The author preceded Elizabeth Hallam at the Public Record Office and was an authority on the Tudor period. Here, he examines the workings of the court under Henry VIII, the consummate Renaissance prince and master of kingship, absolute head not only of the secular nation but of the English church, as well — "a prince ruling in the image of God." Personal monarchy always implies a court and Henry surrounded himself with talented people, both in his household and in the machinery of government, so that a study of the former goes a long way to explaining the latter. Henry made the court dominant over the rest of the kingdom, and he himself thoroughly dominated the court, making it the center of English cultural as well as political life. Where earlier kings had to deal with the great landowners in their distant domains, Henry brought them to him, where they could plot and scheme and quarrel under his eye and have their energies directed to tasks of the king’s choosing. To be banished from court, denied access to the king, was the greatest blow a courtier could suffer, short of the Tower. Williams explores all these themes in depth, from Henry’s use of musicians and the place of his queens’ ladies in waiting to his control over his chief ministers and prelates of the church. And throughout the narrative are woven the lives of the Howards, Clintons, Greys, Courtenays, Cromwells, Poles, Percys, Seymours, Stanleys, Staffords, Veres, Russells, Nevilles, and other leading aristocratic families.