the banter and the humor she always uses to make her characters multi-dimensional. I'm looking forward who Delilah and Angelique will host next!
“I thought love was meant to be an easy, peaceful thing, Lillias. But it’s like life itself. It’s maddening. And beautiful. And changeable and funny and passionate. It’s . . . like a Hudson River Valley sunset. Underneath all that fire and glory the sky is ever constant. It’s like you. For me, it is you."
August 27, 2021
This is the third entry in Long's Palace of Rogues series, which, in the first two books, has featured the romances of two women who buy a rundown building at the docks and turn it into a charming boardinghouse which, for some reason unclear to me, attracts even members of the peerage as guests. The first two books were lovely romances for those two struggling women and were quite romantic, humorous, well-written HRs. This third entry is well written but I found it less romantic (except for the last quarter of the book) and less witty and humorous.
In this #3, two beautiful guests at the Palace of Rogues boardinghouse, one the aristocratic, perhaps somewhat snooty but definitely restless, daughter of an earl and one a pedigree-less American visiting England but with plans to return to America for a political career, have only one thing in common: their beauty. I suppose we are to think that the lust they feel for each other is really love, but it's really hard to see that love underneath all the repetitive description of physical attraction and the fact that there is nothing more to the relationship than antagonism and chemistry for most of the course of the novel.
Little happens in the book and there are even minimal actual sex scenes, so that does allow for more pages to be filled by Long with developing love, but, for some reason, this is the least satisfying romance of hers that I've read in a long time. Not even the H and h realize that they are in love for most of the book and it was hard for me to see exactly why they should be in love.
But, yeah, that last quarter of the book does show us a bit more romance and we occasionally get glimpses of Long's trademark talent for swoony affection and love. But that was not enough to counteract the rather crudely drawn and exaggerated contrasts between upper-class English and (supposedly) classless American ideals and values and way of life. A really superficial, annoying and simplistic presentation of this.
Nice writing and excellent lust, however.
In this #3, two beautiful guests at the Palace of Rogues boardinghouse, one the aristocratic, perhaps somewhat snooty but definitely restless, daughter of an earl and one a pedigree-less American visiting England but with plans to return to America for a political career, have only one thing in common: their beauty. I suppose we are to think that the lust they feel for each other is really love, but it's really hard to see that love underneath all the repetitive description of physical attraction and the fact that there is nothing more to the relationship than antagonism and chemistry for most of the course of the novel.
Little happens in the book and there are even minimal actual sex scenes, so that does allow for more pages to be filled by Long with developing love, but, for some reason, this is the least satisfying romance of hers that I've read in a long time. Not even the H and h realize that they are in love for most of the book and it was hard for me to see exactly why they should be in love.
But, yeah, that last quarter of the book does show us a bit more romance and we occasionally get glimpses of Long's trademark talent for swoony affection and love. But that was not enough to counteract the rather crudely drawn and exaggerated contrasts between upper-class English and (supposedly) classless American ideals and values and way of life. A really superficial, annoying and simplistic presentation of this.
Nice writing and excellent lust, however.
March 16, 2026
“Nothing is like us.”
Oh my poor heart! This book had me in tears like no other in a long time. My heart broke over and over again. Because the main characters were blind, deaf, and dumb. And stupid. And because I loved Hugh Cassidy so much.
Hugh Cassidy is an American businessman from New York, a former laborer from poor background, but very ambitious. He is in England to find the runaway daughter of a friend. He considers marrying her after bringing her home, because she’s the kind of wife a politician needs, and he wants to become the next mayor of NYC. Cassidy is very handsome, and his killer smile has all the maids at The Grand Palace of the Thames swooning. (And not only the maids.)
The Palace is where he meets Lillias, the daughter of the Earl of Vaughn. Her family is temporarily staying in the boarding house due to an inconvenience with their mansion (a little snake problem). Lillias is a beautiful, yet arrogant and spoiled twenty-year-old girl, whose lifelong dream is to become the wife of an heir (preferably her childhood friend Giles) and live a life of wealth and luxury. However, after suffering from heartbreak, she’s on the verge of rebellion, and Mr. Cassidy is exactly what she needs. Despite claiming not to like each other, there’s an instant sexual attraction between Hugh and Lillias. They banter with each other at every opportunity, but they also have deep conversations and get to know each other as the persons they really are.
The first half of the book is very slow, but I loved it because the tension and intensity are excellent. While Lillias is quite naïve but reckless, Hugh tries to do the right thing, even though he’s attracted to the girl beyond measure. He knows where a kiss might lead, and he’s aware that nothing can ever happen between them because of their class difference. However, Lillias challenges his reason and restraint over and over, despite his constant warnings.
Of course, they are not able to stop, and they get caught kissing passionately. Hugh does the honorable thing and doesn’t hesitate to propose. Unfortunately, after that the plot takes a turn that I didn't like.
I’m sure this book is not for everyone. It has flaws, no doubt about it. However, it made me emotional enough to ignore them. And did I mention yet that I love Hugh Cassidy?
Furthermore, I can’t praise JAL’s writing and ironic humor enough. I also don’t know if there’s another romance author who stages the supporting characters as perfectly as she does. She even makes me love POVs from minor characters (which I usually hate) because they add so much insight and fun.
4.5, rounded up because – wanna guess? Yes. Hugh Cassidy. ❤️
Oh my poor heart! This book had me in tears like no other in a long time. My heart broke over and over again. Because the main characters were blind, deaf, and dumb. And stupid. And because I loved Hugh Cassidy so much.
Hugh Cassidy is an American businessman from New York, a former laborer from poor background, but very ambitious. He is in England to find the runaway daughter of a friend. He considers marrying her after bringing her home, because she’s the kind of wife a politician needs, and he wants to become the next mayor of NYC. Cassidy is very handsome, and his killer smile has all the maids at The Grand Palace of the Thames swooning. (And not only the maids.)
The Palace is where he meets Lillias, the daughter of the Earl of Vaughn. Her family is temporarily staying in the boarding house due to an inconvenience with their mansion (a little snake problem). Lillias is a beautiful, yet arrogant and spoiled twenty-year-old girl, whose lifelong dream is to become the wife of an heir (preferably her childhood friend Giles) and live a life of wealth and luxury. However, after suffering from heartbreak, she’s on the verge of rebellion, and Mr. Cassidy is exactly what she needs. Despite claiming not to like each other, there’s an instant sexual attraction between Hugh and Lillias. They banter with each other at every opportunity, but they also have deep conversations and get to know each other as the persons they really are.
