I received a free copy from Amulet Books through NetGalley in exchange for an honest review.
As a foundling, Tanya is taken in by Froud who offers her a roof and a purpose. Tanya’s purpose becomes the running of the tavern, the Smiling Snake, particularly as Froud’s health declines. But when Froud dies, Tanya finds that the Smiling Snake has not been willed to her and the Queen’s corpsmen offer a writ of ownership that takes away the tavern while all of her supplies are reappropriated. Tanya sees an opportunity to get her tavern back, but it will require traveling with the corpsmen to the capital to petition the Queen and Council. But when a magical quill enters the picture, everything that Tanya knows and planned for is blown away, and Tanya finds herself on an improbable quest that will determine her future.
The main protagonist, Tanya, was unapologetic in her desire to save herself. As a reader, this was an enjoyable trait. Tanya’s desire stems from the fact that she was abandoned in Griffin’s Port at a young age without anyone to rely on. When Tanya embarks on her quest, supporting characters work to form relationships with Tanya, which is difficult given the fact that these advances are often met with skepticism. This was a bit frustrating since Tayna is stubborn and doesn’t see their intentions as genuine until it’s almost too late. However, as a whole, Tanya was an enjoyable character to read, particularly since tavern wenches are often not protagonists able to determine their own fate. Tanya was also self-possessed and body positive, a welcome viewpoint.
As for supporting characters, they were well fleshed out and each had their own story to tell. Jana, Riley, Darrow, Greer, and Rollo all offer interesting views into Tanya’s own psyche based on how they interact with her and how they seek to find their own way forward. Additionally, like Tanya who seems to prefer the romantic company of both men and women, many of these characters are not tied into traditional heterosexual relationships, which is an area that is often overlooked in fantasy.
Given that the characters were well envisioned and the plot was wickedly fun, there are still a few critiques. First, the magic system was a bit unclear. The magical manipulation was straight forward, specifically when novices try to access the strands it creates an inverse reaction, called junkoff, that can be harmful. What was less clear were the magical artifacts, such as the quill and the crown. Though the novel seeks to explain these as commissioned by the Queen late in the novel, this felt underexplored. Second, the Queen also seemed to be a figure shrouded in mystery. Maxine Kaplan offers some details about the Queen, but not enough for a reader to be satisfied. Third, the conclusion of the novel felt odd and rushed. It almost seemed like there should be more since the resolution was a bit too neat. Finally, a minor point, the plot was fun if a bit twisted as points, but the nature of a quest lends itself to such a narrative, which made it work.
Overall, I enjoyed Wench and would recommend it to others, particularly if you’re looking for a quest narrative with a strong feminist angle.