“Listen, are you breathing just a little, and calling it a life?” —Mary Oliver
This luminous anthology brings together great poets from around the world whose work transcends culture and time. Their words reach past the outer divisions to the universal currents of love and revelation that move and inspire us all. These poems urge us to wake up and love. They also call on us to relinquish our grip on ideas and opinions that confine us and, instead, to risk moving forward into the life that is truly ours.
In his selection, Roger Housden has placed strong emphasis on contemporary voices such as the American poet laureate Billy Collins and the Nobel Prize–winners Czeslaw Milosz and Seamus Heaney, but the collection also includes some timeless echoes of the past in the form of work by masters such as Goethe, Wordsworth, and Emily Dickinson.
The tens of thousands of readers of Roger Housden’s “Ten Poems” series will welcome this beautiful harvest of poems that both open the mind and heal the heart.
Roger Housden is the author of some twenty books of non fiction, including the best selling Ten Poems series. His new book, SAVED BY BEAUTY: ADVENTURES OF AN AMERICAN ROMANTIC IN IRAN, comes out on May 17 2011 with Broadway Books.
En yleensä lue runoja niin mun on pakko myöntää et luin tän koska Gracie Abrams sano jossain haastattelussa et tää on sen lemppari. Tällä kertaa oikeesti mietin niitä runoja tarkemmin enkä vaan kahlannut läpi niinkuin yleensä tekisin. Mun mielestä tää kokoelma oli hyvin valittu ja kirjoitus tosi kaunista. Monet oli aika uskonnollisia joten en voinut kauheesti samaistua. Tykkäsin kuitenkin ja haluun alkaa lukee enemmän runoja. :)
Every handyman and homeowner has somewhere in his work area a collection of screws, nuts, bolts, nails and assorted others hardware that is kept around just in case they are needed for some future repair or project. An anthology of any kind is a lot like these collections: it is kept for a time when it might be needed. A poetry anthology is needed every bit as often as the collection of screws and bolts. It serves us in times of joy, in times of sorrow, in times of depression, in time of love. But not just any anthology will do. Poetry comes to the reader in so many styles and so many forms that just the right poetry is needed for those times when poetry addresses the emotions in ways nothing else can. Housden's collections have always hit just the right chord for me. While there are countless anthologies available, Housden often fill the bill of being exactly what I am looking for. This collection, Risking Everything, offers a range of poems that is sure to provide me with more than a few that are exactly what I am looking for. I come back to it again and again whenever I am feeling like poetry is just the thing to make me feel better, more pleased with life, and more in need of a little emotional nudge to keep me on track and mindful of the joys and challenges of being alive
- when death comes by Mary Oliver - love after love by Derek Walcott** - my dead friends by Marie Howe - so much happiness by Naomi Shihab Nye** - sweet darkness by David Whyte** - the very short sutra on the meeting of the Buddha and the goddess by Rick Fields - some kiss we want by Rumi - the man of Tao by Chuang Tzu
This was a nice selection of poetry but sometimes the organization seemed a bit odd. Overall, I liked the choice of poetry and it was nice to wake up every morning and digest a couple of poems before starting another day of "sheltering in place."
When it's over, I want to say: all my life I was a bride married to amazement. - Mary Oliver, When Death Comes
Love after Love Derek Walcott The time will come when, with elation, you will greet yourself arriving at your own door, in your own mirror, and each will smile at the other’s welcome,
and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you
all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf,
the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life.
Wild Geese Mary Oliver
You only have to let the soft animal of your body love what it loves.
On Angels Czeslaw Milosz
Short is your stay here: now and then at a martinal hour, if the sky is clear, in a melody repeated by a bird, or in the smell of apples at the close of day when the light makes the orchards magic.
My Dead Friends Marie Howe
I have begun, when I’m weary and can’t decide an answer to a bewildering question
to ask my dead friends for their opinion and the answer is often immediate and clear.
Should I take the job? Move to the city? Should I try to conceive a child in my middle age?
They stand in unison shaking their heads and smiling-whatever leads to joy, they always answer, to more life and less worry.
