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417 pages, Kindle Edition
First published January 12, 2015

Eve has become the object of one person’s obsession. Someone who finds her extraordinary, and thinks about her every hour of every day. Who believes the two of them have a special relationship. Who would kill for her — again and again...
“Well now, this must be love. You sharing the biscuits.” “They’re cookies. Biscuits are hot bread you smother in butter or gravy. Remember which side of the Atlantic you’re on, ace.”


"Bloody bollocks to that."


J.D. Robb book Nora Roberts has turned out in a while. While I've enjoyed the last few books, they'd mostly settled into the comfortable groove that a long-running mystery series with a large built-in audience tends to, being more about hanging out with characters you like than providing a compelling story. (Even
DELUSION IN DEATH, about a terrorist/mass murderer with ties back to the Urban Wars, ultimately turned out to be about one resentful loser's ego - and I found
NEW YORK TO DALLAS to be really disappointing given how important to the series arc it should have been!) 
Rapture in Death), Eve and Peabody quickly eliminate any alternative motive, then get down to the uncomfortable (for Lt. Dallas) business of reading through her voluminous fan mail to try and find potential suspects. (Turns out Eve's been getting fan mail pretty much since she started attracting media attention - none of which she reads, because being in the spotlight makes her uncomfortable! She gets even
more
uncomfortable when she reads how her fans view her, and what they'd like to do with/to her....) 
Conspiracy in Death in his flop - word leaks of the fan letters Lt. Dallas is getting, and she has to do a press conference. Before the press conference she tells her squad of the case, and they all volunteer to help sort through the endless piles of correspondence she's gotten - and to consider other possible angles to narrow it down some. Feeney and McNab start running algorithms to narrow the field, as does Roarke from he and Eve's home computer lab, and a list of possible suspects starts to emerge - a multiply-married female computer geek who decided Eve should be her first lesbian experience, a criminology professor who thinks sex enhances crimefighting, and ex-cop who's charged every person she's ever worked alongside with sexual harassment, and so on....
Portrait in Death), fails due to Hastings having a new girlfriend staying over, the turn against Eve and her friends happens - very quickly. While NYPSD Departmental Psychiatrist Dr. Mira is a bit surprised at it happening so fast, she explains her suspicions that The Killer identifies so closely with Lt. Eve Dallas that she or he may have started to imitate her. During the interview with Hastings he refers to the person who attacked him as "she" and "her" - and for Eve, another big piece of the puzzle drops into place as she realizes the killer is likely a female.
Origin in Death, but characters and events that reach back as far as the earliest days of the In Death stories. Seeing Eve reconnect with people she hasn't talked to or even thought about in years gives this case a depth and richness that I really enjoyed, along with the reveal of The Killer and her motivations (yes, it's a "she").


While Obsession In Death is a winner and one of my very favorites.......would really, really like to see lots more ROARKE in #41!!!
See if you can find the wrongfully used "puss" and "wail".Whoa, this is the first time Eve has ever considered bringing in Roarke's coffee brand for her people. I do like her reasons for rejecting it. What indeed would be the fun?
As Jenkinson says, "'Nobody effes with our LT. Deal with it,' he told Dallas, then walked out."It's so sweet the care Eve takes with Mason. Then there's Tortelli's excuses, jeez. Peabody hits it on the head about Tortelli's stupidity.