14-year-old magician in training, Timothy Hunter, is in America. Having left home in hopes of drawing all the craziness that’s surrounded his life the past two years away from his friends and family, Tim Hunter met a man who gave him the opportunity to travel anywhere in the world he wanted. Tim chose America. More specifically he chose to visit Zatanna, one of the DC Universe’s most powerful magicians, and former member of the Justice League.
What he didn’t expect when he got to the States was to meet Leah, the former succubus who used to live next door to Tim in England.
He decides to travel with Leah because, well, she’s got transportation and it beats being 14 and alone in a foreign country. Along the way, they have some small adventures, like being confronted by Cupid in a new, ghetto incarnation, packing automatic weapons that shoot chocolates and threaten to make people fall in love.
They camp out in the desert one night, where they find a dying mermaid, and then Tim and Leah are both sent on spiritual journeys that will determine their fates in life as well as, in Tim’s case, re-write part of the past in order to help him get to his future.
Meanwhile, Tim’s girlfriend Molly is still in Faerie awaiting her contest with the fool Amadan. The fairy folk begin to grow more enchanted with Molly as the days go by, and the Queen, getting jealous of the attention being shown Molly instead of to the Queen, attempts to humble the girl. But those attempts backfire and Molly charges into court, seething to the point that everything she touches bursts into flame.
Of all the collected BOOKS OF MAGIC volumes so far, I think Book 5: “Girl in the Box” is the most surreal. I don’t know if something got lost in the translation from script to art to page, or if there was an editing glitch somewhere along the way, but the last two chapters of this book (issues 31-32 of the series) read more like a hallucinatory drug trip than a comic book series that’s supposed to make sense. I know the status quo for the Vertigo line of books was insanity and trippiness, but in this case, it felt like there was more going on than what writer John Ney Rieber had anticipated and he wasn’t sure how to work in his subplots, so he just kind of made it crazy, and then crapped out on the climax and resolution; we get to a point in Tim’s adventure where, instead of seeing what’s next, we suddenly jump ahead to Tim and one of the subplot characters sitting in the desert and Tim telling her basically, “So me and this magical creature went back in time and changed a couple things and…”
What? I didn’t see that part. What are you talking about? How long did this take? Why wasn’t it included in the story? You’re gonna flash forward past THAT?
I call foul.
Overall, the collection just felt packed with too much going on, but too little payoff in the end. I attribute this to its being a SERIES and not necessarily having been written for easy trade paperback packaging. So instead of a complete story with beginning middle and end, we’re only shown a 7-part piece of a larger whole.
It’s a GOOD 7 parts, no doubt about that--THE BOOKS OF MAGIC is a really good series when you can read it all in one shot--but as far as trade collections go, there’s just a sense of cohesion and completeness this one lacks.
The Peters Gross and Snejbjerg share art duties, with Gross working the first couple issues, then both collaborating for the middle few, then Snejbjerg taking over for the last two. Gross is still definitely the more solid of the two, with Snejbjerg’s final issue looking way too cartoony.
With THE BOOKS OF MAGIC 5: “Girl in the Box”, John Ney Rieber is definitely taking his book in some bold new directions, and upping the weird factor sevenfold. I’m not entirely convinced it works, not just yet, and certainly not when this collection contains only the prologue and first 6 chapters of a much larger story (“Rites of Passage”), leaving the reader with about a dozen questions at the end. But as a series, I’m still enjoying it and looking forward, once again, to what’s next.