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596 pages, Paperback
First published January 1, 1975
A) to heal the Enlightenment/Cartesian duality of mind/body, spirit/nature which makes subjective man's feelings and customs a part of objectified nature, andThis Romantic German Ideal was a fusion between the radical freedom of Kantian morality—reason in transcendence choosing the moral law as against our desires and inclinations—on the one hand, and the Expressivist goal of a communion of man with those innate desires and inclinations in the natural world—and his fellow man in community—on the other. A spiral voyage from the early unreflective and universal Greek purity of subjective and objective union to a higher stage of colligation through the unfolding of history—in a manner of speaking, a merging of Kantian subject and Spinozist substance.
B) in opposition to the Enlightenment's negative freedoms—of the subject from impositions by the state, religion, etc—the promised positive freedoms of artistic self-expression; and
C) that our subjective self might be at one with the nature of which its body is a constituent part; seek a communion with greater nature at the material and spiritual levels if we are to be authentically expressive and fully-realized; and
D) to replace atomistic, morally self-sufficient individuals in external relations with each other with a similar communion of shared experiences and bonds of unity—a fellowship in lieu of a rights-laden individual.
1) Nature possessed in itself of a petrified spirit in the process of self-realizing via man, andThis squaring of the circle could never be successfully managed by the Romantic predecessors to, and peers of, Hegel; it was left to him to come closest to crafting a system reconciling these two strains without the one overwhelming or proving antinomial towards the other.
2) Man must be the vehicle of Geist without being thusly rendered incompatible with his vocation of rational autonomy.