So, not too long ago, I started revisiting all the older volumes of the light novels that I never got around to reading because I jumped straight to the ones after the second season of the anime. And while I got through OT1 pretty quickly and really, really enjoyed it's storytelling, I had a bit more trouble getting through OT2, but overall, I still really enjoyed the ideas it brought to the table and how it developed the characters of the series. So, I wanted to take the time once again to express my feelings on finishing the volume.
One of OT2's greatest strengths, in my opinion, is the way it sets up Touma after his memory loss, and it's probably the first major instance where one realises how poorly the anime is at depicting Touma, who seems no different before and after his memory loss in the show. In OT2, however, it is made abundantly clear how alien his older self feels to him, and how he struggles throughout the novel to actually discover what kind of person he was as opposed to the person he wants to be. Interestingly, his key to finding a connection between the "two Kamijous" is through his beliefs, which he rediscovers when he faces Aureolus and tries to save Aisa Himegami. While he may not feel the same emotional connection to the people around him, his desire to save people and leave no one behind, regardless of the personal consequences, is something that remains from his former self, and when pushed to the extreme by Aureolus, allows him to connect with an aspect of the old Kamijou.
This also helps to contextualise why Touma is so keen to save everyone around him from this point on, including most of the villains: because it's one of the only emotions and beliefs he understands from his former self - not just a knowledge of himself or the world, but an actual desire he possesses. So, it makes sense that it would take over a large part of his personality. Bear in mind that Touma was loyal to Index during OT1, but not as altruistic as he is later portrayed. He honestly considered leaving Index after Stiyl attacked him with Innocentius, but eventually found the courage to return. The way Touma is portrayed in OT2, he has little emotional attachment to the other conflicting emotions and beliefs he had before his memory loss, and thus embraces his altruistic and heroic side more rigorously, since it's the only thing he understands about his former self. I honestly regret not reading OT2 first, because it really explains Touma as a person and why he acts the way he does throughout OT and NT. Also, the way OT2 builds up the relationship between Index and Touma is extremely fascinating. Both suffer from memory loss and therefore have very few relationships with other people. However, whereas in OT1 it was mainly Touma, who had 15 years more memory than her, that acted as a cornerstone to support and guide her in a world Index barely knew and understood, in OT2 the roles are reversed. Now Index has more experience and memory of the world, and Touma suddenly has to rely on her guidance. On the one hand, this explains why they feel so attached to each other, even though they have no obvious romantic feelings yet. Each other is the only constant they have in the world and the only connection they can cling to.
On the other hand, it creates a very interesting dynamic where they both have to rely on each other to make sense of the world around them – and discover and learn about the world together, almost like two twins or siblings growing up side-by-side. It can be extremely difficult to write such a deep relationship between characters who are otherwise complete strangers to each other, especially considering that they only knew each other for a little less than two weeks at this point, without their bond feeling contrived or unrealistic. But the loss of memory makes the timeframe of their relationship irrelevant: after amnesia, your emotional attachment doesn't depend on whether you've known a person for 10 years or 10 hours. Given that Touma only has 10 days of memory, and that Index was his guide during that time, it is as if he has known her all his life. In my opinion, OT2 does a masterful job of explaining their relationship to the reader and creating a scenario in which these odd characters are bound together by fate.
There is one discrepancy I noticed, though, and I'm not sure if I've missed anything, but perhaps one of you can help me out: Stiyl tells Touma that Index used to be given to different people for a year before their memories were wiped: last year it was Touma, two years ago it was Stiyl and three years ago it was Aureolus. This doesn't really make sense to me, and seems to contradict aspects of OT1: Index wasn't with Touma all year, she only met him by chance a few days before her memory was wiped, and apparently wasn't with anyone for most of the year. Also, Stiyl always made it sound like he and Kanzaki were looking after her at the same time, not just Stiyl alone, and that the only reason they switched from building a year-long friendship to chasing her about was to make her memory loss less painful for everyone involved. So how does this statement fit in, especially when OT2 even repeats that OT1 only happened 10 days ago? Is there something I'm missing? Or a mistranslation? Or is Stiyl deliberately feeding Touma false information? Or is Kamachi just being inconsistent? If you know an answer, I would be grateful if you could help me out there.
