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Ghosts and Girls of Fiction House!
The publisher Fiction House was infamous for what anti-comics crusader Dr. Fredric Wertham called "headlight comics," i.e. comics featuring the ample female bosom. The Pre-Code publisher used their buxom heroines to star in jungle comics, science fiction tales, and scary GHOST STORIES! The Chilling Archives of Horror Comics series curates the sexiest and scariest of these poltergeist-infused Good Girl Art comics in a pulse-pounding tome, Ghosts and Girls! Your hair will stand on end and at the same time your toes will curl! Featuring faithfully reprinted original art from these 1940s and 1950s by brilliant masters Matt Baker, Maurice Whitman, and more, don't miss this must-have, large format collection edited by comics historian and filmmaker Michael Price, with its lovingly restored comics.
191 pages, Hardcover
First published November 12, 2015
About the author
Various
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If an editor is known, however, Various is not necessary. List the name of the editor as the primary author (with role "editor"). Contributing authors' names follow it.
Note: WorldCat is an excellent resource for finding author information and contents of anthologies.
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Displaying 1 - 15 of 15 reviews
October 22, 2018
This was almost like two different books. The writing on the early stories were overly wordy and in some cases almost incomprehensible. The mysteries were convoluted and sometimes things happened off panel and if you missed one line of text you'd be lost. Also, the ghosts weren't your usual ghosts. They planned, schemed, held conversations and acted like annoying humans in many cases. Then in the second half of the book things changed. The writing was more concise, the dialogue was crisper, and the storylines were sensible. (If sometimes a little far out and campy.)
This entire volume follows the adventures of a supernatural detective named Drew Murdoch. Think Dr. Occult or Dr. Spektor and you have an idea, although Murdoch never displayed any supernatural powers. He investigates different mysteries involving ghosts, some of which are cool and others are just silly. The stories are all taken from the "Ghost Gallery" section of Jumbo Comics, and these stories are mostly from the early 40s. They got better as they went along, perhaps due to emerging competition from EC and other horror comics.
The art isn't bad overall, but really it's more like typical golden age comic art and nothing that really jumped out at me. These were considering risque back in the day but really I saw nothing even remotely suggestive in the majority of the stories.
Overall not a bad read, but to me this was the weakest of the horror archives series so far.
This entire volume follows the adventures of a supernatural detective named Drew Murdoch. Think Dr. Occult or Dr. Spektor and you have an idea, although Murdoch never displayed any supernatural powers. He investigates different mysteries involving ghosts, some of which are cool and others are just silly. The stories are all taken from the "Ghost Gallery" section of Jumbo Comics, and these stories are mostly from the early 40s. They got better as they went along, perhaps due to emerging competition from EC and other horror comics.
The art isn't bad overall, but really it's more like typical golden age comic art and nothing that really jumped out at me. These were considering risque back in the day but really I saw nothing even remotely suggestive in the majority of the stories.
Overall not a bad read, but to me this was the weakest of the horror archives series so far.
September 2, 2015
'The Ghosts and Girls of Fiction House!' is volume 11 in The Chilling Archives of Horror Comics by Yoe Books. It features color reprints of pre-code comics.
The book begins with some great essays to talk about the works and the artists in this book. There is a cover gallery and then lots of reprints of The Ghost Gallery featuring ghost hunter Drew Murdoch. Drew is always called in when some otherworldly menace is about, although occasionally the otherworldly is a friendly spirit that seeks to be helpful. Mostly though, they are out for revenge.
These are comics from the pre-comics code days. They were considered lurid for their cover depictions of women in peril and the gruesome nature of the stories. By today's standards, these are amazingly tame, but for their time, I suppose they had shock value, especially in the hands of young boys. The reprints are fairly good, but some seem rather off with color. I'm sure this is just based on the condition of what was able to be found and scanned. It's a fun collection to read, but the stories kind of run together after a while. I ended up reading it over a series of weeks, and that was a better way to read it, cracking it open to read one or two at a time.
I received a review copy of this graphic novel from Diamond Book Distributors, IDW Publishing, and NetGalley in exchange for an honest review. Thank you for allowing me to review this graphic novel.
