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Keeping Up with the Cavendishes #4
It's Hard Out Here for a Duke
In the fourth novel of Maya Rodale’s tantalizing series, a newly minted duke spends one night with his perfect woman...but can he win her for a lifetime
Some Mistakes…
When American-born James Cavendish arrives in London tomorrow, he’ll become the Duke of Durham. Some might be ecstatic at the opportunity. Not James. He’s a simple man, fond of simple pleasures. And right now, nothing could be more pleasurable than spending his last night of freedom with a beautiful stranger.
Are Far Too Good…
One wild night, Meredith Green, companion to the dowager Duchess of Durham, said yes to a man she thought she’d never see again. Suddenly, they’re living under the same roof, where Meredith is expected to teach James how to be a duke—while trying not to surrender to temptation a second time.
To Be Forgotten
For a duke and a commoner, marriage would be pure scandal. Yet nothing has ever felt as right as having Meredith in his arms…and in his bed. Soon he must choose—between a duty he never desired, and a woman he longs for, body and soul…
Some Mistakes…
When American-born James Cavendish arrives in London tomorrow, he’ll become the Duke of Durham. Some might be ecstatic at the opportunity. Not James. He’s a simple man, fond of simple pleasures. And right now, nothing could be more pleasurable than spending his last night of freedom with a beautiful stranger.
Are Far Too Good…
One wild night, Meredith Green, companion to the dowager Duchess of Durham, said yes to a man she thought she’d never see again. Suddenly, they’re living under the same roof, where Meredith is expected to teach James how to be a duke—while trying not to surrender to temptation a second time.
To Be Forgotten
For a duke and a commoner, marriage would be pure scandal. Yet nothing has ever felt as right as having Meredith in his arms…and in his bed. Soon he must choose—between a duty he never desired, and a woman he longs for, body and soul…
369 pages, Mass Market Paperback
First published November 28, 2017
262 people are currently reading
888 people want to read
About the author
Maya Rodale
46 books1,621 followersMaya Rodale is the best-selling and award-winning author of funny, feminist fiction including historical romance, YA and historical fiction. A champion of the romance genre and its readers, she is also the author of Dangerous Books For Girls: The Bad Reputation of Romance Novels, Explained. Maya reviews romance for NPR and has appeared in Bustle, Glamour, Shondaland, Buzzfeed, The Huffington Post and PBS. She began reading romance novels in college at her mother’s insistence and has never been allowed to forget it.
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Displaying 1 - 30 of 202 reviews
December 23, 2017
I've given this a B+ at AAR, so that's 4.5 stars.
I seem to have spent a bit of time lately saying “don’t let the stupid title put you off reading this book because it’s really good” – and now I’m saying it again. This fourth book in Maya Rodale’s Keeping Up With the Cavendishes series is the best of the set once you get past yet another vomit-inducing excursion into Craptastic-Titles-R-Us, so try not to let it put you off reading what is actually a very well-written, tender and poignant story that is as much about the two central characters working out what it really means to be true to oneself as it is about their love for each other.
Readers who have been following the series will know that the four Cavendish siblings – James and his sisters Claire, Bridget and Amelia – have recently come to London from their home in America owing to the fact that James has unexpectedly inherited a dukedom he doesn’t want. He would be more than content to remain at the family ranch doing what he does best and what he loves – breeding and raising horses – but is prompted to come to England because of his concern for his sisters. All of them are no longer young (by early nineteenth century standards!) and perilously close to being on the shelf; and James thinks that perhaps moving to England will improve their prospects of making a good marriage. He also thinks he should at least keep an open mind about the dukedom and what it entails – but the closer he gets to English shores, the more anxious and uncertain he becomes.
He and his sisters are to stay the night at an inn in Southampton before resuming their journey to London. When they’ve gone to their rooms, James stays downstairs in the tap-room and is pondering his fate, when he notices a lovely young woman sitting alone at the bar. He can’t keep his eyes off her, and her shy glances indicate some interest on her part, too. James approaches her, they strike up a conversation and agree to spend the night together, ‘Just James’ and ‘Just a girl’ he’s met at a bar.
Yes, the idea that a respectable young woman at this period would sit alone at a public bar and then agree to a one night stand with a man she just met is a bit of a stretch of credulity, but it’s worth getting past it in order to enjoy the rest of the story.
If you’ve read the synopsis, then you’ll already know that James’ ‘Just a girl’ is, in fact, Miss Meredith Green, companion to his aunt, the Dowager Duchess of Durham. On the way back to London after a visit to her sick mother (who has dementia), she is weary and heartsick, looking ahead to years of a life lived for others and needs, just once, to feel fully alive and as though someone truly sees her, Meredith, not just another trusted servant.
James is, of course, shocked to realise that Meredith is his aunt’s companion, but also delighted to see again the young woman with whom he’d shared such pleasure and to whom he feels such a strong connection. At first, he actively pursues her – as far as he is able under his aunt’s close scrutiny – but Meredith takes pains to point out to him that she owes everything to the duchess and the last thing she wants or can afford to do is to anger her by indulging in some sort of clandestine relationship with him.
The dowager is intent on getting James and his sisters ready to make their débuts as quickly as possible before the speculation already circulating that they are uncouth savages who are not fit for English society becomes worse. Realising she has quite the task on hand in preparing Claire, Bridget and (especially) Amelia, the duchess asks Meredith – to whom she has given the education afforded daughters of the nobility – to help James to acquire the necessary polish while she concentrates on the girls.
James finds all the rules and strictures exasperating and makes it clear that he’s only giving this duke business a trial and that if he decides it’s not for him, he’ll be heading back across the Atlantic. As it is, the only thing keeping him in England is Meredith; but as James begins to realise that there is more to being a duke than escorting his sisters to balls and parties and driving in the park, he also starts to see that Meredith is right about the impossibility of there being anything further between them. He bears a responsibility to all those who depend upon the dukedom for their livelihood, a responsibility that was neglected following the deaths of his uncle and father; and James gradually finds himself assuming the ducal mantle in more ways than one. He even accepts that his aunt’s insistence on his finding a suitable bride from the ranks of the ton is one of those duties he must discharge – and even though he is deeply in love with Meredith, determines to find someone he can at least be comfortable with for the sake of his title, his duty – and the happiness of his sisters.
The author does a very good job here of showing how James grows into his role as duke without fundamentally changing the essence of the man he is. He’s not a surly, brooding hero with intimacy issues; he’s a kind, decent and loving man who wants to do the right thing for those who depend on him, especially his sisters, who annoy the hell out of him but whom he adores anyway. The emotional connection between him and Meredith is very strongly wrought and leaps off the page and their longing for one another is palpable. Meredith could have been a bit of a doormat given her situation as neither family nor servant, but she isn’t. She’s aware of her place and very conscious of the debt of gratitude she owes the dowager, but she’s her own woman; warm, intelligent and intuitive, she becomes a friend to Claire, Bridget and Amelia, all of whom are well aware of the way the wind is blowing and see no reason why their brother should not be happy.
The two central characters are immensely likeable without being saccharine, and while Josephine, Dowager Duchess of Durham, initially comes across as a stuck-up, interfering biddy who cares only for the title and not the man holding it, that is soon shown to be a misconception. She’s concerned about the fate of the dukedom, yes, but for reasons that are far from superficial.
The storyline runs concurrently with those in the previous books, but you don’t need to have read them in order to enjoy this one as it works perfectly well as a standalone. Ms. Rodale’s writing is intelligent and engaging, and I’m pleased to say that I didn’t find myself having to suspend my disbelief too often, probably because, as a man, James isn’t bound by the same constraints as his sisters (sad, but true) so there’s less of a ‘wallpaper’ feel to the novel overall.
There’s a bit of a hiccup towards the end involving a disclosure that isn’t really necessary in terms of the plot, but I appreciated the way that James and Meredith find a way to be together while keeping in sight what is most important to them and remaining true to themselves. It’s Hard Out Here for a Duke is a tender romance and a fitting way to wave farewell to the Cavendish siblings.
I seem to have spent a bit of time lately saying “don’t let the stupid title put you off reading this book because it’s really good” – and now I’m saying it again. This fourth book in Maya Rodale’s Keeping Up With the Cavendishes series is the best of the set once you get past yet another vomit-inducing excursion into Craptastic-Titles-R-Us, so try not to let it put you off reading what is actually a very well-written, tender and poignant story that is as much about the two central characters working out what it really means to be true to oneself as it is about their love for each other.
Readers who have been following the series will know that the four Cavendish siblings – James and his sisters Claire, Bridget and Amelia – have recently come to London from their home in America owing to the fact that James has unexpectedly inherited a dukedom he doesn’t want. He would be more than content to remain at the family ranch doing what he does best and what he loves – breeding and raising horses – but is prompted to come to England because of his concern for his sisters. All of them are no longer young (by early nineteenth century standards!) and perilously close to being on the shelf; and James thinks that perhaps moving to England will improve their prospects of making a good marriage. He also thinks he should at least keep an open mind about the dukedom and what it entails – but the closer he gets to English shores, the more anxious and uncertain he becomes.
He and his sisters are to stay the night at an inn in Southampton before resuming their journey to London. When they’ve gone to their rooms, James stays downstairs in the tap-room and is pondering his fate, when he notices a lovely young woman sitting alone at the bar. He can’t keep his eyes off her, and her shy glances indicate some interest on her part, too. James approaches her, they strike up a conversation and agree to spend the night together, ‘Just James’ and ‘Just a girl’ he’s met at a bar.
