Rating: 5 / 5
I. Could. Not. Stop. READING!
It's been a very long time since I've read through an entire novel in one day, and yet, I just couldn't put this one down. The hook for it was interesting--the inquisition and heresy (and possibly hypocrisy, which usually goes along with the two)--but the execution of it (if you'll pardon the pun), was far better than what the summary prepared me for.
I don't even know where to begin with describing just what it was that I loved about this book, so pardon me if what I list out below is in random order.
First of all, Dolssa is not the heroine. Well, she is, in a way, but most of the story is told from the point of view of Botille, who is arguably a more interesting character, despite being regarded as plain, especially in comparison to Dolssa, by just about everyone in the novel. Very quickly, I was drawn more to Botille's side of the story, cared more for her wants and worries, her family and friends, her life in general. Dolssa, in comparison, to me seemed kind of like a spectre, or, indeed, a religious figure: central to the plot of the story, of course, but always distant in some way, never fully there. The descriptions of Dolssa in some parts indeed attribute her some otherworldly qualities based on how others see her, but it's more than that. The only way I can explain it is by saying that Dolssa has very few truly human moments in the book that make her relatable. Most of the time, she's lost in a dreamlike reverie, craving for her "beloved", in the form of "Senghor Jhesus" himself. Botille, on the other hand, is very much real, reveling in both the good and bad qualities of herself, making the best use of her talents and using them to her advantage. She is identified as being far below Dolssa in many ways though, whereas most of the time, I see her just as average, with a little extra wit, whereas Dolssa is more like a statue in a cathedral than an actual human being: beautiful to look at, but hard to describe otherwise, apart from her religious symbolism, or, in this case, devotion.
One of the few human moments that Dolssa does have is in relation to Friar Lucien, who is, for all intents and purposes, the villain of this novel, the "mad friar". Honestly, I would prefer referring to him as "Frollo Junior" (from The Hunchback of Notre Dame, by Victor Hugo), and those who read this book will understand why. Oh, he was a fanatic and unlikable and all, but when you realize that he's only a mere representation of the Church's attitudes at the time, it makes his character all the more significant and sinister. Seriously, it's frightening to think that these guys were completely in charge at the time, with a monopoly on state as well as Church. (Although, the religious figures in this novel are anything but pious, I can assure you, which, again, is quite a reflection of history--one of the many sensitive areas that Julie Berry has dug into, but successfully so, and not in an insulting manner.
The other characters are quite likable as well though, and all highly original. Botille's sisters are darlings, the townspeople of Bajas are interesting in their way of being medieval peasants, and even unexpected characters shine in the end. I'm glad that at least a few characters get a happy ending in the story, although I won't say who or what happens. Just know that it's satisfying.
The glossary of terms and names at the back of the book were very helpful. The old words that are inserted into this text do give it a more authentic feel, overall.
Other than that, I can only say that this was a well-spun tale that kept me riveted enough to want to know what happened immediately. It's really not often that I complete an entire 400+ book in a single day, and yet, for this one, I felt that I had to. It's interesting, well-written, original, descriptive, intriguing, and overall enjoyable. Please take a look if you should ever come across it--for all historical fiction lovers, especially of the medieval period, I guarantee a pleasant read.