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A Minor Inconvenience
Captain Hugh Fanshawe returned from the Peninsular War with a leg that no longer works properly, thanks to a French musket ball. Now his fight against Napoleon is reduced to quiet, lonely days compiling paperwork at Horse Guards headquarters.
His evenings are spent dutifully escorting his mother and sister to stifling social engagements, where his lameness renders him an object of pity and distaste. But his orderly, restricted life is thrown into sudden disarray with the arrival of Colonel Theo Lindsay.
Theo is everything Hugh is not—a man of physical perfection and easy yet distinguished address. Surprisingly to Hugh, Theo appears to be interested in making his acquaintance. Lindsay turns out to be a most convivial companion, and Hugh finds great pleasure in his company. Their friendship deepens when they become lovers.
In spite of himself, Hugh falls desperately in love. But when a French spy is suspected at Horse Guards, Hugh discovers nothing is as it seems…and the paper he shuffles from day to day could be the instrument of his lover’s death.
His evenings are spent dutifully escorting his mother and sister to stifling social engagements, where his lameness renders him an object of pity and distaste. But his orderly, restricted life is thrown into sudden disarray with the arrival of Colonel Theo Lindsay.
Theo is everything Hugh is not—a man of physical perfection and easy yet distinguished address. Surprisingly to Hugh, Theo appears to be interested in making his acquaintance. Lindsay turns out to be a most convivial companion, and Hugh finds great pleasure in his company. Their friendship deepens when they become lovers.
In spite of himself, Hugh falls desperately in love. But when a French spy is suspected at Horse Guards, Hugh discovers nothing is as it seems…and the paper he shuffles from day to day could be the instrument of his lover’s death.
235 pages, Kindle Edition
First published January 14, 2014
50 people are currently reading
770 people want to read
About the author
Sarah Granger
5 books57 followersSarah Granger is a sucker for a happy ending. She believes, however, that characters will only fully appreciate their happy ending if they’ve suffered along the way.
Sarah lives in the Cotswolds, an idyllic part of the English countryside with gently rolling hills, dry stone walls of golden stone, and fields dotted with sheep. She has shamefully broken with local tradition by not having a rose growing around her front door. When she isn’t writing, Sarah enjoys walking in the countryside with her elderly and affectionate black Labrador.
Sarah lives in the Cotswolds, an idyllic part of the English countryside with gently rolling hills, dry stone walls of golden stone, and fields dotted with sheep. She has shamefully broken with local tradition by not having a rose growing around her front door. When she isn’t writing, Sarah enjoys walking in the countryside with her elderly and affectionate black Labrador.
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Displaying 1 - 30 of 187 reviews
July 4, 2023
Dnf 40% Well, this is quite boring, no wonder it’s been sitting on my Kindle since forever. I saw it reviewed here the other day and it wasn’t a glowing review but since I already had it I thought I should give it a try. It’s a good historical piece but that can barely be labeled as romance. I know I said I liked subtle romances but this was more of a family saga, Hugh’s family to be more precise. Theo and Hugh couldn’t have been more boring and stiff and you need a sturdy pair of spectacles to find the romance and the passion. I think Hugh’s short encounter with the prostitute Danilo was 10 times more passionate than whatever he had with the other MC and that says it all. The writing is excellent and the historical setting is so well done but that’s about all there is to it. The rest is a big fat yawn.
December 16, 2014
2.5 stars
I wanted to love this book. I enjoy a good historical romance now and again. But A Minor Inconvenience was not what I was expecting, and it bored me to pieces.
The book was well written and historically accurate (based on my adequate, but hardly extensive, knowledge of English history). Kudos to Sarah Granger for doing her research! She includes many details about the day-to-day life of the beau monde in England during the Regency period. And I enjoyed the descriptions . . . initially.
But at the 30 percent mark, when nothing much had happened, I realized I was reading a period piece, a carefully plotted but lucklaster Masterpiece Theater episode set in the ballroom, with the bedroom nary in sight. (And don't you go thinking I'm dissing Masterpiece Theater; I used to eat that show up with a spoon.)
The romance between Hugh and Theo never came alive for me. I think this was due to the focus on Hugh's family and the mystery/espionage plot line introduced halfway through the novel.
There was no tangible passion between the men. While, yes, the novel is set during the Regency period, the audience is not. As such, the short, coquettish sex scenes were maddening and irritating; for example:
And that's all she wrote.
Look here, it's no mystery that I enjoy steamier novels. I do love me some serious man-on-man action. But I've given 4+ stars to plenty of novels that have no sex on page at all. Consider, most recently:
and
The difference is that I EXPECTED to see that unbridled lust behind closed doors here. As such, this struck me as a a well-crafted but neutered rendition of a Regency family drama.
What I love about Ava March's novels, also set in Regency England, is that the history is there, but the details are slightly blurred, with the relationship and sex magnified and explosive.
There is something incredible and heart-wrenching about two men loving each other when discovery is punishable by jail or death. Here, Granger takes the easy way out; if she didn't write it, it didn't happen.
I realize I'm in the minority here. The writing and historical accuracy elevate this book, but ultimately the story left this reader disappointed and disengaged.
I wanted to love this book. I enjoy a good historical romance now and again. But A Minor Inconvenience was not what I was expecting, and it bored me to pieces.
The book was well written and historically accurate (based on my adequate, but hardly extensive, knowledge of English history). Kudos to Sarah Granger for doing her research! She includes many details about the day-to-day life of the beau monde in England during the Regency period. And I enjoyed the descriptions . . . initially.
But at the 30 percent mark, when nothing much had happened, I realized I was reading a period piece, a carefully plotted but lucklaster Masterpiece Theater episode set in the ballroom, with the bedroom nary in sight. (And don't you go thinking I'm dissing Masterpiece Theater; I used to eat that show up with a spoon.)
The romance between Hugh and Theo never came alive for me. I think this was due to the focus on Hugh's family and the mystery/espionage plot line introduced halfway through the novel.
There was no tangible passion between the men. While, yes, the novel is set during the Regency period, the audience is not. As such, the short, coquettish sex scenes were maddening and irritating; for example:
Not long after their meal, they were entwined on Theo's bed, soft murmurs turning to harsher sounds, until Hugh cried out with pleasure and shuddered beneath Theo's touch.
And that's all she wrote.
Look here, it's no mystery that I enjoy steamier novels. I do love me some serious man-on-man action. But I've given 4+ stars to plenty of novels that have no sex on page at all. Consider, most recently:
and
The difference is that I EXPECTED to see that unbridled lust behind closed doors here. As such, this struck me as a a well-crafted but neutered rendition of a Regency family drama.
What I love about Ava March's novels, also set in Regency England, is that the history is there, but the details are slightly blurred, with the relationship and sex magnified and explosive.
There is something incredible and heart-wrenching about two men loving each other when discovery is punishable by jail or death. Here, Granger takes the easy way out; if she didn't write it, it didn't happen.
I realize I'm in the minority here. The writing and historical accuracy elevate this book, but ultimately the story left this reader disappointed and disengaged.
March 28, 2014
Nearly, but not, 4*. I liked this a lot, it had a nice Georgette Heyer flavour, but I just felt it needed more passion and I found myself a bit exasperated by the coyly written sex. I'm fine with fade to black, or indeed with on page porn, as per requirements, but euphemisms don't ring my bell. I like this author, I want more full on gay Regency. It was, if not pitch perfect, a well written and convincing historical, and I will definitely read more from her.
June 1, 2014
This book was stunning, spectacular, astounding, remarkable, phenomenal, incredible...
You get the idea: it was amazing.
I loved every damn word!
This was my first M/M historical fiction novel, and I really don't think I could have picked a better book for my first foray into this genre.
Whenever I read historical fiction, and I'm sure most (if not all) people do too, I look to see how accurately the author portrays the particular time period, which in this case is the early 1800s during the Peninsular War, their story takes place in. Not that I claim to be any kind of expert or semi-knowledgeable person of English high-society life during the early 19th century, I still think that the author did a tremendous job of world-building and describing what life would have been like for an injured and retired decorated war hero. Ms. Granger gave great details (but not overly explicit to the point of being boring) about the way of life back then, such as all the social events everyone intended, the courtship rituals between a man and a woman, etc. Ms. Granger employed such magnificent writing that made it seem like someone from that time period was actually writing the book.
The book was told from Hugh's POV, and he was definitely one interesting and amazing MC. Hugh returned from the Peninsular War with a bum leg, which has earned him ridicule and jibes from many snobby high-society folks whom I wanted to cheerfully bash over the head with a baseball bat for making fun of such a kind-hearted man. Because Hugh has heard so many snide comments about his injury, he finds it hard to believe that anyone would actually want him or want to be in his company.
Hugh is a good and noble person to the bone, and Colonel Lindsay finds him irresistible.
I don't want to give away too much of the plot because it was so fantastic, so I am just going to say that A Minor Inconvenience was a wonderful story spanning from the development of the friendship between Hugh and Theo to their sweet relationship. The novel also had a very well done espionage subplot with plot twists that I did not see coming and that completely sucker-punched me and tore my heart out.
This book is definitely a perfect introduction into the M/M historical fiction genre. Everything about it was just simply amazing, and I cannot praise it enough.
Recommended!
You get the idea: it was amazing.
I loved every damn word!