The first half of the book is very slow, but I loved it because the tension and intensity are excellent. While Lillias is quite naïve but reckless, Hugh tries to do the right thing, even though he’s attracted to the girl beyond measure. He knows where a kiss might lead, and he’s aware that nothing can ever happen between them because of their class difference. However, Lillias challenges his reason and restraint over and over, despite his constant warnings.
“Go inside, Lillias,” he whispered. He said it almost roughly. “You don’t know what you’re doing.”
“I’ll warrant you’ll spend the rest of the night thinking about me, Mr. Cassidy,” she replied softly. “And that alone proves I know exactly what I’m doing.”
*
“Lillias . . .” His voice bathed her senses like a too-potent liqueur. She heard more than a little pain in it. “I am not a toy. I feel it only fair to tell you that I do not normally enter into a contest—and we both know this has been a contest, so let’s not pretend any longer—of any sort unless I’ve a certainty of getting what I want. You cannot win this.”
“You aren’t really winning either, are you, Mr. Cassidy, if you’re helpless to stop playing the game?”
*
“This can lead nowhere good, Lillias. Because we will not be able to stop. One day you will beg me for more. And then more. By then you will want it more than you’ve ever wanted anything. And there may come a time when I cannot help myself, and that way lies our doom.” He delivered the next words like the softest of whispered curses, right into her ear. “And rest assured . . . there is so . . . much . . . more.”
Her thoughts spiraled, chaotic as leaves caught in an updraft. […]
“So this stops now,” he said abruptly. “Do you hear me?”
She managed to nod once.
His arms dropped and he stepped back from her abruptly, releasing her into a world that would never be the same again.
Of course, they are not able to stop, and they get caught kissing passionately. Hugh does the honorable thing and doesn’t hesitate to propose. Unfortunately, after that the plot takes a turn that I didn't like.
I’m sure this book is not for everyone. It has flaws, no doubt about it. However, it made me emotional enough to ignore them. And did I mention yet that I love Hugh Cassidy?
Furthermore, I can’t praise JAL’s writing and ironic humor enough. I also don’t know if there’s another romance author who stages the supporting characters as perfectly as she does. She even makes me love POVs from minor characters (which I usually hate) because they add so much insight and fun.
4.5, rounded up because – wanna guess? Yes. Hugh Cassidy. ❤️
December 13, 2025
I'm neutral to slightly annoyed at this one
Before I started typing this review, I barricaded my windows and double bolted my door. So.....
(lol, jk)
A few of the points I want to touch on are spoilers, so here are my spoiler free thoughts first.
┇(⸝⸝ᴗ﹏ᴗ⸝⸝) ᶻ 𝗓 𐰁┇━☆ The writing and pacing
・
・
・
━━━━━━━━━━━━━━━━━━━━━━━
🕮⋆˚࿔✎𓂃 𝐣𝐨𝐢𝐧 𝐦𝐲 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐭𝐲 𝐟𝐨𝐫 𝐦𝐲 𝐟𝐮𝐥𝐥 𝐫𝐞𝐯𝐢𝐞𝐰
━━━━━━━━━━━━━━━━━━━━━━━
Before I started typing this review, I barricaded my windows and double bolted my door. So.....
(lol, jk)
A few of the points I want to touch on are spoilers, so here are my spoiler free thoughts first.
┇(⸝⸝ᴗ﹏ᴗ⸝⸝) ᶻ 𝗓 𐰁┇━☆ The writing and pacing
・
・
・
━━━━━━━━━━━━━━━━━━━━━━━
🕮⋆˚࿔✎𓂃 𝐣𝐨𝐢𝐧 𝐦𝐲 𝐜𝐨𝐦𝐦𝐮𝐧𝐢𝐭𝐲 𝐟𝐨𝐫 𝐦𝐲 𝐟𝐮𝐥𝐥 𝐫𝐞𝐯𝐢𝐞𝐰
━━━━━━━━━━━━━━━━━━━━━━━
January 5, 2026
This is the third book in the Palace of Rogues series. I really enjoyed this story. The two main characters are physically and mentally attracted to each other. Each has their own history, and the author does an excellent job of unfolding it for the reader.
Extremely beautiful FMC Lillias Vaughn was first introduced at the end of the second book when MMC Hugh Cassidy catches her smoking a cheroot. He grounds it under his boot and then later discreetly informs her parents. The Earl and Countess of Vaughn are tenants of the The Grand Palace on the Thames while their London home is being de-snaked and restored to its former condition. Lillias’ punishment for smoking is confinement to the premises of the Grand Palace for a fortnight. She decides to use her beauty and wit to get even with the American Mr. Cassidy:
“And now here she was, confined to her room like a child for her transgression, as though she’d never had any power at all and never would. But now she understood the most infuriating thing of all about him: two minutes with Hugh Cassidy had given her a taste of the true, thrilling, unnerving power she possessed.”
“And then he’d stripped her of that power with a few words.” (‘Go inside, little girl.’)
“She intended to take it back from him.”
MMC Hugh Cassidy traveled from America to England to find the daughter of a close friend. His goal is to locate her and bring her safely back to America. His search has been futile so far. In the meantime, he assists the proprietors in building a stage in the ballroom of their new annex. During the evenings when guests are required to convene and engage in various activities such as reading, needlepoint, or chess, Hugh and Lillias engage in their own conversational battles. Chapter Three sees their mental dance begin when the Myth of Hades and Persephone are discussed. It's a complex story viewed as either a dark abduction or a powerful, if unconventional, love story where Persephone and Hades rule as equals. Blend this myth and “Robinson Crusoe” together and you have somewhat of a foundation for this book.
In the beginning, Lillias comes off as a spoiled woman. Over time, the reader learns she’s harboring a broken heart. She knows most of the titled gentry want her hand in marriage, but there’s only one man she has secretly longed for since childhood. Over the course of the first half of the book, my opinion of her character changes. She’s a woman who feels trapped in her titled culture. Hearing about Hugh’s American adventures intrigues her. She seeks Hugh out not only to help take her mind off an event she’s loathing to attend, but also because she’s drawn to him physically and mentally. Hugh challenges her in an exciting way.