The book begins with some great essays to talk about the works and the artists in this book. There is a cover gallery and then lots of reprints of The Ghost Gallery featuring ghost hunter Drew Murdoch. Drew is always called in when some otherworldly menace is about, although occasionally the otherworldly is a friendly spirit that seeks to be helpful. Mostly though, they are out for revenge.
These are comics from the pre-comics code days. They were considered lurid for their cover depictions of women in peril and the gruesome nature of the stories. By today's standards, these are amazingly tame, but for their time, I suppose they had shock value, especially in the hands of young boys. The reprints are fairly good, but some seem rather off with color. I'm sure this is just based on the condition of what was able to be found and scanned. It's a fun collection to read, but the stories kind of run together after a while. I ended up reading it over a series of weeks, and that was a better way to read it, cracking it open to read one or two at a time.
I received a review copy of this graphic novel from Diamond Book Distributors, IDW Publishing, and NetGalley in exchange for an honest review. Thank you for allowing me to review this graphic novel.
September 8, 2015
A wonderful collection of old Fiction House’s comics, starting out with a brief introduction and celebrating the joy of collecting and reading these, followed by some cover art (that the retro fan in me adores), and then some of the best stories the line offered.
I didn't find and read these growing up, sadly, but for those who did, this is a delight to visit, nostalgia, a good way to collect the old in the new, and a great way to celebrate the past stories through comics in one large hardcover.
I received this book through NetGalley in exchange for an honest review.
I didn't find and read these growing up, sadly, but for those who did, this is a delight to visit, nostalgia, a good way to collect the old in the new, and a great way to celebrate the past stories through comics in one large hardcover.
I received this book through NetGalley in exchange for an honest review.
September 12, 2022
A fun look back at some horror/ ghost comics from the 40's. Sometimes campy, sometimes rambling, always entertaining.
October 20, 2025
This Yoe Books/IDW Publishing collaboration seemed doomed almost from the start.
Craig Yoe's forward that recounts how he was first introduced to Fiction House's massive anthology series Jumbo Comics was a brilliant piece. Then we get an introduction by noted comic book historian Michael H. Price. However, his look at Jumbo Comics is a rambling mess that leads the reader to believe that they'll be experiencing stories of jungle goddess Sheena, swashbuckling tales adapted from Dumas' The Count of Monte Cristo and Mickey Mouse inspired funny animal yarns written and illustrated by comic book legends such as Al Feldstein, Bob Kane and Matt Baker. Yet all you get once you slough through about 50 pages of pre-code comics commentary,, that seems more like an commercial for the authority's other scholarly works, is a collection of spectral tales called The Ghost Gallery.
Jumbo Comics had about a dozen regular features that appeared in the publication's 15 year history. The book was known for it's voluptuous dames, thanks in very large part to Feldstein, Baker and Maurice Whitman. Yet none of these artists worked on The Ghost Gallery. Or if they did, none of their efforts are presented in this 2015 hardcover, except for a few sketches and completed pieces. Instead, one should expect to view the efforts of Alex Blum, Bob Hebberd and the famed but more anonymous staff of the Iger Shop. That's right; a lot of the work in this book was considered so beneath the staff at Fiction House, that it was sourced out to an art house and the lack of creativity and love for the source material shows.
Officially, it was titled The Ghost Gallery by Drew Murdoch. Only there was no Drew Murdoch on the Fiction House staff. He's actually the main character. You might think that he's narrating each story. But aside from the first page (and maybe the very last panel) which would have Murdoch explaining his paranormal investigations to a cynical criminologist, the author of these mortifying myths takes a more active role in the story.
The stories seemed rushed, which is how it was in the Golden Age of comics. The more pages turned out, the more money a writer, artist or inker could make. Artistically, the art isn't bad. But it doesn't stand out amongst the crowds either. Here, it's the writing which is not all that good. The plots have more holes than Swiss cheese, and there seems to be massive edits throughout the flow of the adventures. That leads me to believe that perhaps the writer had these vast plots that due to time or page allotments had to be trimmed - alot!
Thankfully, the stories get better towards the end. Sadly, the less we see of Drew Murdoch, the better the ghost tales got. Eventually, Murdoch became a phantom in his own series, though his name remained in the title. Eventually, Fiction House too gave up the ghost when the comics scare saw an end to all but a handful of publishers by the end of the 1950s.