This was my first M/M historical fiction novel, and I really don't think I could have picked a better book for my first foray into this genre.
Whenever I read historical fiction, and I'm sure most (if not all) people do too, I look to see how accurately the author portrays the particular time period, which in this case is the early 1800s during the Peninsular War, their story takes place in. Not that I claim to be any kind of expert or semi-knowledgeable person of English high-society life during the early 19th century, I still think that the author did a tremendous job of world-building and describing what life would have been like for an injured and retired decorated war hero. Ms. Granger gave great details (but not overly explicit to the point of being boring) about the way of life back then, such as all the social events everyone intended, the courtship rituals between a man and a woman, etc. Ms. Granger employed such magnificent writing that made it seem like someone from that time period was actually writing the book.
"You do not see me as one of the dandy set? Fanshawe, I am quite cast down by your judgment upon my sartorial shortcomings." But Lindsay's eyes were full of laughter, and Hugh knew he had not offended, despite his somewhat infelicitous words. "I know of the club's reputation, but sometimes even he most intelligent of men, hides himself behind affectation or an assumed manner, for amusement or some other purpose. It does not due to judge by first impressions."Both her dialogue and narration seemed like they belonged in the early 1800s.
On returning to his lodgings that evening, he found a missive from his mother inviting him to a family dinner. He was glad to send back an acceptance, knowing such an evening would distract him from other matters.There were turn of phrases used throughout the entire book that the author must have researched thoroughly in order to use correctly and appropriately. I don't certainly use words like "lugubriousness," "perfidy," and "opprobrium" in everyday conversation in the 21st century. If you do, than you are definitely a smarter cookie than I.
The book was told from Hugh's POV, and he was definitely one interesting and amazing MC. Hugh returned from the Peninsular War with a bum leg, which has earned him ridicule and jibes from many snobby high-society folks whom I wanted to cheerfully bash over the head with a baseball bat for making fun of such a kind-hearted man. Because Hugh has heard so many snide comments about his injury, he finds it hard to believe that anyone would actually want him or want to be in his company.
"I know of at least two ladies tonight who appeared quite cast down whenever you were out of their sight."He has a hard time seeing past the hurtful barbs to see that many people, like the dashing Theo Lindsay, are drawn to his gentle, loyal, and utterly dignified nature.
Hugh stared at Linsday. He couldn't imagine why he would say such a thing, unless it was to mock Hugh.
Hugh is a good and noble person to the bone, and Colonel Lindsay finds him irresistible.
I don't want to give away too much of the plot because it was so fantastic, so I am just going to say that A Minor Inconvenience was a wonderful story spanning from the development of the friendship between Hugh and Theo to their sweet relationship. The novel also had a very well done espionage subplot with plot twists that I did not see coming and that completely sucker-punched me and tore my heart out.
This book is definitely a perfect introduction into the M/M historical fiction genre. Everything about it was just simply amazing, and I cannot praise it enough.
Recommended!
July 3, 2023
This book has been rec'd on a KJ Charles fan group with polite determination, and reading it only confirms my supposition that KJC people know what they're about. This is a modest, absorbing, twisty-but-not-showily-so tale with two delightful MCs and an excellent supporting cast. Just lovely.
And: Fanshawe!
And: Fanshawe!
January 21, 2014
Sense and Sensibility meets A Minor Inconvenience ~ I just loved the way this book read; like reading a gay Jane Austen. The style of writing and setting was perfect for a regency style MM romance.
For all those who like their historical MM romances, then this book will be just the thing you need. In the best tradition of a sweeping historical background, Sarah sets the scene for a great romance with all the trimmings and style of the regency era. A period that is best known for it’s advances in the arts, architecture and one of great political and social change,
Captain Hugh Fanshawe is back from the Peninsular Wars after being wounded in action and is left with a leg that causes him a great deal of discomfort. He is now reduced to shuffling paperwork around at Horseguards and accompanying his mother and sister to numerous social functions and balls while trying to find a suitor for his sister Sophia. He finds his life terribly boring and unsatisfying. However, the rumours start at Horsegaurds that there is a spy among them who is secretly leaking Wellington’s plans to Napoleon, therefore giving the French the advantage. This is when the beguiling Colonel Theo Lindsay enters, back in the UK from Wellingtons campaign on the continent, he is charming, good looking and keeps turning up everyday wishing to see the Adjutant General. Hugh finds himself more and more attracted to the man and after spotting him in a molly house one evening where he made a hasty retreat upon the fear of discovery has is confirmation that Theo is also interested in men.
Hugh soon becomes close friends with Theo and one evening the barriers break and their relationship blooms into an all encompassing love. It was a long time getting there, but that was OK because in those days being cautious would have been a priority. However, nothing can be as it seems and while Hugh is falling madly in love he receives the news that the spy at Horseguards has been caught and his whole world is thrown for a loop. The first 50% of the book is a slow burn, building up to the relationship and emotions, slowly letting you get into the whole situation and historical mind set, but it keeps you interested and doesn’t let go. You can feel Hugh’s emotional turmoil and second guessing, knowing his feelings went completely against the expectations of society at the time. In this respect Theo makes a nice balance as the more confident of the pair, knowing exactly want he wants and is not afraid to get it. This I liked, as when the proverbial hits the fan then I wasn’t able to put the book down. It was like reading an historical spy novel with all its intrigues and political convolutions.
I would unfortunately be giving to much of the plot away if I were to expand on it further in my review and that would ruin the fun for everyone. There are several great plot twists and turns before the truth comes to light. Hugh and Theo go through a rough patch and the angst of whether their relationship has a chance or not, given the circumstances, is realistically done and kept me on the edge of my seat. Theo is obviously torn between his sense of duty to The Crown but his love for Hugh is real and this is the one thing that is never in doubt. But which one will win, duty or love? Full of beautiful agonising moments where the love is ever present, but circumstances make it almost next to impossible for them to make a go of it. At the end I could breathe once more and they find their fitting HEA for this period and the rest is history so to speak.
I liked the introduction of molly houses into the story to bring across the historical gay flavour at the time. A molly house was an early form of a gay pub and highly illegal, but existed and provided entertainment for those of “the other persuasion.” Molly houses are mainly attributed to early 18thC England and they would have been in decline by the end of the 1700s, if not totally non-existent. However, The Regency period was mainly known for it’s dandies too, gentlemen who were known for being extravagant in dress, behaviour and breaking all the excepted rules of the accepted dress code of the time. Being correctly dressed for the occasion was a must in this period and I loved the way Sarah brings this across in her book. What I find interesting here is that by the end of the 1800s the word “dandy” in America became “dude” the most famous dude being Evander Berry Wall. So the word “dude” is not a modern day lexical invention by no means and I find it funny that it was a term used for extravagant, effeminate, Oscar Wilde types of the day. If only most young people knew that fact today, maybe it wouldn’t be so cool dude – lol! Anyway, I’m side tracking, sorry….history lesson finished……
The story is intricate and beautifully written. The writing style and use of English sets the atmosphere perfectly and must have been an incredible feat for Sarah to stay in this regency style of writing and language. Just getting the entomology of words correct must have involved an incredible amount of research. I was swept away to a period of chivalry, the conversations were perfectly scored and I could just imagine being there listening to the art of conversation at this time. Even the sex scenes are beautifully written with no use of the modern vulgar we use today, as the use of words such as cock, cum, pucker, etc. would have been totally out of keeping for a novel of this sort. Wonderfully done!
This is what I love about historical novels they transport you to another time. Getting the back drop right is so important and Sarah has obviously put a lot of research into her book and got it exactly right, a rare commodity indeed in this sub-genre. So I can only sing Sarah’s praises here, but to incorporate a thoroughly believable MM romance and an espionage plot into the bargain as well, all I can say is this book is highly commendable. Oh and one more small point, I LOVE the cover art ~ brilliant!
For all those who like their historical MM romances, then this book will be just the thing you need. In the best tradition of a sweeping historical background, Sarah sets the scene for a great romance with all the trimmings and style of the regency era. A period that is best known for it’s advances in the arts, architecture and one of great political and social change,
Captain Hugh Fanshawe is back from the Peninsular Wars after being wounded in action and is left with a leg that causes him a great deal of discomfort. He is now reduced to shuffling paperwork around at Horseguards and accompanying his mother and sister to numerous social functions and balls while trying to find a suitor for his sister Sophia. He finds his life terribly boring and unsatisfying. However, the rumours start at Horsegaurds that there is a spy among them who is secretly leaking Wellington’s plans to Napoleon, therefore giving the French the advantage. This is when the beguiling Colonel Theo Lindsay enters, back in the UK from Wellingtons campaign on the continent, he is charming, good looking and keeps turning up everyday wishing to see the Adjutant General. Hugh finds himself more and more attracted to the man and after spotting him in a molly house one evening where he made a hasty retreat upon the fear of discovery has is confirmation that Theo is also interested in men.
Hugh soon becomes close friends with Theo and one evening the barriers break and their relationship blooms into an all encompassing love. It was a long time getting there, but that was OK because in those days being cautious would have been a priority. However, nothing can be as it seems and while Hugh is falling madly in love he receives the news that the spy at Horseguards has been caught and his whole world is thrown for a loop. The first 50% of the book is a slow burn, building up to the relationship and emotions, slowly letting you get into the whole situation and historical mind set, but it keeps you interested and doesn’t let go. You can feel Hugh’s emotional turmoil and second guessing, knowing his feelings went completely against the expectations of society at the time. In this respect Theo makes a nice balance as the more confident of the pair, knowing exactly want he wants and is not afraid to get it. This I liked, as when the proverbial hits the fan then I wasn’t able to put the book down. It was like reading an historical spy novel with all its intrigues and political convolutions.
