Now, I will admit that I went into Green & Deadly Things with deadly high expectations, not only because of its killer premise, but also because Jenn Lyons is the author who gave me A Chorus of Dragons, which will forever live rent free in my heart and soul. This time, we get necromancers, a holy knight school, sentient killer trees, and the promise that history got it all wrong. On paper, this is the stuff I want injected into my veins, but in reality, it is just… aggressively fine, which somehow hurts even worse than if it had been a total trainwreck.
To give credit where it is due, Green & Deadly Things opens strong. A plant zombie attack at a magical knight academy is a bold introduction, and the early chaos is immediate and cinematic. The forests awakening and devouring the faithful have me genuine horror energy, and if you enjoy fantasy that hits the ground running and never looks back, this absolutely delivers. For me, though, the relentless pace came at the expense of emotional investment, and I soon found myself yearning for something to hook me beyond just the cool factor of it all.
It definitely helped that we got to experience this all through Mathaiik’s eyes though, who instantly gave me disaster golden boy knight energy. He is raised within the rigid doctrine of the Idallik Knights, trained to believe necromancy nearly ended the world and must never rise again, only to be confronted with the fact that history may have lied. I found his internal conflict quite compelling, especially as his magic and personal trauma started to intersect with a much older cycle of destruction. I do have to say that I felt like Lyons was going for more depth than I felt, and I just kept waiting for that gut punch moment where it would all click.
Enter Kaiataris, one of the allegedly destroyed Grim Lords, who has been napping under the fortress like a very dangerous secret. The second Math reawakened her, the book significantly improved for me, and their dynamic quickly became the highlight of Green & Deadly Things for me. I mean, an ancient necromancer with sharp edges, dry authority, and inconvenient truths accidentally becoming magically linked with a devout young knight just screams tension, and when Lyons allows them space to talk rather than fight, I was completely locked in.
Honestly, I just wanted the entire book to slow down and let them be complicated together, but instead we get a romance that goes from zero to soul bound in what feels like a long weekend. Even with the magical bond and high stakes, their level of eternal devotion on a one-week turnaround just gave me emotional whiplash and did not feel earned. They also often read younger than the gravity of their roles demands, and I felt like that really undercut what could have been a far more layered connection. In my opinion, a slower burn would have really amplified the tragedy and the intimacy, and all things are better with more yearning if you ask me.
Still, you cannot accuse Lyons of lacking imagination, and just as when I read The Sky on Fire, I am utterly in awe of how much she packed into such a tight standalone story. The sentient necromancy plant magic is grotesque and gorgeous, the horror imagery is dark and unsettling, the lore is surprisingly rich, and the concept of cyclical catastrophe gives the story an almost mythic scope. Also, I loved that the queer-normativity in Green & Deadly Things is handled with the same effortless confidence Lyons has shown before, because I will always value that.
Moreover, Lyons sure knows how to keep you on your toes, and every time I was flirting with the idea of putting the book down, I found myself getting pulled back in by a new little twist or intriguing bit of foreshadowing. There is also no denying that the thematic resolution has bite and that the final revelations land with satisfying brutality, and I effortlessly blasted through the last half of Green & Deadly Things in one afternoon. Although I don’t know if that really counts as praise, because I honestly have to admit that I am not sure if I devoured it out of pure excitement or out of a wish for it to be over already.
Ultimately, I can’t really say if it was a book problem or a me-problem, but I just did not enjoy Green & Deadly Things as much as I desperately wanted to. That said, I still love Jenn Lyons and I will absolutely read whatever else comes out of her scarily imaginative and wildly ambitious mind. This might not have been the perfect fit for my slow-burn loving heart, but if you like the sound of a fast-paced and darkly fun standalone fantasy adventure with strong ideas, twisted greenery, and a romantic core, I would definitely give this one a shot.
Thank you to Tor UK for providing me with an eARC in exchange for an honest review. All opinions are my own. Green & Deadly Things is scheduled for release on 5 March 2026.