I just wasn't a fan of this book. I tried to enjoy it and it did get better the last third of the book. But I really could have done without all of the extraneous information about both the publisher history and all the extra details on the other features that appeared in Jumbo Comics but not in this volume. It was almost like Michael H. Price wrote an essay about the entire company's publishing history in hopes that would be used in other future Yoe publications that feature the other stars of Jumbo Comics. A clever way to save money- sure. And maybe this generalized history was Craig Yoe's idea. Regardless, it is not a great way to introduce readers to what they might find inside, especially if they bought this book expecting to find works by the omitted artists praised in the prose section of the book.
Craig Yoe's forward that recounts how he was first introduced to Fiction House's massive anthology series Jumbo Comics was a brilliant piece. Then we get an introduction by noted comic book historian Michael H. Price. However, his look at Jumbo Comics is a rambling mess that leads the reader to believe that they'll be experiencing stories of jungle goddess Sheena, swashbuckling tales adapted from Dumas' The Count of Monte Cristo and Mickey Mouse inspired funny animal yarns written and illustrated by comic book legends such as Al Feldstein, Bob Kane and Matt Baker. Yet all you get once you slough through about 50 pages of pre-code comics commentary,, that seems more like an commercial for the authority's other scholarly works, is a collection of spectral tales called The Ghost Gallery.
Jumbo Comics had about a dozen regular features that appeared in the publication's 15 year history. The book was known for it's voluptuous dames, thanks in very large part to Feldstein, Baker and Maurice Whitman. Yet none of these artists worked on The Ghost Gallery. Or if they did, none of their efforts are presented in this 2015 hardcover, except for a few sketches and completed pieces. Instead, one should expect to view the efforts of Alex Blum, Bob Hebberd and the famed but more anonymous staff of the Iger Shop. That's right; a lot of the work in this book was considered so beneath the staff at Fiction House, that it was sourced out to an art house and the lack of creativity and love for the source material shows.
Officially, it was titled The Ghost Gallery by Drew Murdoch. Only there was no Drew Murdoch on the Fiction House staff. He's actually the main character. You might think that he's narrating each story. But aside from the first page (and maybe the very last panel) which would have Murdoch explaining his paranormal investigations to a cynical criminologist, the author of these mortifying myths takes a more active role in the story.
The stories seemed rushed, which is how it was in the Golden Age of comics. The more pages turned out, the more money a writer, artist or inker could make. Artistically, the art isn't bad. But it doesn't stand out amongst the crowds either. Here, it's the writing which is not all that good. The plots have more holes than Swiss cheese, and there seems to be massive edits throughout the flow of the adventures. That leads me to believe that perhaps the writer had these vast plots that due to time or page allotments had to be trimmed - alot!
Thankfully, the stories get better towards the end. Sadly, the less we see of Drew Murdoch, the better the ghost tales got. Eventually, Murdoch became a phantom in his own series, though his name remained in the title. Eventually, Fiction House too gave up the ghost when the comics scare saw an end to all but a handful of publishers by the end of the 1950s.
I just wasn't a fan of this book. I tried to enjoy it and it did get better the last third of the book. But I really could have done without all of the extraneous information about both the publisher history and all the extra details on the other features that appeared in Jumbo Comics but not in this volume. It was almost like Michael H. Price wrote an essay about the entire company's publishing history in hopes that would be used in other future Yoe publications that feature the other stars of Jumbo Comics. A clever way to save money- sure. And maybe this generalized history was Craig Yoe's idea. Regardless, it is not a great way to introduce readers to what they might find inside, especially if they bought this book expecting to find works by the omitted artists praised in the prose section of the book.
January 12, 2018
Anyone interested in the development of American comic books and their history will appreciate this book. It's an excellent package, well researched with some great text pieces in the front section detailing the history of Fiction House publishers and some of the artists it employed for their comics line.
Fiction House had a reputation at the time for "headlight comics", books that focused on ample female bosoms- most notoriously the Sheena comics. However, there's really not much of that on display here, and these illustrations are very tame compared to later works. There's also no depictions of gore or excessive violence, as the anti-comics crusaders of the time were worked up about.
