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Zodiac Gothic #Leo
Drums of Darkness
Signed by Marion Zimmer Bradley (see photos); good condition for age - 1st edition Aug 1976; minor edgewear and creases; yellowed consistent with age; no marks or stickers other than signature.
212 pages, Mass Market Paperback
First published January 1, 1976
119 people want to read
About the author
Marion Zimmer Bradley
806 books4,908 followersMarion Eleanor Zimmer Bradley was an American author of fantasy novels such as The Mists of Avalon and the Darkover series, often with a feminist outlook.
Bradley's first published novel-length work was Falcons of Narabedla, first published in the May 1957 issue of Other Worlds. When she was a child, Bradley stated that she enjoyed reading adventure fantasy authors such as Henry Kuttner, Edmond Hamilton, and Leigh Brackett, especially when they wrote about "the glint of strange suns on worlds that never were and never would be." Her first novel and much of her subsequent work show their influence strongly.
Early in her career, writing as Morgan Ives, Miriam Gardner, John Dexter, and Lee Chapman, Marion Zimmer Bradley produced several works outside the speculative fiction genre, including some gay and lesbian pulp fiction novels. For example, I Am a Lesbian was published in 1962. Though relatively tame by today's standards, they were considered pornographic when published, and for a long time she refused to disclose the titles she wrote under these pseudonyms.
Her 1958 story The Planet Savers introduced the planet of Darkover, which became the setting of a popular series by Bradley and other authors. The Darkover milieu may be considered as either fantasy with science fiction overtones or as science fiction with fantasy overtones, as Darkover is a lost earth colony where psi powers developed to an unusual degree. Bradley wrote many Darkover novels by herself, but in her later years collaborated with other authors for publication; her literary collaborators have continued the series since her death.
Bradley took an active role in science-fiction and fantasy fandom, promoting interaction with professional authors and publishers and making several important contributions to the subculture.
For many years, Bradley actively encouraged Darkover fan fiction and reprinted some of it in commercial Darkover anthologies, continuing to encourage submissions from unpublished authors, but this ended after a dispute with a fan over an unpublished Darkover novel of Bradley's that had similarities to some of the fan's stories. As a result, the novel remained unpublished, and Bradley demanded the cessation of all Darkover fan fiction.
Bradley was also the editor of the long-running Sword and Sorceress anthology series, which encouraged submissions of fantasy stories featuring original and non-traditional heroines from young and upcoming authors. Although she particularly encouraged young female authors, she was not averse to including male authors in her anthologies. Mercedes Lackey was just one of many authors who first appeared in the anthologies. She also maintained a large family of writers at her home in Berkeley. Ms Bradley was editing the final Sword and Sorceress manuscript up until the week of her death in September of 1999.
Probably her most famous single novel is The Mists of Avalon. A retelling of the Camelot legend from the point of view of Morgaine and Gwenhwyfar, it grew into a series of books; like the Darkover series, the later novels are written with or by other authors and have continued to appear after Bradley's death.
Her reputation has been posthumously marred by multiple accusations of child sexual abuse by her daughter Moira Greyland, and for allegedly assisting her second husband, convicted child abuser Walter Breen, in sexually abusing multiple unrelated children.
(from Wikipedia)
Bradley's first published novel-length work was Falcons of Narabedla, first published in the May 1957 issue of Other Worlds. When she was a child, Bradley stated that she enjoyed reading adventure fantasy authors such as Henry Kuttner, Edmond Hamilton, and Leigh Brackett, especially when they wrote about "the glint of strange suns on worlds that never were and never would be." Her first novel and much of her subsequent work show their influence strongly.
Early in her career, writing as Morgan Ives, Miriam Gardner, John Dexter, and Lee Chapman, Marion Zimmer Bradley produced several works outside the speculative fiction genre, including some gay and lesbian pulp fiction novels. For example, I Am a Lesbian was published in 1962. Though relatively tame by today's standards, they were considered pornographic when published, and for a long time she refused to disclose the titles she wrote under these pseudonyms.
Her 1958 story The Planet Savers introduced the planet of Darkover, which became the setting of a popular series by Bradley and other authors. The Darkover milieu may be considered as either fantasy with science fiction overtones or as science fiction with fantasy overtones, as Darkover is a lost earth colony where psi powers developed to an unusual degree. Bradley wrote many Darkover novels by herself, but in her later years collaborated with other authors for publication; her literary collaborators have continued the series since her death.
