Apparently, when things go bad for Shan Fong-Mirage, they go bad fast. Really fast.
Never mind the shapeshifting beast on the Other Side and the warmth-feasting demons eager to escape said realm. Never mind all that. Just in general, whenever Shan screws up while trying to do herself right by others, things tend to go bad. Fast.
In DOCTOR MIRAGE: SECOND LIVES, it's Shan's effort to bring her ghost husband Hwen to a more corporeal form that lands both Mirages in a bit of a bind. Not to say that unearthing a centuries-old scroll, filled with countless curses and incantations, is a particularly bright idea . . . however, both Shan and Hwen, however long they were separated, remain head-over-heels in love with one another.
SECOND LIVES is more straightforward than the previous volume. Previously, readers were forced to acclimate to Shan's exploration of a time and place that possessed no physical boundaries and no temporal points of reference. Here in SECOND LIVES, the story's events take place in the land of the living. And as an added benefit, Hwen provides smart and informative commentary on the magical goings-on of Shan's spellcasting.
Of limited intrigue then, is how this volume centers around a rogue wizard, long-contained in a scroll, now set free to pursue his quest for immortality -- a notion not particularly original. The fact that Shan and Hwen are the reason for his release means that SECOND LIVES, overall, is plot driven. This is not necessarily a harbinger of an unenjoyable comic book; however, it does mean that characters have little or no power to change the projected course of events.
On the plus side, Van Meter writes Shan and Hwen with very distinct voices. The dialogue is plentiful but rarely gets in the way of the narrative. It is a curious skill, of this writer, to weave conversation as nimbly as she does, with characters as diversely in conflict, as is so often the case in dimension-spanning fantasy adventure titles.
Perhaps this is what makes the book enjoyable from the get-go: it can be read with the jittery, flickering pace of a film or television program, or pursued with the wary, cautious pontification of a literary novel.
Shan is knowledgeable and is conscientious of the boundaries she must cross so as to evince a truth, however minute, worthy of being held in advantage against her adversary. She isn't always successful and sometimes she's a little greedy, but that's okay, because she's always doing what needs to be done and she's doing her best; because she's a flesh-and-blood human. At least, for now.