There is good story-telling here, considering the format used. There's quite a bit of story and character introduction in these short 8-10 page stories. That also didn't leave much room for the art to shine because of the large amount of small panels per page. However, there are exceptions and this is a great book to study and compare to later works.
The reprints all feature the 1940's The Ghost Gallery stories featuring supernatural investigator Drew Murdoch in the Jumbo Comics title. Many of the stories suffer from dumping too much information into them, but they are still impressive. Unfortunately, none of the reprints reveal the writer credits. But the artists are known and credited. Most of the stories were illustrated by Alex Blum, and it's interesting to view his style and development. He utilizes odd-shaped panels and overlapping images on several of the pages.
This edition also includes cover reprints of Fiction House's Ghost Comics from the 1950's.
Ghosts And Girls of Fiction House is part of The Chilling Archives Of Horror Comics, many compiled by comics historian Craig Yoe, and released by IDW Publishing. It's a series worth looking into for admirers of this unique American art form.
Fiction House had a reputation at the time for "headlight comics", books that focused on ample female bosoms- most notoriously the Sheena comics. However, there's really not much of that on display here, and these illustrations are very tame compared to later works. There's also no depictions of gore or excessive violence, as the anti-comics crusaders of the time were worked up about.
There is good story-telling here, considering the format used. There's quite a bit of story and character introduction in these short 8-10 page stories. That also didn't leave much room for the art to shine because of the large amount of small panels per page. However, there are exceptions and this is a great book to study and compare to later works.
The reprints all feature the 1940's The Ghost Gallery stories featuring supernatural investigator Drew Murdoch in the Jumbo Comics title. Many of the stories suffer from dumping too much information into them, but they are still impressive. Unfortunately, none of the reprints reveal the writer credits. But the artists are known and credited. Most of the stories were illustrated by Alex Blum, and it's interesting to view his style and development. He utilizes odd-shaped panels and overlapping images on several of the pages.
This edition also includes cover reprints of Fiction House's Ghost Comics from the 1950's.
Ghosts And Girls of Fiction House is part of The Chilling Archives Of Horror Comics, many compiled by comics historian Craig Yoe, and released by IDW Publishing. It's a series worth looking into for admirers of this unique American art form.
February 19, 2018
Interesting as a piece of horror comic history, but the repetition of the Drew Murdoch mysteries gets old really quickly. Stories where “it may be a ghost but we’ll never know” I find much less engaging than ones that just go for it.
October 5, 2015
Risqué? Maybe a little; but not by today's standards.
But are they sexist?
It's interesting that in so many of these sexy girl comics, the heroine is the strong character. She's not waiting for a man to save her. She's not here simply for men. Do they pass the Bechdel test? I don't know. More on that later.
Famed indie comic author Trina Robbins noted "most of [Fiction House's] stories either starred or featured strong, beautiful, competent heroines. They were war nurses, aviatrixes, girl detectives, counterspies, and animal-skin-clad jungle queens, and they were in command."
Ghosts and Girls gives the interesting history of Fiction House comics. It even has a pulpy vibe to the writing. It describes how Fiction House set the pace for horror comics but newer publishing houses like EC seemed to be the ones that started the genre.
It's interesting how many big comic names contributed to these before creating the superheroes they were known for - like Jack Kirby or Bob Kane.
But then, for me, the confusion started. About 10% of this book is essay - describing some of the interesting history noted above. In this section, it would have been good if the covers shown could have related to the text. For example, when he talks about Bob Hebberd's googley eyes, it would have been good to see an example rather than Jumbo Comics #164, which isn't even mentioned in the text.
But then, the hardest thing to figure out about this book is the structure. It appears to be a couple of essays on Fiction House followed by examples of some of the comics. (And I'm assuming that the covers following the section on Maurice Whitman, though it should be more explicit, at least in the captions.) Then next 10% is these example covers.
And then, more than 75% of this almost-200-page-book is actual comics.
I've never really read any of these old horror books. They're pulpy and fun.
Ye gods! Bullets won't stop the thing! It's a ghost beast!
Though sometimes a bit confusing; the grammar isn't the best and there's often a lot going on - who killed who and when?
And to be honest, after reading several of these stories they get a bit tedious. Why? Because, they're all about Drew Murdoch, Ghost Hunter. Maybe this book should have been called "Ghosts and Drew Murdoch of Fiction House."
