I am about 9 chapters away from finishing this book, but I believe it's safe to go ahead and write my review now, as my praises and critiques are not likely to be affected by any twists or exposition the final chapters might offer.
I'll start with saying that there is much about this book that is well-done. The prose is very strong and there is a lot of beautiful imagery. I was frequently struck by Mahr's poetic/lyrical style of writing, and I'm now very eager to purchase some of her poetry.
The early world-building for Reeve's dreamworld is very well-done. The book opens with its darkness and keeps that energy going for much of the book. This dreamworld is truly terrifying. Even when she's 'invisible' in this world, what she must witness while there is the sort of thing to cause PTSD.
Finally, while I have some rather large critiques of the love triangle, I still quite like both of Reeve's love interests. Arden is very much the trope of the lovable but broken rogue, a trope I really love when it's done well, which I think it is here. Bran, while not equally as interesting of a character (I'll explain more later), is still immensely likable.
But even though I think there is much to commend and enjoy about this book, the things that have been rattling around in my head since about halfway through it and that will most likely be what I remember long after I finish, are not so positive.
First and foremost, the love triangle was very difficult to bear. Not because it is cheating (which it is), but because it's not treated as cheating. I can't remember a moment in the book where Reeve experiences real feelings of guilt for what she's doing. For example: At one point, Arden kisses Reeve, then not long after she kisses Bran. And yet, there's no moment afterwards these two kisses where she appears to feel guilt for what she's doing or even question her choices.
For my part, if a character is going to cheat in your story, and you still want me to like and/or understand that character and their motivations, then they need to experience some level of guilt or internal conflict over what they are doing. Even if she shoves that guilt away, comes up with excuses to justify her behavior, the guilt needs to be there, and it needs to be expressed in some way. Alternatively, if Mahr didn't want Reeve to experience feelings of guilt until book two of the duology (which I think is possible), then she needed to give insight into how Reeve is so good at compartmentalizing, at placing things into several different boxes so that nothing touches. This would have worked well when paired with Reeve's frequent mentions of a door she keeps closed/locked between her waking world and her dreaming world.
As far as the love interests are concerned, while I like both of them equally, I was more drawn to Arden, mainly because he's a fuller character. He may be a trope, but he's a trope with personality. He's charming, self-assured, trouble with a capital T, but also a man with baggage, personal traumas, who's secretly wishing someone would love him. I really liked him.
Bran, on the other hand, is....a bit of a piece of toast. Now don't misunderstand. Despite us not being given very much information about him and who he is, there is something about him that seems good and honorable and kind. But we don't really learn anything about him. He has no personality.
And all of that can be blamed squarely on Reeve and her lack of interest in actually getting to know him.
Every time Reeve thinks about Bran, every time she looks at him, it's to reference how physically attractive she finds him. She does the same with Arden, but it makes sense there given Arden's character trope. Arden is seeking this response from Reeve, from every woman he flirts with and woos with no serious intentions, so it's very logical for Reeve to be affected by him in that way. But Bran and Reeve are the OTP, so why not give them a more compelling reason to be attracted to one another than just 'the curve of his jaw' or 'his piercing eyes?' How about a little 'he's brave' or 'he's kind' or 'he's honest' as well? Especially if you want the reader to prefer Bran to Arden. As is, her motives for liking both of them are 'You're hot,' which is pretty self-centered.
I'm going to ignore the insta-love problem the OTP has, because I think we all understand the problems with insta-love at this point, and I don't feel like spending much time on it, but suffice to say, Bran and Reeve's romance is also insta-love, which I'm not a fan of.
Personally, I think the love triangle would have worked better if more of a distinction had been made between Reeve's attraction to Arden and her interest in Bran. What a more compelling love triangle it would have been if Reeve had had a genuine interest in Bran as a person, but she was drawn to Arden because of his looks and charisma and very clear talent at playing with a girl's heart, and she was trying to keep them both while at the same time slowly realizing her own selfishness in doing so. I can acquiesce that perhaps this was what the author was intending, but if so, I don't believe she succeeded.
The second major critique I have for this book is how Reeve reacts (or doesn't) to her nightly visits to this terrifying dreamworld. While in the dreamworld, her response to the horrors she witnesses is appropriate and expected. She's afraid of this world and seeks to flee it. She doesn't know why she can't be seen, but she isn't willing to question it, more intent on escaping the sight of dead bodies hanging from the gallows, razor sharp talons digging into human flesh, the unearthly screams of birds and humans mingled together.
That's also where Reeve's reaction ends. Every day, when she wakes from this dreamworld back in the real one, she uses that same door I mentioned earlier to lock the horrors of the dreamworld away. And then she doesn't think about them again. This would be fine if there were hints here or there at how much of a toll going to this dreamworld, and subsequently locking it behind a door each day, takes on her. But she seems completely unaffected during the day. For example: We don't learn until the end of the book that Reeve's dreams mean she gets very little actual rest at night and has to take periodic naps during the day. Why were we not given this information sooner?
Reeve also shows very little interest in understanding the world she visits in her dreams or figuring out why she goes there every night and how to make the visits stop. She has been going to this dreamworld every night for 14 years (I believe she says the dreams started when she was 4), but she appears to have made no attempts at understanding what is happening to her. She's never asked the court sorcerer about her dreams. She's never done research in the palace library. She's never even discussed them with her guards, whom she calls her best friends.
Maybe there's a reason why she doesn't want to tell anyone about these dreams. It could be because of her mother and whatever has been going on with her. It could be that she's afraid she'll be told she's crazy or losing her mind. It could be for a variety of reasons, but we're never given one. And even still, why has she not made any attempt in 14 years to find out what's happening and seek relief?
Part of why I kept reading this book, aside from how well Mahr did with creating this dark dreamworld as well as all of her beautiful imagery and prose, was because I wanted to understand what was going on. Why is Reeve visiting this dreamworld every night? Is this place real or a figment of her imagination? What is happening here and why? The story creates a lot of intriguing questions early on for the reader that make you want to keep going so you can learn the answers. But the story let me down. It provided me no answers and gave me no directions in which to look for them.
Obviously, this is the first book of a duology, so Mahr can't reveal everything to us, or maybe even very much. But so much of this book felt like a never-ending loop of Reeve waking, sleeping, dreaming, everything static, nothing changing, the reader learning nothing. And I think the reason for that is because while the conceit of the book is Reeve's nightly visits to this terrifying dreamworld and what happens there, the true foundation of the story is the love triangle, and once it appears, the story around the dreamworld takes a backseat.
If you enjoy the love triangle, then you'll enjoy this book. But if you don't enjoy the love triangle, or you recognize some of its flaws, you will struggle to enjoy the rest of the story. Which is unfortunate, because I think there's a lot of good in this book. It just got a little buried.