I look into the vase where Billy’s ashes where it’s green in there, a green vase,
and I ask Billy if I should return the difficult phone call, and he says, yes.
Billy’s already gone through the frightening door, whatever he says I’ll do.
Today, like Every Other Day Rumi
Today, like every other day, we wake up empty and frightened. Don't open the door to the study and begin reading. Take down the dulcimer.
Let the beauty we love be what we do. There are hundreds of ways to kneel and kiss the ground. - translated by Coleman Barks
So Much Happiness for Michael Naomi Shihab Nye
It is difficult to know what to do with so much happiness. With sadness there is something to rub against, a wound to tend with lotion and cloth. When the world falls in around you, you have pieces to pick up, something to hold in your hands, like ticket stubs or change.
But happiness floats. It doesn’t need you to hold it down. It doesn’t need anything. Happiness lands on the roof of the next house, singing, and disappears when it wants to. You are happy either way. Even the fact that you once lived in a peaceful tree house and now live over a quarry of noise and dust cannot make you unhappy. Everything has a life of its own, it too could wake up filled with possibilities of coffee cake and ripe peaches, and love even the floor which needs to be swept, the soiled linens and scratched records . . .
Since there is no place large enough to contain so much happiness, you shrug, you raise your hands, and it flows out of you into everything you touch. You are not responsible. You take no credit, as the night sky takes no credit for the moon, but continues to hold it, and share it, and in that way, be known.
Sunset Rainer Maria Rilke
one moment your life is a stone in you, and the next, a star
Weathering Fleur Adcock
Literally thin-skinned, I suppose, my face catches the wind off the snow-line and flushes with a flush that will never wholly settle. Well: that was a metropolitan vanity, wanting to look young for ever, to pass.
I was never a pre-Raphaelite beauty nor anything but pretty enough to satisfy men who need to be seen with passable women. But now that I am in love with a place which doesn’t care how I look, or if I’m happy,
happy is how I look, and that’s all. My hair will grow grey in any case, my nails chip and flake, my waist thicken, and the years work all their usual changes. If my face is to be weather-beaten as well
that’s little enough lost, a fair bargain for a year among the lakes and fells, when simply to look out of my window at the high pass makes me indifferent to mirrors and to what my soul may wear over its new complexion.
Sweet Darkness David Whyte
anything of anyone that does not bring you alive
is too small for you.
- from The House of Belonging
You See I Want a Lot Rainer Maria Rilke
You have not grown old, and it is not too late to dive into your increasing depths where life calmly gives out its own secret
- translated by Robert Bly
The Greatest Love Anna Swirszczynska
She is sixty. She lives the greatest love of her life.
She walks arm-in-arm with her dear one, her hair streams in the wind. Her dear one says: “You have hair like pearls.”
Her children say: “Old fool.”
- translated by Czeslaw Milosz and Leonard Nathan
The Very Short Sutra on the Meeting of the Buddha and the Goddess Rick Fields
Be your breath. Ah Smile, Hey And relax, Ho And remember this: You can't miss.
To Have Without Holding Marge Piercy
Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm.
It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives.
It hurts to thwart the reflexes of grab, of clutch ; to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively.
I can’t do it, you say it’s killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor’s button blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced.
I Thank You ee cummings
i thank You God for most this amazing day:for the leaping greenly spirits of trees and a blue true dream of sky; and for everything which is natural which is infinite which is yes
(i who have died am alive again today, and this is the sun’s birthday; this is the birth day of life and of love and wings: and of the gay great happening illimitably earth)
how should tasting touching hearing seeing breathing any–lifted from the no of all nothing–human merely being doubt unimaginable You?
(now the ears of my ears awake and now the eyes of my eyes are opened)
e.e. cummings 1894-1962
Postscript Seamus Heaney
And some time make the time to drive out west Into County Clare, along the Flaggy Shore, In September or October, when the wind And the light are working off each other So that the ocean on one side is wild With foam and glitter, and inland among stones The surface of a slate-grey lake is lit By the earthed lightning of a flock of swans, Their feathers roughed and ruffling, white on white, Their fully grown headstrong-looking heads Tucked or cresting or busy underwater. Useless to think you’ll park and capture it More thoroughly. You are neither here nor there, A hurry through which known and strange things pass As big soft buffetings come at the car sideways And catch the heart off guard and blow it open.
