Historical novels based on real-life witch trials seem to be very popular at the moment; I can think of several I’ve read just in the last two or three years. The King’s Witches is another and takes the slightly different approach of telling the story not only of the so-called witches, but also of the woman married to the man behind the witch hunts, King James VI of Scotland.
The novel opens in Denmark in 1589, where Anna, daughter of King Frederick II, is preparing for the arrival of the Scottish ambassador who will escort her across the sea to her new life in Scotland. Anna is betrothed to James VI and before leaving Denmark, they undergo a handfasting ceremony by proxy, with the Earl Marischal standing in for James. Setting sail for Scotland a few days later, Anna’s ship is hit by violent storms and is forced to turn back several times. Witches are blamed for summoning the winds in an attempt to stop the new queen from reaching her destination and by the time Anna eventually arrives in Scotland the fear of witchcraft is becoming widespread.
In the town of North Berwick, another young woman, Jura, is working as a maid in the Kincaid household. Jura has inherited her mother’s skills as a healer and knowledge of herbs and charms, but when the whispers of witchcraft grow louder – and the unwanted attentions of her master become more difficult to avoid – she is forced to flee to Edinburgh. However, escaping both the witch hunts and the Kincaids is not going to be easy…
The King’s Witches is narrated by both Anna and Jura, as well as a third woman, Kirsten, who is Anna’s lady-in-waiting and accompanies her on the journey from Denmark. Kirsten has been to Scotland before, but is very secretive regarding what happened during her previous visit and we will have to wait until later in the book for her full story to emerge. Kirsten and Jura are both fictional characters, but Anna (usually known as Anne of Denmark) was obviously a real person. However, Kate Foster doesn’t stick entirely to historical fact; for example, the real Anna was only fourteen years old when she married James VI, but Foster makes her slightly older at seventeen. She also uses the Celtic tradition of handfasting, which expires after a year, to introduce the idea that Anna was ‘on trial’ and the marriage would only go ahead if she managed to please James. I didn’t feel that this – or the fictional lover Foster creates for Anna – was really necessary or added much to the book and I would have preferred Anna’s story to follow the facts, considering we already had two other entirely fictional viewpoint characters.
The witchcraft aspect of the book is interesting, particularly the connection between the North Berwick witch trials, in which Jura is involved, and previous trials in Germany and Denmark which inspired James VI to take similar action. The storms that delay Anna’s voyage to Scotland in the novel really happened and really were blamed on witches. The King’s paranoia increases until he decides that the town of North Berwick (not to be confused with Berwick-upon-Tweed, by the way) is a nest of witches plotting to kill him, possibly in league with the Earl of Bothwell, and eventually more than 70 people are implicated. Foster explores all of this not just from the perspective of Jura, who is directly affected as a suspected witch, but also Anna from her position close to the King, and Kirsten, who provides a sort of bridge between the two worlds.
Even with the addition of the Anna and James angle, this book felt a bit too similar to other books I’ve read about historical witches, but obviously that won’t be a problem if you haven’t read as many of them as I have! I did still find it enjoyable and will have to look for Kate Foster’s first book, The Maiden, which I haven’t read.