Yes, the idea that a respectable young woman at this period would sit alone at a public bar and then agree to a one night stand with a man she just met is a bit of a stretch of credulity, but it’s worth getting past it in order to enjoy the rest of the story.
If you’ve read the synopsis, then you’ll already know that James’ ‘Just a girl’ is, in fact, Miss Meredith Green, companion to his aunt, the Dowager Duchess of Durham. On the way back to London after a visit to her sick mother (who has dementia), she is weary and heartsick, looking ahead to years of a life lived for others and needs, just once, to feel fully alive and as though someone truly sees her, Meredith, not just another trusted servant.
James is, of course, shocked to realise that Meredith is his aunt’s companion, but also delighted to see again the young woman with whom he’d shared such pleasure and to whom he feels such a strong connection. At first, he actively pursues her – as far as he is able under his aunt’s close scrutiny – but Meredith takes pains to point out to him that she owes everything to the duchess and the last thing she wants or can afford to do is to anger her by indulging in some sort of clandestine relationship with him.
The dowager is intent on getting James and his sisters ready to make their débuts as quickly as possible before the speculation already circulating that they are uncouth savages who are not fit for English society becomes worse. Realising she has quite the task on hand in preparing Claire, Bridget and (especially) Amelia, the duchess asks Meredith – to whom she has given the education afforded daughters of the nobility – to help James to acquire the necessary polish while she concentrates on the girls.
James finds all the rules and strictures exasperating and makes it clear that he’s only giving this duke business a trial and that if he decides it’s not for him, he’ll be heading back across the Atlantic. As it is, the only thing keeping him in England is Meredith; but as James begins to realise that there is more to being a duke than escorting his sisters to balls and parties and driving in the park, he also starts to see that Meredith is right about the impossibility of there being anything further between them. He bears a responsibility to all those who depend upon the dukedom for their livelihood, a responsibility that was neglected following the deaths of his uncle and father; and James gradually finds himself assuming the ducal mantle in more ways than one. He even accepts that his aunt’s insistence on his finding a suitable bride from the ranks of the ton is one of those duties he must discharge – and even though he is deeply in love with Meredith, determines to find someone he can at least be comfortable with for the sake of his title, his duty – and the happiness of his sisters.
The author does a very good job here of showing how James grows into his role as duke without fundamentally changing the essence of the man he is. He’s not a surly, brooding hero with intimacy issues; he’s a kind, decent and loving man who wants to do the right thing for those who depend on him, especially his sisters, who annoy the hell out of him but whom he adores anyway. The emotional connection between him and Meredith is very strongly wrought and leaps off the page and their longing for one another is palpable. Meredith could have been a bit of a doormat given her situation as neither family nor servant, but she isn’t. She’s aware of her place and very conscious of the debt of gratitude she owes the dowager, but she’s her own woman; warm, intelligent and intuitive, she becomes a friend to Claire, Bridget and Amelia, all of whom are well aware of the way the wind is blowing and see no reason why their brother should not be happy.
The two central characters are immensely likeable without being saccharine, and while Josephine, Dowager Duchess of Durham, initially comes across as a stuck-up, interfering biddy who cares only for the title and not the man holding it, that is soon shown to be a misconception. She’s concerned about the fate of the dukedom, yes, but for reasons that are far from superficial.
The storyline runs concurrently with those in the previous books, but you don’t need to have read them in order to enjoy this one as it works perfectly well as a standalone. Ms. Rodale’s writing is intelligent and engaging, and I’m pleased to say that I didn’t find myself having to suspend my disbelief too often, probably because, as a man, James isn’t bound by the same constraints as his sisters (sad, but true) so there’s less of a ‘wallpaper’ feel to the novel overall.
There’s a bit of a hiccup towards the end involving a disclosure that isn’t really necessary in terms of the plot, but I appreciated the way that James and Meredith find a way to be together while keeping in sight what is most important to them and remaining true to themselves. It’s Hard Out Here for a Duke is a tender romance and a fitting way to wave farewell to the Cavendish siblings.
December 28, 2017
If IT'S HARD OUT HERE FOR A DUKE had been the first book in this silly, fun, sweet, series, I doubt I would have read on. Which would've been a shame as I loved, or at least enjoyed, the stories focusing on the three sisters in the Keeping Up with the Cavendishes series. But this final book featuring James, the American who inherited a Dukedom, was pretty disappointing.
Some of the delight of this series has been reading of the same timeline, seen through different eyes, and experiencing the ways each character's journey has taken them as they struggle to adjust to their new status in society and find, and fumble, their way to love. But in book four the story just jumps around way too much in order to fit James' story into the timeframe. There was no real flow to the story as a result and it was brutally repetitive, constantly agonizing over the same issues using almost the same phrases or expressions which was to do with the fact that despite connection and chemistry, Meredith was unsuitable as a love match due to her role as lady's companion to the duchess, James' aunt.
Unlike the other books, there was no excitement, no adventure, no quirky humour or silliness as we've come to expect from the girls' POVs, and (worst of all) no actual plot. James was an okay hero, neither terrible or worth writing home about; Meredith was more or less unremarkable despite James' convictions otherwise; the angst over their inability to be together is based only on the fact that they tumbled into bed together as strangers before knowing who the other was which makes it a rather hollow romance to root for; and not even the brief instances where the siblings interacted were enough to keep me engaged. I'm sad that this series has ended on a low note and would probably suggest this installment just be skipped for those interested in reading these books. It honestly didn't add anything to the ones that came before.
Rodale was a new-to-me author when I picked up LADY BRIDGET'S DIARY and despite this disappointing finale I enjoyed these unconventional historical romances enough to more than likely pick up others that she's written. Some day.
1.5 "rounding up because it's Christmas.. or something" stars
Some of the delight of this series has been reading of the same timeline, seen through different eyes, and experiencing the ways each character's journey has taken them as they struggle to adjust to their new status in society and find, and fumble, their way to love. But in book four the story just jumps around way too much in order to fit James' story into the timeframe. There was no real flow to the story as a result and it was brutally repetitive, constantly agonizing over the same issues using almost the same phrases or expressions which was to do with the fact that despite connection and chemistry, Meredith was unsuitable as a love match due to her role as lady's companion to the duchess, James' aunt.
Unlike the other books, there was no excitement, no adventure, no quirky humour or silliness as we've come to expect from the girls' POVs, and (worst of all) no actual plot. James was an okay hero, neither terrible or worth writing home about; Meredith was more or less unremarkable despite James' convictions otherwise; the angst over their inability to be together is based only on the fact that they tumbled into bed together as strangers before knowing who the other was which makes it a rather hollow romance to root for; and not even the brief instances where the siblings interacted were enough to keep me engaged. I'm sad that this series has ended on a low note and would probably suggest this installment just be skipped for those interested in reading these books. It honestly didn't add anything to the ones that came before.
Rodale was a new-to-me author when I picked up LADY BRIDGET'S DIARY and despite this disappointing finale I enjoyed these unconventional historical romances enough to more than likely pick up others that she's written. Some day.
1.5 "rounding up because it's Christmas.. or something" stars
December 30, 2017
3.5 stars
I honestly can't make my mind up about this book. It was good, but not great. I think I may have enjoyed it more if I hadn't read the previous ones in the series. I can safely say that, while this is the final book in the series, it can easily be read first or just as a standalone. This book starts before it's three predecessors and ends after the others. I found myself trying to recall the events of the other books that detracted me from the story some, which is why I think this may be best read first, unless the previous ones are fresh in your mind and recently read. In a blogpost, Maya Rodale discussed the inspiration for this book, which was a combination of Princess Diaries (in that an American completely unexpectedly inherits a high-ranking title) and Grey's Anatomy with the Duke-Companion relationship mimicking the Doctor-Intern relationship of McDreamy and Meredith. There was much yes-no-maybe back and forth in their relationship, making it a fairly angsty read.
This was the first book that I have read by MR that features the hero as the central character. What I thought particularly well done was the portrayal of the Duke and his struggle to cope with his change of fortune. James would soothe many readers desire for a beta hero. He was vulnerable, caring and overall quite lovely. Meredith is doormat companion who has hidden desires. She takes a chance to act on her desire one night with a handsome stranger in the hotel pub before she moves from one selfless duty to the next. Little did she know that the stranger was actually the reason she was called back to London to help the dowager Duchess.
The sizzling, compelling nature of their first encounter was momentum for the first part of the novel, but the will they or won't they nature of their courtship did get to me after awhile. I appreciate how Rodale drove home the point that a marriage of such disparity in rank would require some sacrifice in the social sphere. It would be a choice between duty and love. I am just not a big fan of internal conflict as a primary source of conflict. I thought it well done, though, so if it's your thing, this may be a worthwhile read for you.
Finally, a word on the sisters, who I found annoying to varying degrees in their own novels, were quite wonderful here. They quite rightly told their brother that their chances at marriage should not be a factor for James in his choice between love and duty, because they wouldn't want suitors who would have a problem with it. Lovely moment of sibling support there.
Overall, this is a touching story of family and love, and I have decided to round up rather than round. It is a nuanced story that held up under reflection. It is unlike any other Rodale story I have read, but it is one of her better efforts.