Hugh, on the other hand, is fighting his attraction for Lillias. He knows nothing can come of it because he is not English and considered well below her class status. He also has his own plans and is anxious to find Amelia Woodley and return to America. But in Chapter 12, everything changes. The book goes from being slow burning to I couldn’t turn the pages fast enough.
Some of the best highlights are when Earl Vaughn offers Helga a job at his estate, the advice Mr. Hardy and Lord Bolt give Hugh, the shooting contest at Heatherfield, Hugh, (a veteran of two American wars) defending the American way against Giles’ accusations, and of course Lillias’ drawings filling her once empty sketch book. Maybe it was my mood, but I found this to be a really good book to start 2026 with.
I rated it 4.5 stars because selfishly, I wanted more closure on Amelia’s character at the end.
Great book, good series, and one that I hope to finish this year.
Extremely beautiful FMC Lillias Vaughn was first introduced at the end of the second book when MMC Hugh Cassidy catches her smoking a cheroot. He grounds it under his boot and then later discreetly informs her parents. The Earl and Countess of Vaughn are tenants of the The Grand Palace on the Thames while their London home is being de-snaked and restored to its former condition. Lillias’ punishment for smoking is confinement to the premises of the Grand Palace for a fortnight. She decides to use her beauty and wit to get even with the American Mr. Cassidy:
“And now here she was, confined to her room like a child for her transgression, as though she’d never had any power at all and never would. But now she understood the most infuriating thing of all about him: two minutes with Hugh Cassidy had given her a taste of the true, thrilling, unnerving power she possessed.”
“And then he’d stripped her of that power with a few words.” (‘Go inside, little girl.’)
“She intended to take it back from him.”
MMC Hugh Cassidy traveled from America to England to find the daughter of a close friend. His goal is to locate her and bring her safely back to America. His search has been futile so far. In the meantime, he assists the proprietors in building a stage in the ballroom of their new annex. During the evenings when guests are required to convene and engage in various activities such as reading, needlepoint, or chess, Hugh and Lillias engage in their own conversational battles. Chapter Three sees their mental dance begin when the Myth of Hades and Persephone are discussed. It's a complex story viewed as either a dark abduction or a powerful, if unconventional, love story where Persephone and Hades rule as equals. Blend this myth and “Robinson Crusoe” together and you have somewhat of a foundation for this book.
In the beginning, Lillias comes off as a spoiled woman. Over time, the reader learns she’s harboring a broken heart. She knows most of the titled gentry want her hand in marriage, but there’s only one man she has secretly longed for since childhood. Over the course of the first half of the book, my opinion of her character changes. She’s a woman who feels trapped in her titled culture. Hearing about Hugh’s American adventures intrigues her. She seeks Hugh out not only to help take her mind off an event she’s loathing to attend, but also because she’s drawn to him physically and mentally. Hugh challenges her in an exciting way.
Hugh, on the other hand, is fighting his attraction for Lillias. He knows nothing can come of it because he is not English and considered well below her class status. He also has his own plans and is anxious to find Amelia Woodley and return to America. But in Chapter 12, everything changes. The book goes from being slow burning to I couldn’t turn the pages fast enough.
Some of the best highlights are when Earl Vaughn offers Helga a job at his estate, the advice Mr. Hardy and Lord Bolt give Hugh, the shooting contest at Heatherfield, Hugh, (a veteran of two American wars) defending the American way against Giles’ accusations, and of course Lillias’ drawings filling her once empty sketch book. Maybe it was my mood, but I found this to be a really good book to start 2026 with.
I rated it 4.5 stars because selfishly, I wanted more closure on Amelia’s character at the end.
Great book, good series, and one that I hope to finish this year.
January 21, 2022
✨How have you been since I was pressed up against your erection?✨
This book never really made me mad but I just don’t understand it. It was so weird. The relationship was so strangely paced, declarations of love of and intent to marry OTHER people happened at 67%, and I was never convinced they actually held any feelings for each other. Actually, that’s not true. I thought they were building a nice slow burn tendre for each other in the beginning, but then when they revealed their “unrequited love” for other people I was just… left feeling misled.
The first half wasn’t really interesting. I thought it was turning around when they got engaged but then it was immediately “let’s help get each other together with other people” and I lost all interest. Plus their characterizations at the beginning were intriguing, but their characters never actually lived up to the hype. They also weren’t interesting at all.
I also don’t fully understand the way she was mocked by the men of the ton. Was it just a game to them trying to marry her (but they actually also did want to marry her)? The beginning made it seem like she was bullied but I don’t know. I’m not explaining it well, but I argue the book didn’t really either.
Don’t even get me started on the wild forest deflowering. I can’t believe it took them that long to get together, and even then it wasn’t satisfying because they were still bent on breaking up. Did she really lose her virginity in a forest? Were they standing up? The man literally just stuck it in and I’m pretty sure they had kissed only once or twice before this scene. Their first kiss caused their engagement because they were caught. I really think their second kiss led to frenzied forest fucking amongst fungi. The second sex scene was just as vague and lackluster. Again, I never felt the passion or connection between them.
I do think this book did a good job maneuvering the terrible “other” love interest because he started out decent and you could see why Lillias loved him. Most books just make this character type so one dimensional and horrible that you question the main character because no person I support should have EVER been fooled by such an obvious twat. Giles didn’t end up in my good graces, but I liked the nuance nonetheless.
When Justine Eyre is narrating the book, the author is irrelevant. I ALWAYS end up thinking every man is mansplaining every word and I can’t explain it. It doesn’t make sense but I hate it. Arguably, she’s a good narrator, but man she just has a way of making me hate every character.
I liked the writing style and humor; it reminded me of Tessa Dare and Eloisa James. Mr. Delacourt (idk how to spell it I listened to the audiobook) was great. I like the cover and the color scheme. But I just never cared for the plot or its construction. I’ll read more by this author, but I don’t recommend this being your first experience reading her. Womp to me.
⭐️⭐️.5*/5 🌶🌶.5/5
*I’m not rounding up to 3/5 on Goodreads because this book used the phrase “leather of his nipples.” I know he’s a hearty, woodsy, bear-killing American but good god. He’s not a piece of jerky.
This book never really made me mad but I just don’t understand it. It was so weird. The relationship was so strangely paced, declarations of love of and intent to marry OTHER people happened at 67%, and I was never convinced they actually held any feelings for each other. Actually, that’s not true. I thought they were building a nice slow burn tendre for each other in the beginning, but then when they revealed their “unrequited love” for other people I was just… left feeling misled.
