If you have to force yourself to put a novel down at bedtime, and you can’t wait to pick it up again, you’ve got to give it five stars, haven’t you? And it’s hard not to see this as one big novel. You get the necessary reminders in each part of who the characters are and what the situations mean, which remind you that it’s three novels run together, but they seem incidental.
The whole narrative revolves around Berlin. Even when we're in Mexico or London, Berlin's there in the background. Samson was raised in Berlin, and his ‘berlinerisch’ approach marks him out as at heart German, despite being British. It’s where Frank Harrington seems really to feel at home, at least in Samson’s eyes. And Werner Volkmann’s marriage to Zena is portrayed as coming between him and his natural habitat. Consequently there’s an unresolved tension between Samson’s home in London with his family and his feeling so at home in Berlin, expressed in his always staying in the upstairs room in Lisl Hennig’s hotel.
Berlin gives an ideal Cold War setting, with flashbacks to the Occupation, and the Wall a solid reminder of the division between West and East which of course has such an impact on Samson’s domestic life. But also Berlin gives a context of survival. This is embodied in the damaged architecture all around, and expressed in the lives of characters such as Lisl Hennig and Willi Leuschner.
In London there are no comparable references to bomb damage or other wartime effects. Essentially London is about the present, and qualms about the future. Berlin is about continuity and survival.
Survival is a major preoccupation of spy thrillers. Deigthon’s continued use of the first person (well, in all the novels I’ve read so far) means of course that the narrator’s not going to get killed despite the shots and explosions, but everyone else’s fate seems uncertain. Perhaps not always in terms of life and death, but also in terms of career, marriage and so on. There’s enough action to keep you going, but also the intrigues and plotting engage the imagination.
Talking of action, this is handled well, with the right pace and immediacy. Whether it's eavesdropping on Soviet agents, finding a body, or a shoot-out, Deighton manages to evoke the scene well. Also he gives nicely-drawn characters whether in the main body of the narrative, or coming forward occasioannly to help develop situations.
Thankfully Deighton seems to be able to resist the final-chapter, or penultimate-chapter, twist where suddenly someone you thought trustworthy turns out to be treacherous. Instead everything gets sorted out in good time to allow the reader to enjoy the work’s climax. Of course not every question gets answered, and maybe this is to allow development in subsequent novels, but then not every question needs to be answered, nor does every situation need to be resolved. As Samson says towards the end, ‘It’s not game, set and match to anyone. It never is.’
A really enjoyable read, but I’m glad I read all three novels in one volume. The narrative flows so well I would have found it frustrating to have read it in stages.