I would unfortunately be giving to much of the plot away if I were to expand on it further in my review and that would ruin the fun for everyone. There are several great plot twists and turns before the truth comes to light. Hugh and Theo go through a rough patch and the angst of whether their relationship has a chance or not, given the circumstances, is realistically done and kept me on the edge of my seat. Theo is obviously torn between his sense of duty to The Crown but his love for Hugh is real and this is the one thing that is never in doubt. But which one will win, duty or love? Full of beautiful agonising moments where the love is ever present, but circumstances make it almost next to impossible for them to make a go of it. At the end I could breathe once more and they find their fitting HEA for this period and the rest is history so to speak.
I liked the introduction of molly houses into the story to bring across the historical gay flavour at the time. A molly house was an early form of a gay pub and highly illegal, but existed and provided entertainment for those of “the other persuasion.” Molly houses are mainly attributed to early 18thC England and they would have been in decline by the end of the 1700s, if not totally non-existent. However, The Regency period was mainly known for it’s dandies too, gentlemen who were known for being extravagant in dress, behaviour and breaking all the excepted rules of the accepted dress code of the time. Being correctly dressed for the occasion was a must in this period and I loved the way Sarah brings this across in her book. What I find interesting here is that by the end of the 1800s the word “dandy” in America became “dude” the most famous dude being Evander Berry Wall. So the word “dude” is not a modern day lexical invention by no means and I find it funny that it was a term used for extravagant, effeminate, Oscar Wilde types of the day. If only most young people knew that fact today, maybe it wouldn’t be so cool dude – lol! Anyway, I’m side tracking, sorry….history lesson finished……
The story is intricate and beautifully written. The writing style and use of English sets the atmosphere perfectly and must have been an incredible feat for Sarah to stay in this regency style of writing and language. Just getting the entomology of words correct must have involved an incredible amount of research. I was swept away to a period of chivalry, the conversations were perfectly scored and I could just imagine being there listening to the art of conversation at this time. Even the sex scenes are beautifully written with no use of the modern vulgar we use today, as the use of words such as cock, cum, pucker, etc. would have been totally out of keeping for a novel of this sort. Wonderfully done!
This is what I love about historical novels they transport you to another time. Getting the back drop right is so important and Sarah has obviously put a lot of research into her book and got it exactly right, a rare commodity indeed in this sub-genre. So I can only sing Sarah’s praises here, but to incorporate a thoroughly believable MM romance and an espionage plot into the bargain as well, all I can say is this book is highly commendable. Oh and one more small point, I LOVE the cover art ~ brilliant!
June 27, 2014
This is a well-done Regency/Napoleonic wars era historical. Captain Hugh Fanshawe, the POV character, was wounded in the war and now has an office job with the Horse Guards, and a bad leg that makes him limp visibly and in his eyes makes him a damaged and undesirable man. This is good in one way, because he no longer has to fend off overtures from eligible young women in whom he has no interest. But in every other way, it has eroded his self-worth and his confidence. He's a quiet man anyway, and now he tries to be almost invisible as an accessory in his mother and sister's lives.
Enter Colonel Theo Lindsay, a charismatic and effective officer home on leave. One night when Hugh finally gets up the nerve to enter a molly-house, he sees Theo there, among the men looking for male company. But later, when Theo seeks Hugh out, he can't believe there is more to it than regimental business.
The relationship is well done here, believable and at a plausible speed. Hugh's insecurities add drama which was almost, but not quite, over-extended. The author had portrayed his insecurities well enough to that point that I believed it. The climactic action didn't work perfectly for me, but in general this was a very enjoyable period romance, with appealing main characters, and one I will read again.
Enter Colonel Theo Lindsay, a charismatic and effective officer home on leave. One night when Hugh finally gets up the nerve to enter a molly-house, he sees Theo there, among the men looking for male company. But later, when Theo seeks Hugh out, he can't believe there is more to it than regimental business.
The relationship is well done here, believable and at a plausible speed. Hugh's insecurities add drama which was almost, but not quite, over-extended. The author had portrayed his insecurities well enough to that point that I believed it. The climactic action didn't work perfectly for me, but in general this was a very enjoyable period romance, with appealing main characters, and one I will read again.
December 12, 2013
This one is for the lovers of Regency Romance, a sub-category of historicals that is really popular in het romance. It follows most of the standards of RR, except that both main characters are military men, instead of dukes or earls. One of them actually has to go to work, since he has a desk job at headquarters, which is unusual to say the least. But they still go from ball to soirée, from Almack’s to Vauxhall, and they go riding in Hyde Park and mingle with the ton and they get dressed by valets and all that Regency stuff. If this is your first Regency you might find all that endlessly fascinating, but if it’s not, at least the Horse Guard setting is fairly original.
If that sounds like damning with faint praise, I am afraid you’re right. This book is decent, but it isn’t very exciting. It was predictable, with 90% of the plot twists foreshadowed well in advance. Theo was a stereotypical manly military man for Hugh to fawn over: handsome, capable, popular and confident. I have to admit Theo had some good lines, which stopped him from being a total cardboard cutout. The dialog was quite funny in many places.
Hugh on the other hand….. As all the other characters keep repeating, he’s just so… Hugh. Which must be their way of saying oblivious. Bland. Milquetoast. He is supposed to have all these hidden qualities that Theo falls for, but besides the fact that he could hold his own when the dialog turned fun, he didn’t do much for me. If Hugh was a color, he’d be beige. Of course, he wonders constantly what the dashing Theo sees in him, as the beige romance hero(ine)s always do. I didn’t hate Hugh or rooted for him to fail or anything, but I wasn’t very invested in his happiness either. We just failed to connect.
What also failed for me was the sex. I am not opposed to fade-to-black, that can work well. Two times out of three I skim the sex scenes anyway. But I am opposed to fade-to-vague-metaphors where ‘wanting to touch Theo’ means wanting to put his hands on Theo’s dick. In this case, where Hugh’s virginity and the illicit nature of their relationship are both huge factors it really wouldn’t have hurt to get a little more explicit with the sex.
The secondary characters were all quite flat, from silly sister to eternally wise and understanding friend and let’s not even go into Hugh’s brothers. And that is pretty much my whole problem with this book. It wasn’t bad, it just was a little flat and formulaic.
So my quest for the ultimate m/m regency continues….
If that sounds like damning with faint praise, I am afraid you’re right. This book is decent, but it isn’t very exciting. It was predictable, with 90% of the plot twists foreshadowed well in advance. Theo was a stereotypical manly military man for Hugh to fawn over: handsome, capable, popular and confident. I have to admit Theo had some good lines, which stopped him from being a total cardboard cutout. The dialog was quite funny in many places.
Hugh on the other hand….. As all the other characters keep repeating, he’s just so… Hugh. Which must be their way of saying oblivious. Bland. Milquetoast. He is supposed to have all these hidden qualities that Theo falls for, but besides the fact that he could hold his own when the dialog turned fun, he didn’t do much for me. If Hugh was a color, he’d be beige. Of course, he wonders constantly what the dashing Theo sees in him, as the beige romance hero(ine)s always do. I didn’t hate Hugh or rooted for him to fail or anything, but I wasn’t very invested in his happiness either. We just failed to connect.
What also failed for me was the sex. I am not opposed to fade-to-black, that can work well. Two times out of three I skim the sex scenes anyway. But I am opposed to fade-to-vague-metaphors where ‘wanting to touch Theo’ means wanting to put his hands on Theo’s dick. In this case, where Hugh’s virginity and the illicit nature of their relationship are both huge factors it really wouldn’t have hurt to get a little more explicit with the sex.
The secondary characters were all quite flat, from silly sister to eternally wise and understanding friend and let’s not even go into Hugh’s brothers. And that is pretty much my whole problem with this book. It wasn’t bad, it just was a little flat and formulaic.
So my quest for the ultimate m/m regency continues….
April 22, 2016
*2.5 stars*
Yeah, another one that everyone seems to enjoy but me.
In the past few years I've been on a historical romance kick that just won't quit. I'm OBSESSED. I got into romance through sci-fi, so I seemed to have bypassed that phase where others read old historical bodice rippers, but I sure am making up for lost time!
But this historical romance... it was an awkward fit for me.
I want to start by saying that the writing itself wasn't bad. Not at all. The writer really took her time to write something with passion, historical accuracy, and thought to her language usage. But, holy hell, it was difficult for me to read. I often didn't know who was speaking or what was happening. Time seemed to pass strangely for me due to the writing style, with days sort of melting together without a good sense of the passage of time. Also, usually I have no problem sinking into a book and just getting into the groove. Here, the language was so forcibly historical that I was pulled out of almost every sentence. It is a queer thing to experience, and I never get that vibe from other historical romance books.
Also, the romance really didn't work for me. It seemed like nothing at all was happening, and then all of the sudden the two MCs were together with very little buildup or fan fair. It was anticlimactic, and I had a really hard time getting behind their romance. I just never felt it, not in my gut.