Ripeness Jane Hirshfield
Ripeness is what falls away with ease. Not only the heavy apple, the pear, but also the dried brown strands of autumn iris from their core. To let your body love this world that gave itself to your care in all of its ripeness, with ease, and will take itself from you in equal ripeness and ease, is also harvest. And however sharply you are tested — this sorrow, that great love — it too will leave on that clean knife.
– from “The October Palace”
In Blackwater Woods Mary Oliver
Look, the trees are turning their own bodies into pillars
of light, are giving off the rich fragrance of cinnamon and fulfillment,
the long tapers of cattails are bursting and floating away over the blue shoulders
of the ponds, and every pond, no matter what its name is, is
nameless now. Every year everything I have ever learned
in my lifetime leads back to this: the fires and the black river of loss whose other side
is salvation, whose meaning none of us will ever know. To live in this world
you must be able to do three things: to love what is mortal; to hold it
against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.
Kindness Naomi Shihab Nye
Before you know what kindness really is you must lose things, feel the future dissolve in a moment like salt in a weakened broth. What you held in your hand, what you counted and carefully saved, all this must go so you know how desolate the landscape can be between the regions of kindness. How you ride and ride thinking the bus will never stop, the passengers eating maize and chicken will stare out the window forever.
Before you learn the tender gravity of kindness you must travel where the Indian in a white poncho lies dead by the side of the road. You must see how this could be you, how he too was someone who journeyed through the night with plans and the simple breath that kept him alive.
Before you know kindness as the deepest thing inside, you must know sorrow as the other deepest thing. You must wake up with sorrow. You must speak to it till your voice catches the thread of all sorrows and you see the size of the cloth. Then it is only kindness that makes sense anymore, only kindness that ties your shoes and sends you out into the day to gaze at bread, only kindness that raises its head from the crowd of the world to say It is I you have been looking for, and then goes with you everywhere like a shadow or a friend.
The Same Inside Anna Swirszczynska
Walking to your place for a love fest I saw at a street corner an old beggar women. I took her hand, kissed her delicate cheek, we talked, she was the same inside as I am, from the same kind, I sensed this instantly as a dog knows by scent another dog. I gave her money, I could not part from her. After all, one needs someone who is close. And then I no longer knew why I was walking to your place.
Oddjob, a Bull Terrier Derek Walcott
You prepare for one sorrow, but another comes. It is not like the weather, you cannot brace yourself, the unreadiness is all. Your companion, the woman, the friend next to you, the child at your side, and the dog, we tremble for them, we look seaward and muse it will rain. We shall get ready for rain; you do not connect the sunlight altering the darkening oleanders in the sea-garden, the gold going out of the palms. You do not connect this, the fleck of the drizzle on your flesh, with the dog’s whimper, the thunder doesn’t frighten, the readiness is all; what follows at your feet is trying to tell you the silence is all: it is deeper than the readiness, it is sea-deep, earth-deep, love-deep.
The silence is stronger than thunder, we are stricken dumb and deep as the animals who never utter love as we do, except it becomes unutterable and must be said, in a whimper, in tears, in the drizzle that comes to our eyes not uttering the loved thing’s name, the silence of the dead, the silence of the deepest buried love is the one silence, and whether we bear it for beast, for child, for woman, or friend, it is the one love, it is the same, and it is blest deepest by loss it is blest, it is blest.
For the Raindrop Ghalib
It's the rose's unfolding, Ghalib, that creates the desire to see -- In every color and circumstance, may the eyes be open for what comes. - translated by Jane Hirshfield
A Place to Sit Kabir
Don’t go outside your house to see flowers. My friend, don’t bother with that excursion. Inside your body there are flowers. One flower has a thousand petals. That will do for a place to sit. Sitting there you will have a glimpse of beauty inside the body and out of it, before gardens and after gardens.
