As Lorraine's bloody crusade rages on, Julien spirals into an abyss of drunken despair. Genevieve has betrayed him, and he has lost hope of ever finding the Holy Grail. But Inquisitor Moricant hasn't given up, and he's hot on Julien's trail! Little does Moricant know the power of the Church is crumbling in the face of the raging war. He isn't as safe as he believes. Meanwhile, the Duke of Lorraine faces disaster upon defeat. His dreams of world domination - and his very life - hang from the slightest thread.
Arvid has worked on everything from film to video games, but he’s best known for his original comics title, Rex Mundi, published by Dark Horse Comics. The Band of the Crow has occupied his creative memory banks ever since Rex Mundi ended.
The volume captures what makes Rex Mundi so special - history, theology, and world war wrapped in the noir aesthetic of 1930s French cinema. We're firmly out of the dark, claustrophobic alleys of Paris now, and into the wilderness, where the secrets of the House of Lorraine await Julien and Genevieve.
Juan Ferreyra’s art is the perfect complement to the writing. His detailed landscapes, Piranesi-esque cathedrals, and evocative likenesses make the characters feel eerily real. The story’s mood — heavy with religious mystery — is rendered with painterly grace. Nelson gives the art room to breathe, letting readers sink their teeth into the (blue) apple.
In Volume Five, Julien Saunière flees to a remote and isolated mountain village, where he discovers shocking truths about Genevieve and the Grail. Great setup for the final act.
Blending the chaos of revolution with mystical revelation, Arvid Nelson and Juan Ferreyra deliver a visually stunning penultimate installment to Rex Mundi.
I have no idea where good reviews are coming from. Did we read same book? Anyway ...
-vampires, werewolfs - that comes out of nowhere, soon Nelson will give us dragons, elfs and griffons (oh wait a second - he did!).
-war ended in such a ridiculous way, looks like writer had never read a history book in his life or even watch decent war movie. It's so stupid - it's insulting.
-'Grail' plot - wasn't much to begin with, now it's completely disintegrated in an ocean of idiocy.
-main characters (Sauniere, Gen, Lorraine) one dimensional caricatures - comic books from 50's had more depth than this drivel.
The story line moves toward conclusion in this book. Dr. Saunière gets closer to finding the Grail and we learn that some people know more about his past (knowledge that even the Doctor is aware of). One other character shows us that they too will be key in the final book. The artwork seems better in this book.
I absolutely love the story but can't help but be distracted by the constant changing of artists and the look of the characters and the story overall. Nevertheless, I loved it, can't wait for the next one. Oh, spoiler, this one introduces supernatural elements.
The plot keeps on moving the appropriate pace; great scene/double spread to end the book. The prologue story with vampires/werewolves was a little jarring. I realize this is a book with magic, golems, etc.; for some reason, I just found the werewolves and vampires to be out of place.
So silly, but I'm nearly finished so I might as well persevere. Now we have vampires and griffins, so it really is the kitchen sink. The constant changing of Moricant's eye colour would be a clue or plot point in another book, but I'm pretty sure it's just one of the many, many mistakes.
The penultimate collection turns almost everything around, introduces some new elements and generally is freakin' great. Creepy, inventive, violent, fascinating....
Increasing weirdness, but also good pacing are making for a good climax to the story. This is well structured, which I find is often a flaw in graphic novels storytelling.