And while I certainly don't need sex on page, I would sort of prefer an absolutely sex-free romance to this skimmed over sex that we got here. A couple of sentences with purple prose and that's it?? Say it isn't so!
The plot was a little too politically for my taste, and with a little too much mystery and intrigue. All in all, I think it was just a poor fit, even for a budding historical romance fan-girl like me.
**Copy provided in exchange for an honest review**
Yeah, another one that everyone seems to enjoy but me.
In the past few years I've been on a historical romance kick that just won't quit. I'm OBSESSED. I got into romance through sci-fi, so I seemed to have bypassed that phase where others read old historical bodice rippers, but I sure am making up for lost time!
But this historical romance... it was an awkward fit for me.
I want to start by saying that the writing itself wasn't bad. Not at all. The writer really took her time to write something with passion, historical accuracy, and thought to her language usage. But, holy hell, it was difficult for me to read. I often didn't know who was speaking or what was happening. Time seemed to pass strangely for me due to the writing style, with days sort of melting together without a good sense of the passage of time. Also, usually I have no problem sinking into a book and just getting into the groove. Here, the language was so forcibly historical that I was pulled out of almost every sentence. It is a queer thing to experience, and I never get that vibe from other historical romance books.
Also, the romance really didn't work for me. It seemed like nothing at all was happening, and then all of the sudden the two MCs were together with very little buildup or fan fair. It was anticlimactic, and I had a really hard time getting behind their romance. I just never felt it, not in my gut.
And while I certainly don't need sex on page, I would sort of prefer an absolutely sex-free romance to this skimmed over sex that we got here. A couple of sentences with purple prose and that's it?? Say it isn't so!
The plot was a little too politically for my taste, and with a little too much mystery and intrigue. All in all, I think it was just a poor fit, even for a budding historical romance fan-girl like me.
**Copy provided in exchange for an honest review**
March 31, 2014
This was WONDERFUL!
I must say that this was not at all what I expected! For some reason I went into this thinking it would be all war/military drama…and it wasn’t!! (I’m certain I only skimmed the blurb months ago when I pre-ordered.) Captain Hugh Fanshawe, thats the MC, received a crippling injury to his leg while away at war, leaving him confined to a desk doing paperwork at Horse Guards. Since his injury strikes him from the list of “eligible bachelors”, he spends his evenings escorting his mother around the ton and keeping an eye on the reputation of his little sister. So the first half of the book revolves around those happenings.
Hugh first notices Colonel Theo Lindsay, thats the love interest, at one of those parties, and later runs into him again when Hugh accidentally walks into a brothel. But when Theo shows up at Horse Guards where Hugh works, Theo invites Hugh out to spend the evening with him…as friends of course. Hugh is entirely uncomfortable with situation because he fears he will not be able to hide his attraction to Theo. Of course that doesn’t last long and the two men quickly move from friends to lovers…all the while Theo is inserting himself into the affairs of Hugh’s family and his job. And that leads to the little twisty, conspiracy plot that takes place in the second half of the book…
So for the first half, I was meandering along…reading about all of Hugh’s sister’s drama and watching Hugh and Theo get all comfy together, falling in love. Then the rug gets yanked out from underneath me! I mean, I was suspecting more was going on, but it wasn’t THAT! (No, I’m not telling, but it was totally NOT what I expected.)
So what did I love about this book? Because I definitely loved it!
♥ The Setting: I swear, Sarah Granger has penned a beautiful romance here with the backdrop of the horrors of the Peninsular War and the shallowness of Britain’s high society.
♥ Hugh: I loved his innocence and the whole hearted commitment he makes to the things and people he loves.
♥ Theo: Of course I loved him too. He deserved forgiveness and I loved how tender he was with Hugh.
♥ The Mystery: It was a 120 degree turn from what I was expecting to happen. And the twists kept coming all the way up to the very end.
♥ The Ending: Its what I consider a perfect HFN ending…I get the feeling of completion, yet know Hugh and Theo could have more story to tell.
Easily recommended to all historical romance lovers.
4.5 Stars
Reviewed for The Blogger Girls
I must say that this was not at all what I expected! For some reason I went into this thinking it would be all war/military drama…and it wasn’t!! (I’m certain I only skimmed the blurb months ago when I pre-ordered.) Captain Hugh Fanshawe, thats the MC, received a crippling injury to his leg while away at war, leaving him confined to a desk doing paperwork at Horse Guards. Since his injury strikes him from the list of “eligible bachelors”, he spends his evenings escorting his mother around the ton and keeping an eye on the reputation of his little sister. So the first half of the book revolves around those happenings.
Hugh first notices Colonel Theo Lindsay, thats the love interest, at one of those parties, and later runs into him again when Hugh accidentally walks into a brothel. But when Theo shows up at Horse Guards where Hugh works, Theo invites Hugh out to spend the evening with him…as friends of course. Hugh is entirely uncomfortable with situation because he fears he will not be able to hide his attraction to Theo. Of course that doesn’t last long and the two men quickly move from friends to lovers…all the while Theo is inserting himself into the affairs of Hugh’s family and his job. And that leads to the little twisty, conspiracy plot that takes place in the second half of the book…
So for the first half, I was meandering along…reading about all of Hugh’s sister’s drama and watching Hugh and Theo get all comfy together, falling in love. Then the rug gets yanked out from underneath me! I mean, I was suspecting more was going on, but it wasn’t THAT! (No, I’m not telling, but it was totally NOT what I expected.)
So what did I love about this book? Because I definitely loved it!
♥ The Setting: I swear, Sarah Granger has penned a beautiful romance here with the backdrop of the horrors of the Peninsular War and the shallowness of Britain’s high society.
♥ Hugh: I loved his innocence and the whole hearted commitment he makes to the things and people he loves.
♥ Theo: Of course I loved him too. He deserved forgiveness and I loved how tender he was with Hugh.
♥ The Mystery: It was a 120 degree turn from what I was expecting to happen. And the twists kept coming all the way up to the very end.
♥ The Ending: Its what I consider a perfect HFN ending…I get the feeling of completion, yet know Hugh and Theo could have more story to tell.
Easily recommended to all historical romance lovers.
4.5 Stars
Reviewed for The Blogger Girls
April 20, 2016
4.25
This book was a delight. It is well written, felt thoroughly authentic, has a good story line and fantastic characters. And while the plot wasn't as monumental or multi-layered as, for example, Kindred Hearts (which has a similar setting - England during Wellington's campaign against Napoleon), it was still interesting and entertaining, and reading it was a pleasure. Even though I figured out how some aspects of the story would play out about halfway through (not the details of course, simply two major points), I couldn't make myself stop reading.
And all that is largely due to the main character and narrator, Captain Hugh Fanshawe. Hugh is one of my most favourite characters in literature. He has qualities that many people might describe as boring or dull, but are simply evidence of a quiet, genuine, honest, steadfast, and responsible nature. He isn't perfect and makes mistakes, he's a bit too naive and trusting, but he makes it a virtue not a flaw. He's far from stupid, even though he isn't the quickest to pick up on other people's intentions and cues - if he does at all. His injury has thrown him a lot, making him feel inadequate and insecure, like someone that once was useful, but isn't anymore. Instead of giving up, though, he still tries to do what he can and doesn't complain. ... and I loved all of that about him. I've rarely met a character in fiction I found so immensely likeable. Theo may have him beat when it comes to position, worldliness, and even looks (although I'm not so sure about that, since Hugh isn't the most reliable of narrators there), but it's Hugh I had a huge crush on from page one. A huge huge crush.
...Oh boy, the pink-flavoured gushing makes even me feel nauseated. ;-D
If you like historical novels, this is highly recommended!!
This book was a delight. It is well written, felt thoroughly authentic, has a good story line and fantastic characters. And while the plot wasn't as monumental or multi-layered as, for example, Kindred Hearts (which has a similar setting - England during Wellington's campaign against Napoleon), it was still interesting and entertaining, and reading it was a pleasure. Even though I figured out how some aspects of the story would play out about halfway through (not the details of course, simply two major points), I couldn't make myself stop reading.
And all that is largely due to the main character and narrator, Captain Hugh Fanshawe. Hugh is one of my most favourite characters in literature. He has qualities that many people might describe as boring or dull, but are simply evidence of a quiet, genuine, honest, steadfast, and responsible nature. He isn't perfect and makes mistakes, he's a bit too naive and trusting, but he makes it a virtue not a flaw. He's far from stupid, even though he isn't the quickest to pick up on other people's intentions and cues - if he does at all. His injury has thrown him a lot, making him feel inadequate and insecure, like someone that once was useful, but isn't anymore. Instead of giving up, though, he still tries to do what he can and doesn't complain. ... and I loved all of that about him. I've rarely met a character in fiction I found so immensely likeable. Theo may have him beat when it comes to position, worldliness, and even looks (although I'm not so sure about that, since Hugh isn't the most reliable of narrators there), but it's Hugh I had a huge crush on from page one. A huge huge crush.
...Oh boy, the pink-flavoured gushing makes even me feel nauseated. ;-D
If you like historical novels, this is highly recommended!!
May 3, 2020
4.25 Stars
Intrigue and romance - what more could a girl ask for? Another excellent Historical; I loved that there was no convenient pairing off as sometimes these period MM books are wont to do. Had I not just finished another excellent Historical, this probably would have rated slightly higher...I think the Big Misunderstanding near the end diminished the plot just a little bit, but not enough to hinder my enjoyment.
