This, the seventh book is another great addition to the series.
The story begins with a gruesome scene: a man has been shot execution style out in the barn on the property of his high end family home. The shooting was done at close range and there is little of his head left except some mangled bone and tissue. The headless corpse presents the CID with their first clue: this is not a burglary or a random killing. Nothing is missing from the house where the man’s wife and daughter were tied up when the shooting took place. Clearly this is a targeted hit. But the killer has left an important and telling clue in the paper wadding jammed into the shotgun that was used, a critical piece of the puzzle that the CID uses to start the investigation.
The victim is Keith Rothwell, a quiet self employed accountant who kept very much to himself. The ant-terrorism squad is called in to investigate but it is Rothwell’s business affairs that quickly become the major focus of the inquiry. As the investigation proceeds, it becomes more and more apparent that Rothwell was not the person most people thought he was. Seems he was leading a double life, one filled with gambling, women and dancing.
Some of the changes in the station that were hinted at in the last book have come to pass. Detective Sergeant Richmond is set to move to the Yard at the end of the week and Detective Constable Hatchley has returned. This has created some angst for Susan who initially has difficulty sharing the office with the big, bluff, burley man she clearly dislikes. But despite his faults, Susan discovers he is a determined and hard worker and his reputation for laziness is unfounded. It seems many have underestimated this man who brings a different set of knowledge and skills to Eastvale CID, knowledge which includes a country wide network of low life quasi criminal informers that no one had been able to penetrate.
Banks has now turned his attention to piano music. We know that music is an important part of who Banks is, as well as an integral part of his investigative process. In each novel we hear about his changing taste in music. The recent turn to piano music, whether it be classical, jazz, or the blues, even has him musing about taking piano lessons!
Things on the home front continue their downward spiral and both Banks and Sandra realize what is happening but can’t seem to stop it. The children cannot keep their marriage together any longer and they are going their separate ways, with their own lives and work. With Brian away at Portsmouth Polytechnic and Tracy on a school exchange program in France, both Sandra and Banks try some bridge building, but they are clearly struggling to keep it together despite their feelings for one another. They are both immersed in their work, always away from home and from each other. Each has an independent streak, something which was a strength in their relationship, but which is now driving them apart. Banks, who has faced temptation before with Jenny Fuller, now faces it once more when he meets a beautiful classical viola player during this investigation. He feels guilty for his thoughts. It seems clear that it is only a matter of time before he succumbs to the inevitable.
This story throws a wide net including pornography, distant Caribbean dictators, the reappearance of Banks old nemesis “Dirty Dick Burgess”, a bucolic locale in distant Greece, and a reminder that not everyone is the person they seem to be.
The novel is also filled with the beautiful descriptive details that Robinson excels at, especially towards the end of the story when he describes two young police officers out on night patrol and a final chase scene on a train and through the streets of London.
As a character, Banks maintains a firm hold on our attention as the series continues. Robinson keeps adding layers of complexity to his personality, which keeps the reader not only interested, but sympathetic to a man with an interesting mixture of hard edges and soft spots.
A great read.