The first half wasn’t really interesting. I thought it was turning around when they got engaged but then it was immediately “let’s help get each other together with other people” and I lost all interest. Plus their characterizations at the beginning were intriguing, but their characters never actually lived up to the hype. They also weren’t interesting at all.
I also don’t fully understand the way she was mocked by the men of the ton. Was it just a game to them trying to marry her (but they actually also did want to marry her)? The beginning made it seem like she was bullied but I don’t know. I’m not explaining it well, but I argue the book didn’t really either.
Don’t even get me started on the wild forest deflowering. I can’t believe it took them that long to get together, and even then it wasn’t satisfying because they were still bent on breaking up. Did she really lose her virginity in a forest? Were they standing up? The man literally just stuck it in and I’m pretty sure they had kissed only once or twice before this scene. Their first kiss caused their engagement because they were caught. I really think their second kiss led to frenzied forest fucking amongst fungi. The second sex scene was just as vague and lackluster. Again, I never felt the passion or connection between them.
I do think this book did a good job maneuvering the terrible “other” love interest because he started out decent and you could see why Lillias loved him. Most books just make this character type so one dimensional and horrible that you question the main character because no person I support should have EVER been fooled by such an obvious twat. Giles didn’t end up in my good graces, but I liked the nuance nonetheless.
When Justine Eyre is narrating the book, the author is irrelevant. I ALWAYS end up thinking every man is mansplaining every word and I can’t explain it. It doesn’t make sense but I hate it. Arguably, she’s a good narrator, but man she just has a way of making me hate every character.
I liked the writing style and humor; it reminded me of Tessa Dare and Eloisa James. Mr. Delacourt (idk how to spell it I listened to the audiobook) was great. I like the cover and the color scheme. But I just never cared for the plot or its construction. I’ll read more by this author, but I don’t recommend this being your first experience reading her. Womp to me.
⭐️⭐️.5*/5 🌶🌶.5/5
*I’m not rounding up to 3/5 on Goodreads because this book used the phrase “leather of his nipples.” I know he’s a hearty, woodsy, bear-killing American but good god. He’s not a piece of jerky.
December 14, 2024
Julie Anne Long writes such romantic romance books. I know that sounds silly, but she's truly writing poetry with these simmering, so horny I could simply faint, and so in love with you but I'm so unworthy of you heroes who grovel so prettily for these tempestuous misses.
Big #Kanthony vibes minus the whole love triangle thing (I'm speaking solely of the show as I know not about the book). Hugh Cassidy, son of an actual bastard, Revolutionary War veteran, American self-made man and Lady Lillias are literally panting at each other across the drawing room of the The Grand Palace of the Thames from the moment we meet them. It is a wonder the rest of the guests aren't incinerated between their gazes.
And holy heck the author makes us seethe right along with them as the bear wrestling Cassidy with the scar on his chin and Lillias try their best to get the other to call uncle on their horny horny innuendo laden banter. They really should not be even tempting fate but like magnets they cannot help themselves.
I love how Long balances the power imbalance between the two, as Lillias does long for the life she always thought she wanted while also realizing it might no longer be what she needs. The allusions to the sunsets and the rugged American landscape to Lillias's beauty was so poetic, and while Cassidy could be kind of rogue-ish, I loved him all the more for it.
The moment with the new velvet curtains and the handful of ass will live forever rent free in my mind, along with the debauchery against and tree and the use of Cassidy's boot knife as a mirror to fix hair pins.
Buddy read at the suggestion of my pal WhenFunmiMeetsRomance and others.
I had an earc, but read a finished paperback I checked out from the library.
Big #Kanthony vibes minus the whole love triangle thing (I'm speaking solely of the show as I know not about the book). Hugh Cassidy, son of an actual bastard, Revolutionary War veteran, American self-made man and Lady Lillias are literally panting at each other across the drawing room of the The Grand Palace of the Thames from the moment we meet them. It is a wonder the rest of the guests aren't incinerated between their gazes.
And holy heck the author makes us seethe right along with them as the bear wrestling Cassidy with the scar on his chin and Lillias try their best to get the other to call uncle on their horny horny innuendo laden banter. They really should not be even tempting fate but like magnets they cannot help themselves.
I love how Long balances the power imbalance between the two, as Lillias does long for the life she always thought she wanted while also realizing it might no longer be what she needs. The allusions to the sunsets and the rugged American landscape to Lillias's beauty was so poetic, and while Cassidy could be kind of rogue-ish, I loved him all the more for it.
The moment with the new velvet curtains and the handful of ass will live forever rent free in my mind, along with the debauchery against and tree and the use of Cassidy's boot knife as a mirror to fix hair pins.
Buddy read at the suggestion of my pal WhenFunmiMeetsRomance and others.
I had an earc, but read a finished paperback I checked out from the library.
October 7, 2021
2.5 Stars of Goodness, but not Greatness
So. I think... it was fine. I'm sort of between a rock and a hard place. Part of me wants to love this, but just can't. I genuinely love Julie Anne Long's writing which is all effervescent wit and emotion and contradiction. Rarely are there sweeping, epic, melodramatic plotlines... it's usually a simple, isolated story about people falling in love. One of the qualities that I love most about JAL is that her characters are never cut and dry, simple to understand, or defined by a single quality. Even when I've hated her books (yes, there are a few... Lyon & Olivia's finale in the Pennyroyal Green Series in particular) complex characters and complex writing still carry her work, in my opinion. This book is no different. It has vibrant characters, takes twists and turns, and the prose is constructed in that typically overwritten loveliness that is JAL. But where it falters is that it was far too top-heavy for my taste, and like I wrote in my updates, it felt like a carbon copy of What I Did for a Duke in every way that mattered. It is not that I take issue with that, it's a great book to take from, but I found it a massive, and likely accidental, risk seeing as how it is one of her most beloved books.
Anyways, I digress.
It's a story about a man and a woman whose meeting, a crackling battle of wits, acts as the catalyst for a reluctant but potent emotional and physical attraction. The heroine is suffering from unrequited love for her long-time friend. The hero has other plans for his life. It takes until Sex Is Had AND The Last Moment Possible for the heroine to be, essentially, forced to make a decision and chose her man.