- translated by Robert Bly
Breath
Kabir says: Student, tell me, what is God? He is the breath inside the breath.
- translated by Robert Bly
The Swan Rainer Maria Rilke
This clumsy living that moves lumbering as if in ropes through what is not done, reminds us of the awkward way the swan walks.
And to die, which is the letting go of the ground we stand on and cling to every day, is like the swan, when he nervously lets himself down into the water, which receives him gaily and which flows joyfully under and after him, wave after wave, while the swan, unmoving and marvelously calm, is pleased to be carried, each moment more fully grown, more like a king, further and further on.
- translation by Robert Bly
The Unknown Flute Kabir
Who is it we spend our entire life loving?
Eyes Czelaw Milosz
honorable eyes. You are not in the best shape. I receive from you an image, less than sharp, And if a color, then it's dimmed. And you were a pack of royal hounds With whom I would set forth in the early morning. My wondrously quick eyes, you saw many things, Lands and cities. Islands and oceans. Together we greeted immense sunrises, When the fresh air invited us to run Along trails just dry from cold night dew. Now what you have seen is hidden inside And changed into memory or dreams Slowly I move away from the fair of the world And I notice in myself a distaste For monkeyish dresses, shrieks and drum beats. What a relief. Alone with my meditation On the basic similarity in humans And their tiny grain of dissimilarity. Without eyes, my gaze is fixed on one bright point That grows large and takes me in.
-translated by Czeslaw Milosz, Carol Milosz, and Renata Gorczynski
The Man of Tao Chuang Tzu
The man of Tao Remains unknown Perfect virtue Produces nothing 'No-self' Is 'True-Self.' And the greatest man Is Nobody.
- translated by Thomas Merton
Prayer Is an Egg Rumi
On Resurrection Day God will say, “What did you do with the strength and energy
your food gave you on earth? How did you use your eyes? What did you make with
your five senses while they were dimming and playing out? I gave you hands and feet
as tools for preparing the ground for planting. Did you, in the health I gave,
do the plowing?” You will not be able to stand when you hear those questions. You
will bend double, and finally acknowledge the glory. God will say, “Lift
your head and answer the questions.” Your head will rise a little, then slump
again. “Look at me! Tell what you’ve done.” You try, but you fall back flat
as a snake. “I want every detail. Say!” Eventually you will be able to get to
a sitting position. “Be plain and clear. I have given you such gifts. What did
you do with them?” You turn to the right looking to the prophets for help, as
though to say, I am stuck in the mud of my life. Help me out of this! They
will answer, those kings, “The time for helping is past. The plow stands there in
the field. You should have used it.” Then you turn to the left, where your family
is, and they will say, “Don’t look at us? This conversation is between you and your
creator.” Then you pray the prayer that is the essence of every ritual: God,
I have no hope. I am torn to shreds. You are my first and last and only refuge.
Don’t do daily prayers like a bird pecking, moving its head up and down. Prayer is an egg.
Hatch out the total helplessness inside.
- by Rumi, from The Soul of Rumi, translated by Coleman Barks, 2001
A wonderful book of poetry - very accessible. I would not have picked it up based on the title (not much into love poems) but it was at a library book sale and I had room in my bag so in it went. (And I’m glad it did). The second part of the title was right - this book was actually a lot more spiritual than I had anticipated and held many revelations.
This was a great selection of poems that offer food for the soul. Of course, not all were my cup of tea, but most I think had something beautiful worth pondering.
This was an amazing collection of poems for me as I’m not well-versed in poetry. He did a great job of curating the poems in the book, and I would say I enjoyed 75% of them. Some of the poems were incredible, and I was introduced to new poets throughout that I’m excited to continue exploring.
No matter what the grief, its weight, we are obliged to carry it. We rise and gather momentum, the dull strength that pushes us through crowds. And then the young boy gives me directions so avidly. A woman holds the glass door open, waits patiently for my empty body to pass through. All day it continues, each kindness reaching toward another – a stranger singing to no one as I pass on the path, trees offering their blossoms, a retarded child who lifts his almond eyes and smiles. Somehow they always find me, seem even to be waiting, determined to keep me from myself, from the thing that calls to me as it must have once called to them – this temptation to step off the edge and fall weightless, away from the world.
by Dorianne Laux
I am grateful to Housden for his collections of poetry. This is the second one I have read and I would like to read the rest. He always introduces me to new poems and poets. Also he usually includes poems that I already know – however the context of his collections helps me to see those poems more clearly.
