Lost Girls is a hard look at human trafficking, sex tourism, voodoo, and slavery. What it is not is what it says on the cover - it's not a Sherry Moore novel.
It's a serious subject that George Shuman tackles in Lost Girls, and a subject worth looking at. It's modern-day slavery at its absolute worst and something that is largely ignored today. It is a sad and shameful truth of the modern world, that the buying and selling of women as property goes on unpunished. It's a tale worth telling well, in a way that makes people pay attention, and nothing does that better that a viewpoint we can understand and sympathize with. In Sherry Moore, we should have had one ready made.
Sherry Moore - the blind woman who can touch the dead and see the final 18 seconds of their lives, the featured character we've come to know through two good stories so far. We've come to know her and understand her unique situation and to feel for her. I've come to expect good stories from her.
In Lost Girls, however, Sherry is barely in the first 100 pages of story (almost half the book), and still isn't the focus in the latter half. I would have liked to see a lot more of her in this story. Told through her eyes, this could have been even more harrowing, frightening, and shocking. Instead, what we have is a tale diluted by multiple viewpoints and narrative voices, one which struggles to find its center the whole way through, while Sherry Moore herself is reduced to little more than a literary device used to advance the plot.
There was potential here - there was a dramatic story to be told (perhaps one that needed to be told), and a character that could have been a great vehicle for it. Through Sherry Moore, the unforgivable crimes of human trafficking, sex tourism, and slavery could have been revealed to us as they were to her, layer by disgusting layer, a whole world of depravity gone ignored for too long. When the result is a bland, unfocused story that limps from point A to point B and struggles to cross the finish line, I can't help but be a bit disappointed.
George Shuman deserves credit for trying to take on a hard subject. In the end, though, I came for a Sherry Moore story, like it says on the cover, and I didn't get one. If I had, it would have been a much better way to tell the story he wanted to tell.