Hugh is delicious, 'Merican, No Family, Has Bear Stories, blah blah. Lilias is Beautiful and Spoiled, but inside Beats a Heart of Vulnerability. Yes, yes, yes. You get it. It’s all perfectly acceptable, but it all peters out by the end and it left me thinking, "Oh, I guess that's it then..." But of course the ending here was going to be lacklustre when none of the lead up was done quite as heart-wrenchingly, steadily, or as emotionally as What I Did for a Duke or several works of hers from over the years...
It all just felt like a less awesome (but not necessarily bad) version of other JAL tales. It made me think of and want to re-read her other books. And obviously that was not the goal here. Still, it was enjoyable enough and fun. Less steamy than her average, I would say, but a nice story nonetheless. I'm Only Wicked with You isn't likely to make you clutch the book (or listening device) to you bosoms and sigh, but it won't cause you to hurl anything against the wall either. And I guess there is comfort in confidently consuming mediocrity.
So. I think... it was fine. I'm sort of between a rock and a hard place. Part of me wants to love this, but just can't. I genuinely love Julie Anne Long's writing which is all effervescent wit and emotion and contradiction. Rarely are there sweeping, epic, melodramatic plotlines... it's usually a simple, isolated story about people falling in love. One of the qualities that I love most about JAL is that her characters are never cut and dry, simple to understand, or defined by a single quality. Even when I've hated her books (yes, there are a few... Lyon & Olivia's finale in the Pennyroyal Green Series in particular) complex characters and complex writing still carry her work, in my opinion. This book is no different. It has vibrant characters, takes twists and turns, and the prose is constructed in that typically overwritten loveliness that is JAL. But where it falters is that it was far too top-heavy for my taste, and like I wrote in my updates, it felt like a carbon copy of What I Did for a Duke in every way that mattered. It is not that I take issue with that, it's a great book to take from, but I found it a massive, and likely accidental, risk seeing as how it is one of her most beloved books.
Anyways, I digress.
It's a story about a man and a woman whose meeting, a crackling battle of wits, acts as the catalyst for a reluctant but potent emotional and physical attraction. The heroine is suffering from unrequited love for her long-time friend. The hero has other plans for his life. It takes until Sex Is Had AND The Last Moment Possible for the heroine to be, essentially, forced to make a decision and chose her man.
Hugh is delicious, 'Merican, No Family, Has Bear Stories, blah blah. Lilias is Beautiful and Spoiled, but inside Beats a Heart of Vulnerability. Yes, yes, yes. You get it. It’s all perfectly acceptable, but it all peters out by the end and it left me thinking, "Oh, I guess that's it then..." But of course the ending here was going to be lacklustre when none of the lead up was done quite as heart-wrenchingly, steadily, or as emotionally as What I Did for a Duke or several works of hers from over the years...
It all just felt like a less awesome (but not necessarily bad) version of other JAL tales. It made me think of and want to re-read her other books. And obviously that was not the goal here. Still, it was enjoyable enough and fun. Less steamy than her average, I would say, but a nice story nonetheless. I'm Only Wicked with You isn't likely to make you clutch the book (or listening device) to you bosoms and sigh, but it won't cause you to hurl anything against the wall either. And I guess there is comfort in confidently consuming mediocrity.
September 3, 2021
We absolutely loved the third entry in the Palace of Rogues series! Julie Anne Long may be one of the funniest writers working in romance today. She manages to balance her sly dialogue and situational humor without losing any of the sentimental romance we romance readers love. I'm Only Wicked with You is a perfect example of her strengths.
Although the first two books focused on the proprietresses, this book branches out two of the boarders, Hugh Cassidy and Lady Lillias Vaughn. While we have read many historical romances featuring American heiresses in England, here we have an American man with no pretensions to nobility thrown together with a high society beauty. Lillias is suffering from a romantic disappointment, while Hugh's greatest desire is to complete his work in England so he can return to New York. They are immediately attracted to each other even as they realize their life goals and backgrounds make their chances for a permanent relationship very slim. When they are caught in a compromising situation, they have to negotiate their conflicting desires. Many romances use miscommunication as an easy way to foster conflict, but here, Lillias and Hugh's unwanted engagement forces them to be clear about their aspirations and expectations.
Highly recommended!
40-Word Summaries:
Meg: Hugh’s a bear-fightin’, log-cabin-buildin’ American in London. Lillias is a diamond-of-the-first-water earl’s daughter. Their immediate attraction and enmity build to an explosive “performance” - with (unfortunately) an audience. They may avoid social ruination ... but their marriage will actually ruin their lives.
Laine: Lillias is too sad to paint and it takes meeting Hugh to restore color to her life. When she's not sure if they really like each other but is definitely sure they want to make-out, she grows up so fast.
Natalie: In a shocking twist, Mr. Cassidy grows claws and Lillias and I think he is a jerk. But there is also a little gap between his body and his pants and, as Paris Hilton says, "That's hot." So he's forgiven.
This objective review is based on a complimentary copy of the novel.
Although the first two books focused on the proprietresses, this book branches out two of the boarders, Hugh Cassidy and Lady Lillias Vaughn. While we have read many historical romances featuring American heiresses in England, here we have an American man with no pretensions to nobility thrown together with a high society beauty. Lillias is suffering from a romantic disappointment, while Hugh's greatest desire is to complete his work in England so he can return to New York. They are immediately attracted to each other even as they realize their life goals and backgrounds make their chances for a permanent relationship very slim. When they are caught in a compromising situation, they have to negotiate their conflicting desires. Many romances use miscommunication as an easy way to foster conflict, but here, Lillias and Hugh's unwanted engagement forces them to be clear about their aspirations and expectations.
Highly recommended!
40-Word Summaries:
Meg: Hugh’s a bear-fightin’, log-cabin-buildin’ American in London. Lillias is a diamond-of-the-first-water earl’s daughter. Their immediate attraction and enmity build to an explosive “performance” - with (unfortunately) an audience. They may avoid social ruination ... but their marriage will actually ruin their lives.
Laine: Lillias is too sad to paint and it takes meeting Hugh to restore color to her life. When she's not sure if they really like each other but is definitely sure they want to make-out, she grows up so fast.
Natalie: In a shocking twist, Mr. Cassidy grows claws and Lillias and I think he is a jerk. But there is also a little gap between his body and his pants and, as Paris Hilton says, "That's hot." So he's forgiven.