In this collection, Housden included A Blessing by James Wright and I Thank You by e. e. cummings. It was good to see these both again along with other favorites.
If you don’t read poetry, I would urge you to try again. I know that many of us have had teachers who meant well, but who taught us that poetry is hard and we need to work to understand what the poet meant. Instead of working, I read poems out loud, slowly. If they hit a nerve or make me happy, I might read them again. If not, then I move on the next one. I know that not every poem is for every reader.
Housden’s collections lend themselves to slow, contemplative readings. I will be visiting with this book again. I hope other readers will try it.
My father once said that when you are twenty years old or so, life is so intense that you can understand and write poetry and philosophy. Later, I guess, life is more settled down, and maybe that gift is gone. This is a good collection for re-finding that gift. You know how a poem can capture a feeling or experience or something more intangible. You wonder if anyone else sees the same thing you have seen, and yes, maybe someone else has. Here's a poem I found in this book a week or so ago, on Good Friday -- the reference to darkness was especially poignant, and the whole poem - freedom, aliveness - made total sense.
Sweet Darkness David Whyte
When your eyes are tired the whole world is tired also.
When your vision has gone no part of the world can find you.
Time to go into the dark where the night has eyes to recognize its own.
There you can be sure you are not beyond love.
The dark will be your womb tonight.
The night will give you a horizon further than you can ever see.
You must learn one thing The world was made to be free in.
Give up all the other worlds except the one to which you belong.
Sometimes it takes darkness and the sweet confinement of your aloneness to learn
Sometimes it is a relief to have an anthology instead of constant reading of tottering piles of books, magazines and an overwhelming sense of futility. And with a title, in brackets, "risking everything" I appreciate the efforts of Roger Housden to put in one volume the poem which respond to the Mary Oliver quote that prefaces his introduction. "Listen, are you breathing just a little, and calling it a life?"
In one week, I found the perfect poem for a friend who just found out she had throat cancer; 6 poems for a friend lighting a Yahrzeit candle; poems that give me courage and that I want to share with my students; poems for my friend who is leaving his career as 2nd violin chair in an orchestra due to political pressures his outspoken nature reveals; poems I've loved and cherished and am glad to see again.
If I could give this book a thousand stars, I'd still want to give it more--it's absolutely my favorite book of poems ever, and I am very picky about compilations, even when they're the best of from a single author. I usually feel that having more than 25 or so poems in one book is overwhelming and I end up not really reading any of them, but this book keeps me fascinated and moved over and over again. I bought it on an intuitive hunch, I've slugged it around so much that I've lost it and then bought it again. If I could only have one book in the whole world, this would be it--it's really that good.
A gift from a friend. The best kind of friend. The best kind of gift. Reading a few of these aloud to another friend last night I was returned to my pre-crisis self and felt perfectly happy. Some old friends in here and some new ones. Some great some okay. Poetry is a balm.
+So Much Happiness Naomi Shihab Nye
It is difficult to know what to do with so much happiness. With sadness there is something to rub against, a wound to tend with lotion and cloth. When the world falls in around you, you have pieces to pick up, something to hold in your hands, like ticket stubs or change.
But happiness floats. It doesn’t need you to hold it down. It doesn’t need anything. Happiness lands on the roof of the next house, singing, and disappears when it wants to. You are happy either way. Even the fact that you once lived in a peaceful tree house and now live over a quarry of noise and dust cannot make you unhappy. Everything has a life of its own, it too could wake up filled with possibilities of coffee cake and ripe peaches, and love even the floor which needs to be swept, the soiled linens and scratched records . . .
