With her 2007 picture book biography Different Like Coco author/illustrator Elizabeth Matthews presents to and for younger readers, to and for the so-called picture book crowd the life (or more to the point the personally and carefully chosen biographical parts) of groundbreaking French fashion designer and icon Coco Chanel (from Coco's early years at a strict convent orphanage, where she learned to sew, to her time as a seamstress, and the launch of her own independent career in hat and dressmaking), and with Matthews primarily focusing in Different Like Coco on the ways in which Coco Chanel supposedly was "different" and if one reads between the lines of Elizabeth Matthew's featured text also seemingly "better" than those around her (and in particular how Chanel always made being "different" a point of personal pride, rather than considering it to be a problem, a to be fought against weakness).
But honestly, for me in Different Like Coco to rather constantly be encountering Coco Chanel being shown by Elizabeth Matthews as possessing a rather obvious and overt snobby arrogance of demeanour and of thought (and that this is also in my opinion very much lauded and totally celebrated by Matthews in both her text and also with her accompanying artwork), it does make me at best feel more than somewhat uncomfortable and not at all in the mood to consider Coco Chanel in any way a role model for in particular young girls. Because indeed, a successful but not so generally quite holier than thou and opinionated Coco Chanel would definitely make me more positively inclined towards Chanel as a person (and yes, Elizabeth Matthews in Different Like Coco not either textually or visually finding it worthy of criticism that Coco Chanel seems to often have been quite dismissive and verbally abusive towards the employees of her dress shops, this definitely makes me massively angry and frustrated, as there in my opinion is definitely a textual enabling and condoning of arrogance and nastiness happening with Elizabeth Matthews' printed words in Different Like Coco, and Matthews also kind of insinuating that Coco Chanel could really do no wrong, and that as a famous and innovative fashion icon she is obviously for the author also somehow above criticism and should thus only be celebrated and feted).
Furthermore and hugely importantly, considering that for one, the persistent and universally known rumours of Coco Chanel allegedly collaborating with the Nazis in WWII and even acting as a spy for them (and which have now been pretty well proven to have indeed been true) are completely and utterly ignored by Elizabeth Matthews in Different Like Coco and that there is for two also a palpable and nastily negative attitude towards those of us who are not skinny like proverbial bean poles constantly being (in my opinion) made with and by Matthews's featured narrative (and also with her pictures), yes, my reading time with Different Like Coco has been at best annoying and at worst massively infuriating and thus only worth a one star rating. For even though the absolute proof of Coco Chanel basically being a traitor to France and spying for the Nazis in WWII only occurred in 2011 (and that Different Like Coco was published in 2007), there still had been very many and very strong rumours regarding all of this for decades, and for Elizabeth Matthews not to even with one word acknowledge and to point these rumours and speculations out in Different Like Coco, that is not only ridiculous, it also makes me wonder if Matthews with her clearly uncritical and total admiration of and for Coco Chanel would rather believe and have her young readers believe with Different Like Coco that there were supposedly never any French citizens collaborating with and spying for the Nazis, that as some critical voices have sarcastically claimed in Nazi occupied France every individual not only actively despised the German occupiers but was also secretly supporting and being a member of La Resistance.
And honestly, this kind of an attitude, this horrible sense of whitewashing is definitely not AT ALL acceptable for a non fiction picture book biography published in 2007, as by that time, most of the rumours regarding Coco Chanel being "in bed with the Nazis" were quite universally considered as having massively major grains of truth in them (and that at the very least, even if Elizabeth Matthews might not want to present these rumours within the text proper of Different Like Coco, she should definitely be featuring and mentioning them in her back materials).