I honestly can't make my mind up about this book. It was good, but not great. I think I may have enjoyed it more if I hadn't read the previous ones in the series. I can safely say that, while this is the final book in the series, it can easily be read first or just as a standalone. This book starts before it's three predecessors and ends after the others. I found myself trying to recall the events of the other books that detracted me from the story some, which is why I think this may be best read first, unless the previous ones are fresh in your mind and recently read. In a blogpost, Maya Rodale discussed the inspiration for this book, which was a combination of Princess Diaries (in that an American completely unexpectedly inherits a high-ranking title) and Grey's Anatomy with the Duke-Companion relationship mimicking the Doctor-Intern relationship of McDreamy and Meredith. There was much yes-no-maybe back and forth in their relationship, making it a fairly angsty read.
This was the first book that I have read by MR that features the hero as the central character. What I thought particularly well done was the portrayal of the Duke and his struggle to cope with his change of fortune. James would soothe many readers desire for a beta hero. He was vulnerable, caring and overall quite lovely. Meredith is doormat companion who has hidden desires. She takes a chance to act on her desire one night with a handsome stranger in the hotel pub before she moves from one selfless duty to the next. Little did she know that the stranger was actually the reason she was called back to London to help the dowager Duchess.
The sizzling, compelling nature of their first encounter was momentum for the first part of the novel, but the will they or won't they nature of their courtship did get to me after awhile. I appreciate how Rodale drove home the point that a marriage of such disparity in rank would require some sacrifice in the social sphere. It would be a choice between duty and love. I am just not a big fan of internal conflict as a primary source of conflict. I thought it well done, though, so if it's your thing, this may be a worthwhile read for you.
Finally, a word on the sisters, who I found annoying to varying degrees in their own novels, were quite wonderful here. They quite rightly told their brother that their chances at marriage should not be a factor for James in his choice between love and duty, because they wouldn't want suitors who would have a problem with it. Lovely moment of sibling support there.
Overall, this is a touching story of family and love, and I have decided to round up rather than round. It is a nuanced story that held up under reflection. It is unlike any other Rodale story I have read, but it is one of her better efforts.
December 24, 2020
I still really enjoyed this book despite the fact that I don't like the trope of a Duke marrying or in love with a commoner and it being all angsty of society pressures and them not being able to be together. It was cute and fluffy and wrapped up the series very well!!
November 30, 2017
We are on to the last of the Cavendish siblings; The Duke himself. Although he doesn't really feel like a The Duke. He still feels like James the horse breeder from America. However, he is determined to try for the sake of his beloved yet vexing sisters. But, before he becomes The Duke, he is going to have a night still being Just James and that's when he meets the girl and shares a night with her, only to find her disappeared in the morning, never to be seen again...or so he thought. The next time he sees the girl, she's next to the dowager Duchess and is the proper and ladylike Miss Green.Now that the last of the Cavendish siblings have been married off, I assume that It's Hard Out Here for a Duke is the last in the series. It's been a series that I have enjoyed, although this book is perhaps not my favourite. Each of the Cavendish siblings were unruly in different ways, and for James, the one with perhaps the largest responsibilities, he finds the mantle of Duke a difficult fit, especially when it means that the class differences keep him away from the woman he seems to be falling in love with.
I believe the reason I didn't like this book very much was because we once again go right back to the very beginning of the timeline of this series, which is required so we can see what is happening from James POV. However, we've done this three times already for the previous books so it feels very repetitive, especially because not much new information was added. It was just a lot of description of longing glances and inner monologues about how they could never be together. In some ways, it would have been better to plant some of James POV into the other books in preparation for his. That way you don't get basically the a cycle of...heartfelt looks...whinging about how they can never be together...announcing they can never be together to one another as they stare lovingly into each others eyes...repeat for 300 pages.
It was a nice end to the series though and I especially enjoyed the epilogue showing the whole family a number of years later, it left the series on a heart warming note. If you've read the series to this point, then I do recommend that you read this one, however, for me it wasn't the best - Lady Bridget's Diary is my favourite - but Keeping up with the Cavendishes is a perfect if you are after funny and lighthearted historical romance series to start.
*ARC provided by publisher
Reviewed by Suzanne❤ ♡ Don't want to miss any of our posts? Subscribe to our blog by email! ♡ ❤
November 28, 2017
3.5 stars
Finally a book in this series I was able to finish and enjoy! Yay! Bring the booze to celebrate! I knew Jame's book wouldn't be a disappointment because he is the most sensible one. He is a little thick in the head sometimes, but all of this can be forgiven.He and Meredith have the best romance in the series. They don't have silly reasons as to why they cannot be together and I liked that. I understood why both of them were reluctant to get together even if I didn't like it. The sisters were for once good. I guess seeing them as secondary characters and not being involved in their drama will do that to you. You can see that James loves his sisters and why he put up with them and everything the did. All the events in the books are happening the same time, so the series can be read out of order (or not read the previous books at all). The book is mostly drama free, not like the others which wasn't a bad thing for me. I liked that. To be honest one of the things that bothered me is the way everything began for Meredith and James. Meredith decides to have a one night stand and picks James up from a tavern. Is this the 1800's? I think not. They kept repeating that if they got together it would create a scandal, but they kept forgetting how their relationship began. I would recommend the book because It's the first book in the series I was able to enjoy.
Finally a book in this series I was able to finish and enjoy! Yay! Bring the booze to celebrate! I knew Jame's book wouldn't be a disappointment because he is the most sensible one. He is a little thick in the head sometimes, but all of this can be forgiven.He and Meredith have the best romance in the series. They don't have silly reasons as to why they cannot be together and I liked that. I understood why both of them were reluctant to get together even if I didn't like it. The sisters were for once good. I guess seeing them as secondary characters and not being involved in their drama will do that to you. You can see that James loves his sisters and why he put up with them and everything the did. All the events in the books are happening the same time, so the series can be read out of order (or not read the previous books at all). The book is mostly drama free, not like the others which wasn't a bad thing for me. I liked that. To be honest one of the things that bothered me is the way everything began for Meredith and James. Meredith decides to have a one night stand and picks James up from a tavern. Is this the 1800's? I think not. They kept repeating that if they got together it would create a scandal, but they kept forgetting how their relationship began. I would recommend the book because It's the first book in the series I was able to enjoy.
November 26, 2017
While I liked this book, I didn't love it and I was a bit disappointed.
Anyone who has read the previous books has for all intents and purposes, read 75% of this book. I knew before I started this book that James and Meredith had a past and that there was a strong attraction between them. And after the antics of his sisters, I fully expected James to have an equally entertaining book, but that is not how this story played out.
James and Meredith love each other, but are convinced they cannot be together because he is a Duke and she is a commoner. The entire book is them wavering between love and duty. I understood the difficulties they would have if they married, I understood the social ramifications and even the need to protect his sisters by not causing a scandal, but that was the entire book - they are attracted to each other, but he must choose duty over love.
There is a a lot of rehashing the events from the previous books, a lot of longing, some steamy-ish love scenes, a lot of heartache, a little bit of a surprise at the end and finally a HEA. I also found it a bit ironic that while pounding into James head the necessity of knowing formal address - the examples they used were wrong and used incorrect formal address - now to be fair, this was an uncorrected ACR and that may be corrected by publication (fingers crossed). Overall the writing was good, but I felt like this story was already told in the previous books and nothing really new or exciting happened in this story.
*I am voluntarily leaving a review for an UNCORRECTED eARC provided to me by Edelweiss and the publisher*
Anyone who has read the previous books has for all intents and purposes, read 75% of this book. I knew before I started this book that James and Meredith had a past and that there was a strong attraction between them. And after the antics of his sisters, I fully expected James to have an equally entertaining book, but that is not how this story played out.
James and Meredith love each other, but are convinced they cannot be together because he is a Duke and she is a commoner. The entire book is them wavering between love and duty. I understood the difficulties they would have if they married, I understood the social ramifications and even the need to protect his sisters by not causing a scandal, but that was the entire book - they are attracted to each other, but he must choose duty over love.
There is a a lot of rehashing the events from the previous books, a lot of longing, some steamy-ish love scenes, a lot of heartache, a little bit of a surprise at the end and finally a HEA. I also found it a bit ironic that while pounding into James head the necessity of knowing formal address - the examples they used were wrong and used incorrect formal address - now to be fair, this was an uncorrected ACR and that may be corrected by publication (fingers crossed). Overall the writing was good, but I felt like this story was already told in the previous books and nothing really new or exciting happened in this story.
*I am voluntarily leaving a review for an UNCORRECTED eARC provided to me by Edelweiss and the publisher*
May 23, 2018
2.75 out of 5. I would have easily given it a 3 out of 5 if there had been more focus on the romance.
The hero, James, is an American horse farmer turned Duke of Durham and the heroine, Meredith, is the dowager duchess's companion. They spend one night of passion as "Just James" and "Just a Girl" at a Southampton inn before returning to their proper roles in London. When they meet again at Durham House, Meredith pleads for him to keep their night a secret, because dukes do not marry lady companions. Although James would like to experience more nights with Mer, he respects her wishes. I really like that he has self-control when he's around her and doesn't force any kisses on Meredith when other HR heroes probably would have kissed his heroine whenever he was alone with her. Oh, but he could only hold back for so long. *wiggles eyebrows*
The other thing the book focused on was James (and his three sisters) adapting to his new role and responsibilities/duties as the Duke of Durham. They're American, so they don't understand all of the (ridiculous) rules of the ton. There was one scene where he undergoes a makeover and says, "It's not me," (or something similar to that) after seeing his reflection in the mirror. My heart went out to him, because I dislike it when my family tries to change my appearance.