This objective review is based on a complimentary copy of the novel.
June 19, 2022
Audiobook Review
Overall 4 stars
Performance 5 stars
Story 3 stars
I'm a big fan of this series and enjoy Julie Anne Long's writing very much, but sadly I didn't love I'm Only Wicked with You. This hate to love romance was enjoyable overall, but the start was very, very slow. I didn't feel invested in the characters until almost the halfway point and I considered putting the book down several times before then. I'm glad I stuck with it though because the second half had me hooked and the epilogue was so sweet and swoony!
I think my main issue with the book was that I liked Hugh and Lillias, but I didn't love them. They were interesting characters and I enjoyed their banter and chemistry, but I think the shift from hate to love took too long and the shadow of OW/OM split the focus too much. Justine Eyre's performance was wonderful as always and I was impressed by her ability to switch back and forth between accents with ease. The audiobooks of this series have been a real treat!
CW: death of loved ones, grief
Overall 4 stars
Performance 5 stars
Story 3 stars
I'm a big fan of this series and enjoy Julie Anne Long's writing very much, but sadly I didn't love I'm Only Wicked with You. This hate to love romance was enjoyable overall, but the start was very, very slow. I didn't feel invested in the characters until almost the halfway point and I considered putting the book down several times before then. I'm glad I stuck with it though because the second half had me hooked and the epilogue was so sweet and swoony!
I think my main issue with the book was that I liked Hugh and Lillias, but I didn't love them. They were interesting characters and I enjoyed their banter and chemistry, but I think the shift from hate to love took too long and the shadow of OW/OM split the focus too much. Justine Eyre's performance was wonderful as always and I was impressed by her ability to switch back and forth between accents with ease. The audiobooks of this series have been a real treat!
CW: death of loved ones, grief
Did not finish
December 21, 2021DNF 49%
I just couldn't go on....
I just couldn't go on....
November 22, 2020
Thanks to NetGalley for a arc copy for a honest review.
I'm Only Wicked with You, at first it was a slow pace.. It was a slow burn not my cup of tea. The story was just okay I’m giving this book 3 stars
Happy Reading
Lisa
I'm Only Wicked with You, at first it was a slow pace.. It was a slow burn not my cup of tea. The story was just okay I’m giving this book 3 stars
Happy Reading
Lisa
April 27, 2021
I'm Only Wicked With You is a lovely story about realizing that what you want is not necessarily what you need.
It is book #3 in the Palace of Rogues series but can be read as a standalone.
The Palace of Rogues series takes place at the charming Grand Palace of the Thames, a boarding house next to the London docks that hosts fascinating characters.
Lillias is an Earl's daughter staying at The Grand Palace with her parents due to an incident with a snake. It is a tad far-fetched, but keep going; you won't regret it.
Once there, Lillias met Hugh Cassidy, a young and ambitious American on a rescue mission. Hugh had very clear views of what he wanted for his future, and it depended mostly on his return to his country as soon as possible.
Clearly, Hugh and Lillias had nothing in common and, worse yet, had very different dreams and expectations for their future lives. The only thing they shared was an undeniable attraction to each other.
I love how the story develops. The couple is always conscious of their differences, and they do not confuse lust and love.
It was refreshing to see how they approached their relationship with a clear mind and how their desire for each other did not guide them from the get-go.
The couple was beyond adorable. Lillias was a beautiful person, but part of the environment she was raised in.
Hugh was all one dreams of a romantic hero. Dashing, smart, confident, but vulnerable and a little clueless at the end of the day.
The sexual tension was wonderful, and the chemistry off-the-charts.
It was delightful to revisit the characters from the previous books in the series, especially Mr. Delacorte. I wish he will eventually be a hero in his own book. He is so adorably funny.
So far, I'm Only Wicked With You is my favorite in the series!
Highly recommended!
Disclosure: I received an ARC of this book via NetGalley for an honest review.
*For more reviews, book art, and book-related articles, please visit https://lureviewsbooks.com *
It is book #3 in the Palace of Rogues series but can be read as a standalone.
The Palace of Rogues series takes place at the charming Grand Palace of the Thames, a boarding house next to the London docks that hosts fascinating characters.
Lillias is an Earl's daughter staying at The Grand Palace with her parents due to an incident with a snake. It is a tad far-fetched, but keep going; you won't regret it.
Once there, Lillias met Hugh Cassidy, a young and ambitious American on a rescue mission. Hugh had very clear views of what he wanted for his future, and it depended mostly on his return to his country as soon as possible.
Clearly, Hugh and Lillias had nothing in common and, worse yet, had very different dreams and expectations for their future lives. The only thing they shared was an undeniable attraction to each other.
I love how the story develops. The couple is always conscious of their differences, and they do not confuse lust and love.
It was refreshing to see how they approached their relationship with a clear mind and how their desire for each other did not guide them from the get-go.
The couple was beyond adorable. Lillias was a beautiful person, but part of the environment she was raised in.
Hugh was all one dreams of a romantic hero. Dashing, smart, confident, but vulnerable and a little clueless at the end of the day.
The sexual tension was wonderful, and the chemistry off-the-charts.
It was delightful to revisit the characters from the previous books in the series, especially Mr. Delacorte. I wish he will eventually be a hero in his own book. He is so adorably funny.
So far, I'm Only Wicked With You is my favorite in the series!
Highly recommended!
Disclosure: I received an ARC of this book via NetGalley for an honest review.
*For more reviews, book art, and book-related articles, please visit https://lureviewsbooks.com *
June 23, 2023
I’m really enjoying my time at the Grand Palace on the Thames. The people here are so interesting.
This story focuses on Lady Lillias and Hugh Cassidy. The tropes are enemies/lovers, fake engagement that isn’t really fake and forced proximity.
I can honestly say I wasn’t sure about Lillias at first, I didn’t quit like her. I’ve liked Hugh since the first book but I didn’t think Lillias was right for him. But when they started sparing I became intrigued. I thought their chemistry was great and when I got to know Lillias and her back story I liked her much better.
I loved the ending and I can’t wait to continue to the next story.
This story focuses on Lady Lillias and Hugh Cassidy. The tropes are enemies/lovers, fake engagement that isn’t really fake and forced proximity.
I can honestly say I wasn’t sure about Lillias at first, I didn’t quit like her. I’ve liked Hugh since the first book but I didn’t think Lillias was right for him. But when they started sparing I became intrigued. I thought their chemistry was great and when I got to know Lillias and her back story I liked her much better.
