Yuji Yamada
Madelena Elshoff
English/Writing 9
6 December 2016
Familial Love In a Disaster: An Analysis of Richard Lewis’ Killing Sea
Familial love is a strong adhesive for relationships, strongly welding the relationships together even in extremely severe situations, such as natural disasters. The historical fiction novel, Killing Sea by Richard Lewis is based on an actual natural disaster- the Indian Ocean earthquake and tsunami that happened in 2004. In the novel, Sarah and her family, who are foreigners, sail off to the coast of Indonesia. Forthwith, a huge tsunami attacks the Tiger island, Indonesia, breaking their father’s leg during the strike. While their mother rescues their father, she tells Sarah and her brother to run away with their pet, Surf Cat. Ruslan, an Indonesian boy who lost his mother when he was young, also runs away to survive from the tsunami. He was alone because his father has gone to the rebel’s village called “Ie Mameh” on the day of the tsunami. The two different characters go on a journey to find their parents. That was when they start to realise the essential aspect that they’ve been forgetting- “familial love”. Straightaway, they become very friendly to each other as soon as they figure out their common distresses towards their familial love. Under those circumstances, the novel shows that the familial love can play a significant role among the characters. If that is the case, how does the author convey the overall importance of family love in this novel? In the novel Killing Sea, the author shows the substantial role of “family love” through the character development of Ruslan and Sarah, and through the use of figurative language.
First of all, the author conveys the significance of familial love by developing the character of Ruslan. Ruslan notices how the maternal love is critical for him as he travels along with Sarah, who also has a hard time with understanding familial love and finding Ruslan’s father. During the journey, Indonesian rebels, as well as Ruslan’s uncles, tell Ruslan the way his mother has died by saying, “Let me tell you something. Your mother ... died as a fighter, a rifle in her hands” (Lewis 167). The author implies that Ruslan does not know how the maternal love is crucial by mentioning that his mother has died as a soldier when he was little. However, he recognizes that the maternal love is vital that the children must receive. Ruslan mentions that “[All the mothers] love the children all the same” (Lewis 138). Contrastingly, Sarah disagrees to Ruslan’s statement because she was born at “a pregnancy at the wrong time” (Lewis 139). In this sentences, the author implies that the characters have been living in the contrary familial environments by stating the characters’ opposite thoughts and opinions with different perspectives. On the other hand, both of them have the exact same distress even though they have been living in the contrary environment because they share the same painful experiences. After then, he tries to understand the mother love by sympathizing Sarah’s distresses about her familial love. Thereafter, Ruslan shows the sympathy towards Sarah by saying “You don’t have to worry about [that your mom did not love you]. I know because I know you” (Lewis 219). The readers can infer that he grasps Sarah’s struggles by sensing the sympathy from the quote on above. Consequently, Ruslan comprehends that the familial love is an essential element for him by going to a journey to find his father and meet someone who is having the same trouble as him. The author interprets the way how the familial love is being conveyed as an essential element to him in a pessimistic way by introducing speculation about the opposite perspective from Sarah. Ruslan and Sarah have an opinion crash about that “[Sarah’s] mother did not love [Sarah]” (Lewis 219). From this opinion crash, there are two perspectives with different opinions are being proposed as can be seen above. At that instant, the different point of views that are created by the contradictory ideas form affinity between the characters by perceiving each other’s trials, and leading into their biggest goal, which is to find Sarah and Ruslan’s parents. As a result, the author conveys the importance of familial love by developing a contrast between the characters.