The characters (James, Mer, and the dowager duchess) keeps reiterating how a duke has to marry a suitable lady as well as the consequences for marrying a lady's companion that even I started to have doubts that James and Meredith can ever end up together. Just the kind of angst I like in my HR but not enough! lol
I read this series in order. Thus, I was a little puzzled as to why this book is the last one in the series when it proceeds the events in the first three books. Sure, it mentions a few events from the previous three books but not in so much detail that you would get lost. This book would have been better as the first book in the series. So far I've read five books written by Maya Rodale and I've only enjoyed two out of those five books (this book and Lady Claire is All That, Book 3 of this series). Most of her books are slightly anachronistic, but I think this book is one of her better HRs.
The hero, James, is an American horse farmer turned Duke of Durham and the heroine, Meredith, is the dowager duchess's companion. They spend one night of passion as "Just James" and "Just a Girl" at a Southampton inn before returning to their proper roles in London. When they meet again at Durham House, Meredith pleads for him to keep their night a secret, because dukes do not marry lady companions. Although James would like to experience more nights with Mer, he respects her wishes. I really like that he has self-control when he's around her and doesn't force any kisses on Meredith when other HR heroes probably would have kissed his heroine whenever he was alone with her. Oh, but he could only hold back for so long. *wiggles eyebrows*
The other thing the book focused on was James (and his three sisters) adapting to his new role and responsibilities/duties as the Duke of Durham. They're American, so they don't understand all of the (ridiculous) rules of the ton. There was one scene where he undergoes a makeover and says, "It's not me," (or something similar to that) after seeing his reflection in the mirror. My heart went out to him, because I dislike it when my family tries to change my appearance.
The characters (James, Mer, and the dowager duchess) keeps reiterating how a duke has to marry a suitable lady as well as the consequences for marrying a lady's companion that even I started to have doubts that James and Meredith can ever end up together. Just the kind of angst I like in my HR but not enough! lol
I read this series in order. Thus, I was a little puzzled as to why this book is the last one in the series when it proceeds the events in the first three books. Sure, it mentions a few events from the previous three books but not in so much detail that you would get lost. This book would have been better as the first book in the series. So far I've read five books written by Maya Rodale and I've only enjoyed two out of those five books (this book and Lady Claire is All That, Book 3 of this series). Most of her books are slightly anachronistic, but I think this book is one of her better HRs.
November 7, 2017
This is my first time reading Maya Rodale book, and I leaped at the chance to read it as the blurb intrigued me. I have the first three (in the series) lining-up, but the American Duke plot made me jumping straight to book #4. Which turn into a big mistake, and not for the reason of not-reading-in-chronological-order.
The main issue for me here is: I just don’t care for the writing style. The basic plot and the characters are amusing enough. But the way everything told really ruins it for me. To say I’m bored stiff is an understatement; which made the reading feel endless and not fun.
To be fair there are a few time I broke into smile over the characters’ antics. As in, the supporting characters’ antics. James and Meredith are just a pair of dud hero/heroine. I mean, theirs is not the first ill-suited historical romance I read. But the way they deal with their attractions amidst the impropriety that might cause scandal... it’s exhausting and not at all impressive.
James might be new and still has a lot to learn to be a proper Duke. I don’t begrudge him this issue. But he doesn’t strike me as an imposing enough man to leave an impact here. I mean, wasn’t he a good farmer back in America? I thought a farmer would show tougher personalities! I guess I’m wrong. Meredith is no better with the overblown tragic past. Their alternate POVs just tiring for me. Not to mention the disjointed flow of events, that - for me - disturb the overall reading experience.
This might be a case of picking wrong title, and I’m sure others enjoy this book more than I do. This is just my two cents of It's Hard Out Here for a Duke.
Advanced copy of this book is kindly provided by the author/publisher via Edelweiss in exchange for an honest review.
The main issue for me here is: I just don’t care for the writing style. The basic plot and the characters are amusing enough. But the way everything told really ruins it for me. To say I’m bored stiff is an understatement; which made the reading feel endless and not fun.
To be fair there are a few time I broke into smile over the characters’ antics. As in, the supporting characters’ antics. James and Meredith are just a pair of dud hero/heroine. I mean, theirs is not the first ill-suited historical romance I read. But the way they deal with their attractions amidst the impropriety that might cause scandal... it’s exhausting and not at all impressive.
James might be new and still has a lot to learn to be a proper Duke. I don’t begrudge him this issue. But he doesn’t strike me as an imposing enough man to leave an impact here. I mean, wasn’t he a good farmer back in America? I thought a farmer would show tougher personalities! I guess I’m wrong. Meredith is no better with the overblown tragic past. Their alternate POVs just tiring for me. Not to mention the disjointed flow of events, that - for me - disturb the overall reading experience.
This might be a case of picking wrong title, and I’m sure others enjoy this book more than I do. This is just my two cents of It's Hard Out Here for a Duke.
Advanced copy of this book is kindly provided by the author/publisher via Edelweiss in exchange for an honest review.
February 20, 2019
The other books in this series got 4 and 5 stars from me. This one just pissed me off. Not nearly as funny. The title is stupid because it's so very obviously /not/ hard out there for the duke, compared to his sisters. And because he's the protagonist, and the female love interest is in a position of being a companion, a genteel but almost-servant position, his pursuit of her gives off some stalky-rapey vibes that I definitely didn't get from the books about his sisters - the men pursuing them were more along the lines of confused and overrun by the sisters' personalities. Just seemed to me that James is nowhere near as smart or clever or witty as the women in his family.
April 19, 2021
3.5 stars Meredith and James.
This entire review has been hidden because of spoilers.
July 1, 2021
This is the one book I didn't read last year when I read the rest of the series. which I kind of regret because I really liked this one. It's a very cute class-difference story. I don't really like how all four romances from the siblings were happening at once, I thought this would be more in the future.
December 9, 2017
3.5 stars rounded to 4.
The starting was a little slow in tempo.
The standout in the book was Meredith's capacity to suffer through. I mean, WOW! She takes the role of a martyr to a whole new level.
The starting was a little slow in tempo.
The standout in the book was Meredith's capacity to suffer through. I mean, WOW! She takes the role of a martyr to a whole new level.
January 29, 2018
Now, I finally have the last book of the series I have been reading for what seems like a year. But in reality its was more captivating to have it given out in section. I very much enjoyed watching each of the Cavendish sisters fall in love and find their matches. I have very much enjoyed how each story overlapped in its own way. I loved seeing the little glimpses behind the scenes of each various book when you were in the other. I loved having James to be the last of the stories presented because his was the glue for his sisters.
James had something many of the nobility of the ton did not. He had a very loving, stick-by-your side family. The had the 'Three Musketeer's" mentality. One for all and all for one. The Duchess was getting a hang of it by the time all was said and done. James learned just why his father was willing to give it all up and how he never turned back. James' growth during this series brings him a bit of heartache along the way because the one woman he wants. He can't truly have. He finds that being a duke affords him great privilege and responsibility. He can't always have what he wants. and he wants Meredith more than any thing else.
This for me was a traditional or classic read from Maya Rodale. She makes her stories fun, sweet, entertaining, family strong, and gives you a bit of contemporary times right along with her historical delight. I for one don't listen to tall the crap that one makes about a book because of their stance. I for one loved this entire series. It gave a bit of something that a lot of books miss out on.
James had something many of the nobility of the ton did not. He had a very loving, stick-by-your side family. The had the 'Three Musketeer's" mentality. One for all and all for one. The Duchess was getting a hang of it by the time all was said and done. James learned just why his father was willing to give it all up and how he never turned back. James' growth during this series brings him a bit of heartache along the way because the one woman he wants. He can't truly have. He finds that being a duke affords him great privilege and responsibility. He can't always have what he wants. and he wants Meredith more than any thing else.
This for me was a traditional or classic read from Maya Rodale. She makes her stories fun, sweet, entertaining, family strong, and gives you a bit of contemporary times right along with her historical delight. I for one don't listen to tall the crap that one makes about a book because of their stance. I for one loved this entire series. It gave a bit of something that a lot of books miss out on.
December 21, 2017
Lovely book. I liked it that the 4 books where in the same time period with the same events. So we see the events from an other perspective.
November 28, 2017
A 3.5 star book. I really like the premise for this series - all four books with the four siblings occurring simultaneously- except that, by the fourth book, it becomes repetitive. You’ve seen the same drawing room scene through at least five characters’ perspectives. You know when Bridget falls on her butt, or Claire goes to the boxing match, or Amelia runs away for the day or that James dances twice with Meredith. The prologue between Meredith and James was very good, and set up their relationship nicely but it pottered along until we got to the expected conclusion (which I’d guessed long before) with no surprises in between. Good, but I wanted more spark.
December 7, 2017
Oh, this series!
Ms. Rodale has been torturing us with the heated glances between James (aka The Duke) and Meredith (his aunt's companion) for three books now, and finally, finally we get their story!
