Singer Mel Tormé was a good friend of Buddy Rich’s, although like all of Rich’s friends, he also went through periods of estrangement. Rich was notoriously prickly, but he was also known as one of the great jazz drummers, perhaps the best in terms of technique. His story is amazing in many respects, as he began performing on Vaudeville stages with no instruction (Traps! The Drum Wonder!) before his second birthday, ending up as jazz musician, against his parents’ wishes. He became a featured side musician in jazz big bands and ultimately fronted his own band for many years. Rich was a friend of Johnny Carson’s and appeared many times on the Tonight Show, giving him an audience unmatched among jazz musicians.
The book is engaging, and Tormé has a number of important strengths as an author, especially his personal involvement with Rich and the cooperation of his family in writing the book. Tormé got some of his material literally from Rich’s deathbed, and he was on his way to the hospital to visit him when the news came out that Rich had died. Tormé was an amateur drummer, and he explains to the layperson why Rich’s technique was so superb.
However, Tormé is a singer and not a professional writer, and this comes across in a number of ways. There is a certain amount of magazine-style breathless writing and jokiness that is slightly annoying. (I was surprised to be reminded that Tormé has actually written a number of books. His editors should have beaten this tendency out of him.) Furthermore, Tormé does not research some important events in Rich’s life. Rich’s first wife comes and goes literally in the span of a paragraph. Rich’s strange entrance and departure from the armed forces in World War II are not really explained. And there are important musical events that Tormé does not discuss, such as Rich’s performances with Charlie Parker, which may be his most historically important recordings (though they are Parker’s dates and not Rich’s). Presumably there is an official music historian or professional writer out there writing a more complete biography.
That said, this book offers a personal perspective that cannot be matched by that biography (if it exists) and is well worth reading for jazz fans and in fact anyone interested in an amazing life story. If we get a bit tired of Rich’s temper and self-centeredness by the end, this is probably an accurate reflection of his life and personality.