Since there is no place large enough to contain so much happiness, you shrug, you raise your hands, and it flows out of you into everything you touch. You are not responsible. You take no credit, as the night sky takes no credit for the moon, but continues to hold it, and share it, and in that way, be known.
+The Journey by Mary Oliver One day you finally knew What you had to do, and began, Though the voices around you Kept shouting Their bad advice‚ Though the whole house Began to tremble And you felt the old tug At your ankles. “Mend my life!” Each voice cried. But you didn’t stop. You knew what you had to do, Though the wind pried With its stiff fingers At the very foundations‚ Though their melancholy Was terrible. It was already late Enough, and a wild night, And the road full of fallen Branches and stones. But little by little, As you left their voices behind, The stars began to burn Through the sheets of clouds, And there was a new voice, Which you slowly Recognized as your own, That kept you company As you strode deeper and deeper Into the world, Determined to do The only thing you could do‚ Determined to save The only life you could save.
+On Angels Czeslaw Milosz
All was taken away from you: white dresses, wings, even existence. Yet I believe you, messengers.
There, where the world is turned inside out, a heavy fabric embroidered with stars and beasts, you stroll, inspecting the trustworthy seems.
Short is your stay here: now and then at a matinal hour, if the sky is clear, in a melody repeated by a bird, or in the smell of apples at close of day when the light makes the orchards magic.
They say somebody has invented you but to me this does not sound convincing for the humans invented themselves as well.
The voice -- no doubt it is a valid proof, as it can belong only to radiant creatures, weightless and winged (after all, why not?), girdled with the lightening.
I have heard that voice many a time when asleep and, what is strange, I understood more or less an order or an appeal in an unearthly tongue:
I quiver as a body in rapture, I quiver as a wing, I am an explosion, I overstep myself, I am a fountain, I have its resilience. Excess, a thousand excesses, strength, song of gushing strength.
As I have been interested in getting more into poetry, a friend lent me this collection. Between its pages are inspiring aspirations; poignant and reflective pieces about love, revelation, faith, or the combination of them all. There are a wide range of styles and authors, some of which were born hundreds of years ago. My favorite piece was "To Have Without Holding" by Marge Piercy. The poems I responded to the strongest were the ones about love, whether romantic or familial. I appreciated this eclectic accumulation very much.
A great sampling of a variety of poets from Rilke to Mary Oliver to Robert Bly to Rumi. While the subtitle says they are poems of love and revelation, their subject matter is more varied than that. A worthwhile read that makes me want to read more of the poets individually where the full force of their vision can shine through. My only real complaint is that I would have liked it to be much longer and I would have liked to have seen the poems organized more by subject or theme or author.
Initially, I tried to read through this poetry anthology like I’d read a regular book but I found myself struggling to understand what I was reading and forcing myself to finish it. What I did instead was to pick up the book at moments I felt like it and read one or a few poems multiple times throughout the months. Now I know how I would approach future poetry books. I liked the variation of poems throughout. There were a few poems and a lot of lines that made me think/I felt connected to.
Really excellent collection of poetry! it includes some of my favorite writers and introduced me to new long-time friends. It reminds me of loves almost forgotten and the great possibilities of this world. If you admire one of these authors, you will be grateful for the assembly of voices and ideas.
I've been enjoying this collection slowly over the past few months, reading and rereading my favorites and memorizing short bits. I'll probably return to it in the future.
My only complaint is that the title and cover are misleading. I would not say that the majority of the poems are about love and/or revelation, and I don't know what apples have to do with either of those things.
Housden's introduction was excellent, and so were some of the poems, but the vast majority of the book was Buddhist dogma that had no lyricism. It was just the same message over and over: just sit still and don't try to do anything.
I would definitely recommend! This poetry book is really good! I’ll defently be picking up another poetry book soon! I found this book because Gracie Abram’s recommended it! Some of my favorite poems were: Today like every other day Milkweed Wild geese The road not taken
It's on my nightstand. It's a healing set of amazing writing. Some of these poems, that I read occasionally before trying to rest, simply stop my mind.
A beautiful collection of poems, some by already-favorites, and some by new-favorites. I feel like I snagged a treasure, and I'll definitely be re-reading.