When I finished The Disappearance of Haruhi Suzumiya, I found myself with a problem. I was excited to find out what happens next: How does Yuki deal with her actions? What happens when Kyon goes back in time to save himself? How do the other Brigade members react to Kyon's experience. But the English translation of the fifth book wouldn't be out for another week -- and then it'd be another six months for the volume after that. Meanwhile, books 10 and 11 just came out in Japan last month, but at the current pace the American versions won't be out until 2013 and '14.
Luckily, there are dedicated otaku in Japan who like to improve their English skills by translating stuff for American fans. So after a little Googling, I have the first nine books on my Kindle and the next two should follow in short order.
Yes, I know I'm a bad person. For what it's worth, my copy of book 5 should arrive in the mail this week, I already have 6 on pre-order, and I plan on buying the rest as they come out. I'd actually recommend that anyone who enjoys the series read both translations as they complement each other quite well. The difference is rather like that between anime dubs, where the goal is to make the story accessible to the widest audience, and subtitles that try to adhere as closely to the original dialogue as possible. This is most obvious in the use of honorifics -- Kyon-kun, Tsuruya-chan, Okabe-sensei -- which the official version drops almost entirely, but there are also a number of Japanese cultural terms that the bootleggers retain as well -- a quick search of the Disappearance bootleg turns up numerous instances of "senpai" in the text, while the official version uses "upperclassmen," which is technically accurate but kinda loses the flavor. Conversely, the official translator has a much better grasp of English idiom and slang, which makes the text flow smoother. For example, here's a passage that really stood out to me in Disappearance:
The second visit actually came before the first one chronologically, so I obviously got skills.
Whereas the fan translation renders this as:
The second visit happened earlier on the timeline than the first, which is some accomplishment to me.
I suspect the second more accurately reflects Tanigawa's words, but the first does a much better job of capturing smart-ass Kyon's tone.
Anyway, after that long preamble, on to the book itself, which turns out to be another short story collection. First up is:
Endless Eight: The summer vacation that began in "Remote Island Syndrome" is winding down. Kyon returns from visiting family and wants nothing more than to spend the last two weeks of August resting and slowly chipping away at the large pile of homework he's been avoiding all summer. But Haruhi has other plans. She orders the SOS Brigade to convene for a final fortnight of highly regimented fun.
As they work their way through Haruhi's itinerary -- day at the swimming pool, check; day at the Obon festival, check; night watching fireworks, check -- Kyon starts to feel deja vu. Nor is he the only one -- Mikuru and Koizumi feel it as well. When they ask Nagato about it, she confirms that they're stuck in a Groundhog Day loop. These last two weeks of August have in fact lasted almost six hundred years. Haruhi wants summer to last forever, and so she's subconsciously been resetting the timeline on the last day of vacation and wiping everyone's memory, including her own. But the process isn't 100% effective, and with every iteration the Brigade members have an easier time realizing something's up. That might sound good until you consider that, according to Nagato, they've been consistently figuring things out for the past 8000 cycles. That's 300 years and they haven't come up with a way to defuse Haruhi.
(Nagato herself has been aware of what's going on since the beginning, thanks to her link to the Data Overmind, but because she's on Earth to observe Haruhi, she only explains the situation when someone asks her.)
I understand the anime adaptation of this story is highly controversial since the producers decided to stretch the story across eight episodes -- more than half a season -- replaying the same scenes, reanimated but with only slight variations, for three hours. Tanigawa wisely limits the short story to just the final iteration and keeps it under fifty pages.
Day of Sagittarius III: The Computer Society wants back the computer that Haruhi extorted from them in the first book, so they challenge the SOS Brigade to a LAN battle using a computer game they designed. To sweeten the pot, the Computer Society offers four brand new laptops if the Brigade can beat them. Seeing as the stakes aren't that significant and Haruhi isn't so invested in the game that she'll destroy the universe if she loses, Kyon suggests that the Brigade play this fair with no cheating.
