4.5 stars
"Death for me had always been little more than a necessity, something that moved the plot on. But standing in the bedroom of a woman who had so recently died, I could feel it right there beside me."
When author Anthony Horowitz is asked to write a book about a former detective inspector now turned private investigator, he quickly learns that solving a crime is much different when you find yourself smack dab in the middle of it. Investigator Daniel Hawthorne approaches the renowned writer with a deal to go ‘fifty-fifty’ on a book about his work life, beginning with a rather peculiar murder of a 60-something-year-old widow. What makes this particular case so intriguing is this: "Diana Cowper had planned her funeral and she was going to need it. She was murdered about six hours later that same day." Rather reluctantly, Horowitz accepts the offer and what follows is a very clever and highly entertaining story! It is a compelling mystery mixed with an interesting reflection on the process of both book writing as well as television script writing. You see, the real Anthony Horowitz inserts himself right into the pages of this book! One could also say that The Word is Murder is a brilliant mix of both fictional and non-fictional writing!
This book flows so smoothly, at a nice brisk pace. It’s one that you could easily read in a day or two if you were so inclined. There are plenty of clues, lots of suspects, and a good dose of wit. Horowitz and Hawthorne don’t necessarily see eye-to-eye when it comes to novel writing or crime solving; as a result, the banter between the two made for some good laughs. Hawthorne is a very private man, making Horowitz’s job rather difficult. After all, a reader wants to know the nitty gritty details about the protagonist’s life, right? At first, we really only note that he is a rather unlikable fellow, having been dismissed from the Metropolitan Police Force in London for reasons that are somewhat vague. Hawthorne believes the reader only needs to know about the crime, the victim, the suspects; he does not want to share his private life with the world. Horowitz, however, wants to understand what makes him tick, where he lives, and what got him thrown off the force. This is what the reader wants!
"They’re not called murder victim stories. They’re not called criminal stories. They’re called detective stories. There’s a reason for that. I’m taking a big risk here. If you solve this crime right now, I won’t have anything to write about. Worse than that, if you don’t solve it at all, it’ll be a complete waste of time. So getting to know you matters. If I know you, if I can find something that makes you more… human, at least that’s a start. So you can’t just brush aside every question I ask you. You can’t hide behind this wall."
This is very much like a classic mystery, à la Sherlock Holmes style, despite the contemporary setting. Hawthorne only shares so much of his discoveries and theories with Horowitz, much like we would have seen with Watson; therefore the reader is fed only little morsels at a time. Never fear though, as we are told early on in the novel, the clues are all there if you are sharp enough to fit them together successfully. I was not! But that’s okay; the fun is in the attempt to work it all out!
This was my third adult novel penned by the talented Anthony Horowitz. They have all been great diversions paired with excellent writing. Both Magpie Murders and The House of Silk are on my favorites list. This one comes very close to both, but those wowed me just a wee bit more. I would not hesitate to recommend any of the three if you are a mystery lover! I understand there is a second in the series coming out in November, and I can’t wait to grab it and follow more of Hawthorne and Horowitz’s escapades in that one. I hope we can unravel some more of Hawthorne’s secrets next!
"The relationship between an author and his main protagonist is a very peculiar one."