John Farris originally wrote Baby Moll in 1958 under the pen name Steve Brackeen. Hard Case Crime wisely chose to republish this masterpiece in 2008. The cover painting on the Hard Case Crime edition is by Robert McGinnis, one of the top pulp cover illustrators.
Farris wrote numerous novels beginning in 1956 under both his own name and under the name Steve Brackeen. His earliest works included The Corpse Next Door, The Body on the Beach, Baby Moll, Danger in My Blood, and Harrison High. Three of his books have been made into movies, including The Fury, directed by Brian De Palma and starring Kirk Douglass, John Cassavetes, and Amy Irving.
One of the greatest things that Hard Case Crime has done is introduced a legion of pulp and crime fiction fans such as myself to authors we never previously heard of and had never read anything by before.
This book is terrific pulpish greatness from page one all the way through to the end of the book. The first line in the book, in fact, tells the reader huge amounts of information and sets the tone and mood for the book: "We had fun that day, the day Rudy Mask turned up in Orange Bay to reweave the net that held me to the past." That there, my friend, is the story in a nutshell and tremendous foreshadowing. Pete used to work for the mob in Florida and, particularly, for a hood by the name of Macy. Pete one day decided to retire and leave that life behind and work a small fishing shop on the coast and settle down with a beautiful girl. He thought that he had left his past behind him, but your past never leaves you. It encircles you and keeps ensnaring you in its tentacles.
The opening of the book is just terrific. Pete and Elaine have spent the day on a boat in the calm waters of the pass and had hunted south along the coast for snook and later had settled on a beach for rest and a swim. Elaine "was good to watch. A tall girl with long legs, a smooth straight walk. She wore a blue bathing suit, cut high at the firm thighs, fitting snugly over the slender curve of waist and small breasts. Made to run, quick and laughing, along the beaches, to lie in the sun that nourished her slender strength, [Pete] had found her on a beach, and had known the ache of wanting something so much that the long months of waiting were almost unendurable." She knows something is bothering Pete, but he can't tell her that he has a past and that it is about to catch up with him and rip their peaceful sheltered life to shreds.
The story includes lots of action, knifings and shootouts and mob rivalries. There are a number of femme fatale types, including one that haunts Macy's house: "[Pete] could see just enough of her to make [him] wish [he] could see more. The face was probably beautiful. The bone structure seemed good. She made no effort to move further away from [him]."
The story flows smoothly and I think it is all but impossible to put it down long enough so that you don't finish it in one day. All in all, a great read and highly recommended pulp-era reading.