For the most part, James and Meredith's book was all that I hoped for and more--though to be honest, there was a tiny little voice in my head screaming, "but you're the duke!" (because, hello, he's the duke. Isn't doing what you want supposed to go along with that???) throughout a good 50% of the book--still, all the angst and longing associated with forbidden love vs love of family and duty is absolutely there. Plus, we see all three of the Cavendish sisters through their loving but exasperated brother's eyes, which is a whole lot of fun...and did I mention tons of angst and longing between James and Meredith? Yes? ;)
This entire series takes place concurrently, with each book dealing with a different sibling and allowing us to see the events through their eyes this time--as such, each would work either as a standalone or as good a place to start the series as any. Spoiler alert, though--the whole series is fantastic, and it really is impossible to read just one. I dare you to not need to "keep up with the Cavendishes" once you get started!
(But...why are there no more siblings? WHY???)
Rating: 4 stars / A-
I voluntarily reviewed an Advance Reader Copy of this book.
Ms. Rodale has been torturing us with the heated glances between James (aka The Duke) and Meredith (his aunt's companion) for three books now, and finally, finally we get their story!
For the most part, James and Meredith's book was all that I hoped for and more--though to be honest, there was a tiny little voice in my head screaming, "but you're the duke!" (because, hello, he's the duke. Isn't doing what you want supposed to go along with that???) throughout a good 50% of the book--still, all the angst and longing associated with forbidden love vs love of family and duty is absolutely there. Plus, we see all three of the Cavendish sisters through their loving but exasperated brother's eyes, which is a whole lot of fun...and did I mention tons of angst and longing between James and Meredith? Yes? ;)
This entire series takes place concurrently, with each book dealing with a different sibling and allowing us to see the events through their eyes this time--as such, each would work either as a standalone or as good a place to start the series as any. Spoiler alert, though--the whole series is fantastic, and it really is impossible to read just one. I dare you to not need to "keep up with the Cavendishes" once you get started!
(But...why are there no more siblings? WHY???)
Rating: 4 stars / A-
I voluntarily reviewed an Advance Reader Copy of this book.
November 17, 2017
While not my favorite of the series, I did enjoy this title.
Before I really begin this review I feel like I need to disclose something: second chance romances are my least favorite. I have turned away many books because the H/h were previously together and were being reunited. Having said that, this title wasn't exactly a second chance romance in the traditional sense but for the first half of the book it certainly felt like one. There was a lot of "if only" in the first half of the book and a few times I seriously considered giving up on it.
I didn't give up, however, and the second half of the book made up for it. It was so much better than the beginning of the book and I really enjoyed it. I liked both James and Miranda and felt like they went together so well.
I enjoyed getting to see James learning to deal with his new responsibilities (whether he wanted to or not). And I felt like there was a real obstacle to his and Miranda's relationship besides their (very brief) history together. It wasn't something a simple conversation could overcome and that's often the worst part of a second chance romance.
I felt like this title was missing much of Miss Rodale's light and fun storytelling but it was still an entertaining read and I look forward to whatever she has coming next!!
*An eARC was provided by Edelweiss and the publisher in exchange for an honest review.
Before I really begin this review I feel like I need to disclose something: second chance romances are my least favorite. I have turned away many books because the H/h were previously together and were being reunited. Having said that, this title wasn't exactly a second chance romance in the traditional sense but for the first half of the book it certainly felt like one. There was a lot of "if only" in the first half of the book and a few times I seriously considered giving up on it.
I didn't give up, however, and the second half of the book made up for it. It was so much better than the beginning of the book and I really enjoyed it. I liked both James and Miranda and felt like they went together so well.
I enjoyed getting to see James learning to deal with his new responsibilities (whether he wanted to or not). And I felt like there was a real obstacle to his and Miranda's relationship besides their (very brief) history together. It wasn't something a simple conversation could overcome and that's often the worst part of a second chance romance.
I felt like this title was missing much of Miss Rodale's light and fun storytelling but it was still an entertaining read and I look forward to whatever she has coming next!!
*An eARC was provided by Edelweiss and the publisher in exchange for an honest review.
November 26, 2017
It's Hard Out Here for a Duke
It's Hard Out Here for a Duke by Maya Rodale. This is the story of James Cavendish and Meredith Green. I have read the previous book, but feel this can easily be a standalone book. James is an American but has inherited the title of Duke of Durham. Although its a title he doesn't really want he goes forward to taking it. James also takes one last chance at freedom by being with Meredith. But neither really thought they would see each other again but that isn't the case. Meredith is a commoner who is a companion to the dowager Duchess of Durham. Which puts them in close quarters now. But can anything become of the feelings that are growing between the two? The books I have read in the series I have truly enjoyed and this being one of them! https://twitter.com/soapsrus68 https://www.facebook.com/RomanceBookR... https://romancebookreviewforyou.wordp... https://www.tumblr.com/blog/romancebo...
It's Hard Out Here for a Duke by Maya Rodale. This is the story of James Cavendish and Meredith Green. I have read the previous book, but feel this can easily be a standalone book. James is an American but has inherited the title of Duke of Durham. Although its a title he doesn't really want he goes forward to taking it. James also takes one last chance at freedom by being with Meredith. But neither really thought they would see each other again but that isn't the case. Meredith is a commoner who is a companion to the dowager Duchess of Durham. Which puts them in close quarters now. But can anything become of the feelings that are growing between the two? The books I have read in the series I have truly enjoyed and this being one of them! https://twitter.com/soapsrus68 https://www.facebook.com/RomanceBookR... https://romancebookreviewforyou.wordp... https://www.tumblr.com/blog/romancebo...
December 3, 2017
I rounded this up; it's not quite a four star, but three was a little harsh.
The good: this was the best of the series. The writing improved, and the story wasn't a rip-off (like Bridget's was). The duchess wasn't as annoying.
The meh: over use of the word "sensuous". Writing. Like. This. James' wishy washy-ness. He did a lot of back and forth, but Meredith calls him out for it so that made me feel a little better. Then he did it again.
The good: this was the best of the series. The writing improved, and the story wasn't a rip-off (like Bridget's was). The duchess wasn't as annoying.
The meh: over use of the word "sensuous". Writing. Like. This. James' wishy washy-ness. He did a lot of back and forth, but Meredith calls him out for it so that made me feel a little better. Then he did it again.
November 19, 2017
Take a look at this beautiful cover. I just love the jewel tones, and the model they used to portray our hero is absolutely spot on. This is the fourth (and possibly final) book in the Keeping Up with the Cavendishes series. The stories of the series all take place concurrently, so if you want to read them out of order, I don't think you would have much trouble.
The hero and main character of this installment is James Cavendish, who has arrived in England from America as the new duke, with his three headstrong sisters in tow. In America, James is a farmer and raises horses, and has no idea how to navigate the bon ton of London. Nor does he really want to. In this story, we see James struggle with duty and desire. The desire for a woman who is unsuitable and the desire to run back home to America continuously tips the scales with James' new duties to the estate, his tenants, and society in general. I liked James' character. I felt that he was honorable and responsible, and I admired him for always putting others before himself. I also cheered for James to do something for his own happiness for a change, instead of being afraid of how his actions may affect his sisters or tenants or the gossips among the ton.
James fell for a most unsuitable heroine, Miss Meredith Green, the dutiable companion to his great aunt and dowager duchess, Josephine. Meredith has grown up on the outskirts of the ton, but has learned to be a lady at Josephine's knee. Strangely enough, until she met James, it doesn't seem that Meredith ever dreamed of more from her life. She was content to be the duchess' companion, and felt grateful to Josephine for taking on the daughter of her former lady's maid. So Meredith is awakened by James, which led to her being somewhat of a wishy washy heroine. She would push him away and reel him in ad nauseum. I found her to be a trying heroine and somewhat of a milksop, and there just wasn't enough of her personality for me to connect to.
The romance between James and Meredith was hot and cold. There were short moments of mild chemistry mixed with longer moments of our characters adulting (i.e. minding their duties and responsibilities). I would have liked to see more chemistry between our couple, and the plot could have used some more action or drama to spice things up a bit.
Overall this was just an okay read for me. There was nothing that really distinguished it from similar storylines that I have read in the past, and I didn't find this book to be as lively as those of the Cavendish sisters. I did enjoy the epilogue and felt that it wrapped the series up quite nicely.
I voluntarily read and reviewed an advanced copy of this book that I received from the publisher, Avon.
December 14, 2017
Dukes seem to grow on trees these days, and the trees convert to paper in all the latest historical romances (though, as I deal mainly in paperless ebooks, perhaps dukes have started growing on Kindles as well). Too many authors think you just have to stamp a hero with the title ‘Duke’ and the matter is covered, but this only works if you understand that dukes should, in general, receive a different approach than other noble characters. In a market drowning in dukes, Maya Rodale is consistently able to place heroes in the position of duke and have it come across as believable.
There’s something missing from the majority of hero dukes on the shelves. The right ones don’t just have the title ‘Duke’ tossed on to make the romance novel more marketable. That’s a cheap device that lacks credibility unless you also deliver on the concept. Since the release of A Groom of One’s Own years ago, I’ve pointed to Rodale’s hero, Brandon (i.e. the Duke of Hamilton and Brandon), as a duke who isn’t just window dressing to sell more novels. He gets it: being a proper duke is about sacrificing one’s own self for the bigger picture.