Intrigue and romance - what more could a girl ask for? Another excellent Historical; I loved that there was no convenient pairing off as sometimes these period MM books are wont to do. Had I not just finished another excellent Historical, this probably would have rated slightly higher...I think the Big Misunderstanding near the end diminished the plot just a little bit, but not enough to hinder my enjoyment.
November 2, 2022
I had such a great time reading this book. I just loved the trusting, well-meaning and at times naive Hugh and his struggles with his feelings for Theo. Parts of the plot felt a little predictable but that didn't make them any less impactful, and the angst was great. The end was a bit more of a HFN than a HEA, it's obviously a happy ending but it would be nice to know more of what their lives will be like after the events of the book. But overall it was a very good story!
July 8, 2022
Ok, I should learn to listen to people when they recommend books to me. Because I really liked this, and I've been putting off reading it for what feels like forever. I kinda figured out the mystery from the beginning, which was a shame, but other than that that story was really well done. Loved Hugh and Theo together. I really recommend this book if you like the time period. It was a lot of fun.
4.5 stars
4.5 stars
February 6, 2014
I could say lots of stuff, and I can always find something to pick at. There is, however, only one really important thing to say. Please write more of these. Soon.
January 15, 2014
°•○★5 Stars ~ KAPOW!★○•°
A "Live Your Life, Buy The Book" Review
I do love a good historical and this one comes with such a tempting blurb and … hello, can you say “gorgeous cover”? Considering all of those elements, I couldn’t wait to dive in. As it turned out, I really love this story. The characters pulled me in – and had me pulling for them – immediately and intensely.
After being taken out of active duty in the Peninsula War at Salamanca in July of 1812 by a severe injury to his leg, Captain Hugh Fanshawe has returned to London and found himself confronted by a fairly bleak and tedious existence. Due to the permanence of his injury, the military has placed Hugh in a clerical position at Horse Guards. That fact, combined with his station within his family – third born, and unwed son – has put him in the position of escorting his widowed mother and younger sister to the festivities of the season among those of the ton. Apparently the lameness he exhibited, when combined with his third-son status (read that as last in line for the family coiffures) made him fairly undesirable as a suitor in London society.
I took to Hugh right away and emphasized with his situation. He is the type of still waters runs deep character that I really connect with. Steadfast and resolute in duty to country and family, he was also somewhat resigned to leading his life as part of the background. Part of this came from living his entire life as the family’s third son, and younger brother to George (a member of the House of Lords) and James (a Major on Wellington’s personal staff). It didn’t help matters that Hugh had fair hair, different eye color and stronger features than his siblings, thus deeming himself unattractive. He never lacked confidence when leading men in battle but suffered a lack of it in social situations. I really wanted to throttle his mother for being more interested in finding a match for his sister, Sophia, than in Hugh’s well- being. She simply prattled on about this ball or that event and whether or not she felt Hugh was suitably attired and on time. Ack woman! And the brothers, George and James, such self-absorbed dismissive gits! I do believe they were well meaning but misguided. They constantly spoke of Hugh as being a dullard and slow on the uptake – totally clueless as to how Hugh felt like the odd man out all the time. Thank goodness Sophia was quite interestingly depicted as a fairly strong minded and loyal sister who was very close to Hugh, and not some simpering spoiled brat.
As Hugh makes the round of social events with his mother and Sophia, we meet his close friend, Emily, who is widowed. He knows her from his days at Eton where he was best friends with her brother. Of course Hugh is and always has been oblivious of Emily’s attraction to him. Men, sigh. No worries, as it becomes apparent to the reader, if not Hugh, that Emily has long ago deduced why he will never return her affections in a romantic manner. Or as she tells someone: “I rather think his interests lay elsewhere.” :-D Which leads me to mention – the humor in this story is a treat! Many quips are traded between the characters, with Hugh possessing a particularly sharp wit. Emily was a most awesome character, she rocked her friendship with Hugh, and was a wonderful chaperone and confidant for Sophia. Far from meddlesome or grating, she worked her charms and her connections to benefit those she cared about.
So then, on to Theo. Mmm, yes, Theo. He certainly arrived with wonderful timing. Just when Hugh was feeling overcome with the tedium of life at Horse Guards, making small talk at balls (knowing that much of the interest in him was only due to the standing of his brothers), and oh yeah, trying without much success to ignore his carnal desire for other men. In walks tall dark and confident Colonel Theo Lindsay, resplendent in his green Rifles uniform, right into Hugh’s office and into his constant thoughts. Not merely for the obvious reasons – for Hugh has reason to fear Theo, given he had first seen the man at an exclusive, male clientele only, “coffeehouse”. It would seem Theo arrived at Horse Guards from the Peninsula to convey information to the Adjutant General, only to be kept waiting. He found his way to the office Hugh shared with another clerk, Courtenay, and started up conversation and plans to visit some London nightlife to keep him occupied until he could gain audience. Courtenay accompanied Theo to the clubs and hells, and Hugh kept running into Theo at society balls. Seemed the Colonel was from an aristocratic family, and even maintained fine lodgings in London.
The progression of Hugh and Theo’s relationship was very realistically paced and portrayed. I completely felt the conflicting emotions from Hugh when he realized that Theo shared his desire for men, and that Theo was indeed interested in him. Until then, Hugh’s only forays into acting on his desires had been limited, quick liaisons with camp whores while in the military. The two men had many conversations and Theo always treated Hugh as an equal and as a strong vital person rather than some sort of invalid. In fact one of the wonderful things he did for Hugh was introduce him to medical gymnastics – a precursor of modern physical therapy – to help alleviate his discomfort and lameness. (I actually looked this up and spent quite an interesting time reading more about the actual Dr. Ling mentioned in the story). Theo’s actions were uplifting to Hugh’s confidence and not at all patronizing – he was everything Hugh wanted and needed to fill the huge void in his life and his heart. Hugh found himself in love and not sure what to do about it. Right about this time, Hugh’s brother James tells him that the military suspects a spy is working inside Horse Guards, who is feeding information to the French. Hugh, although certainly not a dullard, does tend to see the best in everybody, and that works both for and against him as he cannot possible imagine somebody on the inside being a traitor.
Someone is indeed arrested for being the suspected spy but here I will leave the reader to discover all that happens next. Many of the plot twists – and there were several wonderful ones throughout this story – left me feeling so bad for Hugh as he had to work to uncover the truth. The secondary characters – especially Sophie and Emily – had interesting sub plots that were well woven into the entire story. While I wasn’t surprised at the ultimate big reveal, I was highly entertained at the journey to it. I had a grin a mile wide at one point when Theo went above and beyond with an ultimate grand gesture of devotion and faith that left me (and I believe Emily as well) swooning.
The only niggle I had with the story is that the depiction of Hugh as slow minded, dull, stupid etc. was inserted more often than I felt necessary to make the point of how he was viewed by many people in his life. I can see how they came to that conclusion (they being the true dullards) and it was somewhat key to the story, but it grated on me a bit. Anyway, their loss that they didn’t have Hugh more properly judged ;-)
Regarding the sex scenes in this story, if you are looking for move by move, multi- page sex scenes, you won’t find them here. What you will find is a passionate feeling of intimacy and connection. With Theo and Hugh, the author uses what I found to be a very effective “less is more” with the descriptions of the sex itself. Detailed sex was not missed by me here, as the physical and emotional intimacy was very clearly portrayed by the on page thoughts and actions of the two men.
There is definite and plausible potential for a sequel, which is something I hope to see. I want to mention that so often in historicals, Regency stories in particular, we see the same type of base story trotted out – “the man who must put on a ruse of courting and or marrying a woman to keep up appearances, to produce an heir, etc etc”. It was so refreshing to get none of that in this story. I applaud the author for delivering a fresh, captivating plot and such wonderfully unique characters as Hugh and Theo. If you are fancying a highly entertaining historical story – you can’t go wrong here.
A "Live Your Life, Buy The Book" Review
I do love a good historical and this one comes with such a tempting blurb and … hello, can you say “gorgeous cover”? Considering all of those elements, I couldn’t wait to dive in. As it turned out, I really love this story. The characters pulled me in – and had me pulling for them – immediately and intensely.
After being taken out of active duty in the Peninsula War at Salamanca in July of 1812 by a severe injury to his leg, Captain Hugh Fanshawe has returned to London and found himself confronted by a fairly bleak and tedious existence. Due to the permanence of his injury, the military has placed Hugh in a clerical position at Horse Guards. That fact, combined with his station within his family – third born, and unwed son – has put him in the position of escorting his widowed mother and younger sister to the festivities of the season among those of the ton. Apparently the lameness he exhibited, when combined with his third-son status (read that as last in line for the family coiffures) made him fairly undesirable as a suitor in London society.
