I mentioned in my review of Sea Witch last year that I would be interested in a sequel that explored the dynamic between the Sea Witch and the little mermaid as it retold the classic tale. Lo and behold, a year later we have Sea Witch Rising which supposedly does exactly that. Unfortunately, it is not the book that I was hoping for.
Sea Witch Rising is sloppy on a technical level, but I’ll admit that some of my disappointment probably stems from my having different expectations from what novel actually delivered; I thought that it would focus more on the original Little Mermaid story and it didn’t, instead largely telling its own tale while briefly glossing over Alia’s (our little mermaid) efforts to become human. The Little Mermaid story as we know it is over by the 25% mark, leaving us with the narrative of how Runa, Alia’s sister, teams up over the next couple of days with several witches to stop Denmark from constructing and selling U-boats to be used in World War I. Also, Evie (the Sea Witch) finally tries to break out of the lair she’s been confined to for the past fifty years.
Personally, I found this new direction to be rather yawn-worthy. I’m all for fairytales being reimagined in radically different ways, but I still want the core emotions of what attracted me to the story in the first place to be there. Characters talking war strategy and destroying U-boats just wasn’t giving me the sense of wonder, tragedy, and passion that I love in The Little Mermaid. To make matters worse, the internal logic of this new story seemed to be relatively nonexistent. The rules of magic seemed like a hippie-dippie free-for-all—if you just reach enough inside yourself or put some octopus ink on your arm, you can suddenly conjure fire—and the characters’ plans never read as well-formed. Unless I missed something, their grand scheme was to storm the spot where the U-boats were and just blow them up, and there didn’t seem to be a long-term plan beyond that or any regard for the consequences that would fall upon their country or the ecosystem. Sounds kind of like anarchist destruction to me.
There’s also a huge emotional disconnect in this material, caused in no small part by the short time frame. Runa’s whole motivation for becoming human is to save Alia, who she repeatedly refers to as her other half and someone she cannot survive without. Yet, only hours after she fails and loses her sister forever, Runa is already feeling the classic crush butterflies for a boy she just met and levelheadedly strategizing on how to take out the U-boats and tutoring other witches in magic. This didn’t ring true to me at all; Alia’s loss was never given the proper weight within the narrative, especially given how close she and Runa were implied to be. Her death should have devastated Runa, but Runa is too functional too quickly for that to be believed—and not in the “pushing aside one’s feelings in order to deal with the bigger threat” way either. I get that the story was meant to become Runa’s tale and maybe even a story about how she could survive and become her own person without her sister, but that can’t work when the reader feels emotionally alienated from the narrator. I’m sure if this story had taken place over a couple of months this wouldn’t have been as big of a problem—but instead it takes place over about forty-eight hours, and already Alia’s passing is portrayed as a distant memory.
The politics under the sea are just as crazy and oversimplified as the action taking place on land—apparently the sea king is a massive drug addict but he’s running out of drugs so now he’s going to just declare war on land for the hell of it. None of this was working for me either—it was just too melodramatic, too over-the-top, too fast. This is also the case for the conclusion to Evie’s story; after decades of imprisonment and isolation, she’s just suddenly meant to be a revolutionary leader to the people? Yeah, I wasn’t buying it.
Trust me, no one is as disappointed that I didn’t enjoy Sea Witch Rising as I am. I really did like the original Sea Witch when I read it last year—it struck all of the right emotional chords and it had the right focus on character and relationships for me to care about what took place. Unfortunately, the sequel fails on both counts; it aims for a bigger and more epic narrative but loses its characters, the heart of the story, and the emotional ramifications of the plot along the way. Bummer, because I suspect that this could have been amazing.
2.5 stars.