Are the several comics shown here the best examples of Fiction House fare? A random sampling? An intro to each one might have been good. And maybe a closing the book ends with the last page of the last comic.
Unfortunately, none of the comics were good examples of what the essays were talking about. The closest we get to strong women is the Cleopatra story where she curses those that have defiled her grave. Other than that, it's just a bunch of ghost stories being investigated by our intrepid ghost expert Drew Murdoch.
This book would have been much, much more interesting if the essays had tied to the comics somehow - and if the text was more explicit about it.
Thanks to NetGalley, Diamond Distributors, and IDW Publishing for providing a copy for an honest review.
But are they sexist?
It's interesting that in so many of these sexy girl comics, the heroine is the strong character. She's not waiting for a man to save her. She's not here simply for men. Do they pass the Bechdel test? I don't know. More on that later.
Famed indie comic author Trina Robbins noted "most of [Fiction House's] stories either starred or featured strong, beautiful, competent heroines. They were war nurses, aviatrixes, girl detectives, counterspies, and animal-skin-clad jungle queens, and they were in command."
Ghosts and Girls gives the interesting history of Fiction House comics. It even has a pulpy vibe to the writing. It describes how Fiction House set the pace for horror comics but newer publishing houses like EC seemed to be the ones that started the genre.
It's interesting how many big comic names contributed to these before creating the superheroes they were known for - like Jack Kirby or Bob Kane.
But then, for me, the confusion started. About 10% of this book is essay - describing some of the interesting history noted above. In this section, it would have been good if the covers shown could have related to the text. For example, when he talks about Bob Hebberd's googley eyes, it would have been good to see an example rather than Jumbo Comics #164, which isn't even mentioned in the text.
But then, the hardest thing to figure out about this book is the structure. It appears to be a couple of essays on Fiction House followed by examples of some of the comics. (And I'm assuming that the covers following the section on Maurice Whitman, though it should be more explicit, at least in the captions.) Then next 10% is these example covers.
And then, more than 75% of this almost-200-page-book is actual comics.
I've never really read any of these old horror books. They're pulpy and fun.
Ye gods! Bullets won't stop the thing! It's a ghost beast!
Though sometimes a bit confusing; the grammar isn't the best and there's often a lot going on - who killed who and when?
And to be honest, after reading several of these stories they get a bit tedious. Why? Because, they're all about Drew Murdoch, Ghost Hunter. Maybe this book should have been called "Ghosts and Drew Murdoch of Fiction House."
Are the several comics shown here the best examples of Fiction House fare? A random sampling? An intro to each one might have been good. And maybe a closing the book ends with the last page of the last comic.
Unfortunately, none of the comics were good examples of what the essays were talking about. The closest we get to strong women is the Cleopatra story where she curses those that have defiled her grave. Other than that, it's just a bunch of ghost stories being investigated by our intrepid ghost expert Drew Murdoch.
This book would have been much, much more interesting if the essays had tied to the comics somehow - and if the text was more explicit about it.
Thanks to NetGalley, Diamond Distributors, and IDW Publishing for providing a copy for an honest review.
September 7, 2015
I received this book through NetGalley in exchange for an honest review.
This books is FANTASTIC. Anyone who has ever enjoyed the old “Headlight Comics” filled with buxom women running from monsters, ghosts and/or bad guys, will love this book. It contains complete stories of many of Fiction House’s best comics, and a great collection of the old artwork.
When I was young my mother let me pick out two comic books from the store every week (I usually chose Uncle Scrooge) but I also got to pick two for my dad. He liked the comics with the gorgeous women on the front, and I always lovingly chose the comic with the most beautiful woman chased by the scariest monster/man I could find that week. Then, on the way home in the car, I would quickly pore over my dad’s comic before I had to turn it over to him. These women were shaped just like my Barbies at home, but always wore their dresses and nightgowns ripped to shreds, and their faces were much more beautiful than my Barbies’. I was in love from age 6.
This book begins with some history of the headlight comics, and contains a small gallery of old covers in vivid color. Then follows many of the greatest full stories from the comics.
