Veronica Chambers has contributed her talent of writing to many magazines such as Newsweek, Vogue and Glamour. She was also an editor for The New York Times Magazine and as a senior associate editor for Premiere magazine. Chambers is also known for her memoir titled Mama’s Girl and the children’s picture book, Amistad Rising.
Amistad Rising takes the historical events surrounding the true story of Joseph Cinqué, and effectively captures the horrific effects slavery had on Cinqué and the other 53 prisoners held captive aboard the ship Amistad. Chamber’s story resurrects a historical event by imagining Cinqué’s mental and emotional states throughout his fight to win his freedom. Chamber’s writing is both direct and poetic. The story conveys the factual details in a straightforward manner, but also embodies a poetic style. This poetic style, found at both the beginning and the end, connects the idea of the sea, and its mutable existence, as the setting for the tale. The beginning of the story opens up with the following sentences, “Have you ever wondered why the ocean us so wide? It’s because it hold so much history. There’s not a drop of seawater that doesn’t have a secret; not a river or a lake that doesn’t whisper someone’s name” (Chambers, 1998). Chamber’s conveys the power water has to overwhelm and capture, connecting the idea of a boat capsizing on the sea, and connecting this metaphor to the reality Cinqué and the other Africans had to face after being imprisoned by the slave traders. Chamber’s effectively compares Cinqué’s release from captors and his freedom with the wind and rain, “If you stand right here on the New London shore, you can hear the words of the great Joseph Cinqué…The wind whispers it as it blows around your head. And when the rain falls, it’s like tears of happiness” (Chambers, 1998).
In addition, Paul Lee’s illustrations compliment the written text quite well and effectively convey the emotional and heroic essence of the historical events that occurred
In terms of age appropriateness, this book seems appropriate for children eight years old and up. However, some of the pages contain large portions of text that can be overwhelming to younger readers. As a historical fiction, Amistad Rising would be a great addition to enhance either an existing African American history or American History collection.