Source/Version: Kindle copy for honest review
Predators focuses on a group of Westerners who are on a safari camp in Africa. The country has been drought-stricken for years, and with less animals available for tourists to photograph and selfie with #happyafricatours isn’t doing well. The group – a jerk movie producer, his A-list star/partner, a violent husband and his wife, as well as a family of father, grandmother and daughter – head off into the night with staff guides for a driving tour. Nobody laughs for long, especially when something laughs from the dark…
If Michaelbrent Collings ever had to read me a bedtime story, I would ask him to read me a grocery receipt (if only implausible-scenario-me had a phone book!) because every other story of his I’ve read has freaked me out in some way. (His Colony series has my heartrate spiking every time someone coughs on public transport – do you realise how much coughing happens on public transport and planes?)
There are always layers to his work and Predators is no exception. As a straight suspense/thriller and/or horror read, Predators is visceral. You feel for the characters – some to survive, some you want to push into the dark as soon as possible. Collings has your muscles twitching, your mouth drying out, ears frantically listening… The tension builds, and there are twists and oh-crap moments that had me biting my lip, holding my breath and swearing when people laughed outside.
Favourite quote: “Yes, plenty of time,” said Craig, lying with the smoothness and sincerity that only sociopaths and good parents can muster.
If you want a book that will have you on the edge of the page, your brain and flight-response sprinting through the African savannah and lives of the tourists, Predators is an outstanding, high-adrenalin, I-want-to-push-that-jerk-so-hard, pulse-thumping read.
Predators is “four out of five bloody handprints dragged screaming through the dirt” stars from me.
And that’s before the delight I had from Collings’ layering and thematic dexterity.
Literary/wordcraft thoughts:
Predators revolves around stories. Specifically, the stories we tell others and, ultimately, the stories we tell ourselves. Or maybe the ultimately is for stories we tell children, and how that impacts the stories they tell themselves thereafter. The importance of stories is in the weft of the chapters, highlighted through fable, creation tales, fairy tales, formatting, intertexuality and phrasing.
That “the story beat in her veins” (location 4102/7292) is true for every character, revealed in ways that speak most directly to who they most deeply, most ideally are. Evie and Selena particularly have moments where the format of their story speaks directly to who they are, where they have come from, and how they see the world, themselves and their successes. Formatting, phrasing and anchoring ensured that each character’s private story was individual, easily identifiable, and clearly relevant to how they had lived up to that point, wrapped within and motivated by the stories they were told – or told themselves. Collings deft combination of philosophy, storytelling and entertainment is a multi-layered delight.
Definitely a “four out of five bloody handprints dragged screaming through the dirt” rating.
Recommended to:
Storytellers
Those who enjoy multi-faceted characters with well-crafted backstories
Anyone after some above-ground/out-of-water suspense/thriller/light gore horror.
Not recommended for:
Anyone about to go on an African safari.
Anything thinking about going on an African safari.
Anyone several hours from their next mouthful of water.
Misogynists.