For any collector, for anyone who remembers and enjoyed these comics, or for any young man from the age of 12 and up, this book would be an amazing, treasured gift. I cannot wait for it to be in book stores, this is one I need on my shelf. This is a solid FIVE STARS.
This books is FANTASTIC. Anyone who has ever enjoyed the old “Headlight Comics” filled with buxom women running from monsters, ghosts and/or bad guys, will love this book. It contains complete stories of many of Fiction House’s best comics, and a great collection of the old artwork.
When I was young my mother let me pick out two comic books from the store every week (I usually chose Uncle Scrooge) but I also got to pick two for my dad. He liked the comics with the gorgeous women on the front, and I always lovingly chose the comic with the most beautiful woman chased by the scariest monster/man I could find that week. Then, on the way home in the car, I would quickly pore over my dad’s comic before I had to turn it over to him. These women were shaped just like my Barbies at home, but always wore their dresses and nightgowns ripped to shreds, and their faces were much more beautiful than my Barbies’. I was in love from age 6.
This book begins with some history of the headlight comics, and contains a small gallery of old covers in vivid color. Then follows many of the greatest full stories from the comics.
For any collector, for anyone who remembers and enjoyed these comics, or for any young man from the age of 12 and up, this book would be an amazing, treasured gift. I cannot wait for it to be in book stores, this is one I need on my shelf. This is a solid FIVE STARS.
November 2, 2015
Another good-looking book from Craig Yoe, though the contents are mostly mediocre. Comics publisher Fiction House is more noted for its fetishistic imagery -- Sheena and other frequently bound heroines -- than for the quality of their stories. The contents of this volume, episodes of "The Ghost Gallery" from the multi-featured Jumbo Comics, are a mixed bag of supernatural and faux-supernatural tales, mostly featuring ghostbuster Drew Murdoch. The early samples have far more plot than any 10-page comic story needs and the art is solid but unexceptional. A couple of later entries are inked by Matt Baker or penciled by Jack Kamen, though both artists executed vastly better work in other places. The introductory material is uneven and really doesn't do much to improve the contents' pale appeal. My favorite pages are the cover reprints of Fiction House's later title Ghost Comics, where some of these stories were reprinted.
February 2, 2016
A collection of artwork and covers from
pre CCA( comics code authority)
- cough-
-fascists-
What we now consider to be nostalgic
or retro
was at one time bleeding edge
pushing the boundaries of good taste
and what was permissible in a much more uptight
and controlled time
The artwork in this volume
is fun in the 21st C but back when it was 1st
published it was shocking and unnerving
to the sensibilities of the time
Aside from the fact that I enjoy retro art
and really loved this book
Seeing how far we have come
as an artistic society
is interesting
Of course I know there are still
plenty who would be appalled
at these works
but I believe they are a shrinking minority
I hope at least
pre CCA( comics code authority)
- cough-
-fascists-
What we now consider to be nostalgic
or retro
was at one time bleeding edge
pushing the boundaries of good taste
and what was permissible in a much more uptight
and controlled time
The artwork in this volume
is fun in the 21st C but back when it was 1st
published it was shocking and unnerving
to the sensibilities of the time
Aside from the fact that I enjoy retro art
and really loved this book
Seeing how far we have come
as an artistic society
is interesting
Of course I know there are still
plenty who would be appalled
at these works
but I believe they are a shrinking minority
I hope at least
September 23, 2015
A great way for fans of these comics and those who are new to it. It is a fantastic collection of Fiction House comics. The book starts with a brief introduction then retro comics cover art. Then comes my favorite part -- complete stories of the comic books that fiction House produce. This is a book not to be missed!
Disclaimer: I received an arc of this book free from the author/publisher from Netgalley. I was not obliged to write a favorable review, or even any review at all. The opinions expressed are strictly my own.
Disclaimer: I received an arc of this book free from the author/publisher from Netgalley. I was not obliged to write a favorable review, or even any review at all. The opinions expressed are strictly my own.
September 28, 2015
I loved reading these older comics from back in the day. This book would be a great addition for collectors.
November 3, 2015
An enjoyable collection of occult detective Drew Murdoch stories.
May 5, 2016
I was pretty disappointed with this collection. The gallery of covers was nice, but the stories were just dull and the art nothing special; very little in the way of horror or headlights.
Displaying 1 - 15 of 15 reviews