So naturally, when she writes about an American horse trainer who serendipitously inherits a dukedom, the hero’s conflict revolves around that very notion of sacrifice and losing oneself to the title. As this is a Cavendish book (please do yourself a favor and read the other three in this very strong series), the hero cares about his family and will do anything for them. Unfortunately, what they need most is for him to become the Duke of Durham in full. If he does not, he might wreck their chances at happiness by damaging their reputations. Becoming a true duke is a sacrifice indeed, as he is nothing like a duke, but is just an honest man named James who wants to work with horses. But he is a man of his word: he would do anything for family. He must become the duke in truth.
And no matter how she strives to only see him as His Grace, the Duke of Durham, Miss Meredith Greene cannot help but see him as a man named James whom she enjoys, admires, respects, and secretly lusts after. We saw hints of their fancying each other throughout the previous books but we’re filled in on their backstory and much, much more within Book IV. I feel almost betrayed by my friends, the characters, when I discovered that James and Meredith have been engaging in a star-crossed struggle, all behind scenes of the other books. They didn’t tell me! I did not know! I mean, it was obvious they were going to be paired but *seriously*. Seriously! All this turmoil and you never even said. Are we not friends? To finally read it in their own book is such a delight and so many puzzle pieces come together. Having just reread all three other books immediately before this one, I’m in the improbable position where I almost feel I should reread the whole series again to get the full picture.
We are also treated to a glimpse of the Cavendish sisters’ training before being released on the British nobility. The other books start around the day they came out in society. James’s book goes back further in time, starting with their first days in England, when they know nothing and are meeting the duchess and Meredith for the first time. You don’t need to have read the other three books but it enhances the fourth if you’ve read the others. We’re a third of the way through Book 4 before we catch up to Book 1's start on the timeline, so that leaves plenty of time for training in How to Be a Duke and How to Be a Lady and How to Not Ruin All Prospects Ever for Your Whole Family.
Meredith, like the Cavendishes, was thrown from a common background into the graceful world of manners and propriety and, as with the sisters, had to be trained to be a lady through extensive lessons from the duchess (always a favorite side character of mine). The Cavendishes differ from Meredith, though, in that she was twelve when she came to the duchess and highly impressionable, taking everything in without question. As the Cavendishes are Cavendishes, they question everything and inevitably choose their own ways. Meredith silently marvels at their resilient spirits and familiarity with each other and even their stubbornness. We see a whole new dimension to the family from the perspective of an outsider who can both identify and cannot help but think favorably on their independent tendencies, as she has always only done as she’s told.
This couple is so believable it hurts. They have everything against them and they fit together so well and they each bring out newer and stronger versions of the other. Meredith’s quiet strengths inspire James to be a better duke again and again. Becoming the duke is a painful transformation but I think you’ll agree by the end he is better for it, and so are many other people. And Meredith is his greatest help in this struggle to overcome his own preferences in deference to the title and all its responsibilities. But with every step he takes toward that goal in his pursuit to support his family and the dukedom fully, he moves further and further out of reach of the quiet, uncomplaining Meredith. She understands that the more he embodies his title, the less likely it is that she could ever have a chance with the man she’s been growing to love. Suddenly she is doubting her rock-solid place in life. Like the Cavendishes do every day without thought, she’s begun to question why she must do as prescribed, as an almost-lady, but never quite enough of one to make a difference when she truly, for the first time, wants something.
Add onto all this that what she wants will wreck the lifelong dreams of the woman she most esteems: the Duchess of Durham. This woman brought her in, trained her to be a lady, gave her a better life than she was born to live, and loved her as a mother might love her daughter. All the duchess has ever wanted is to secure the line of Durham for the next generation. As she could not do so through her own body, Josephine is determined to succeed in proxy by pairing James with a perfect bride and ensuring the dukedom is safe from the clutching, ridiculous hands of Mr. Collins, the heir apparent. I love Josephine and I love Meredith and I want nothing more than for them to be happy forever but their goals conflict and therefore I am in agony and I read on and on and on.
The one complaint I have (besides the fact that one notable sentence was quoted incorrectly from a past book and also the title of a daughter of an earl was incorrectly phrased by the duchess; it should be Lady Firstname) was that it took them too long to reach the conclusion that they could just marry and gossips be damned. It seemed a bit too neat of a solution and I was thinking halfway that they were torturing themselves too much over this expectation that they’d have to leave and forget everything in order to be together. No, you can stay. You can stay and be in love and weather the storm. And obviously, that is what they eventually did.
But this is a minor complaint in a thoroughly enjoyable novel. I cannot decide whether this last book in the series is my favorite or Claire’s is. I keep going back and forth. And sometimes Amelia’s story asserts itself and I say, no, Amelia is so wonderful and I am so in love with Alistair. And then I’m back to the first lovely book and I’m left with the conclusion that, bottom line, this is one excellent series.
4.5 stars for Book IV. Series highly recommended.
There’s something missing from the majority of hero dukes on the shelves. The right ones don’t just have the title ‘Duke’ tossed on to make the romance novel more marketable. That’s a cheap device that lacks credibility unless you also deliver on the concept. Since the release of A Groom of One’s Own years ago, I’ve pointed to Rodale’s hero, Brandon (i.e. the Duke of Hamilton and Brandon), as a duke who isn’t just window dressing to sell more novels. He gets it: being a proper duke is about sacrificing one’s own self for the bigger picture.
So naturally, when she writes about an American horse trainer who serendipitously inherits a dukedom, the hero’s conflict revolves around that very notion of sacrifice and losing oneself to the title. As this is a Cavendish book (please do yourself a favor and read the other three in this very strong series), the hero cares about his family and will do anything for them. Unfortunately, what they need most is for him to become the Duke of Durham in full. If he does not, he might wreck their chances at happiness by damaging their reputations. Becoming a true duke is a sacrifice indeed, as he is nothing like a duke, but is just an honest man named James who wants to work with horses. But he is a man of his word: he would do anything for family. He must become the duke in truth.
And no matter how she strives to only see him as His Grace, the Duke of Durham, Miss Meredith Greene cannot help but see him as a man named James whom she enjoys, admires, respects, and secretly lusts after. We saw hints of their fancying each other throughout the previous books but we’re filled in on their backstory and much, much more within Book IV. I feel almost betrayed by my friends, the characters, when I discovered that James and Meredith have been engaging in a star-crossed struggle, all behind scenes of the other books. They didn’t tell me! I did not know! I mean, it was obvious they were going to be paired but *seriously*. Seriously! All this turmoil and you never even said. Are we not friends? To finally read it in their own book is such a delight and so many puzzle pieces come together. Having just reread all three other books immediately before this one, I’m in the improbable position where I almost feel I should reread the whole series again to get the full picture.
We are also treated to a glimpse of the Cavendish sisters’ training before being released on the British nobility. The other books start around the day they came out in society. James’s book goes back further in time, starting with their first days in England, when they know nothing and are meeting the duchess and Meredith for the first time. You don’t need to have read the other three books but it enhances the fourth if you’ve read the others. We’re a third of the way through Book 4 before we catch up to Book 1's start on the timeline, so that leaves plenty of time for training in How to Be a Duke and How to Be a Lady and How to Not Ruin All Prospects Ever for Your Whole Family.
Meredith, like the Cavendishes, was thrown from a common background into the graceful world of manners and propriety and, as with the sisters, had to be trained to be a lady through extensive lessons from the duchess (always a favorite side character of mine). The Cavendishes differ from Meredith, though, in that she was twelve when she came to the duchess and highly impressionable, taking everything in without question. As the Cavendishes are Cavendishes, they question everything and inevitably choose their own ways. Meredith silently marvels at their resilient spirits and familiarity with each other and even their stubbornness. We see a whole new dimension to the family from the perspective of an outsider who can both identify and cannot help but think favorably on their independent tendencies, as she has always only done as she’s told.
This couple is so believable it hurts. They have everything against them and they fit together so well and they each bring out newer and stronger versions of the other. Meredith’s quiet strengths inspire James to be a better duke again and again. Becoming the duke is a painful transformation but I think you’ll agree by the end he is better for it, and so are many other people. And Meredith is his greatest help in this struggle to overcome his own preferences in deference to the title and all its responsibilities. But with every step he takes toward that goal in his pursuit to support his family and the dukedom fully, he moves further and further out of reach of the quiet, uncomplaining Meredith. She understands that the more he embodies his title, the less likely it is that she could ever have a chance with the man she’s been growing to love. Suddenly she is doubting her rock-solid place in life. Like the Cavendishes do every day without thought, she’s begun to question why she must do as prescribed, as an almost-lady, but never quite enough of one to make a difference when she truly, for the first time, wants something.
Add onto all this that what she wants will wreck the lifelong dreams of the woman she most esteems: the Duchess of Durham. This woman brought her in, trained her to be a lady, gave her a better life than she was born to live, and loved her as a mother might love her daughter. All the duchess has ever wanted is to secure the line of Durham for the next generation. As she could not do so through her own body, Josephine is determined to succeed in proxy by pairing James with a perfect bride and ensuring the dukedom is safe from the clutching, ridiculous hands of Mr. Collins, the heir apparent. I love Josephine and I love Meredith and I want nothing more than for them to be happy forever but their goals conflict and therefore I am in agony and I read on and on and on.