One thing I would also like to talk about is exposition, as I feel it was a bit hit or miss in this volume. OT1 was extremely well structured in terms of how it spread its exposition over the entire length of the volume, while also moving the plot along. In OT2 we have two rather large exposition dumps at the beginning, first between Stiyl and Aleister and then between Stiyl and Touma. And, at least in my personal opinion, they drag on a bit, and I feel they throw too much information at the reader at once, forcing me to reread several pages just to keep up with all the new information. I will say that the encounter between Stiyl and Touma was a bit better, as it also included inner monologues of Touma struggling to keep his persona as the old Kamijou, but both could have been handled a bit better by embedding them more into the plot. This could be due to the fact that, as Kamachi himself says, he wrote the entire volume in 17 days, which I think shows a bit. While the story really picks up around the middle of chapter 3, the main plot before that felt a bit clunky to me once they entered the Misawa Cram School. This was mainly due to the fact that the place wasn't very clearly depicted visually, which made it confusing for me to understand where the characters were in relation to each other. The main clues the book gave us were the top or bottom of the stairs and the proximity of the lift. For me, at least, this often made it difficult to understand the exact location of the characters which is the main reason why I took a while getting through these passages. Also, the dummy Aureolus doesn't really seem to have a narrative role other than being a mid-boss that Kamachi wanted. By the end of the volume, his inclusion didn't feel necessary and was mostly a page filler until the real battle with Aureolus could take place. The Gregorian Choir, on the other hand, was an excellent way of creating tension in the middle section, while also giving necessary information that served as foreshadowing to understand how Aureolus was able to master the Ars Magna. There are a lot of really great ideas here, and I feel that with a little more time, Kamachi might have been able to rearrange them a little more to make things feel more organic and purposeful, as in OT1.
That said, the ending of the novel is excellent. The way it harkens back to OT1 and, as Kamachi himself says, creates a foil between Touma and Aurelous, where Aurelous is meant to parallel a darker side of Touma who was unable to save Index and thus went down the path he did. As I said in my review of OT1 and Jailbreaker, I really enjoy stories that don't portray characters as inherently good or evil, but rather as a result of the experiences they've had in their lives, and create cathartic moments where we can understand that if things had gone differently in their lives, they wouldn't have ended up in that situation. Creating this contrast between Touma and Aureolus works very well to help us understand and empathise with his character. Also, the whole build-up to Ars Magna was very organic. From the first rumours Stiyl talked about, where he depicted it like an academic model and explained academically why it could not be achieved; to Aureolus showing off his skills on a small scale, making the reader wonder if he actually mastered them; to Aureolus using his needles casually, creating a mystery as to why he stabs himself in the neck; to Index linking it to the Gregorian Choir that had been established and explained in detail earlier; to the way Touma finally figures out how to counter it. And what I particularly like is that Touma had the right intuition, but still needed Stiyl's help to break Aureolus' spirit, because otherwise Touma would still have died. Not only did Touma need Stiyl's help, but the volume also sends the message that it was Aureolus who defeated himself in the end. It is not easy to write a character that is as OP as "can create reality with his thoughts" and still find creative ways to resolve the conflict without making your characters seem broken or contrived. I think Kamachi succeeds here and also creates this great ambiguity with the dragons where both, the characters and the readers start to wonder whether or not it was a power Touma controlled or something Aureolus created.
All in all, while OT2 has some narrative hiccups that OT1 did not, it is still a very good volume with great characterisation, an interesting villain and an intriguing plot that organically develops the threads established in OT1 while also knitting new ones for future volumes. I also like how Kamachi took the time to explain some of the historical background that inspired him in the closing statements, and while some of it wasn't exactly historically accurate, I can certainly forgive a 16-year-old boy for not getting everything right. In general, he showed a remarkable knowledge for his age. Also, in his last sentence, he laments that Mikoto didn't have a single line. Me too, which is why I'm looking forward to OT3, but will probably cry a lot while reading it. So, see you all. And feel free to share your opinions on OT2, I would be really interested to read what you all thought of it.