I took to Hugh right away and emphasized with his situation. He is the type of still waters runs deep character that I really connect with. Steadfast and resolute in duty to country and family, he was also somewhat resigned to leading his life as part of the background. Part of this came from living his entire life as the family’s third son, and younger brother to George (a member of the House of Lords) and James (a Major on Wellington’s personal staff). It didn’t help matters that Hugh had fair hair, different eye color and stronger features than his siblings, thus deeming himself unattractive. He never lacked confidence when leading men in battle but suffered a lack of it in social situations. I really wanted to throttle his mother for being more interested in finding a match for his sister, Sophia, than in Hugh’s well- being. She simply prattled on about this ball or that event and whether or not she felt Hugh was suitably attired and on time. Ack woman! And the brothers, George and James, such self-absorbed dismissive gits! I do believe they were well meaning but misguided. They constantly spoke of Hugh as being a dullard and slow on the uptake – totally clueless as to how Hugh felt like the odd man out all the time. Thank goodness Sophia was quite interestingly depicted as a fairly strong minded and loyal sister who was very close to Hugh, and not some simpering spoiled brat.
As Hugh makes the round of social events with his mother and Sophia, we meet his close friend, Emily, who is widowed. He knows her from his days at Eton where he was best friends with her brother. Of course Hugh is and always has been oblivious of Emily’s attraction to him. Men, sigh. No worries, as it becomes apparent to the reader, if not Hugh, that Emily has long ago deduced why he will never return her affections in a romantic manner. Or as she tells someone: “I rather think his interests lay elsewhere.” :-D Which leads me to mention – the humor in this story is a treat! Many quips are traded between the characters, with Hugh possessing a particularly sharp wit. Emily was a most awesome character, she rocked her friendship with Hugh, and was a wonderful chaperone and confidant for Sophia. Far from meddlesome or grating, she worked her charms and her connections to benefit those she cared about.
So then, on to Theo. Mmm, yes, Theo. He certainly arrived with wonderful timing. Just when Hugh was feeling overcome with the tedium of life at Horse Guards, making small talk at balls (knowing that much of the interest in him was only due to the standing of his brothers), and oh yeah, trying without much success to ignore his carnal desire for other men. In walks tall dark and confident Colonel Theo Lindsay, resplendent in his green Rifles uniform, right into Hugh’s office and into his constant thoughts. Not merely for the obvious reasons – for Hugh has reason to fear Theo, given he had first seen the man at an exclusive, male clientele only, “coffeehouse”. It would seem Theo arrived at Horse Guards from the Peninsula to convey information to the Adjutant General, only to be kept waiting. He found his way to the office Hugh shared with another clerk, Courtenay, and started up conversation and plans to visit some London nightlife to keep him occupied until he could gain audience. Courtenay accompanied Theo to the clubs and hells, and Hugh kept running into Theo at society balls. Seemed the Colonel was from an aristocratic family, and even maintained fine lodgings in London.
The progression of Hugh and Theo’s relationship was very realistically paced and portrayed. I completely felt the conflicting emotions from Hugh when he realized that Theo shared his desire for men, and that Theo was indeed interested in him. Until then, Hugh’s only forays into acting on his desires had been limited, quick liaisons with camp whores while in the military. The two men had many conversations and Theo always treated Hugh as an equal and as a strong vital person rather than some sort of invalid. In fact one of the wonderful things he did for Hugh was introduce him to medical gymnastics – a precursor of modern physical therapy – to help alleviate his discomfort and lameness. (I actually looked this up and spent quite an interesting time reading more about the actual Dr. Ling mentioned in the story). Theo’s actions were uplifting to Hugh’s confidence and not at all patronizing – he was everything Hugh wanted and needed to fill the huge void in his life and his heart. Hugh found himself in love and not sure what to do about it. Right about this time, Hugh’s brother James tells him that the military suspects a spy is working inside Horse Guards, who is feeding information to the French. Hugh, although certainly not a dullard, does tend to see the best in everybody, and that works both for and against him as he cannot possible imagine somebody on the inside being a traitor.
Someone is indeed arrested for being the suspected spy but here I will leave the reader to discover all that happens next. Many of the plot twists – and there were several wonderful ones throughout this story – left me feeling so bad for Hugh as he had to work to uncover the truth. The secondary characters – especially Sophie and Emily – had interesting sub plots that were well woven into the entire story. While I wasn’t surprised at the ultimate big reveal, I was highly entertained at the journey to it. I had a grin a mile wide at one point when Theo went above and beyond with an ultimate grand gesture of devotion and faith that left me (and I believe Emily as well) swooning.
The only niggle I had with the story is that the depiction of Hugh as slow minded, dull, stupid etc. was inserted more often than I felt necessary to make the point of how he was viewed by many people in his life. I can see how they came to that conclusion (they being the true dullards) and it was somewhat key to the story, but it grated on me a bit. Anyway, their loss that they didn’t have Hugh more properly judged ;-)
Regarding the sex scenes in this story, if you are looking for move by move, multi- page sex scenes, you won’t find them here. What you will find is a passionate feeling of intimacy and connection. With Theo and Hugh, the author uses what I found to be a very effective “less is more” with the descriptions of the sex itself. Detailed sex was not missed by me here, as the physical and emotional intimacy was very clearly portrayed by the on page thoughts and actions of the two men.
There is definite and plausible potential for a sequel, which is something I hope to see. I want to mention that so often in historicals, Regency stories in particular, we see the same type of base story trotted out – “the man who must put on a ruse of courting and or marrying a woman to keep up appearances, to produce an heir, etc etc”. It was so refreshing to get none of that in this story. I applaud the author for delivering a fresh, captivating plot and such wonderfully unique characters as Hugh and Theo. If you are fancying a highly entertaining historical story – you can’t go wrong here.
February 10, 2015
I had a feeling when I picked this one up that it was going to be an absolute delight from cover to cover and it was. While I enjoy the recent outpourings of historical romance that are available, it is always with sheer joy that I stumble across a book or series that is convincing as romance and is true to the historical backdrop in which it is written. I won't go so far as to say that this could have been written by a contemporary of the time period, but it was pretty close. The setting, the plot, the tone, and the characters were very convincing that I was reading the story of a soldier who was injured in battle so must serve in a desk job at headquarters, do his duty by his family in participating in the London Season and explore his private inclinations with a certain dashing Colonel from another regiment.
Captain Hugh Fanshawe is a third son of a noble family and he is forced to adjust to his new situation as an invalid. He is not handsome or interesting like his older brothers or sister and most people think he is rather staid and meticulous to duty. His mother would love to marry him off, but even she doubts his marital prospects now so instead he acts as the dutiful son and escorts his mama and sister around for the Season, deals with paperwork alongside a mocking and lax fellow captain, and doesn't think beyond the present.
Into his dull, pained and gray world, steps the handsome Colonel Theo Lindsay who is on a short leave while on assignment for Wellington. They start out as friends and then become something more. Hugh has never felt this way about anyone and he admits to himself that he is truly happy even knowing that Theo will eventually return to the front. Talk of espionage and a traitor in their midst is proved true in a shocking manner and Hugh's life is turned upside down as a result.
This story was so well written when it comes to pacing and tension. I really liked how it has a sleeper quality to it as it sets things up, gets things going along in a gentle, even flow and then wham, twists and turns that take one by surprise. Hugh is the narrator and I loved him telling the story because that allows the suspense to stay intact. Hugh is an interesting narrator the way the author wrote him because he is meticulous in noticing details, but being Hugh, he misses the subtleties while still allowing the reader to see what he does not.
As a character, Hugh is transparently good and honest. He is stolid and loyal. Just a beautiful man and I loved reading his story. Theo is much less transparent and there are shades to him. I loved him and Hugh together. Their romance is on the sweeter and gentle side. I found it humorous the way Theo had to guide Hugh along because Hugh is the king of obtusiveness and he really doesn't get any subtle nuances whether it is Theo's interest, his friend's hints or how others perceive him. He doesn't see himself clearly, but Theo is good for him and shows him his worth. Though these two do get up to some sexy times, it is delicately written because Hugh is a gentleman and its his voice and thoughts.
The secondary characters are very present and I loved they got much attention in their description so that their little stories were running along behind Hugh and Theo. Hugh's family and surrounding friends were sparkling additions to any scene.
I was sorry to part with this story and would definitely recommend it to those who enjoy M/M Historical Romance that is on the sweeter side, paced gently and gives a strong nod to authenticity.
My thanks to Net Galley for the opportunity to read this book in exchange for an honest review.
Captain Hugh Fanshawe is a third son of a noble family and he is forced to adjust to his new situation as an invalid. He is not handsome or interesting like his older brothers or sister and most people think he is rather staid and meticulous to duty. His mother would love to marry him off, but even she doubts his marital prospects now so instead he acts as the dutiful son and escorts his mama and sister around for the Season, deals with paperwork alongside a mocking and lax fellow captain, and doesn't think beyond the present.
Into his dull, pained and gray world, steps the handsome Colonel Theo Lindsay who is on a short leave while on assignment for Wellington. They start out as friends and then become something more. Hugh has never felt this way about anyone and he admits to himself that he is truly happy even knowing that Theo will eventually return to the front. Talk of espionage and a traitor in their midst is proved true in a shocking manner and Hugh's life is turned upside down as a result.
This story was so well written when it comes to pacing and tension. I really liked how it has a sleeper quality to it as it sets things up, gets things going along in a gentle, even flow and then wham, twists and turns that take one by surprise. Hugh is the narrator and I loved him telling the story because that allows the suspense to stay intact. Hugh is an interesting narrator the way the author wrote him because he is meticulous in noticing details, but being Hugh, he misses the subtleties while still allowing the reader to see what he does not.