Bradley took an active role in science-fiction and fantasy fandom, promoting interaction with professional authors and publishers and making several important contributions to the subculture.
For many years, Bradley actively encouraged Darkover fan fiction and reprinted some of it in commercial Darkover anthologies, continuing to encourage submissions from unpublished authors, but this ended after a dispute with a fan over an unpublished Darkover novel of Bradley's that had similarities to some of the fan's stories. As a result, the novel remained unpublished, and Bradley demanded the cessation of all Darkover fan fiction.
Bradley was also the editor of the long-running Sword and Sorceress anthology series, which encouraged submissions of fantasy stories featuring original and non-traditional heroines from young and upcoming authors. Although she particularly encouraged young female authors, she was not averse to including male authors in her anthologies. Mercedes Lackey was just one of many authors who first appeared in the anthologies. She also maintained a large family of writers at her home in Berkeley. Ms Bradley was editing the final Sword and Sorceress manuscript up until the week of her death in September of 1999.
Probably her most famous single novel is The Mists of Avalon. A retelling of the Camelot legend from the point of view of Morgaine and Gwenhwyfar, it grew into a series of books; like the Darkover series, the later novels are written with or by other authors and have continued to appear after Bradley's death.
Her reputation has been posthumously marred by multiple accusations of child sexual abuse by her daughter Moira Greyland, and for allegedly assisting her second husband, convicted child abuser Walter Breen, in sexually abusing multiple unrelated children.
(from Wikipedia)
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Displaying 1 - 5 of 5 reviews
July 7, 2020
Started out great, then went downhill.
The story begins with our heroine, actress Mardee Haskell, flying from NYC to Haiti at the invitation of her great-aunt, who we learn is the richest Black woman in the country. Mardee's mother fled the estate before Mardee's birth, and refuses to come back on grounds that the woman is supposedly evil. Mardee goes anyway, and is soon caught up in the making of a historical movie in Port-au-Prince - the director and lead actors are all staying at Mardee's aunt's estate. The first 50-60 pages are pretty good with lots of interesting info about Haiti's history and founding, culture, industry, tourism, and the stark wealth gap.
Unfortunately, the book didn't keep my interest and I really struggled to finish. The writing style became more and more melodramatic, the dialogue unrealistic, and the discussion around the movie tiring. Mardee also gets involved with three different men, and while that could've been exciting, it was getting a little stupid. She seemed like an interesting character at the start of the book, but by the ending, I was finding her flighty and irritating. Worst of all, the suspense largely just wasn't there. When it was, it was lame. Too much of the book was based around the aforementioned annoying love quadrangle.
Could've been so much better than it was. Better Zodiac Gothics in the Ballantine series include "Fear Stalks the Bayou" by Juanita Coulson and the excellent "Moormist" by Georgina Ferrand (Brenda Castle).
The story begins with our heroine, actress Mardee Haskell, flying from NYC to Haiti at the invitation of her great-aunt, who we learn is the richest Black woman in the country. Mardee's mother fled the estate before Mardee's birth, and refuses to come back on grounds that the woman is supposedly evil. Mardee goes anyway, and is soon caught up in the making of a historical movie in Port-au-Prince - the director and lead actors are all staying at Mardee's aunt's estate. The first 50-60 pages are pretty good with lots of interesting info about Haiti's history and founding, culture, industry, tourism, and the stark wealth gap.
Unfortunately, the book didn't keep my interest and I really struggled to finish. The writing style became more and more melodramatic, the dialogue unrealistic, and the discussion around the movie tiring. Mardee also gets involved with three different men, and while that could've been exciting, it was getting a little stupid. She seemed like an interesting character at the start of the book, but by the ending, I was finding her flighty and irritating. Worst of all, the suspense largely just wasn't there. When it was, it was lame. Too much of the book was based around the aforementioned annoying love quadrangle.
Could've been so much better than it was. Better Zodiac Gothics in the Ballantine series include "Fear Stalks the Bayou" by Juanita Coulson and the excellent "Moormist" by Georgina Ferrand (Brenda Castle).
November 3, 2010
Mais um grande livro! :)
October 12, 2014
Hate the book.
February 13, 2021
Opinião em vídeo aqui
June 17, 2016
This was an interesting read. Marion chose to have the heroine of her story be a young woman of mixed race from Haiti, who has returned to her family's ancestral home. She learns about the history of her family and her native land.
Displaying 1 - 5 of 5 reviews