Ok, so it didn’t look promising… a 25p second hand book, printed in the 70s with a terrible cover – the guy “jumping from danger” looks like a daddy-dancer if I ever saw one. And it’s a BBC tv series according to the book cover, which makes you think it must be a tv tie in and therefore a bit rubbish. I’ve never heard of the tv series or this book series, Quiller before.
It was actually quite a surprise! It was a pretty good spy story. It’s set in the late 60s in West Germany and it’s about a spy, Quiller, who works for some British spy agency. He’s in there to solve some mystery about fighter planes. He’s an interesting character in that he is so into his job. He has no life outside of it – no family, friends or anything. And he’s so anylytical. All the time, he’s working out the possibilities of escape, analysing what people say or do… or all the science behind the different kinds of cars in the car chase, and his chances of getting away and what he needs to do. It just made it all really interesting and feel real.
It’s an old, sun-stained little book with a few of the pages threatening to fall out, but this book is older than I am and I hope it is looked after and gets a few more readers yet.
In the meantime I feel the need to quote a passage here that I really liked!
“I subscribe to Coue, Maltz and the Frenchman who said sit u neux to peux. They all make the same point but Coue put it quite well: in any contest between the imagination and the will, the imagination always wins.
We’ve tested this out in training sessions using alcohol, electric shock techniques, artificially induced fatigue states and varying degrees of auto-hypnosis. An example would be: if the ship’s been sunk under you and it’s a ten mile swim to the shore, you’ll stand more chance of getting there by using imagination instead of will-power. You can grit your teeth and will yourself to do it but the command is conscious and your subconscious is on board for the trip and it can be a lead weight it it’s left to its own little games: once it starts brooding about the black silent fifty-fathom void below your body the will-power is going to lose a lot of steam. But if you bring in the subconscious to work for you it means the imagination will be programmed in and in the place of lead weight, you’ve got yourself a propeller. Feed it the key-image ‘shore’ and you’re there already, prone as a log and coughing up water but safe and alive.
Maltz confirms that the nervous system can’t tell the difference between a real and an imagined experience. If this weren’t true they could never produce a burn-mark on the back of the leg with an ice-cube by convincing the subject that it’s a red-hot poker and they do it every day at St George’s as a change from making tea.
The trick isn’t fool-proof because so many other factors are in play: your personality patterns, state of mind, so forth. If only works with some people some of the time.”
P71.
2016: taken from my 2008 bookcrossing journal