As a character, Hugh is transparently good and honest. He is stolid and loyal. Just a beautiful man and I loved reading his story. Theo is much less transparent and there are shades to him. I loved him and Hugh together. Their romance is on the sweeter and gentle side. I found it humorous the way Theo had to guide Hugh along because Hugh is the king of obtusiveness and he really doesn't get any subtle nuances whether it is Theo's interest, his friend's hints or how others perceive him. He doesn't see himself clearly, but Theo is good for him and shows him his worth. Though these two do get up to some sexy times, it is delicately written because Hugh is a gentleman and its his voice and thoughts.
The secondary characters are very present and I loved they got much attention in their description so that their little stories were running along behind Hugh and Theo. Hugh's family and surrounding friends were sparkling additions to any scene.
I was sorry to part with this story and would definitely recommend it to those who enjoy M/M Historical Romance that is on the sweeter side, paced gently and gives a strong nod to authenticity.
My thanks to Net Galley for the opportunity to read this book in exchange for an honest review.
January 16, 2014
I suppose it's a bit infra dig to admit to a love for Regency romances a la Georgette Heyer but there's no denying that a well crafted one, in which the language and writing style matches the genre and there are no jarring anachronisms (I'm looking at *you*, Jane Austen fanfiction, and I'm shuddering) can be an absolute joy to read.
A Minor Inconvenience is just such a joy. Sarah Granger has the style and language down pat, and a deft hand with plot and characters, crafting a story with light wit and sparkle on the surface and deep emotion underneath.
I don't want to say too much here to spoil the plot, but here you have the England of the Napoleonic Wars, when Wellington and Napoleon were fighting it out in the Peninsular War. Captain Hugh Fanshawe -- the third son and cuckoo in the nest who feels outshone by the rest of his brilliantly successful family -- returns from the Peninsular with a leg wound so grave that he will never walk without pain. Hugh is one of those still-waters-run-deep characters who seem quiet, introspective and even dull on the surface, but who are stalwart and honourable and true underneath. The trouble with Hugh is that he doesn't see much past his own surface, any more than the rest of the world does. He has little confidence in himself and it takes Colonel Theo Lindsay, French spies, his sister's indiscretions and a crisis at Horse Guards with the plans for the war in jeopardy, for Hugh to find himself and, in Theo, the love of his life.
This isn't a faultless book. I could wish that Hugh dwelt a little less on his perceived imperfections and that his best friend, Emily D'Arcourt actually had a few imperfections to dwell on (she's a little too perfect for my taste. I like characters to have some faults. Maybe hers is an irritating tendency to see more than anyone else and be maddeningly understanding). We see everything through Hugh's PoV so Theo too is a little idealised - Hugh's shock at Theo's being attracted to him makes him a little too compliant and starry eyed. No, not faultless, but you'll forgive these minor things as you get swept away in the tale and the emotion.
I used to work right beside Horse Guards, by the way, in the Old Admiralty building. Sadly, I have to say there was a distressing lack of breeches, but not a lack of breeches in a *good* way, if you see what I mean. When this book loses its breeches, it's in a very good way. The writing is beautiful, some of the wry, clever speeches laugh-out-loud funny, and throughout the whole there is such a sense of time and place that you forget that this mundane world of ours isn't one of breeches and Almacks, Vauxhall gardens and opera dancers. Sadly.
If you like regency romances, you'll love this. Do go and read it. It will lighten your day.
A Minor Inconvenience is just such a joy. Sarah Granger has the style and language down pat, and a deft hand with plot and characters, crafting a story with light wit and sparkle on the surface and deep emotion underneath.
I don't want to say too much here to spoil the plot, but here you have the England of the Napoleonic Wars, when Wellington and Napoleon were fighting it out in the Peninsular War. Captain Hugh Fanshawe -- the third son and cuckoo in the nest who feels outshone by the rest of his brilliantly successful family -- returns from the Peninsular with a leg wound so grave that he will never walk without pain. Hugh is one of those still-waters-run-deep characters who seem quiet, introspective and even dull on the surface, but who are stalwart and honourable and true underneath. The trouble with Hugh is that he doesn't see much past his own surface, any more than the rest of the world does. He has little confidence in himself and it takes Colonel Theo Lindsay, French spies, his sister's indiscretions and a crisis at Horse Guards with the plans for the war in jeopardy, for Hugh to find himself and, in Theo, the love of his life.
This isn't a faultless book. I could wish that Hugh dwelt a little less on his perceived imperfections and that his best friend, Emily D'Arcourt actually had a few imperfections to dwell on (she's a little too perfect for my taste. I like characters to have some faults. Maybe hers is an irritating tendency to see more than anyone else and be maddeningly understanding). We see everything through Hugh's PoV so Theo too is a little idealised - Hugh's shock at Theo's being attracted to him makes him a little too compliant and starry eyed. No, not faultless, but you'll forgive these minor things as you get swept away in the tale and the emotion.
I used to work right beside Horse Guards, by the way, in the Old Admiralty building. Sadly, I have to say there was a distressing lack of breeches, but not a lack of breeches in a *good* way, if you see what I mean. When this book loses its breeches, it's in a very good way. The writing is beautiful, some of the wry, clever speeches laugh-out-loud funny, and throughout the whole there is such a sense of time and place that you forget that this mundane world of ours isn't one of breeches and Almacks, Vauxhall gardens and opera dancers. Sadly.
If you like regency romances, you'll love this. Do go and read it. It will lighten your day.
June 28, 2020
4.25 stars
I just adored this sweet historical romance story. These two gentlemen wormed their way into my heart and nearly broke it. I enjoyed the glimpse into the author’s Napoleonic era London, including comportment, fashion, and family in the early 1800s. Thoroughly enjoyable book.
I just adored this sweet historical romance story. These two gentlemen wormed their way into my heart and nearly broke it. I enjoyed the glimpse into the author’s Napoleonic era London, including comportment, fashion, and family in the early 1800s. Thoroughly enjoyable book.
February 10, 2015
3.5 stars
Ever since I discovered that MM historical romance could be satisfying, I have been slowly building up my collection with titles from the genre. Sarah Granger is not a new-to-me author. I previously read her contemporary romance, The Unforgiving Minute, which I really enjoyed.
Hugh came in the beginning as someone a little bit dull – after coming back from the war with a lame leg, his life was pretty mundane. He tried to fulfill his duty of escorting his mother and sister to social engagements but he didn’t exactly try to mingle with anyone. He was fine staying in the background shadows. His life changed with the arrival of Colonel Theo Lindsay. Not long after that, Theo found pleasure in the Colonel’s company.
What I enjoyed the most of the story was the time period. Duly noted that I didn’t really understand all the references of wars and the military at that time, but I thought it was really well-researched and well-written. I also loved Hugh. Sure, he might have seemed uninteresting but sometimes it is refreshing to have a male character that doesn’t have all the Alpha traits. I felt that Hugh might actually be an introverted person who didn’t mind staying far away from the limelight and that made him very relatable to me. What is wrong with wanting to stay behind and not going to parties?
There was a dash of mystery in this book as well – Theo was trying to find a spy who had been leaking information to the French. The mystery took twists and turns that I wasn’t expecting and it gave a boost of adrenaline to the whole story.
I did find the relationship to be slightly lackluster, though. It wasn’t about the short summarized sentences of the sex scenes – which might make smut fans disappointed – because I am a reader who actually likes off-page or fade-to-black sex scenes … but Hugh and Theo’s relationship lacks passion itself. Hugh and Theo felt more like good friends who have sex once in a while rather than lovers. Simply put, I was a bit unconvinced that they would even make it in the long run.
Despite that, A Minor Inconvenience is quite a pleasing historical romance. If you like your regency romance flair with a well-written style of the time period, you could give this book a try.
Ever since I discovered that MM historical romance could be satisfying, I have been slowly building up my collection with titles from the genre. Sarah Granger is not a new-to-me author. I previously read her contemporary romance, The Unforgiving Minute, which I really enjoyed.
Hugh came in the beginning as someone a little bit dull – after coming back from the war with a lame leg, his life was pretty mundane. He tried to fulfill his duty of escorting his mother and sister to social engagements but he didn’t exactly try to mingle with anyone. He was fine staying in the background shadows. His life changed with the arrival of Colonel Theo Lindsay. Not long after that, Theo found pleasure in the Colonel’s company.
What I enjoyed the most of the story was the time period. Duly noted that I didn’t really understand all the references of wars and the military at that time, but I thought it was really well-researched and well-written. I also loved Hugh. Sure, he might have seemed uninteresting but sometimes it is refreshing to have a male character that doesn’t have all the Alpha traits. I felt that Hugh might actually be an introverted person who didn’t mind staying far away from the limelight and that made him very relatable to me. What is wrong with wanting to stay behind and not going to parties?
There was a dash of mystery in this book as well – Theo was trying to find a spy who had been leaking information to the French. The mystery took twists and turns that I wasn’t expecting and it gave a boost of adrenaline to the whole story.
I did find the relationship to be slightly lackluster, though. It wasn’t about the short summarized sentences of the sex scenes – which might make smut fans disappointed – because I am a reader who actually likes off-page or fade-to-black sex scenes … but Hugh and Theo’s relationship lacks passion itself. Hugh and Theo felt more like good friends who have sex once in a while rather than lovers. Simply put, I was a bit unconvinced that they would even make it in the long run.