The one complaint I have (besides the fact that one notable sentence was quoted incorrectly from a past book and also the title of a daughter of an earl was incorrectly phrased by the duchess; it should be Lady Firstname) was that it took them too long to reach the conclusion that they could just marry and gossips be damned. It seemed a bit too neat of a solution and I was thinking halfway that they were torturing themselves too much over this expectation that they’d have to leave and forget everything in order to be together. No, you can stay. You can stay and be in love and weather the storm. And obviously, that is what they eventually did.
But this is a minor complaint in a thoroughly enjoyable novel. I cannot decide whether this last book in the series is my favorite or Claire’s is. I keep going back and forth. And sometimes Amelia’s story asserts itself and I say, no, Amelia is so wonderful and I am so in love with Alistair. And then I’m back to the first lovely book and I’m left with the conclusion that, bottom line, this is one excellent series.
4.5 stars for Book IV. Series highly recommended.
November 26, 2017
2.5 Stars
So I kinda wish I liked this better. Because this is well written.
I liked Rodale's writing style, a lot. It's Hard out here for a Duke has her hallmark wit, some cute banter and yet, it lacked something.
The plot was a bit slow for me. The romance had too much hot and cold going on as well.
I considered to DNF several times. But then I kept hoping that it will get better.
And it did, a little.
The thing is I was totally underwhelmed by the MCs. I found James okay, mostly. He was a bit whiny in the beginning. Meredith was exasperating, pushing him away, then reeling him back in... But the thing is I didn't get their chemistry. I mean I liked James growing feelings, except I kinda didn't get why or when he got them. It made not much sense to me because I didn't feel their chemistry at all.
And there lies my problem with this book. It misses the spark, at least for me.
However, I also have to say, that this could easily be chalked down to an its-me-not-the-book case and lovers of the author and the genre should give this a try.
So I kinda wish I liked this better. Because this is well written.
I liked Rodale's writing style, a lot. It's Hard out here for a Duke has her hallmark wit, some cute banter and yet, it lacked something.
The plot was a bit slow for me. The romance had too much hot and cold going on as well.
I considered to DNF several times. But then I kept hoping that it will get better.
And it did, a little.
The thing is I was totally underwhelmed by the MCs. I found James okay, mostly. He was a bit whiny in the beginning. Meredith was exasperating, pushing him away, then reeling him back in... But the thing is I didn't get their chemistry. I mean I liked James growing feelings, except I kinda didn't get why or when he got them. It made not much sense to me because I didn't feel their chemistry at all.
And there lies my problem with this book. It misses the spark, at least for me.
However, I also have to say, that this could easily be chalked down to an its-me-not-the-book case and lovers of the author and the genre should give this a try.
Want to read
August 28, 20188/27/18 - $1.99 on Kindle
November 5, 2017
4.5 stars rounding up: this was a Grey’s Anatomy AU for Derek & Meredith except Addison was the duke’s estate so no cheating and let me tell you, I WAS HERE FOR IT. I don’t feel like I need to say much more?
October 5, 2017
I received a copy of this title to read and review for Wicked Reads
5 HEA Stars.
It's Hard Out Here for a Duke could be read as a standalone, offering no confusion, but I would advise against it, as that would hinder the emotional response in the reader. Over the previous three installments, readers have connected to the American-born aristocrats, and knowing the little details made the story more worthwhile.
Readers have been waiting since hints were dropped throughout the entire series about James' fixation on the dowager duchess' companion- Miss Green. A lot of behind closed doors interactions were caught by naughty, annoying little sister's during their books, of Meredith and James in compromising positions, and now it's time the story was told.
The novel spans the entire length of the series, predating the first novel, almost giving off a prequel feel. James' narration begins before they hit London, because he was hanging onto his old life for as long as humanly possible. Until he set foot on his new property, he wasn't yet a duke.
Just James... and Meredith was just a girl.
If you're a fan of the series, I don't need to spell it out, and if this is your first glimpse of the Americans hitting the ton by storm (go back to book 1), then I don't wish to ruin the plot. Push-pull. Will they-won't they. Rodale makes the characters earn it, taking the reader along for the ride. The payoff is well earned with a happily ever after.
James is now a duke, with a duty to uphold. Three sisters to place first in his heart, and an entire dukedom to put ahead of his own needs and wants. The last thing he needs is a scandal, which is hilarious if you read the previous books. Snorts.
Meredith is in a position that places her on at the sidelines, not royal enough to fit in as a peer with those she interacts with, but too educated and composed to be allowed companionship with the servants. Where does she fit in society? Why does she feel as if she deserves more, wants more, than to worry about her dementia-addled mother as she keeps the dowager duchess company?
James and Meredith have a spark that ignites whenever in each other's presence, a hard to deny connection, easy enough for others to see. While I enjoyed their interactions, I found my heart galloping with glee when it came to James interacting with his sisters- it added a layer of levity to a novel that could have become too melancholy and angsty of a story without it.
I read It's Hard Out Here for a Duke in a single sitting, from start to finish, and by the time the dowager narrated the epilogue, I was teary-eyed from the most final of happily ever afters, for the entire Cavendish clan.
I highly recommend this book/series to fans of the author, and readers looking for a humorous yet emotional journey. The humor is not over-the-top, the romance doesn't feel forced, both are organic and easily bought by the reader. I look forward to more by this author in the future, and am hungry to devour her backlist.
5 HEA Stars.
It's Hard Out Here for a Duke could be read as a standalone, offering no confusion, but I would advise against it, as that would hinder the emotional response in the reader. Over the previous three installments, readers have connected to the American-born aristocrats, and knowing the little details made the story more worthwhile.
Readers have been waiting since hints were dropped throughout the entire series about James' fixation on the dowager duchess' companion- Miss Green. A lot of behind closed doors interactions were caught by naughty, annoying little sister's during their books, of Meredith and James in compromising positions, and now it's time the story was told.
The novel spans the entire length of the series, predating the first novel, almost giving off a prequel feel. James' narration begins before they hit London, because he was hanging onto his old life for as long as humanly possible. Until he set foot on his new property, he wasn't yet a duke.
Just James... and Meredith was just a girl.
If you're a fan of the series, I don't need to spell it out, and if this is your first glimpse of the Americans hitting the ton by storm (go back to book 1), then I don't wish to ruin the plot. Push-pull. Will they-won't they. Rodale makes the characters earn it, taking the reader along for the ride. The payoff is well earned with a happily ever after.
James is now a duke, with a duty to uphold. Three sisters to place first in his heart, and an entire dukedom to put ahead of his own needs and wants. The last thing he needs is a scandal, which is hilarious if you read the previous books. Snorts.
Meredith is in a position that places her on at the sidelines, not royal enough to fit in as a peer with those she interacts with, but too educated and composed to be allowed companionship with the servants. Where does she fit in society? Why does she feel as if she deserves more, wants more, than to worry about her dementia-addled mother as she keeps the dowager duchess company?
James and Meredith have a spark that ignites whenever in each other's presence, a hard to deny connection, easy enough for others to see. While I enjoyed their interactions, I found my heart galloping with glee when it came to James interacting with his sisters- it added a layer of levity to a novel that could have become too melancholy and angsty of a story without it.
I read It's Hard Out Here for a Duke in a single sitting, from start to finish, and by the time the dowager narrated the epilogue, I was teary-eyed from the most final of happily ever afters, for the entire Cavendish clan.
I highly recommend this book/series to fans of the author, and readers looking for a humorous yet emotional journey. The humor is not over-the-top, the romance doesn't feel forced, both are organic and easily bought by the reader. I look forward to more by this author in the future, and am hungry to devour her backlist.
September 25, 2017
This is the fourth book in Maya Rodale's popular Keeping Up with the Cavendishes series, about four American siblings whose lives were disrupted when they inherited a dukedom. More specifically the brother inherits it and now has to make sure that his beloved sisters adjust to the English ton and make suitable matches for them. What I love about the series is the timeline for each book runs parallel to each other. Therefore as readers we get a three dimensional look into the lives of the four which probably is a feat for the author to make sure everything jives! Still, It's Hard Out Here for a Duke finally gives us the story of James and Meredith. These two have been giving each other THE glance in all the previous books so to get their story is like the crowning glory of the series. I love their backstory and how they navigated their developing romance. I love that Meredith started questioning her life what she deserves, what she dreams about, what she can achieve. James on the other hand also had to subdue his free spirited behaviour and bow down to the rules of the ton despite having all these feelings for Meredith. All for his sisters! But true love cannot be denied and although the resolution of the problem seems a bit convenient, it still did not take anything away from the story. I will truly miss the Cavendishes!
*ARC provided*
*ARC provided*
June 18, 2017
I have so enjoyed this series. The very American Cavendishes are such fun to read about as they attempt to make their way in British society. This book gives us the point of view of the only male sibling. Like any male, his sisters drive him crazy and he'd do anything for them.
February 13, 2018
The Duke of Durham, a.k.a. James Cavendish, really doesn't want to be a Duke, but he's stuck in this position because his uncle, the previous Duke, has died. His father would be the heir, except that he, too, has died. That leaves James to take up the mantle, as ill-prepared as he is. He's an American, and so are his 3 sisters.
