Alice Miller's book, The Drama of the Gifted Child (later, The Drama of Being a Child), has become a classic in the field of child psychology and a gift to any adult struggling to come to terms with the traumas of their childhood. In writing it, Miller took on her profession, identifying child-rearing practices as abusive and laying out their consequences for individuals in their adult lives and for whole cultures.
As her thinking evolved, Miller understood and advocated for the healing of the wounded child in the adult body, continuing to lay out the impacts across whole societies when people who were brutalised in childhood become adults and step into positions of power. Her examples are very much of her era, including Hitler, Stalin, and Ceausescu. Contemporary examples are easy to find at the time I am writing this review.
It is easy now to see how much progress has been made in our understanding. This includes our understanding of the impacts on brain development of childhood abuse. Miller's messages about the impact on the body of ignoring inner messages precede van der Kolk's The Body Keeps the Score. Her messages about the importance of having at least one adult witness are consistent with Carl Rogers's teachings. The work of Jaak Panksepp, Robert Sapolsky, Steven Pinker, Stephen Porges and many others could sit comfortably alongside Miller's work. Writing in the 1980s and 1990s, Miller was far more lonely and this is reflected in the tone of her writing in this book, which is by turns passionate and despairing.
If we look at the wider arc of time, it is easy to see that adults alive today had parents brought up with parenting styles that are now deemed abusive. Whole family systems still beat to the drum of coercion and blame. We have come so far. We still have a long way to go. Whilst this book is largely an addendum to her previous body of work, it remains true that her work, including this slender volume, remains important.