Despite that, A Minor Inconvenience is quite a pleasing historical romance. If you like your regency romance flair with a well-written style of the time period, you could give this book a try.
July 2, 2015
WELL I HAD FUN READING THIS AND THATS ALL THAT MATTERS
November 5, 2022
I adored the historical fiction, political intrigue, strangers to friends to lovers, hurt/comfort, wounded warrior, spies and shenanigans, and a shy but strong MC. The Regency setting comes to life astoundingly well. This is medium steamy but definitely not fade to black.
October 22, 2014
3.5 stars
There have been so many great historical romances coming out lately and A Minor Inconvenience is another good addition to the list. A comfortable, entertaining read set in early 19th century England, it is well researched, written and plotted, and has engaging characters, all of them.
What makes this story stand out for me is Captain Hugh Fanshawe. Wounded at war and left with a gimpy leg, he now spends his days pushing paper in a military office. Life has become much more regular and dull than fighting in Portugal. He is quietly trying to figure out his new place in London society.
And it’s difficult to see how Hugh is treated by society, and indeed his own family, because of his disability. His pronounced limp and physical difficulty make him stand out. What is disheartening are the off-hand, thoughtless, cutting and sometimes, demeaning comments made to him, as if he’s also somehow mentally… less. The author gives us a portrayal of the era, when people were much less sensitive towards those with disabilities.
So Hugh relegates himself to the sidelines, tries to make himself invisible. He acts like life is over for him. That is, until he meets the handsome and dashing Colonel Theo Lindsay. Theo, who really sees Hugh-- sees the brave soldier within as well as the attractive man without-- has also known war and injury, he gets Hugh. You can tell, I really like Theo. And their coming together is rather sedate, but it feels right. Now, I do like a good smutty sex scene (or two… or three), but I sense here that the author wants the physical romancing to fit in with the style of the rest of the story-- giving us some sensuality without all the heavy detail. I missed the bawdiness but appreciate the different approach.
So, there is some action in the plot, too. There is a spy within the ranks selling secrets to the French enemy and Hugh and Theo get caught up in the brouhaha and must sleuth their way through it all.
It did feel like Hugh’s story started off rather slowly, or perhaps I should iterate, sedately. It was very welcome when the action picked up, but my guess, on reflection, is that the author wanted to take time to highlight Hugh and his situation. This was nicely done. The first half of this book was a solid 3 stars for me but the remainder, when we see Hugh take charge more, kicked it up a notch. So, it’s between 3 and 4 stars but I’m willing to round up. A Minor Inconvenience is an engaging, pleasant read that worked hard to remain true to the Regency period.
favorite word = faradiddle (a variation of 'taradiddle'; a fib or pretentious nonsense)
February 21, 2015
This book had potential that, for me, it didn’t quite measure up to. It’s an historical m/m romance where one of the heroes is recovering from war injuries. He limps. He has little to no experience with men. He is a little naive and very straight laced. Yummy, right?
The problem isn’t with Hugh. Or even with his love interest, Theo. The self assured Rifleman is everything Hugh is not. He is commanding, hale and whole; and he knows what he wants in the bedroom. (Namely Hugh.) There is solid sexual tension between them and I could see the makings of something good between them.
The plot was ok. It follows Hugh as he tries to build a new life for himself after his injury with a desk job in the Horse Guard, which keeps him tangentially attached to the military. Theo is a Rifleman in town to temporarily work with the office. The men hit it off right away and with the story told entirely in Hugh’s POV, we see him question whether Theo can return his growing feelings. (Obviously, he can.) Meanwhile, there is the possibility of a spy in Hugh’s office, a side plot which takes center stage as the book progresses.
I had two major issues. The pacing is really slow, especially in the first half. I had to struggle a little not to skim. The other problem: the love scenes. They were all extremely vague or fade to black. The first time they were together, I had to read it twice to make sure what really happened. Other times, we got a sentence that basically amounted to “and then they did it.” It doesn’t have to be soft-core porn, but I need a little more than that.
As a side note, I also felt like the Emily character was a red herring. I felt like we were building something there, that we never got to. And the ending was kind of HFN, making me wonder how Hugh and Theo could have a real life together when all was said and done.
I didn’t dislike it. But it definitely could have been better.
Rating: C
*ARC Provided by Samhain
The problem isn’t with Hugh. Or even with his love interest, Theo. The self assured Rifleman is everything Hugh is not. He is commanding, hale and whole; and he knows what he wants in the bedroom. (Namely Hugh.) There is solid sexual tension between them and I could see the makings of something good between them.
The plot was ok. It follows Hugh as he tries to build a new life for himself after his injury with a desk job in the Horse Guard, which keeps him tangentially attached to the military. Theo is a Rifleman in town to temporarily work with the office. The men hit it off right away and with the story told entirely in Hugh’s POV, we see him question whether Theo can return his growing feelings. (Obviously, he can.) Meanwhile, there is the possibility of a spy in Hugh’s office, a side plot which takes center stage as the book progresses.
I had two major issues. The pacing is really slow, especially in the first half. I had to struggle a little not to skim. The other problem: the love scenes. They were all extremely vague or fade to black. The first time they were together, I had to read it twice to make sure what really happened. Other times, we got a sentence that basically amounted to “and then they did it.” It doesn’t have to be soft-core porn, but I need a little more than that.
As a side note, I also felt like the Emily character was a red herring. I felt like we were building something there, that we never got to. And the ending was kind of HFN, making me wonder how Hugh and Theo could have a real life together when all was said and done.
I didn’t dislike it. But it definitely could have been better.
Rating: C
*ARC Provided by Samhain
April 30, 2016
Solid three stars. This was sweet. Cute m/m love story set during the Napoleonic Wars between injured former soldier (catnip!), Hugh, and handsome serving soldier, Theo.
Hugh is just strating to apprecote his sexuality and visits a 'molly house' where he sees Theo and then he runs into him at work. They fall into an easy friendship with an undercurrent of sexual tension, which becomes a relationship in a fairly angst-free manner, despite Hugh's inexperience and physical injury. There's some ~dramaz~ about spies but it's nicely handled and not Too Much.
The prose generally flows and is pleasant to read.
For me, the problem with this book is that it needs the volume turning up on nearly every aspect. The angst. The sexual tension. The characterisation. The secondary characters. The sex. Everything is fair to good as is, but I wasn't chomping at the bit to carve out time to keep reading. I doubt I'll remember much about the book in a couple of days time. Granger just needs to take what she's got and push it up a level.
That said, it was solid and I'll be looking for more from Granger.
Hugh is just strating to apprecote his sexuality and visits a 'molly house' where he sees Theo and then he runs into him at work. They fall into an easy friendship with an undercurrent of sexual tension, which becomes a relationship in a fairly angst-free manner, despite Hugh's inexperience and physical injury. There's some ~dramaz~ about spies but it's nicely handled and not Too Much.
The prose generally flows and is pleasant to read.
For me, the problem with this book is that it needs the volume turning up on nearly every aspect. The angst. The sexual tension. The characterisation. The secondary characters. The sex. Everything is fair to good as is, but I wasn't chomping at the bit to carve out time to keep reading. I doubt I'll remember much about the book in a couple of days time. Granger just needs to take what she's got and push it up a level.
That said, it was solid and I'll be looking for more from Granger.
August 12, 2016
I found this quite moving. The construction of Hugh's character, right up to the point where his clearly self unaware character demonstrates such little understanding, he might appear dull or slow.
He is neither.
I liked that Theo was engimatic for the majority of the novel. It was very slow to start (by that I mean, putting the boys into their smexy!) but it was totally worthwhile. All the foundations of attraction, of traitors and of betrayal were laid carefully, although (as an aside) when they do connect, it's as if the author is working very hard to not be graphic or lewd. That's a bit of a false note for me.
I really enjoyed it, I cried, I will reread.
January 19, 2014
This is a perfect historical romance, indeed. I'm really in great mood after reading such a splendid romance. A well developed romance between Captain Hugh and Colonel Theo Lindsay. Sarah Granger writing style is pulling, her storyline here well developed and ends with HEA. All her character, both MC and all other secondary character were great. I love it all. I'm sure, this story is worth to be re-read, many times!
September 21, 2020
Reread 9/20: Better than the first time! Historicals are my comfort food these days; grateful I have so many good ones to dip into again! The plot really grabbed me this time. Wish Ms Granger had written more like this, and her other titles seem to be out of print. Bummer.
Original review: Mostly a by-the-numbers Regency but well done. Good period. Not as interesting or original as KJ Charles' stories but pleasing and satisfying. Perfect for a sick-day at home.
Original review: Mostly a by-the-numbers Regency but well done. Good period. Not as interesting or original as KJ Charles' stories but pleasing and satisfying. Perfect for a sick-day at home.
August 31, 2014
this felt more well-researched than other historic romances I read, but perhaps it was too authentic?? the sexism even in the MCs pissed me off and the emphasis on luxury and proper behavior was also something I do not understand from my modern point of view.
Also, Hugh was a little bit too naive ...
But these are very personal hangups, overall an amusing read.
Also, Hugh was a little bit too naive ...
But these are very personal hangups, overall an amusing read.
January 20, 2014
Nothing terribly wrong with this, but a little dull and predictable. And I didn't feel particularly attached to either MC. Lots of descriptions of clothing and social gatherings. Found myself wanting to finish so I could get on to the next book.
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