Their father was the son of a British Duke, who left England after falling in love with an American girl. He never went back. Unfortunately for James, his father didn't talk much about his life in England, but he did talk about horse breeding. In fact, the Duke's son stole his brother's prize horse, Messenger, and brought it with him overseas when he started his new life. Consequently, James and his sisters were raised on a horse farm. There's nothing James loves more than hanging out in the stables or riding. But he can't do that now. He's a Duke. Dukes do not muck horse stalls. Or even saddle their own horses.
James puts off the inevitable by telling himself he's not REALLY a Duke until he sets foot on London soil. Until then, he's Just James. (A wink to the U.S. show Will and Grace and "Just Jack," maybe?) And Just James has an unforgettable encounter with a lovely young lady who introduces herself simply as "just a girl" at an inn in Southampton during his journey. He's disappointed when she's not in his bed with him the next morning and he doesn't even know her name.
In the way of all romance novels, James finds her when he arrives at his new London town home. She is Meredith Green, a common-born companion to his Aunt Josephine, the Duchess. This makes Meredith totally unsuitable wife material for a Duke. That doesn't stop him from wishing he could get her back in his bed, and then to make her his wife despite his aunt's disapproval.
I love the tone of all these books. Lots of gentle humor. Plenty of sibling squabbling and banter with warmth and love obviously binding them as a family unit. Characters have distinctive personalities. By the time you finish any of these four books, you feel as though these are people you really know. Although I've read a number of book series, this is the first I've encountered where all four stories occur during the same time frame. You can still read this as a stand-alone, but there are overlaps within this story that pertain to the concurrent romantic experiences of James' sisters Claire, Bridget and Amelia.
The point of view here bounces between James and Meredith. The Duchess often tasks her companion with giving lessens to the three girls about proper deportment, and occasionally she has to work with the Duke for the same purpose. This doesn't help them in their attempts to avoid each other and Do their Duty.
Well, SOMEtimes they attempt to avoid each other. I'm in favor of the hero and heroine yearning for forbidden fruit in a good romance, but I thought this aspect of the story got overused. I mean, James seeks Meredith out and wants to throw caution to the wind several times and is rebuffed (except one time when he isn't). Then, when he finally accepts that he needs to take this whole Duke thing more seriously and pursue a socially acceptable wife, Meredith becomes the instigator. While I still liked this story, the romance didn't seem to have as much meat on its bones as the other three books about Bridget, Amelia and Claire.
Despite that, I do love James as a leading character. He's conflicted through much of the story, wishing he could just chuck it all and go back to America, but also intrigued by this previous life of his father's that he wants to understand. The factors that convince him he must embrace his new position and accept that he won't return to America tell you a lot about him. He's also fiercely protective of his sisters and is willing to sacrifice his own happiness to ensure theirs, no matter how much they drive him crazy. I also feel for Lady Emma, because it sounds like she and James could make a good go of it if he wasn't already in love with Meredith.
Meredith is an appealing leading lady, too. She's in an awkward social position. She is seen as uppity by those in the small village where she was born because of her deportment and manners. She outranks all the household servants. But she is beneath those she spends most of her time with. It's an interesting character study of a young woman who feels she is invisible most of the time. For a man to actually notice her and want to be with her is a heady feeling, indeed. The fact that he turns out to be a duke is scary, and then it's exhilarating (but still terrifying) when he makes it clear he still wants her. She wants to maintain a respectable reputation, but she knows James can't marry her without creating a scandal.
The revelations at the book's end that provide the happy ending aren't entirely surprising-- I wasn't sure of the particulars, but I was reasonably certain I knew how things would go for the romance. However, it's well executed and makes for a satisfying read.
Their father was the son of a British Duke, who left England after falling in love with an American girl. He never went back. Unfortunately for James, his father didn't talk much about his life in England, but he did talk about horse breeding. In fact, the Duke's son stole his brother's prize horse, Messenger, and brought it with him overseas when he started his new life. Consequently, James and his sisters were raised on a horse farm. There's nothing James loves more than hanging out in the stables or riding. But he can't do that now. He's a Duke. Dukes do not muck horse stalls. Or even saddle their own horses.
James puts off the inevitable by telling himself he's not REALLY a Duke until he sets foot on London soil. Until then, he's Just James. (A wink to the U.S. show Will and Grace and "Just Jack," maybe?) And Just James has an unforgettable encounter with a lovely young lady who introduces herself simply as "just a girl" at an inn in Southampton during his journey. He's disappointed when she's not in his bed with him the next morning and he doesn't even know her name.
In the way of all romance novels, James finds her when he arrives at his new London town home. She is Meredith Green, a common-born companion to his Aunt Josephine, the Duchess. This makes Meredith totally unsuitable wife material for a Duke. That doesn't stop him from wishing he could get her back in his bed, and then to make her his wife despite his aunt's disapproval.
I love the tone of all these books. Lots of gentle humor. Plenty of sibling squabbling and banter with warmth and love obviously binding them as a family unit. Characters have distinctive personalities. By the time you finish any of these four books, you feel as though these are people you really know. Although I've read a number of book series, this is the first I've encountered where all four stories occur during the same time frame. You can still read this as a stand-alone, but there are overlaps within this story that pertain to the concurrent romantic experiences of James' sisters Claire, Bridget and Amelia.
The point of view here bounces between James and Meredith. The Duchess often tasks her companion with giving lessens to the three girls about proper deportment, and occasionally she has to work with the Duke for the same purpose. This doesn't help them in their attempts to avoid each other and Do their Duty.
Well, SOMEtimes they attempt to avoid each other. I'm in favor of the hero and heroine yearning for forbidden fruit in a good romance, but I thought this aspect of the story got overused. I mean, James seeks Meredith out and wants to throw caution to the wind several times and is rebuffed (except one time when he isn't). Then, when he finally accepts that he needs to take this whole Duke thing more seriously and pursue a socially acceptable wife, Meredith becomes the instigator. While I still liked this story, the romance didn't seem to have as much meat on its bones as the other three books about Bridget, Amelia and Claire.
Despite that, I do love James as a leading character. He's conflicted through much of the story, wishing he could just chuck it all and go back to America, but also intrigued by this previous life of his father's that he wants to understand. The factors that convince him he must embrace his new position and accept that he won't return to America tell you a lot about him. He's also fiercely protective of his sisters and is willing to sacrifice his own happiness to ensure theirs, no matter how much they drive him crazy. I also feel for Lady Emma, because it sounds like she and James could make a good go of it if he wasn't already in love with Meredith.
Meredith is an appealing leading lady, too. She's in an awkward social position. She is seen as uppity by those in the small village where she was born because of her deportment and manners. She outranks all the household servants. But she is beneath those she spends most of her time with. It's an interesting character study of a young woman who feels she is invisible most of the time. For a man to actually notice her and want to be with her is a heady feeling, indeed. The fact that he turns out to be a duke is scary, and then it's exhilarating (but still terrifying) when he makes it clear he still wants her. She wants to maintain a respectable reputation, but she knows James can't marry her without creating a scandal.
The revelations at the book's end that provide the happy ending aren't entirely surprising-- I wasn't sure of the particulars, but I was reasonably certain I knew how things would go for the romance. However, it's well executed and makes for a satisfying read.
July 29, 2018
This series is a really great example of how to write a set of stories all taking place over the same time without retelling the previous stories. They were all unique stories with a few time markers put in each book. I liked it and it worked! This book felt like the weakest plot wise, and I have some Thoughts.
I was thinking about what I would have liked, and I think this book could have been better if it took place mainly after all the other stories. Perhaps James has a blowout with the Duchess and goes back to America, sees his old friends and realizes how much he's changed. Perhaps he receives a letter and rushes back to America to provide assistance. These books rather gloss over the fact that the four of them really did leave a full life behind them - they are all grown people who had friends and work and lives. Something to remind the Duchess of that fact would have been great.
Because really, I have a problem with the Duchess. I have had one since the first book, and it remains until this one! It sadly also doesn't feel resolved. I just can't like her. Even this book, which has chapters from her POV, and lots of explanation of why she acts the way she does was not enough to endear her to me. I can sympathize with her actions, but she acts without empathy or understanding and it really bothers me. I was hoping for more of a set down followed by some repentance/deeper connection in this book, but no, we never get that.
The story in this one ranged from melancholy to downright heart breaking, and I didn't find the end enough to turn that around. Perhaps I could have enjoyed it more if I didn't have all these Duchess related feelings, but here we are.
I was thinking about what I would have liked, and I think this book could have been better if it took place mainly after all the other stories. Perhaps James has a blowout with the Duchess and goes back to America, sees his old friends and realizes how much he's changed. Perhaps he receives a letter and rushes back to America to provide assistance. These books rather gloss over the fact that the four of them really did leave a full life behind them - they are all grown people who had friends and work and lives. Something to remind the Duchess of that fact would have been great.
Because really, I have a problem with the Duchess. I have had one since the first book, and it remains until this one! It sadly also doesn't feel resolved. I just can't like her. Even this book, which has chapters from her POV, and lots of explanation of why she acts the way she does was not enough to endear her to me. I can sympathize with her actions, but she acts without empathy or understanding and it really bothers me. I was hoping for more of a set down followed by some repentance/deeper connection in this book, but no, we never get that.
The story in this one ranged from melancholy to downright heart breaking, and I didn't find the end enough to turn that around. Perhaps I could have enjoyed it more if I didn't have all these Duchess related feelings, but here we are.
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