After a year and a half of slowly going through this collection, I am proud to say that I finally finished it!!! This collection has been through a lot with me, and it is all the more special seeing as my Memaw gave me this collection from my Papaws office last year while I was staying with her during a big covid time. It was initially very special to me for this reason, but has only gotten more so as I’ve been since inspired by many of the poems in here. I’ve written songs, responses, letters, and more to many of these poems. One of the reasons that reading this collection took over a year was that I would read one or two and then get inspired to create something of my own. It was fantastic for that.
As I was not very well read in poetry of any kind, this was a great jumping off point so that I could find people that I like so I can delve more into their work later. Of course, this entire collection was full of some of the best known American poetry, so most of it was technically superb, but I realized that many of my favorites came from, for example, Henry Wadsworth Longfellow and Ella Wheeler Wilcox. The range of poetry in this collection is very alluring, and I’m glad to have been able to read this. I do have one MAJOR issue with this collection, which I will discuss further down. First, I wanted to insert the running list of my favorite poems from this collection:
Poems I like from
The Best Loved Poems of the American People:
Said the rose (George h miles)
Believe me, if all those endearing young charms (Thomas Moore)
Ad Finem
I Love You (Both by Ella Wheeler Wilcox)
An old sweetheart of mine (James whitcomb riley)
Walk slowly (Adelaide love)
In a rose garden (John Bennett)
If you but knew (unknown)
Will you love me when I’m old (unknown)
You and I (Henry Alford)
He and she (sir Edwin Arnold)
You kissed me (Josephine slocum hunt)
I want you (Arthur L. Gillom) (this one and the last one paired together is especially lovely)
Song (Gerald griffin)
The Unknown (E. O. Laughlin)
Quiet Waters (Blanche Shoemaker Wagstaff)
The want of you (Ivan Leonard Wright)
New friends and old friends (Joseph Parry)
Tell him so (unknown)
Be the best of whatever you know (Douglas Malloch)
The house by the side of the road (Sam Walter Foss)
Crowded ways of life (Walter S. Gresham)
[Gresham poem is response to Foss. they go together]
Do it now (Berton Braley)
Then laugh (Bertha Adams Backus)
Don’t quit (Unknown)
The Day Is Done (Henry Wadsworth Longfellow)
All to myself (Wilbur Dick Nesbit)
Watch yourself go by (Strickland Gillilan)
A song from Sylvan (Louise Imogen Guiney)
Breautiful things (Ellen P. Allerton)
Fate (Susan Marr Spalding)
The Last Hymn (Marianne Farningham)
Christmas day in the workhouse (George R. Sims)
Annie and Willie’s Prayer (Sophia P. Snow)
Over the hill to the poor-house (Will M. Carleton)
Down and Out (Clarence Leonard Hay)
Music in Camp (John R. Thompson)
The Raven (Edgar Allen Poe)
The legend of the organ-builder (Julia C.R. Dorr
The hell-bound train (unknown)
The owl and the fox (unknown)
Give me three grains of corn, mother (Amelia Blandford Edwards)
La belle dame sans merci (John Keats)
Out there somewhere (Henry Herbert Knibbs)
The Weaver (William H. Burleigh)
The Old Oaken Bucket (Samuel woodworth)
Tragedy (Jill Spargur)
From my arm-chair (Henry Wadsworth Longfellow)
Lullaby town (John Irving diller)
A visit from St. Nicholas (clement Clarke moore) *santa is a miniature elf and that is how he goes down the chimney 😱
Woodman, spare that tree (George Perkins Morris)
In school days (John greenleaf Whittier)
The star spangled banner (francis scott key)
America the Beautiful (katherine lee bates)
I have a rendezvous with death (Alan Seeger)
The unknown soldier (Billy rose)
Vagabond House (Don Blanding) -I’m angry about this one because it has a few very shockingly racist descriptions that were very much uncalled for and unnecessary, but the stanzas that did not include this were beautiful and I’m very angry about this one-
Sorrows of Werther (William Makepeace Thackeray)
An overworked Elocutionist (Carolyn Wells)
The House with Nobody in it (Joyce Kilmer)
Along the Road (Ellen Terry)
The old familiar faces (Charles Lamb)
Annabel Lee (Edgar Allen Poe)
Fare thee well (Lord Byron)
Lady Byron’s Response to Lord Byron’s Fare thee well (Lady Byron)
Far from the maddening crowd (Nixon Waterman)
Daffodils (William Wordsworth)
In Memoriam-Leo: A Yellow Cat (Margaret Sherwood)
Dover Beach (Matthew Arnold)
What is Charm? (Louisa Carroll Thomas)
Life’s a game (unknown)
The Festal board (unknown)
Ok, now for the bad, and by bad, I mean one very glaring issue that confuses me, because I want to give this collection 5 stars for all that it did for me, but the below is worth zero stars. Let me explain:
This book was created in 1936, and before the “humor and whimsey” section, I really hadn’t noticed too much out of the ordinary apart from a few outdated terms. However, the pace completely shifted once we got to the infamous “humor and whimsey” section.
It was absolutely unacceptable, and downright difficult for me to read most of the time. The majority of jokes were derived from people’s: general appearance, social standing, race, sex, and other things that one cannot change about themselves.
I just kept thinking that reading this section was akin to someone stumbling on an old tumblr post from 2011 that is way more offensive and cringey than you remembered it to be in 2011. In this case, however, it was far worse than that.
Instead, this section of jokes is from the year 1930 where there is still segregation, everyone loves Jim Crowe, women are mindless baby makers, and two white guys joking about asian people is the peak of comedy.
This was absolutely abhorrent and disappointing to have to read in an otherwise fantastic collection of poetry.
If this collection were put together today, there are some offensive poems from this section that might make up an interesting section for historical documentation depicting the wrongness and vulgarity of humor in the 1930s. There are many depraved works that are still around today that hold merit from a historical standpoint, and I actually think that those are interesting to read. This section, however, was unexpected for me, and a huge mark on the collection as a whole. It seemed inoffensive with its title “humor and whimsey” and within it is the darkest material from this entire collection. Be forewarned going into this that this entire section, apart from only a few outliers, is deeply disturbing. Interestingly enough, the ones that were not offensive were mostly outdated and boring, so this section as a whole was a huge failure.
Because of this, even with this collection being older and outdated, I still believe that this section took my enjoyment way down and I will be removing a star in my review from this collection as a whole. This doesn’t change the influence this collection has had on me from its other sections. This is still one of the most impactful pieces of lit. that I have taken time to go through, though it had the potential to almost reach perfection, and then it squandered it with the ugliness of humanity.