The novel “Run” by Rich Restucci was a very fast-paced, averagely told, yet somewhat entertaining zombie story that managed to bring a few interesting twists to the genre, but ultimately little else.
The Writing:
For the most part the writing in this novel was serviceable. I felt like it was at its best during the first few chapters, then it started to get lazier as the novel progressed until it became almost straight info-dumping through character expositions. It came across as the author maybe losing interest half-way, or really just wanting to churn out the rest of the book as fast as possible.
The biggest weakness Restucci’s writing suffers from however is poor dialogue. In almost every instance it comes across as stilted, robotic and unbelievable. During a phone conversation in which Rick’s wife stresses multiple times that the signal could cut out at any moment, she still finds it necessary to snap at him for calling her “Honey”. Beyond this there was also the issue that every character sounded like the same person, but I’ll talk more about this later.
There were quite a few spelling and grammatical errors as well, which I’m normally pretty lax about for self-published titles unless it’s excessive, but I was surprised to learn that this novel wasn’t actually self-published. This threw me off guard a little as the writing quality (in my opinion) didn’t seem up to standard for what I expect from professional publishing houses.
Overall, while I personally didn’t find myself enjoying Restucci’s straight-to-the-point, almost comic-book like writing style, it still managed to do its job and convey the narrative.
The Characters:
This novel hosted an abundance of characters, almost all of which blended together entirely. Most of our protagonists seemed like clones of one another, with the exceptions of those whose personalities were so blown out of proportion they practically became caricatures i.e. Martingale and Doc Murda.
There was a serious lack of depth or diversity applied that you could probably cut out half the characters, give their dialogue and actions to whoever remains, and it would be unnoticeable that anything changed. It certainly didn’t help that the author used so many similar sounding names:
Meara, McInerney, Martinez, Martingale and Martin.
Abbey, Ali and Anna
Boone and Barnes
At first, I also thought Mike and Meara were two separate individuals because the author kept jumping back and forth whenever addressing the character. Basically, the overflow of characters who all sounded and acted the same wasn’t handled well.
The characters who were given their own stand-out personalities however were memorable, if not a little overplayed and stereotyped.
The novels recovering psychopath is one of these stand out personalities, even if a little unrealistic and the representation of his mental illness questionable. Despite this lack of focus in his characterization, Billy still came across as an entertaining individual. In fact, I would even go as far as to say he was the saving grace of this novel. His personality was comparable to that of Jim Carey and he definitely made the biggest impression out of all the characters. Which is unfortunate because it seems that Rick Barnes is being established as the MC of this story, despite coming across as bland as all the other one-dimensional characters and practically doing nothing once he gets to Alcatraz.
As for the garbage truck driver, the woman they saved and the guy they found sleeping in the cinema? I can’t even recall their names, let alone what happened to them once they reached the island.
The (main?) antagonist of the story was another potentially interesting character, however his lackluster reasoning for wanting to target the working class and his stereotypical evil for the sake of being evil attitude got old fast. Also maybe it’s an American thing that I don’t understand but it came across weird to me that all hostile survivors were described as “gangbangers”.
Whilst majority of the characters were just void shells going around doing things and saying stuff, I can attest that the few interesting character that were present were compelling enough to carry my interest through to the end. It would have made a great deal of difference however if the number of characters were cut down or at least given some more depth.
The Story:
I’m in two minds of how I feel about the narrative in this book. It ticks the boxes for a lot of outplayed stereotypes in the genre.
- Cops and military listing off excessive info about guns? Check.
- Hostile survivors somehow happy operating under a dictatorship that treats them terribly? Check.
- Survivors holing up in a fortified building and having to defend themselves against undead and people? Check.
- Possibility for a cure or vaccine being the overarching storyline progressor? Check.
However it also had a few interesting twists to throw into the mix that kept me reading.
The timeline of events was questionable as well and it felt like everything was happening far too quickly. I don’t mean this in a good way unfortunately, (like conveying a sense of urgency during the outbreak, although this was actually done quite well in the beginning) but rather a psychopath off his meds developing a caring relationship for a child after less than a day.
The rapid pace definitely wasn’t helped by characters repeatedly bursting into tears one second, only to seemingly completely recover less than a moment later. In one scene a child was crying to his mother about not wanting to go back outside where the zombies are. A few lines later, with no descriptors of his emotional state, he’s replying “K.”
This type of storytelling lacks emotional density, but works well for action oriented novels, which I think is what this book was trying to sway towards. If that’s the case, it’s a shame that a lot of the action scenes were somewhat messy and hard to follow. Despite this they still managed to pack a punch that kept me flicking through the pages though.
Towards the end of the book however, it felt like nothing was really resolved and not much got done besides a few survivors and the military showing up at Alcatraz. Because of this the book should be marketed as a serial as it ends on a cliffhanger and has no real beginning/middle/end structure on its own. This (to me) always comes across as a cheap, manipulative ploy to sell more books. Sometimes it works, in this case it didn’t. Because of the many reasons listed I will not be continuing on with this series.
Despite the many drawbacks pulling down the quality of Restucci’s work, he’s still managed to craft an entertaining zombie novel with a relatively unique spin on the genre. It meets the quality of a self-published title so it’s a little jarring to see a publishing house listed in its details. Usually I would be more critical of a professionally published book, however I’ll give the author the benefit this time. Very interested to see how other books published by Severed Press compares though.