If you love historical you can't not love Ms Camp.
She's one of the old school best.
Her romances are real romances with love, action, a lil bit of mystery and villains that you never imagine.
And bitchy ow.
Without the splatter and gory of bodice rippers.
That is, you can have a good and angsty romance without the excesses of those books where the heroine had to go through all kind of trials and abuse before being happy.
In this one I have to admit I loved both characters.
They made sense, and they make sense together as a couple.
-We have a smart, no nonsense, sensible and fun heroine, who knows exactly what she wants and knows how she can get it.
- We have a debauched hero, who's the epithome of english gentleman, lazy, drunk, manwhore and profligate.
-We have an awful ow, who keeps the hero with her depraved ways and is evil and manipulative
-We have a villain, a mystery, an old manor.
So, the hero has debts and has to marry for money, the heroine is an american heiress whose father would like her to marry a title, but she's not forced at all. The father is a caring and loving person and doesn't want her to marry the first rogue with a title.
-There are some fun meetings between the heroine and the hero where she is very stingy and actually is quite fun because she tells him exactly what she thinks of him and what he actually is considered by his peers.
Since he's very smug and thinks she should be honored to be his wife, she, an unknown american woman, he's quite surprised and very angry when she not only refuses his proposal, but also tells him exaclty what she thinks of him, and makes him understand that she would rather accept any other proposal than his.
The heroine actually considers him with amusement and since she's smart she tries to understand the real man behind the facade.
-There's a lot of stolen kisses, where the hero feels more than he expected and eventually the heroine proposes a MOC where both are free to have lovers. She basically tells him that he can keep on seeing his mistress- that she knows about- and it is kind of cute because she is very manipulative and he accepts without realizing that she is manipulating him big.
She's understood that he is not a bad chap and with some help he could be good husband material.
She's not afraid of the competition and thinks he's already very attracted by her without realizing it.
Actually she understands him better than he understand himself.
The hero is quite clueless, he doesn't understand he's being manipulated by both ow and heroine.
He's no alpha for sure, but he's kind of nice, the typical rakish gentleman, handsome and charming, but with a lot of pride.
He's also an artist, he loved to paint until he met ow, then she persuaded him to give it up for other kind of entertainments.
Ow is older and of course smarter than the hero, she's married, and she made him wait almost one year before having sex with him, he was actually very young, only 18 and of course naive and very fascinated by this older, more experienced and beautiful woman who showed her preference for him.
He's been with her for 14 years, yeah I know it's a lot and some readers could not digest it, but the woman was quite shrewd because she kept him with his libido, providing him a free relationship and other women, then always making him wait and frustrating his desire.
So we understand he's not really in love with her, it was a matter of lust combined with too much drinking.
He accepts the heroine's proposal, but he soon realizes he wants her very much and can't have a marriage without sex.
The heroine, tricky bitch that she is, tells him that with her it's all or nothing.
The hero can't think of leaving his mistress, and by the way, he hasn't had sex with her since his second meeting with the heroine.
(the first time he met the heroine he was quite drunk and he couldn't actually see her properly, it was dark and she had a hat so I don't consider it a cheating because after the meeting he went to ow and then spent the night with her)
ow: she had a plan and the heroine thwarted it. She asked the hero to marry the rich heroine so they could live with her money and the idiot hero accepts it, she's quite awful because she manages to go to their marriage to humiliate the heroine but the heroine is too smart and acts like she was her mother-in-law's friend and makes remarks about her older age. She goes visiting her another time and again the heroine manages to make stingy remarks about her. I loved the heroine, too good for the hero.
-To be true the hero doesn't want ow near him and when he sees her at his marriage he's quite upsed and annoyed and hopes she will go back to London and never comes back.
-The hero is quite slow in the uptake and doesn't understand he's falling in love- true love - with the heroine. He starts painting again on the heroine's suggestion while following the restoration of his manor with the heroine. His lust for ow is suddenly stopped and he eventually decides he wants a true marriage and dump ow. Actually I felt quite sorry for this ow, who basically jumped through hoops for years to keep her younger lover interested and then at almost 40 he dumps her for a younger and better model. She's really angry and upset, probably realizing that her chances to find a lover who is rich, besotted and with all his teeth and hair on are very low.
-There's a mystery and some other things that I don't want to spoil because 1-they don't add much to the hero/heroine love affair 2-they are really bizarre and we could have done without.
-The hero understands he was never in love with ow, that the heroine is his one and only love (which is quite sad for ow after all she did to keep him) and he's happy and redeemed painting and working to keep his manor and his other properties productive.
I liked the book, it was interesting because let's be real, there are very- very -few authors that can really keep you interested after 400 and more pages, and CC is one of them.
She is very good with feelings and emotions and her hystoricals are believable from language (that isn't a modern slang as it often happens in hystorical nowadays) to behaviors.
There's angst because the heroine has feelings for the hero and doen't know if he will ever reciprocate them, but she isn't a doormat and she is definitely much smarter than the hero, but as you know in romances, you can't have a sexy, handsome, gentleman with all his hair and teeth on and without a paunch or a gout and also expect him to be a smart one.