Game of Shadows – Erika Lewis
I received Game of Shadows by Erika Lewis from Goodreads in return for an honest review, and when I had been informed that I was going to be getting this book I was somewhat excited since it was an ARC and in a genre that I am a big fan of, and I could drop my review before the publishing date. Unfortunately for me, the book was a major disappointment and I struggled to get through it. It wasn’t bad, such as a few books that I’ve read, but it was probably the biggest cliché that I’ve come across in a long time.
Although this is Erika Lewis’ debut novel, she has worked in TV as a writer for a while – as mentioned by the book – and as a result, the book feels like a teen drama fantasy show full of all the general tropes that one would expect (think Shannara or worse). The book’s plot is about a young boy, Ethan Makkai, a freshman in high school who is actually from a hidden fantasy land, Tara, and has a magical gift/power which will lead him to defeat a great evil. Standard YA Fantasy plotline seen done to death as though someone handed Ms. Lewis a generic outline and said fill in the details (names, magic culture, etc.). Now, a plot like this can do interesting things, and grow to become a beloved series a la Harry Potter if handled correctly, and immerse one into the plot, world and characters. However, Game of Shadows fails to do this at every turn.
*SPOILERS*
The book begins with Ethan Makkai being very unhappy because his mother won’t let him go to school on his own on this special birthday of his. Of course, this is nothing new since she has been doing this all his life, never leaving him alone for anytime unless he is inside the school, but since the plot dictates the necessity, his mother Catriona has never given an explanation for her obsessive issue other than having told him that his family is dead. Now, if the character was not a teenager the lack of trust his mother shows would, from the reader’s standpoint, make sense, but now that the boy is at least 13 – probably 14 – it has no logic to it, especially given the context of what is going to happen next. However, since Ms. Lewis wants to have the later excuse for narrative dialogue we get this overused cliché.
So, of course, Ethan sneaks out without his mother so that he can meet his childhood crush and walk to school with him, but in another YA cliché it turns out that the girl has made friends with the local Football Jock Bullies. Consequently, Ethan ends up in a fight with the lead Jock. Now, my issue with this, aside from the trope, is the implications that not only is this 13/14 year old girl seeing this guy, but she may have slept with him – of course this is not delved into at all by the author, but it leaves the entire situation unresolved throughout the book; and the love interest Lily who exists in this fantasy realm gets treated more like a young woman in our world than someone who exists in a medieval style fantasy realm. This plot motivator annoys me because this character is not important (until the epilogue), Ethan forgets about her almost immediately once the plot kicks in, but there is a sequence where serious issues are brought up in an extremely blasé manner and dropped in the same way. And, it is actually quite meaningless period, the entire scene could be done without having the girl as friends, girlfriend, or anything with the Football player, and it would be the same. Anyway, back to the plot.
During the fight we are introduced to the fact that Ethan sees ghosts. However, the fight ends quite quickly as a character name Bartlett, claiming to be Ethan’s grandfather, shows up (he isn’t, and this is even mentioned as a bad plan concocted by Bartlett and Catriona later in the book – was there a word count from the publishers?). Then, before anything can be properly established we find out that Ethan’s mother is in trouble, the characters get attacked by Ravens (which are actually women who can turn into Ravens), Ethan finds his mother has been taken, and then he is unconscious. All this happens within a few pages, and the next thing we know, we are off to the fantasy land of Tara.
Ethan wakes on a boat, a pointless chapter where a meaningless character introduction occurs (perhaps the Cat Sidhe will be important in a later book, but it is wasted in this one, even when it shows up towards the penultimate battle) and somehow the boat with those on board end up in Tara. Ethan is then introduced to a few important people, informed that he is the heir to the throne, and is taken to the castle. Now, granted there is a bit more detail, but ultimately not much happens that is important in this section.
It is also during these few chapters where the author points out her own plot holes. For example, the clothing of Ethan. Yet, she then fails to actually remedy the situation. Honestly, if someone were to be dropped into the middle of Ireland in the 1200’s wearing modern Western street clothes, I am fairly certain everyone would notice them, but it just goes by the wayside – even when it comes up again near the end of the book. I know that she wants to remind us that Ethan isn’t from Tara, especially since he just seems to fit right in and accept almost everything that goes on without any issues other than the fact that people lied to him. He even goes so far as to immediately, and blindly, accept the help of his cousin Christian who is so obviously going to be one of the villains! Don’t point out your own plot holes unless it is to fix them!
Almost immediately upon arriving in Weymiss, ‘befriending’ Christian, and finding out that he isn’t to search for his mother and that his father Raymund Cooper is alive, Ethan leaves that night to go rescue his mom and find his dad and, with the help of Christian goes on the adventure. Of course, at this point the reader is asking themselves, ‘is he serious.’ And, of course, because it’s a YA novel, we must have a FRI (forced romantic interest). So, we have a monster show up and Lily, General Niles daughter, saves Ethan. They then, of course, have a moment and suddenly Lily is a sorceress. In the morning, they find Ethan’s dad. There are Daddy issues, but he joins the quest; and now we have the fantasy genres foursome: the plucky hero (we the reader), the fighter, the sorcerer, and the barbarian.
I could continue with my pointing out of the Tropes, Cliché and Flaws of this book, but I don’t feel like summarizing the entire novel since every single chapter is filled with them. Needless to say, this book is not particularly engaging for someone who reads a lot of fantasy. However, if you are a young reader who has never been exposed to the greats of the genre then you can certainly have some fun, but there are so many better authors out there. Like so many pulp fantasy novels, the characters are saved through MacGuffin’s (unicorns, unexplained magic abilities, random character appearances), the travels lack context, and there isn’t really any history to the world – why can’t we have technology? The Gods forbid it (except in the epilogue where they watch the Super Bowl, and set up the next book). In addition, where there should be character conflict it never truly materializes, such as Ethan’s acceptance of Tara and never having conflict over LA. In fact, if Bartlett doesn’t somehow smuggle in a TV, Satellite Box, Generator and hook it up in violation of some unexplained edict of the Gods there wouldn’t even be a set-up for a second novel.
As a result, of all of the problems in this novel, it took me way more time than I would have like to get this book finished. I just didn’t want to read it because it was so painful due to the pulp nature, and its bad writing. I’m giving it 3 stars because it wasn’t the worst, but it was far from the best.