First of all, I really enjoyed Karen Cleveland’s debut novel last year – NEED TO KNOW – a lot. In my review, I wrote about how it was a concept novel that worked well and recommended it highly. Guess my surprise when I stopped by my local Barnes & Noble last week and by accident, spotted Cleveland’s second novel –KEEP YOU CLOSE - in the new hardcover section. Oh, the gleam in my eye knowing that I was looking forward to another unbelievable, tension-filled, psychological, spy filled, masterpiece…
Well, I just finished the book approximately 30 minutes ago and I am still processing the cumulative effect of the book and ending as I write my review. There were things I liked and there were things that I didn’t like…
Let’s go through them, starting with the things I liked. Although this book is not a sequel to her first, Cleveland is growing and developing her talents as a writer. In several ways she demonstrates her natural talent for writing thrillers, full of suspenseful twists and turns, and psychological drama on almost every page. Although you need to suspend some belief, she delivers strong results for the most part. I read the book over two days, staying up late to find out what would happen because I was wholly immersed in the story. I skipped studying for a professional test, put Netflix on hold until I was done with this book, and sacrificed some of my sleep hours to get through it.
For those of you who enjoyed the fast pacing and surprises at every corner in her first book, many of those same qualities will be found in this one too. Especially the intrigue and deception. Cleveland has increased the stakes when it comes to those. For those of you who were hoping for more of the same, you may take a moment to quietly rejoice before I move on in my review.
Now let’s discuss the things I didn’t like so much and struggled with. Like her first book, which focused on a strong female character – Vivian Miller, CIA analyst – this one is about Stephanie Maddox, FBI department head and single parent of a strong-willed son who’s a senior in high school. The first two chapters kick off in high speed like the previous book with Stephanie discovering a loaded gun in her son’s closet, followed by a personal visit from a colleague working on domestic terrorism and a former love interest who’s there about her son, Zachary, who’s in big trouble...
Just like Vivian struggling to believe whether or not her husband was a Russian spy, one of the major themes in this book is how well does Stephanie truly know or not really know her son. Does she know what he is really capable of? Like her predecessor, Stephanie faces challenges with her how well she has performed in her family responsibilities as opposed to focusing on her career. In this situation, Stephanie has sacrificed her son many times over and her investment in their relationship may be beyond repair.
Cleveland uses their family drama for motivational purposes in driving the plot forward at break-neck speed, but for me it didn’t always work as effectively as I was hoping for. I know that Cleveland was trying to emphasize how we can be blinded to what are children are capable of, but how she delivered it in her writing didn't always work for me this time around from a reasonableness standpoint. Sometimes I just found Stephanie acting stupid and I struggled with why she would behave so immaturely when she is fully trained and experienced FBI agent. I am sure that was what the writer was trying to get across - we all make stupid emotional mistakes when we are really stressed about our children - but there some key moments when Stephanie made certain illogical choices and decisions that required the suspension of grounded reality.
The transitions between scenes were also a bit choppy and lost the flow at times throughout the book. That might be a bit nitpicky, but it was noticeable, and disruptive.
That leads up to my biggest problem with the book. I have to dance around this issue gently, making sure not to give away any spoilers, or ruin key plot points. Maybe we were spoiled by Cleveland’s first book and the cool, shocking ending on the last page that sent chills down our spines. Maybe it created too much of an expectation for her future books, which is unfair. But, being careful in how I address it, the ending is a bit of a struggle after devouring 300 plus pages to get this particular ending. Some will accept and love it, wondering what my problems with it really is. But other readers may be more like me and say “What the heck?”. There is a large build-up to an emotional climactic ending (that includes a surprise meeting with a certain female character that shall not be named) that doesn’t even fully occur. There are certain key moments and game-changing plot activity that is in some unbelievable manner left to occur off screen. Yes, off screen. And I am pretty sure most of it was to build up momentum and excitement for a third book. Oh, let's keep this thing going...
Well dang it! Truth be told, I loved some of the ending and absolutely hated most of it with a passion that will drive me crazy for several days as I let it process and percolate the outcomes in my head. And let me add, I can't stand it when a writer purposely leaves things hanging or vague, therefore robbing a reader of their well-deserved complete experience. Yes, I know that some writers, especially those in the fantasy, science fiction, etc. genres tend do that sometimes, but this was advertised as a stand-alone book and having closure is a fair expectation from the reader.
I understand that for most of you, until you read the book, my rant about the ending will not make sense, so please come back and re-read my comments after you are done with it. You can agree with me or completely disagree and call me crazy, that’s okay. That’s what the Goodreads forum is for – the respectful exchange of ideas that writers explore in their books and the way those thoughts and themes make us feel.
Overall, this is a concept novel, much like her first, and it works most of the time. It explores how we can create a tunnel-vision view of our own selfish truths, especially when it comes our children - our commitment to them, our sacrifices for their well-being, and our undying love for them. My overall score is skewed – a strong 4 stars for all of the good stuff and a weak 2 stars for all of the things I struggled with, including, and especially, the ending – which comes out to 3 stars for my rating.
P.S. I must add a comment that if the surprise meeting with a certain female character that shall not be named, had occurred, and the payoff delivered for the reader, I might have given the book 4 stars… but also, poor Yorick…