I loved the ending and I can’t wait to continue to the next story.
October 15, 2024
Julie Anne Long has become one of my very favorite historical romance authors. I have read six of her books this calendar year, and I expect one or two more will likely show up on the list. She is exceptionally funny, smart, and a good writer to boot. I don't think anyone matches her on banter. With this book we have one of my favorite books by one of my favorite authors in the genre. Love across oceans and class, loving family (bio and found), witty repartee -- sign me up. As usual, this is read by Justine Eyre and she is mostly wonderful. I have complained before about her American accents and, in this book where the MMC is American, we hear that a lot. Either Eyre's Yankee tones have gotten better or I have been worn down. Whatever the reason it bothered me less than before. I still hold that we are not nearly that nasal, and I still hold that her Americans sound like the rich people in movies from the 30's and 40's, think Thin Man films, and those voices were contrived, but I dealt with it fine here. This one served up the trauma, the love, the lust, and the happy.
May 27, 2024
I loved this book so hard. Gorgeous strapping American meets gorgeous English rose while said rose is smoking a cheroot, and they proceed to butt heads in the most exhilarating manner.
JAL’s writing is on point here: her trademark beautiful mix of wit, lyricism, hilarity, heat and emotion. New Yorker Hugh Cassidy is in London on a mission to find his friend’s runaway daughter, and he parks up at the Grand Palace on the Thames at the same time as Lillias and her family, whose home has a snake infestation. (Yes.)
Both characters are layered and spiky and charming and I loved them. My note at 36% is “I am absolutely going to combust from the sexual tension.” Their chemistry is off the charts.
It’s heartbreaking, too — not just Hugh’s past but events that transpire during the book.
And the supporting cast of characters is brilliant, of course, including our friends Delamore and Dot, who I love.
Will put this on my would-read-again shelf.
JAL’s writing is on point here: her trademark beautiful mix of wit, lyricism, hilarity, heat and emotion. New Yorker Hugh Cassidy is in London on a mission to find his friend’s runaway daughter, and he parks up at the Grand Palace on the Thames at the same time as Lillias and her family, whose home has a snake infestation. (Yes.)
Both characters are layered and spiky and charming and I loved them. My note at 36% is “I am absolutely going to combust from the sexual tension.” Their chemistry is off the charts.
It’s heartbreaking, too — not just Hugh’s past but events that transpire during the book.
And the supporting cast of characters is brilliant, of course, including our friends Delamore and Dot, who I love.
Will put this on my would-read-again shelf.
August 30, 2021
Review originally posted at https://smexybooks.com/2021/08/angela...
I know that Julie Anne Long is an author with at least one long-running historical romance series under her belt, but I still think she is massively underrated and overlooked. Simply stated, she rocks my socks off, and every single time I open one of her new releases I can’t help but wonder why I don’t see people singing her praises all over blogs and social media.
I’m Only Wicked with You is the third book in The Palace of Rogues series and brings readers back to that quirky, wonderful hotel The Grand Palace on the Thames. This time readers are introduced to an enemies to lovers romance featuring the American Hugh Cassidy, who is in London to track down a runaway young woman for a friend, and Lady Lillias Vaughn, who along with her family is staying at The Palace while their estate is being desnaked. (Yes, you read that right.)
These two butt heads continuously and have this back and forth verbal sparring that I live for. BUT THEY ALSO CAN’T KEEP THEIR MOUTHS OFF EACH OTHER. Which eventually ends up in an engagement, which neither thinks they want and a plan to get Lillias the man she thinks she really desires.
There is just something about his author’s writing that sucks me in every single time. I just love the way her characters fall into this kind of desperate passion without realizing it. This couple is spitting mad at each other one minute and then embracing each other in fierce need the next. It made their journey to a HEA such a thrilling ride.
If you haven’t yet read this series I highly, HIGHLY recommend.
Final grade- B+
I know that Julie Anne Long is an author with at least one long-running historical romance series under her belt, but I still think she is massively underrated and overlooked. Simply stated, she rocks my socks off, and every single time I open one of her new releases I can’t help but wonder why I don’t see people singing her praises all over blogs and social media.
I’m Only Wicked with You is the third book in The Palace of Rogues series and brings readers back to that quirky, wonderful hotel The Grand Palace on the Thames. This time readers are introduced to an enemies to lovers romance featuring the American Hugh Cassidy, who is in London to track down a runaway young woman for a friend, and Lady Lillias Vaughn, who along with her family is staying at The Palace while their estate is being desnaked. (Yes, you read that right.)
These two butt heads continuously and have this back and forth verbal sparring that I live for. BUT THEY ALSO CAN’T KEEP THEIR MOUTHS OFF EACH OTHER. Which eventually ends up in an engagement, which neither thinks they want and a plan to get Lillias the man she thinks she really desires.
There is just something about his author’s writing that sucks me in every single time. I just love the way her characters fall into this kind of desperate passion without realizing it. This couple is spitting mad at each other one minute and then embracing each other in fierce need the next. It made their journey to a HEA such a thrilling ride.
If you haven’t yet read this series I highly, HIGHLY recommend.
Final grade- B+
August 26, 2021
What a delightful historical slow burn filled with charming prose.
October 28, 2024
2.5 Stars
This was literally just ok. Nothing to really love and nothing to hate either. It has a couple funny moments. I’m only continuing this series because I love Julie Anne long. But my patience is running out…
This was literally just ok. Nothing to really love and nothing to hate either. It has a couple funny moments. I’m only continuing this series because I love Julie Anne long. But my patience is running out…
August 24, 2021
Title: I'm Only Wicked With You
Series: The Palace of Rogues #3
Author: Julie Anne Long
Release date: August 24, 2021
Cliffhanger: no
Genre: historical romance
This series to date has been one resounding success after another. Instead of losing my enthusiasm just a little bit with each new book, I only fall in love with the Grand Palace on the Thames and all of its inhabitants more each time. The charm of the quirky boarders like Mr. Delacorte, the proprietresses' atypical friendship and their equally unexpected love matches, and the quick-witted banter between the main characters are just a few things that make me greedily coming back for more. And while some things feel familiar, they aren't so much so that they become stale. Julie Anne Long managed to give this book a completely fresh feel with these main characters. The first half of the book was spent primarily in the boarding house where hilarity and verbal sparring always ensues. Then we got to venture into Lady Lillias' world of privilege as she made sense of society's expectations and where she truly fit in the world in order to find her HEA. The themes of social disparity, classism, duty vs. passion, and a love
Both the hero and heroine believed themselves to be in love with someone else when they met each other. That could have easily gone very wrong, but the transition of their affection never felt too abrupt or unnatural. I think that can be attributed to the work the author put into showing the reader how they fell-despite the odds stacked against them. Not telling us. There was no insta-love to be found, and no epiphany of love switch that was flipped. The characters work for it, and in doing so, the reader reaps all of the rewards.