The game turns out to be a space-based RTS. Haruhi naturally wants to command the flagship, which means that if she gets herself killed, the whole team loses. The problem here is that Haruhi's knowledge of military strategy seems to be derived from reading about the Little Big Horn, Balaclava, and Nagoshino and then emulating the losers. Koizumi and Kyon have to put as much effort into protecting Haruhi as fighting the enemy, while Mikuru ... well, Mikuru's from a post-Singularity future, so for her mastering the game is like learning to drive a chariot or weave on a pre-Jacquard loom. Which leaves Nagato to win the game while staying within Kyon's no-cheating stricture.
Snow Mountain Syndrome: The story begins a week after the events of Disappearance with the Brigade visiting Tsuruya-chan's family ski chalet. On the first day, Tsuruya-chan offers to look after Kyon's little sister while the others go skiing, but after a few hours on the slope an unexpected blizzard blows in. The Brigade tries to make it back to the chalet but they become hopelessly lost, with even Nagato's sense of direction failing.
They finally stumble upon a mansion. But though the lights are on, no one answers their knocks. When Haruhi tries the door, she finds it's unlocked. She instructs the others to get warm while she and Kyon go searching for the inhabitants. But after exploring each floor, they can't find anyone at home. Returning to the entrance hall, they find Mikuru freaking out and even Koizumi is worried -- although Kyon doesn't think he was gone more than thirty minutes, three hours passed for the rest of the Brigade. Nagato and Koizumi performed an experiment and determined that there are temporal variances within the mansion, causing time to flow at different rates. Nagato claims the mansion has properties similar to Closed Space, but it is not caused by Haruhi -- and worse still, whatever is responsible has blocked her connection to the Data Overmind.
When I saw this was another collection of short stories, my heart sank, especially when I realized the first story is set before Book 2. After the awesomeness of Disappearance, I wanted the plot to move forward, not backtrack four months. After reading the book, I have to say my misgivings were misplaced. Two-thirds of the stories (accounting for three-quarters of the text) shed new light on the previous book.
"Endless Eight" provides insight into what Yuki's problem was in Disappearance -- even for an alien AI, 600 years of repeating the same events has to take a toll, yet Yuki is unable to express her frustration. Kyon even references this story in Disappearance when discussing how much Yuki's changed since May.
At about a hundred pages, "Snow Mountain Syndrome" is the most substantial story in this collection, over half the length of Disappearance and with far more plot development than Sigh. With a little connective material, this story could easily be combined with "Charmed at First Sight" and "Where Did the Cat Go" from the next volume to make a full-on novel.
The story marks a major turning point in the series. Up until this point, the SOS Brigade hasn't faced any external threats -- Koizumi and Nagato have dropped hints about rival factions who aren't so sanguine about Haruhi's existence, but none of them have appeared on stage (unless you count Asakura's freak out). But here the Brigade is attacked by a new and as yet unknown force -- a force powerful enough to incapacitate Yuki.
And in addition to that new development, we also get a follow-up on Disappearance. As of the start of this story, Kyon and Nagato haven't told anyone about the alternate timeline, not even Mikuru who's going to have to help them close it off. But despite their silence, it's obvious that something's happened between them. Haruhi is the first to ask Kyon about it, though she of course jumps to the wrong conclusion and Kyon has to spin a tale to satisfy her. He later confesses the situation to Koizumi in a rather touching scene.
And speaking of touching scenes, one of the funniest bits in the story is when the Brigade tries to sleep in the house and each is visited by the apparition of another member. Kyon, of course, is visited by a ghostly Mikuru who tries to seduce him, while Haruhi sees Kyon. After that it gets interesting. Koizumi, in a line sure to launch a thousand slash fics, admits that he too was visited by a Kyon: "You appeared in my room as well. The appearance might have been you, but the behavior was just terrifying... anyways, you did things that you wouldn't do." Mikuru meanwhile found a specter of Haruhi in her bed, and when asked, Nagato simply looks at Kyon and says, "You."
Only "Day of Sagittarius III" doesn't add much insight into the events of Disappearance, but that's mainly an issue of placement. The story ends with the President of the Computer Society asking Nagato to join. Yuki clearly wants to take up the offer, but Haruhi objects until Kyon and Koizumi both rebel. If this took place after winter break, this would be a major development for post-Disappearance Nagato, but instead it takes place just after the Cultural Festival, which makes it hard to see how it connects to Yuki's progression from "Endless Eight" to Disappearance.