It's been quite some time since I read the novel of the same name, yet a lot of the events in this graphic novel align perfectly. This focuses more on two Red brother, Ta-Kumsaw (a warrior) and Tenskwa-Tawa (the prophet first known as Lolla-Wossiky).
The art is extremely realistic, which I like. The colors of nature outside of towns is fantastic. But there is a lot of text which doesn't work for graphic novels so much. I found myself ignoring a lot of the art and just reading. It makes this comic much less of a summary and more of a retelling of the novel itself. Also, it's weird that both the artist and colorist change halfway through, though I understand that as far as individual issues go. It was also a break in the story.
It's an alternate universe of our own world, and magic - or having a "Knack" - is very real.
We are exposed to early America, and how Whites and Reds live together. Though, not quite in harmony. There is a treaty that says that no one sells likker (liquor) to Reds, yet Hooch Palmer through Bill Harrison does so. Hooch is a whisky runner on the Hio River.
Harrison calls the area of Wobbish a state, with Carthage City as its capital. This is important in that areas in the U.S. changed based on how many believed in a town/city/state's truth.
Ta-Kumsaw speaks the truth: Whites steal the Reds' land and English law says that's punishable by death. The Reds have been there for thousands of years; their land is being encroached.
Through his thoughts, he explains why likker is so bad for Reds - it cuts off their connection to nature, and no longer allows them to hear the green and see the magic. It's very sad to read of how numbing and addicting the likker is.
I forgot Andrew Jackson is also in the story. He wants to push the Reds west, but doesn't want to kill them for the sake of it, like Harrison does. It gives me a grumbling respect for Jackson.
Ta-Kumsaw is determined to gather his Red brothers who have not succumbed to being a whisky-Red and push the Whites back.
Lolla-Wossiky has a secret of his own.
The brothers' quests lead them to a boy named Alvin Miller, the seventh son of a seventh son - a title more than birth order, as it holds much magical power. He's a White boy with Red powers.
The minister, Reverand Thrower, is shady. My memories about him came back, even though some of the worst of it isn't until later in the series.
Tenskwa-Tawa becomes a door to truth, a door to the unity between all men and land. He has a lot of visions, even to the point of nearly time traveling along different possible futures - and the past.
The change in colorists and artists didn't break the flow like I feared it would. The story really picked up in the second half of this volume and I found myself being swept along.
Everything going on in town after Alvin Jr. and Measure are taking is very, very scary. It's a testament to the very real emotions and behaviors that must have occurred between the natives and white settlers.
I love that Adam and Eve are portrayed as being black. It's perfect for where they are thought to be from.