Why Did I Want To Read This Book?
“Think Robert Langdon meets Lara Croft with a side of textiles.” Are you kidding me? To me, this would be one of the greatest pairings since Dolly Parton and Kenny Rogers sang Islands in the Stream! This is the bit that made me hit that ‘read now’ button! I was expecting BIG things from this pairing/strapline and reader… I was fooled.
To start with, there’s the usual murder in the prologue. This I can cope with - it happens. Except here, we get told exactly what time and place the murder happens, then all of a sudden in chapter one, we are left wondering whether we are still in the same time and place of the aforementioned murder. Turns out…we weren’t – cue: head scratching.
We are also introduced to a whole bank of characters (including the protagonist Phoebe McCabe) and what feels like an entire spider web of backstories and events at how all of these people seem to know each other. For what is supposedly the first book in this new Agency of the Ancient Lost and Found Series, I feel like I’ve stumbled in halfway through. As it turns out, I actually did – cue: more head scratching.
Going back to do a quick Goodreads search and it turns out that Phoebe McCabe & Co. have been in 5-book series before which is why I felt like there was a bit of reliance on my prior knowledge of these characters’ escapades and a lot of info-dumping in the first few chapters. Whilst this awareness of the characters’ histories is not essential to the plot of The Carpet Cipher, the continuous references to past events from a different time/series made my reading experience feel a little disjointed, as if I couldn’t fully invest myself in all of the characters.
Phoebe herself, has a remarkable passion for textiles which bounces off the page. The references to carpets and clothing throughout the book is well-researched and clearly evident of the writer’s enthusiasm for this subject. When I was still trying to work out what nationality Phoebe is (she works at a gallery in the UK), some of the vocabulary she used only sought to make me think she was American. Phrases like, “stuck in my craw”, “Crud, Phoebe, stop it.” and talk of ‘phyllo’ instead of filo didn’t marry up with what I would expect a British person to be saying, so is she British or is she American? Cue: even more head scratching!!!
She also has an over-reliance on calling the bad-guys ‘bastards’ which did grate on me towards the end. This very male-bashing attitude that radiates through her narration felt quite passive aggressive as if she has a chip on her shoulder and I found it difficult to warm to her as a character overall [from further text deduction, previous boyfriend from previous series ‘Noel’ definitely has something to do with this].
There are a whole host of other characters who feature in this story (Max, Evan, Serena, Noel, Nicolina, Seraphina, Zara, Agent Walker, Foxy, the ‘bastards’, June & Joe) but a special mention must go to Peaches. Her comedic quips and zesty attitude breathed some much-needed humour into the dialogue towards the end of the novel. I loved her Jamaicanese speech and all-around eccentricity. “Muscle Man’s coming here with Hottie on the roof?” was one of her defining moments.
The plot behind this story is based around two real-life pieces of artwork; the main piece by Bartolo becoming a painting for the purposes of this story, rather than the fresco that it really is. Having looked into the real representations of these pieces of art, the author admits to taking artistic liberties with some of the elements and symbology within the pictures. The passionate historian in me was left slightly longing. Nevertheless, the conspiracy and mystery at the heart of The Carpet Cipher and the puzzle which needed to be unlocked was engaging enough to just about keep my attention span going to the end.
Lastly, my e-book notes are crammed with 39(!) highlights containing grammatical/spelling errors, alongside my own utterances of questions, queries and all of the head-scratching moments that made me shout ‘huh?’ or ‘why would you do that?’. Here are some of my favourites:
• “That alone was enough to induce conniptions.” – I had to use a dictionary for the word conniptions.
• At 37% of the book it’s finally carpet time!
• “I changed into my only non-jeans pants – leather,” - Why does everyone wear leather ‘pant-suits’ in this book?
• “Let’s assume that everybody is innocent until proven guilty and discuss what we know together.” – Phoebe McCabe channels her inner Poirot.
• “Seemed like a bad time to mention my mold allergy so I just coughed for effect.” – Are you kidding me, someone who works with mouldy old textiles is allergic to mould?!
And my personal favourite:
"I've been your lead to the next heist all along, you (insert colourful expletive) butt-licking bastard!"
Overall, it is abundantly clear through the writing that The Carpet Cipher is a work of fiction. References to real historical facts and attitudes are minimally skimmed across the surface of the text. If you’re looking for a thrill-ride full of the common tropes found in historical mystery/thrillers then this could very well be the book for you; however, if you’re looking for a narrative that is so deeply entrenched with historical accuracy that you could genuinely believe that the conspiracy is real, then perhaps this may not quite capture your imagination for long enough.