Oh, the horror!
I’m going to be in the minority on this one – 1.5 stars rounded up.
I’m not even sure where to start. The plot, the characters, their behaviour, and the dialogue were cringe-worthy. I would class it as contemporary fiction, with a bland mystery on the side. Slow paced, stretches of chapters where nothing happened, with twists you can see coming from space. The motivation for the protagonist’s harassment was weak in my opinion, and the harassment itself was pathetic – it neither escalated, and came across as more of a nuisance than a threat. And there wasn’t one single suspenseful moment – the entire novel was ludicrous.
The main character, Gemma, was particularly dim-witted, and boy did it take her a long time to connect the obvious dots. And for some unknown reason, she had a weird habit of creating outlandish stories to cover up small lies, lies that had little, or sometimes nothing, to do with the plot.
But the worst crime for me was the awful dialogue, which admittedly is a pet hate of mine. Much of the dialogue read as stilted and boring, and is not how people speak or relate to one another. Here’s one example;
‘I’m not working nine to five every day. Occasionally I’m working half-days. Well, more like three-quarter-days. I go in mid-morning sometimes, or finish early and then go back to lock up. Or I come home for a longer lunch’
Terrible right! Do we really need to know all that?
In another scene it is revealed that two characters are from the same hometown, which prompts a third character to ask if they knew each other back then. Fair enough question right? This is the response;
‘No,’ I said. ‘Obviously I’m older and we went to different schools.’
Eh! You could’ve met in numerous other ways. Anyhow, moving on...
Also related to the odd dialogue was the unnatural behaviour of everyone. Even though Gemma’s their boss, her employees constantly question her every small decision. Which is fine in itself, there are people like that, but what I found strange was Gemma’s reaction. Instead of reprimanding her staff, she would go into long detailed explanations to justify her reasons. In another part of the book a character arrives home and a neighbour starts grilling said character on their whereabouts the night before. Again, fair enough, nosy or suspicious neighbours are a dime a dozen, especially in this genre, but instead of politely making an exit, or telling the neighbour to mind their own business, the character decided to tell this almost complete stranger where they had been, why they were there, and how long they’d been gone. This sort of behaviour just doesn’t ring true to me, and the novel was littered with these types of interactions
As you can see I didn’t think much of it. Definitely decide for yourself, and to those that do or have enjoyed it, good on you. Wish I was in the same camp, as it sounded so good from the book summary.