To extend further, the author develops the character of Sarah who realises the criticality of familial love even though she has the past full of pain. Sarah mentions about the day when she has found her mother’s diary, then she introduces one of the sentences from the diary that shows her mother’s hatred towards Sarah, which is “My resentment of this child within me borders on hate ... I don’t want to have it” (Lewis 152). Sarah was born because of her mother’s accidental pregnancy. thus her mother hates Sarah. Because of the fact that her mother hates Sarah, the readers can infer that she is having a hard time understanding the mother love. In order to overcome the problem, she discusses and figures out with Ruslan who is in the same situation. As the evidence, the third person narrators explains the way she feels sad and sheds tears when Sarah sees “sketch of … her mother” (Lewis 224) that Ruslan drew as “The water of grief came rushing in” (Lewis 225). The author implies her sadness towards her mother by using an implied metaphor. Along with, the author conveys the value of the familial love in an emotional way by the use of figurative language through describing the sadness and forgiveness towards mother’s unjustifiable behaviours against her child with “the water of grief” (Lewis 225), which made the teardrops into a metaphor. In addition, the narrator explains that “Sarah saw all the love that her mother had always had for her [in the Ruslan’s sketch]” (Lewis 224). This denies her anxiety towards her mother, which entails her forgiveness towards her mother’s behaviors. The author makes the tear that she sheds into a metaphor when she sees sketch of her mother by using the word “water” and “grief”, which simply means “water of sadness.” From the figurative language, the readers can infer that she finally succeeds to understand and forgive her mother by dropping tears when she looks at the painting of her mother. As a result, by sharing the same painful experiences with someone, and discussing the trouble with somebody else, she comprehends that the value of love never changes even though there are hatreds in the familial relationship. Through their discussions about their situations, the author demonstrates the characters’ opinion about familial love.
Furthermore, the author highlights the significance of familial love by using figurative language. To give an example, the narrator describes Ruslan’s dream as “the nightmare...” (Lewis 1). Moreover, the narrator mentions the monster (Lewis 2) appearing in Ruslan’s nightmare as black (Lewis 2). Since the monster is the main troubles of the story and the term repeatedly comes out in the story, “monster” is the symbol of the book. Black and the term “monster” figuratively symbolise the character’s anxiety towards the nightmare. Lewis uses a metaphor to show the Ruslan’s fear and anxiety towards the tsunami by describing the monster that comes out in his nightmare; however, ironically the monster brings everyone together through their shared pain and distress. Sarah says about her mother “She did her best, I know. Why can’t I feel? Am I a monster?” (Lewis 219), and in this context, the word “monster” is also being used by the author to describe someone who cannot understand and feel the necessity of the mother love. The author implies that the symbol contains multiple hidden meanings, not just simply one meaning. One is “nature as monster”, which makes the tsunami itself into a metaphor. The disaster of tsunami strongly welds the relationship together. Besides, another one is “people as monster”, which makes people’s anxiety towards the distress of the familial love into a metaphor. The monster in terms of “people’s anxiety” also bonds the relationship between the characters by making them realize that the love is the imperative substance and it leads them to solve each other’s problems. Even though the monster contains two different meanings in different ways, it is being figuratively described as a negative figure. However, the monster bonds the character's relationships as well. Additionally, the narrator mentions Ruslan’s reaction towards the familial love as “floating off the ground” (Lewis 210). When Ruslan gracefully reunites with his father, the author implies that there is a feeling of happiness towards the realisation of the familial love. He does this using the descriptive word “floating”. According to Maya Angelou in Oprah’s interview, she mentions that “[She has] learned that regardless of [one’s] relationship with [one’s] parents, [one will] miss them when they're gone from [one’s] life.” (Angelou, interview) The happiness of the reunion and the quote from Maya Angelou states the necessity of the parents in people’s lives. No matter what kind of the relationship that he has had, the necessity of the familial love from his parents does not change at all. Thus, the author recounts us the priority of the familial love by using the figurative and descriptive language.
In conclusion, through the use of character development and figurative language, Richard Lewis conveys the significance of empathy and familial love in the lives of Ruslan and Sarah. The importance of familial love is being told by describing the nightmares of the tsunami, which is the main cause that bonds the family relationships through the use of irony and the figurative language. Next, the author describes the happiness towards the realisation of the familial love’s value with descriptive languages. Further, the both of the characters debates and discusses about their distresses towards the familial love throughout the journey. As they discuss their experiences, both of them figure it out the importance of familial love. And they give sympathy towards their painful pasts and experiences, then they success to comprehend each other’s unbearable pressures and problems. The literary devices that Richard Lewis used in Killing Sea led the reader to conclude that familial love is a strong magical potion that welds the relationships together.
Works Cited
Lewis, Richard. The Killing Sea. New York: Simon & Schuster for Young Readers, 2006. Print.
"Oprah’s Interview." Interview by Oprah Gail Winfrey. A Very Special Woman - MAYA ANGELOU. Alan’s Dream Writings, 1 Oct. 2012. Web. 5 Dec. 2016.