Lillias is nursing a broken heart, and Hugh is in London to hunt down the missing woman he has his fragile heart set on. Neither are open to romance when they meet, but from day one they sparked competitive friction off of one another.
Mr. Cassidy, she realized, always came out fighting. Which she supposed was flattering: it was a measure of the sort of adversary he saw in her.
It becomes like a game to them to properly fluster the other with sexual innuendoes and wordplay. Yes, they had an unsettling physical reaction to each other, but that inconvenient fact keeps getting compartmentalized in a nice and tidy box. Closed tightly, and tied up with a bow. Perhaps not as tightly as they imagine.
Lillias is a the dutiful daughter of the Earl and Countess of Vaughn, but lately, a bit of a rebel. When she met Hugh in the previous book, she was defiantly smoking one of her father's cigars. Then there was that time she climbed up to the top of the tower of her church and rang the bell just for giggles. She's lived her life in society's highest echelon. She looks the part, she plays the part, but she never really FIT the part. If she felt that her suiters' affections were artificial and her value in that world purely making an advantageous match, she tends to not acknowledge that. Her world is familiar, and there's a measure of comfort in that. Hugh Cassidy is everything unfamiliar and inscrutable to her. He's a man who came from nothing and paved his own way in the world. He sees things through a different lens than her and helps her to see the world with a clarity that she never has before.
He had cracked her open in ways she had not expected and did not welcome, and all the things she truly was were emerging. If she were honest, she knew the cracks had begun before he’d even arrived.
When Hugh isn't working to get a rise out of her, he isn't giving much of himself away. He's seen death on the battlefield and the lost his father and brother. He keeps his feelings close to his chest and uses his smile like a weapon. What he doesn't let show is that he yearns to build a real home, his own family, and an empire that will provide for them and at the same time make a real difference in the world. He has a smart business mind, and grand ambitions in politics back in America. He thought that the woman he went to England to find was the one who would fit into all of his well crafted plans. So why is he affected mind, body, and soul by the exasperating Lady Lillias?
She wasn’t to know that she’d stopped his breath then and any number of times since, which meant the next breath he took after that was like the first one he’d ever drawn. So it was like he was being born anew every time he looked at her.
Lillias and Hugh start playing with fire. What harm could come from exploring a little passion together? A lot it turns out. Both of their expectations for the future go up in a pretty impressive ball of flames. As often found in historical romance, they're busted being...indiscreet shall we say? Hugh does the honorable thing and they're now trapped in circumstances that they can't see a way out of.
She was no safer than opium. Opium only led to disaster. And what was this if not a disaster?
I had to admire the hell out of Hugh for never resenting Lillias at this point or any other. He didn't take out his frustration out on her and he admitted his share of the responsibility. He never took advantage of her attraction to him when she was vulnerable. He was a true gentleman in every respect more so than how the upper class defined the word. There was so much to love about him and to root for. I could only imagine how unmoored he felt when he discovered Lillias' secret affection for her childhood friend just as they were growing closer. Once again, he behaved with total respect towards her and ultimately put her happiness above his own wants time and again. Love is making sacrifice even when it hurts and he illustrated that so beautifully.
One of the things I really appreciated was that Lillias' parents weren't the clichè greedy parents looking to sell their daughter. I know that's an accurate depiction of the culture at the time for the most part, but it gets a little repetitive when reading the same conflict in the genre. Her parents did want a titled match, but they weren't evil caricatures. They truly cared about their kids and their happiness even if they had certain expectations that they wanted them to fulfill. They weren't paragons of progressive virtue, they had realistic prejudices and entitled attitudes, but when it counted they made the right choices to look out for their daughter.
The last 5-6 chapters made me emotionally wrung out. Between the absolutely gorgeous writing of Julie Anne Long that made my heart drop and soar from one moment from the next, and the angst I felt for this beautiful couple fighting for their forever, I didn't want the story to end. My eyes were watery and my heart was bursting with happiness as they finally fit everything perfectly in place. And the epilogue! I couldn't wipe the silly grin off of my face. I adored this book! I didn't think anything could top the last book, but I'm Only Wicked with You has managed the impossible task. If you haven't started the series yet, I'm not sure what you're waiting for. You absolutely need these books in your life.
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August 20, 2024
4 Stars
TPAM BR AUGUST 2024
https://www.goodreads.com/topic/show/...
I really enjoyed it.
Love ALL the characters.
I had times I wasn't super keen on Lillias' thought processes. And honestly, there were times I wasn't happy with Hugh's 'Lack' of actions and words.
But I really did enjoy their journey and the interactions with the other characters from previous books in this series.
I miss the Mystery/Crime aspects from the first book. I feel these need some type of intrigue in them to up them to the 5 star level.
Oh, the intimate scenes between Hugh and Lillias are Steamy Hot and VERY spontaneous.
TPAM BR AUGUST 2024
https://www.goodreads.com/topic/show/...
I really enjoyed it.
Love ALL the characters.
I had times I wasn't super keen on Lillias' thought processes. And honestly, there were times I wasn't happy with Hugh's 'Lack' of actions and words.
But I really did enjoy their journey and the interactions with the other characters from previous books in this series.
I miss the Mystery/Crime aspects from the first book. I feel these need some type of intrigue in them to up them to the 5 star level.
Oh, the intimate scenes between Hugh and Lillias are Steamy Hot and VERY spontaneous.
August 24, 2021
This was a very sweet and well developed historical romance, it was my first read by this author and I'm excited to read more. Julie has a way of writing that draws you in to the story slowly with small character reveals and relationship dynamics layered gradually. It does give it the feel of a slow burn but I really enjoyed it. Also loved the American business man hero and a British society lady who loves art.
April 3, 2022
3.75-4 stars
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